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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC7322 it is the complementary color #238CDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC7322. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC7322 shade: #E1731D, #F28530, #FF9743, #FFA956 and #FFBB69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC7322. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC7322 shade: #DC7322, #CB610F, #BA4F00, #A93D00 and #982B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC7322 shade: #DC7322, #DC4122 and #DC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC7322 shade: #DC7322, #DCA522, #DCD722, #AFDC22 and #7CDC22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC7322 shade matches the following richer shades: #DC7322 and #F1700D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC7322 shade: #DC7322, #C77637, #B3784B, #9E7B60 and #8A7E74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC7322 shade: #DC2235, #DC4122, #DC7322, #DCA422 and #DCD622

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC7322 shade: #954E17, #B8601C, #DC7322, #E28A46 and #E7A069

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC7322 shade: #DC7322, #66DC22 and #2822DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC7322 shade: #DC7322, #22DC73 and #7322DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC7322 shade: #DC7322, #66DC22, #228BDC and #9822DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC7322 shade: #DC7322, #2EDC22, #228BDC and #D022DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

Complementary color

CMYK 84 / 37 / 0 / 13

HEX #238CDD

RGB 35 140 221

HSL 206.13, 0.73%, 0.5%

LAB 56.42, -0.03, -49.29

 

CMYK 0 / 49 / 87 / 12

HEX #E1731D

RGB 225 115 29

HSL 26.33, 0.77%, 0.5%

LAB 60.21, 37.91, 61.42

 

CMYK 0 / 45 / 80 / 5

HEX #F28530

RGB 242 133 48

HSL 26.29, 0.88%, 0.57%

LAB 66.42, 36, 60.78

 

CMYK 0 / 41 / 74 / 0

HEX #FF9743

RGB 255 151 67

HSL 26.81, 1%, 0.63%

LAB 72.09, 32.66, 58.87

 

CMYK 0 / 34 / 66 / 0

HEX #FFA956

RGB 255 169 86

HSL 29.47, 1%, 0.67%

LAB 76.26, 24.25, 54.63

 

CMYK 0 / 27 / 59 / 0

HEX #FFBB69

RGB 255 187 105

HSL 32.8, 1%, 0.71%

LAB 80.64, 16.06, 50.55

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 0 / 52 / 93 / 20

HEX #CB610F

RGB 203 97 15

HSL 26.17, 0.86%, 0.43%

LAB 53.26, 38.05, 58.79

 

CMYK 0 / 58 / 100 / 27

HEX #BA4F00

RGB 186 79 0

HSL 25.48, 1%, 0.36%

LAB 47.02, 40.17, 56.96

 

CMYK 0 / 64 / 100 / 34

HEX #A93D00

RGB 169 61 0

HSL 21.66, 1%, 0.33%

LAB 40.85, 42.24, 52.05

 

CMYK 0 / 72 / 100 / 40

HEX #982B00

RGB 152 43 0

HSL 16.97, 1%, 0.3%

LAB 34.81, 43.87, 47.23

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 0 / 70 / 85 / 14

HEX #DC4122

RGB 220 65 34

HSL 10, 0.73%, 0.5%

LAB 50.82, 58.72, 51.42

 

CMYK 0 / 85 / 85 / 14

HEX #DC2222

RGB 220 34 34

HSL 0, 0.73%, 0.5%

LAB 47.59, 67.75, 48.62

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 0 / 25 / 85 / 14

HEX #DCA522

RGB 220 165 34

HSL 42.26, 0.73%, 0.5%

LAB 71.04, 9.45, 68.49

 

CMYK 0 / 2 / 85 / 14

HEX #DCD722

RGB 220 215 34

HSL 58.39, 0.73%, 0.5%

LAB 83.93, -16.35, 79.14

 

CMYK 20 / 0 / 85 / 14

HEX #AFDC22

RGB 175 220 34

HSL 74.52, 0.73%, 0.5%

LAB 82.06, -37.19, 76.27

 

CMYK 44 / 0 / 85 / 14

HEX #7CDC22

RGB 124 220 34

HSL 90.97, 0.73%, 0.5%

LAB 79.38, -55.5, 72.9

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 0 / 54 / 95 / 5

HEX #F1700D

RGB 241 112 13

HSL 26.05, 0.9%, 0.5%

LAB 61.93, 45.37, 67.81

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 0 / 41 / 72 / 22

HEX #C77637

RGB 199 118 55

HSL 26.25, 0.57%, 0.5%

LAB 57.44, 26.59, 46.91

 

CMYK 0 / 33 / 58 / 30

HEX #B3784B

RGB 179 120 75

HSL 25.96, 0.41%, 0.5%

LAB 55.61, 18.3, 33.84

 

CMYK 0 / 22 / 39 / 38

HEX #9E7B60

RGB 158 123 96

HSL 26.13, 0.24%, 0.5%

LAB 54.32, 9.79, 19.97

 

CMYK 0 / 9 / 16 / 46

HEX #8A7E74

RGB 138 126 116

HSL 27.27, 0.09%, 0.5%

LAB 53.58, 2.79, 7.09

 

CMYK 0 / 85 / 76 / 14

HEX #DC2235

RGB 220 34 53

HSL 353.87, 0.73%, 0.5%

LAB 47.77, 68.29, 38.55

 

CMYK 0 / 70 / 85 / 14

HEX #DC4122

RGB 220 65 34

HSL 10, 0.73%, 0.5%

LAB 50.82, 58.72, 51.42

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 0 / 25 / 85 / 14

HEX #DCA422

RGB 220 164 34

HSL 41.94, 0.73%, 0.5%

LAB 70.79, 9.98, 68.29

 

CMYK 0 / 3 / 85 / 14

HEX #DCD622

RGB 220 214 34

HSL 58.06, 0.73%, 0.5%

LAB 83.67, -15.86, 78.92

 

CMYK 0 / 48 / 85 / 42

HEX #954E17

RGB 149 78 23

HSL 26.19, 0.73%, 0.34%

LAB 41.06, 25.9, 43.07

 

CMYK 0 / 48 / 85 / 28

HEX #B8601C

RGB 184 96 28

HSL 26.15, 0.74%, 0.42%

LAB 50.26, 31.11, 51.12

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 0 / 39 / 69 / 11

HEX #E28A46

RGB 226 138 70

HSL 26.15, 0.73%, 0.58%

LAB 65.58, 27.85, 49.48

 

CMYK 0 / 31 / 55 / 9

HEX #E7A069

RGB 231 160 105

HSL 26.19, 0.72%, 0.66%

LAB 71.66, 20.55, 39.06

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 54 / 0 / 85 / 14

HEX #66DC22

RGB 102 220 34

HSL 98.06, 0.73%, 0.5%

LAB 78.54, -61.97, 71.84

 

CMYK 82 / 85 / 0 / 14

HEX #2822DC

RGB 40 34 220

HSL 241.94, 0.73%, 0.5%

LAB 31.26, 62.63, -89.69

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 85 / 0 / 48 / 14

HEX #22DC73

RGB 34 220 115

HSL 146.13, 0.73%, 0.5%

LAB 77.74, -66.09, 39.38

 

CMYK 48 / 85 / 0 / 14

HEX #7322DC

RGB 115 34 220

HSL 266.13, 0.73%, 0.5%

LAB 37.76, 68.41, -78.72

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 54 / 0 / 85 / 14

HEX #66DC22

RGB 102 220 34

HSL 98.06, 0.73%, 0.5%

LAB 78.54, -61.97, 71.84

 

CMYK 85 / 37 / 0 / 14

HEX #228BDC

RGB 34 139 220

HSL 206.13, 0.73%, 0.5%

LAB 56.06, 0.11, -49.3

 

CMYK 31 / 85 / 0 / 14

HEX #9822DC

RGB 152 34 220

HSL 278.06, 0.73%, 0.5%

LAB 42.74, 73.19, -70.36

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 79 / 0 / 85 / 14

HEX #2EDC22

RGB 46 220 34

HSL 116.13, 0.73%, 0.5%

LAB 77.21, -73.05, 70.16

 

CMYK 85 / 37 / 0 / 14

HEX #228BDC

RGB 34 139 220

HSL 206.13, 0.73%, 0.5%

LAB 56.06, 0.11, -49.3

 

CMYK 5 / 85 / 0 / 14

HEX #D022DC

RGB 208 34 220

HSL 296.13, 0.73%, 0.5%

LAB 51.52, 82.1, -55.73

 

Description

Color code: HEX #DC7322 | qconv.com Color code: HEX #DC7322 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 115 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 115 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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