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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD09AF it is the complementary color #22F650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD09AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD09AF shade: #E209AA, #F31BBD, #FF2DD0, #FF3FE3 and #FF51F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD09AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD09AF shade: #DD09AF, #CC009C, #BB0089, #AA0076 and #990063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD09AF shade: #DC09AE, #DC0975, #DC093C and #DC0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD09AF shade: #DC09AE, #D109DC, #9809DC, #5F09DC and #2609DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD09AF shade matches the following richer shades: #DC09AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD09AF shade: #DC09AE, #C91BA3, #B72E99, #A4408E and #925384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD09AF shade: #9909DC, #D109DC, #DC09AE, #DC0976 and #DC093D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD09AF shade: #8D056F, #B4078F, #DC09AE, #F519C5 and #F740CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD09AF shade: #DD09AF, #DC6109 and #09DCB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD09AF shade: #DD09AF, #AEDC09 and #09AEDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD09AF shade: #DD09AF, #DC6109, #09DC36 and #0984DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD09AF shade: #DD09AF, #DCA009, #09DC36 and #0945DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 21 / 13

HEX #DD09AF

RGB 221 9 175

HSL 313.02, 0.92%, 0.45%

LAB 50.29, 81.49, -31.5

 

Complementary color

CMYK 86 / 0 / 67 / 4

HEX #22F650

RGB 34 246 80

HSL 133.02, 0.92%, 0.55%

LAB 85.42, -78.55, 63.81

 

CMYK 0 / 96 / 25 / 11

HEX #E209AA

RGB 226 9 170

HSL 315.48, 0.92%, 0.46%

LAB 51, 81.86, -27.38

 

CMYK 0 / 89 / 22 / 5

HEX #F31BBD

RGB 243 27 189

HSL 315, 0.9%, 0.53%

LAB 55.6, 85.49, -31.09

 

CMYK 0 / 82 / 18 / 0

HEX #FF2DD0

RGB 255 45 208

HSL 313.43, 1%, 0.59%

LAB 59.61, 87.1, -35.59

 

CMYK 0 / 75 / 11 / 0

HEX #FF3FE3

RGB 255 63 227

HSL 308.75, 1%, 0.62%

LAB 61.96, 85.3, -42.63

 

CMYK 0 / 68 / 4 / 0

HEX #FF51F6

RGB 255 81 246

HSL 303.1, 1%, 0.66%

LAB 64.8, 82.57, -48.73

 

CMYK 0 / 96 / 21 / 13

HEX #DD09AF

RGB 221 9 175

HSL 313.02, 0.92%, 0.45%

LAB 50.29, 81.49, -31.5

 

CMYK 0 / 100 / 24 / 20

HEX #CC009C

RGB 204 0 156

HSL 314.12, 1%, 0.4%

LAB 45.96, 76.75, -27.2

 

CMYK 0 / 100 / 27 / 27

HEX #BB0089

RGB 187 0 137

HSL 316.04, 1%, 0.37%

LAB 41.8, 71.26, -22.38

 

CMYK 0 / 100 / 31 / 33

HEX #AA0076

RGB 170 0 118

HSL 318.35, 1%, 0.33%

LAB 37.58, 65.69, -17.38

 

CMYK 0 / 100 / 35 / 40

HEX #990063

RGB 153 0 99

HSL 321.18, 1%, 0.3%

LAB 33.29, 60.05, -12.15

 

CMYK 0 / 96 / 21 / 14

HEX #DC09AE

RGB 220 9 174

HSL 313.08, 0.92%, 0.45%

LAB 50.06, 81.18, -31.28

 

CMYK 0 / 96 / 47 / 14

HEX #DC0975

RGB 220 9 117

HSL 329.29, 0.92%, 0.45%

LAB 47.87, 75.48, -0.29

 

CMYK 0 / 96 / 73 / 14

HEX #DC093C

RGB 220 9 60

HSL 345.5, 0.92%, 0.45%

LAB 46.63, 72.1, 33.12

 

CMYK 0 / 96 / 96 / 14

HEX #DC0909

RGB 220 9 9

HSL 0, 0.92%, 0.45%

LAB 46.22, 70.97, 57.55

 

CMYK 0 / 96 / 21 / 14

HEX #DC09AE

RGB 220 9 174

HSL 313.08, 0.92%, 0.45%

LAB 50.06, 81.18, -31.28

 

CMYK 5 / 96 / 0 / 14

HEX #D109DC

RGB 209 9 220

HSL 296.87, 0.92%, 0.45%

LAB 50.59, 85.5, -57.22

 

CMYK 31 / 96 / 0 / 14

HEX #9809DC

RGB 152 9 220

HSL 280.66, 0.92%, 0.45%

LAB 41.28, 77.55, -72.76

 

CMYK 57 / 96 / 0 / 14

HEX #5F09DC

RGB 95 9 220

HSL 264.45, 0.92%, 0.45%

LAB 33.55, 72.12, -85.75

 

CMYK 83 / 96 / 0 / 14

HEX #2609DC

RGB 38 9 220

HSL 248.25, 0.92%, 0.45%

LAB 28.84, 69.63, -93.73

 

CMYK 0 / 96 / 21 / 14

HEX #DC09AE

RGB 220 9 174

HSL 313.08, 0.92%, 0.45%

LAB 50.06, 81.18, -31.28

 

CMYK 0 / 96 / 21 / 14

HEX #DC09AE

RGB 220 9 174

HSL 313.08, 0.92%, 0.45%

LAB 50.06, 81.18, -31.28

 

CMYK 0 / 87 / 19 / 21

HEX #C91BA3

RGB 201 27 163

HSL 313.1, 0.76%, 0.45%

LAB 46.77, 73.94, -30.16

 

CMYK 0 / 75 / 16 / 28

HEX #B72E99

RGB 183 46 153

HSL 313.14, 0.6%, 0.45%

LAB 44.69, 64.04, -27.66

 

CMYK 0 / 61 / 13 / 36

HEX #A4408E

RGB 164 64 142

HSL 313.2, 0.44%, 0.45%

LAB 43.53, 50.54, -23.08

 

CMYK 0 / 43 / 10 / 43

HEX #925384

RGB 146 83 132

HSL 313.33, 0.28%, 0.45%

LAB 44.18, 33.53, -16.24

 

CMYK 30 / 96 / 0 / 14

HEX #9909DC

RGB 153 9 220

HSL 280.95, 0.92%, 0.45%

LAB 41.43, 77.67, -72.5

 

CMYK 5 / 96 / 0 / 14

HEX #D109DC

RGB 209 9 220

HSL 296.87, 0.92%, 0.45%

LAB 50.59, 85.5, -57.22

 

CMYK 0 / 96 / 21 / 14

HEX #DC09AE

RGB 220 9 174

HSL 313.08, 0.92%, 0.45%

LAB 50.06, 81.18, -31.28

 

CMYK 0 / 96 / 46 / 14

HEX #DC0976

RGB 220 9 118

HSL 329, 0.92%, 0.45%

LAB 47.9, 75.56, -0.86

 

CMYK 0 / 96 / 72 / 14

HEX #DC093D

RGB 220 9 61

HSL 345.21, 0.92%, 0.45%

LAB 46.64, 72.14, 32.54

 

CMYK 0 / 96 / 21 / 45

HEX #8D056F

RGB 141 5 111

HSL 313.24, 0.93%, 0.29%

LAB 31.62, 58.21, -22.64

 

CMYK 0 / 96 / 21 / 29

HEX #B4078F

RGB 180 7 143

HSL 312.83, 0.93%, 0.37%

LAB 40.96, 69.89, -27.47

 

CMYK 0 / 96 / 21 / 14

HEX #DC09AE

RGB 220 9 174

HSL 313.08, 0.92%, 0.45%

LAB 50.06, 81.18, -31.28

 

CMYK 0 / 90 / 20 / 4

HEX #F519C5

RGB 245 25 197

HSL 313.09, 0.92%, 0.53%

LAB 56.23, 87.08, -34.7

 

CMYK 0 / 74 / 16 / 3

HEX #F740CF

RGB 247 64 207

HSL 313.11, 0.92%, 0.61%

LAB 59.84, 80.61, -34.76

 

CMYK 0 / 96 / 21 / 13

HEX #DD09AF

RGB 221 9 175

HSL 313.02, 0.92%, 0.45%

LAB 50.29, 81.49, -31.5

 

CMYK 0 / 56 / 96 / 14

HEX #DC6109

RGB 220 97 9

HSL 25.02, 0.92%, 0.45%

LAB 55.87, 44.58, 63.07

 

CMYK 96 / 0 / 18 / 14

HEX #09DCB5

RGB 9 220 181

HSL 168.91, 0.92%, 0.45%

LAB 78.8, -53.52, 6.66

 

CMYK 0 / 96 / 21 / 13

HEX #DD09AF

RGB 221 9 175

HSL 313.02, 0.92%, 0.45%

LAB 50.29, 81.49, -31.5

 

CMYK 21 / 0 / 96 / 14

HEX #AEDC09

RGB 174 220 9

HSL 73.08, 0.92%, 0.45%

LAB 81.95, -38.07, 79.84

 

CMYK 96 / 21 / 0 / 14

HEX #09AEDC

RGB 9 174 220

HSL 193.08, 0.92%, 0.45%

LAB 66.13, -20.67, -33.5

 

CMYK 0 / 96 / 21 / 13

HEX #DD09AF

RGB 221 9 175

HSL 313.02, 0.92%, 0.45%

LAB 50.29, 81.49, -31.5

 

CMYK 0 / 56 / 96 / 14

HEX #DC6109

RGB 220 97 9

HSL 25.02, 0.92%, 0.45%

LAB 55.87, 44.58, 63.07

 

CMYK 96 / 0 / 75 / 14

HEX #09DC36

RGB 9 220 54

HSL 132.8, 0.92%, 0.45%

LAB 76.99, -74.69, 64.32

 

CMYK 96 / 40 / 0 / 14

HEX #0984DC

RGB 9 132 220

HSL 205.02, 0.92%, 0.45%

LAB 53.74, 3.03, -53.02

 

CMYK 0 / 96 / 21 / 13

HEX #DD09AF

RGB 221 9 175

HSL 313.02, 0.92%, 0.45%

LAB 50.29, 81.49, -31.5

 

CMYK 0 / 27 / 96 / 14

HEX #DCA009

RGB 220 160 9

HSL 42.94, 0.92%, 0.45%

LAB 69.74, 11.69, 72.44

 

CMYK 96 / 0 / 75 / 14

HEX #09DC36

RGB 9 220 54

HSL 132.8, 0.92%, 0.45%

LAB 76.99, -74.69, 64.32

 

CMYK 96 / 69 / 0 / 14

HEX #0945DC

RGB 9 69 220

HSL 222.94, 0.92%, 0.45%

LAB 36.9, 43.16, -80.37

 

Description

Color code: HEX #DD09AF | qconv.com Color code: HEX #DD09AF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 9 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 9 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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