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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD0D50 it is the complementary color #22F2AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD0D50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD0D50 shade: #E20D4B, #F31F5E, #FF3171, #FF4384 and #FF5597

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD0D50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD0D50 shade: #DD0D50, #CC003D, #BB002A, #AA0017 and #990004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD0D50 shade: #DD0C50, #DD0C17 and #DD0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD0D50 shade: #DD0C50, #DD0C88, #DD0CC0, #C20CDD and #8A0CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD0D50 shade matches the following richer shades: #DD0C50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD0D50 shade: #DD0C50, #CA1F56, #B7325D, #A44564 and #91586B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD0D50 shade: #DD0CC1, #DD0C8A, #DD0C52, #DD0C1A and #DD360C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD0D50 shade: #8F0833, #B60A42, #DD0C50, #F22164 and #F44880

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD0D50 shade: #DD0D50, #DDC10C and #0CA6DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD0D50 shade: #DD0D50, #52DD0C and #0C52DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD0D50 shade: #DD0D50, #DDC10C, #0CDD98 and #0C28DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD0D50 shade: #DD0D50, #BADD0C, #0CDD98 and #2F0CDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 64 / 13

HEX #DD0D50

RGB 221 13 80

HSL 340.67, 0.89%, 0.46%

LAB 47.29, 72.9, 21.77

 

Complementary color

CMYK 86 / 0 / 28 / 5

HEX #22F2AF

RGB 34 242 175

HSL 160.67, 0.89%, 0.54%

LAB 85.47, -62.22, 19.27

 

CMYK 0 / 94 / 67 / 11

HEX #E20D4B

RGB 226 13 75

HSL 342.54, 0.89%, 0.47%

LAB 48.22, 73.84, 26.24

 

CMYK 0 / 87 / 61 / 5

HEX #F31F5E

RGB 243 31 94

HSL 342.17, 0.9%, 0.54%

LAB 52.78, 76.59, 21.29

 

CMYK 0 / 81 / 56 / 0

HEX #FF3171

RGB 255 49 113

HSL 341.36, 1%, 0.6%

LAB 56.73, 77.12, 15.65

 

CMYK 0 / 74 / 48 / 0

HEX #FF4384

RGB 255 67 132

HSL 339.26, 1%, 0.63%

LAB 58.92, 73.61, 7.47

 

CMYK 0 / 67 / 41 / 0

HEX #FF5597

RGB 255 85 151

HSL 336.71, 1%, 0.67%

LAB 61.65, 69.14, 0.31

 

CMYK 0 / 94 / 64 / 13

HEX #DD0D50

RGB 221 13 80

HSL 340.67, 0.89%, 0.46%

LAB 47.29, 72.9, 21.77

 

CMYK 0 / 100 / 70 / 20

HEX #CC003D

RGB 204 0 61

HSL 342.06, 1%, 0.4%

LAB 43.02, 69.09, 27.39

 

CMYK 0 / 100 / 78 / 27

HEX #BB002A

RGB 187 0 42

HSL 346.52, 1%, 0.37%

LAB 39.13, 64.24, 33.58

 

CMYK 0 / 100 / 86 / 33

HEX #AA0017

RGB 170 0 23

HSL 351.88, 1%, 0.33%

LAB 35.22, 59.46, 39.42

 

CMYK 0 / 100 / 97 / 40

HEX #990004

RGB 153 0 4

HSL 358.43, 1%, 0.3%

LAB 31.3, 54.77, 43.53

 

CMYK 0 / 95 / 64 / 13

HEX #DD0C50

RGB 221 12 80

HSL 340.48, 0.9%, 0.46%

LAB 47.25, 72.99, 21.73

 

CMYK 0 / 95 / 90 / 13

HEX #DD0C17

RGB 221 12 23

HSL 356.84, 0.9%, 0.46%

LAB 46.57, 71.11, 52.97

 

CMYK 0 / 95 / 95 / 13

HEX #DD0C0C

RGB 221 12 12

HSL 0, 0.9%, 0.46%

LAB 46.53, 70.98, 56.96

 

CMYK 0 / 95 / 64 / 13

HEX #DD0C50

RGB 221 12 80

HSL 340.48, 0.9%, 0.46%

LAB 47.25, 72.99, 21.73

 

CMYK 0 / 95 / 38 / 13

HEX #DD0C88

RGB 221 12 136

HSL 324.4, 0.9%, 0.46%

LAB 48.78, 77.1, -10.53

 

CMYK 0 / 95 / 13 / 13

HEX #DD0CC0

RGB 221 12 192

HSL 308.33, 0.9%, 0.46%

LAB 51.2, 83.36, -40.01

 

CMYK 12 / 95 / 0 / 13

HEX #C20CDD

RGB 194 12 221

HSL 292.25, 0.9%, 0.46%

LAB 48.2, 83.12, -61.77

 

CMYK 38 / 95 / 0 / 13

HEX #8A0CDD

RGB 138 12 221

HSL 276.17, 0.9%, 0.46%

LAB 39.39, 75.8, -76.51

 

CMYK 0 / 95 / 64 / 13

HEX #DD0C50

RGB 221 12 80

HSL 340.48, 0.9%, 0.46%

LAB 47.25, 72.99, 21.73

 

CMYK 0 / 95 / 64 / 13

HEX #DD0C50

RGB 221 12 80

HSL 340.48, 0.9%, 0.46%

LAB 47.25, 72.99, 21.73

 

CMYK 0 / 85 / 57 / 21

HEX #CA1F56

RGB 202 31 86

HSL 340.7, 0.73%, 0.46%

LAB 44.53, 65.85, 13.68

 

CMYK 0 / 73 / 49 / 28

HEX #B7325D

RGB 183 50 93

HSL 340.6, 0.57%, 0.46%

LAB 42.97, 55.78, 6.6

 

CMYK 0 / 58 / 39 / 36

HEX #A44564

RGB 164 69 100

HSL 340.42, 0.41%, 0.46%

LAB 42.87, 42.36, 1.67

 

CMYK 0 / 39 / 26 / 43

HEX #91586B

RGB 145 88 107

HSL 340, 0.24%, 0.46%

LAB 44.32, 26.18, -0.84

 

CMYK 0 / 95 / 13 / 13

HEX #DD0CC1

RGB 221 12 193

HSL 308.04, 0.9%, 0.46%

LAB 51.25, 83.49, -40.51

 

CMYK 0 / 95 / 38 / 13

HEX #DD0C8A

RGB 221 12 138

HSL 323.83, 0.9%, 0.46%

LAB 48.85, 77.28, -11.63

 

CMYK 0 / 95 / 63 / 13

HEX #DD0C52

RGB 221 12 82

HSL 339.9, 0.9%, 0.46%

LAB 47.29, 73.1, 20.55

 

CMYK 0 / 95 / 88 / 13

HEX #DD0C1A

RGB 221 12 26

HSL 355.98, 0.9%, 0.46%

LAB 46.59, 71.16, 51.68

 

CMYK 0 / 76 / 95 / 13

HEX #DD360C

RGB 221 54 12

HSL 12.06, 0.9%, 0.46%

LAB 49.54, 62.42, 58.66

 

CMYK 0 / 94 / 64 / 44

HEX #8F0833

RGB 143 8 51

HSL 340.89, 0.89%, 0.3%

LAB 30.04, 52.47, 14.57

 

CMYK 0 / 95 / 64 / 29

HEX #B60A42

RGB 182 10 66

HSL 340.47, 0.9%, 0.38%

LAB 38.82, 62.98, 17.92

 

CMYK 0 / 95 / 64 / 13

HEX #DD0C50

RGB 221 12 80

HSL 340.48, 0.9%, 0.46%

LAB 47.25, 72.99, 21.73

 

CMYK 0 / 86 / 59 / 5

HEX #F22164

RGB 242 33 100

HSL 340.77, 0.89%, 0.54%

LAB 52.82, 76.35, 17.7

 

CMYK 0 / 70 / 48 / 4

HEX #F44880

RGB 244 72 128

HSL 340.47, 0.89%, 0.62%

LAB 57.49, 68.62, 7.53

 

CMYK 0 / 94 / 64 / 13

HEX #DD0D50

RGB 221 13 80

HSL 340.67, 0.89%, 0.46%

LAB 47.29, 72.9, 21.77

 

CMYK 0 / 13 / 95 / 13

HEX #DDC10C

RGB 221 193 12

HSL 51.96, 0.9%, 0.46%

LAB 78.19, -5.2, 78.28

 

CMYK 95 / 25 / 0 / 13

HEX #0CA6DD

RGB 12 166 221

HSL 195.79, 0.9%, 0.46%

LAB 63.81, -15.99, -37.66

 

CMYK 0 / 94 / 64 / 13

HEX #DD0D50

RGB 221 13 80

HSL 340.67, 0.89%, 0.46%

LAB 47.29, 72.9, 21.77

 

CMYK 63 / 0 / 95 / 13

HEX #52DD0C

RGB 82 221 12

HSL 99.9, 0.9%, 0.46%

LAB 78.19, -67.83, 74.85

 

CMYK 95 / 63 / 0 / 13

HEX #0C52DD

RGB 12 82 221

HSL 219.9, 0.9%, 0.46%

LAB 40.14, 35.37, -75.61

 

CMYK 0 / 94 / 64 / 13

HEX #DD0D50

RGB 221 13 80

HSL 340.67, 0.89%, 0.46%

LAB 47.29, 72.9, 21.77

 

CMYK 0 / 13 / 95 / 13

HEX #DDC10C

RGB 221 193 12

HSL 51.96, 0.9%, 0.46%

LAB 78.19, -5.2, 78.28

 

CMYK 95 / 0 / 31 / 13

HEX #0CDD98

RGB 12 221 152

HSL 160.19, 0.9%, 0.46%

LAB 78.5, -60.65, 21.53

 

CMYK 95 / 82 / 0 / 13

HEX #0C28DD

RGB 12 40 221

HSL 231.96, 0.9%, 0.46%

LAB 31.38, 59.57, -90.08

 

CMYK 0 / 94 / 64 / 13

HEX #DD0D50

RGB 221 13 80

HSL 340.67, 0.89%, 0.46%

LAB 47.29, 72.9, 21.77

 

CMYK 16 / 0 / 95 / 13

HEX #BADD0C

RGB 186 221 12

HSL 70.05, 0.9%, 0.46%

LAB 83.01, -33.71, 80.72

 

CMYK 95 / 0 / 31 / 13

HEX #0CDD98

RGB 12 221 152

HSL 160.19, 0.9%, 0.46%

LAB 78.5, -60.65, 21.53

 

CMYK 79 / 95 / 0 / 13

HEX #2F0CDD

RGB 47 12 221

HSL 250.05, 0.9%, 0.46%

LAB 29.63, 69.58, -92.97

 

Description

Color code: HEX #DD0D50 | qconv.com Color code: HEX #DD0D50 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 13 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 13 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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