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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC79F9 it is the complementary color #238606. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC79F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC79F9 shade: #E179F4, #F28BFF, #FF9DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC79F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC79F9 shade: #DC79F9, #CB67E6, #BA55D3, #A943C0 and #9831AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC79F9 shade: #DC7BF8, #F87BF3, #F87BD1, #F87BAF and #F87B8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC79F9 shade: #DC7BF8, #BA7BF8, #987BF8 and #7B7BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC79F9 shade matches the following richer shades: #DC7BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC79F9 shade: #DC7BF8, #D686ED, #D091E2, #CA9CD7 and #C4A8CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC79F9 shade: #987BF8, #BA7BF8, #DB7BF8, #F87BF4 and #F87BD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC79F9 shade: #C72CF5, #D254F6, #DC7BF8, #E6A2FA and #F1CAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC79F9 shade: #DC79F9, #F87B7F and #7BF8A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC79F9 shade: #DC79F9, #F8DB7B and #7BF8DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC79F9 shade: #DC79F9, #F87B7F, #98F87B and #7BF8F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC79F9 shade: #DC79F9, #F89C7B, #98F87B and #7BD7F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 51 / 0 / 2

HEX #DC79F9

RGB 220 121 249

HSL 286.41, 0.91%, 0.73%

LAB 66.31, 57.91, -48.32

 

Complementary color

CMYK 74 / 0 / 96 / 47

HEX #238606

RGB 35 134 6

HSL 106.41, 0.91%, 0.27%

LAB 48.79, -49.25, 50.98

 

CMYK 8 / 50 / 0 / 4

HEX #E179F4

RGB 225 121 244

HSL 290.73, 0.85%, 0.72%

LAB 66.68, 58.28, -44.95

 

CMYK 5 / 45 / 0 / 0

HEX #F28BFF

RGB 242 139 255

HSL 293.28, 1%, 0.77%

LAB 72.6, 56.11, -41.54

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 12 / 51 / 0 / 2

HEX #DC79F9

RGB 220 121 249

HSL 286.41, 0.91%, 0.73%

LAB 66.31, 57.91, -48.32

 

CMYK 12 / 55 / 0 / 10

HEX #CB67E6

RGB 203 103 230

HSL 287.24, 0.72%, 0.65%

LAB 59.99, 58.56, -47.93

 

CMYK 12 / 60 / 0 / 17

HEX #BA55D3

RGB 186 85 211

HSL 288.1, 0.59%, 0.58%

LAB 53.64, 59.07, -47.41

 

CMYK 12 / 65 / 0 / 25

HEX #A943C0

RGB 169 67 192

HSL 288.96, 0.5%, 0.51%

LAB 47.31, 59.35, -46.71

 

CMYK 12 / 72 / 0 / 32

HEX #9831AD

RGB 152 49 173

HSL 289.84, 0.56%, 0.44%

LAB 41.04, 59.22, -45.72

 

CMYK 11 / 50 / 0 / 3

HEX #DC7BF8

RGB 220 123 248

HSL 286.56, 0.9%, 0.73%

LAB 66.64, 56.73, -47.25

 

CMYK 0 / 50 / 2 / 3

HEX #F87BF3

RGB 248 123 243

HSL 302.4, 0.9%, 0.73%

LAB 69.89, 63.35, -39.17

 

CMYK 0 / 50 / 16 / 3

HEX #F87BD1

RGB 248 123 209

HSL 318.72, 0.9%, 0.73%

LAB 68.55, 57.94, -22.43

 

CMYK 0 / 50 / 29 / 3

HEX #F87BAF

RGB 248 123 175

HSL 335.04, 0.9%, 0.73%

LAB 67.44, 53.26, -5.02

 

CMYK 0 / 50 / 43 / 3

HEX #F87B8E

RGB 248 123 142

HSL 350.88, 0.9%, 0.73%

LAB 66.58, 49.5, 12.4

 

CMYK 11 / 50 / 0 / 3

HEX #DC7BF8

RGB 220 123 248

HSL 286.56, 0.9%, 0.73%

LAB 66.64, 56.73, -47.25

 

CMYK 25 / 50 / 0 / 3

HEX #BA7BF8

RGB 186 123 248

HSL 270.24, 0.9%, 0.73%

LAB 62.83, 47.82, -53.53

 

CMYK 39 / 50 / 0 / 3

HEX #987BF8

RGB 152 123 248

HSL 253.92, 0.9%, 0.73%

LAB 59.54, 39.39, -58.96

 

CMYK 50 / 50 / 0 / 3

HEX #7B7BF8

RGB 123 123 248

HSL 240, 0.9%, 0.73%

LAB 57.23, 32.91, -62.8

 

CMYK 11 / 50 / 0 / 3

HEX #DC7BF8

RGB 220 123 248

HSL 286.56, 0.9%, 0.73%

LAB 66.64, 56.73, -47.25

 

CMYK 11 / 50 / 0 / 3

HEX #DC7BF8

RGB 220 123 248

HSL 286.56, 0.9%, 0.73%

LAB 66.64, 56.73, -47.25

 

CMYK 10 / 43 / 0 / 7

HEX #D686ED

RGB 214 134 237

HSL 286.6, 0.74%, 0.73%

LAB 67.62, 47.3, -39.72

 

CMYK 8 / 36 / 0 / 11

HEX #D091E2

RGB 208 145 226

HSL 286.67, 0.58%, 0.73%

LAB 68.86, 37.48, -31.78

 

CMYK 6 / 27 / 0 / 16

HEX #CA9CD7

RGB 202 156 215

HSL 286.78, 0.42%, 0.73%

LAB 70.34, 27.41, -23.49

 

CMYK 4 / 18 / 0 / 20

HEX #C4A8CC

RGB 196 168 204

HSL 286.67, 0.26%, 0.73%

LAB 72.3, 16.66, -14.53

 

CMYK 39 / 50 / 0 / 3

HEX #987BF8

RGB 152 123 248

HSL 253.92, 0.9%, 0.73%

LAB 59.54, 39.39, -58.96

 

CMYK 25 / 50 / 0 / 3

HEX #BA7BF8

RGB 186 123 248

HSL 270.24, 0.9%, 0.73%

LAB 62.83, 47.82, -53.53

 

CMYK 12 / 50 / 0 / 3

HEX #DB7BF8

RGB 219 123 248

HSL 286.08, 0.9%, 0.73%

LAB 66.52, 56.46, -47.45

 

CMYK 0 / 50 / 2 / 3

HEX #F87BF4

RGB 248 123 244

HSL 301.92, 0.9%, 0.73%

LAB 69.93, 63.52, -39.65

 

CMYK 0 / 50 / 15 / 3

HEX #F87BD3

RGB 248 123 211

HSL 317.76, 0.9%, 0.73%

LAB 68.62, 58.24, -23.43

 

CMYK 19 / 82 / 0 / 4

HEX #C72CF5

RGB 199 44 245

HSL 286.27, 0.91%, 0.57%

LAB 52.44, 82.6, -68.44

 

CMYK 15 / 66 / 0 / 4

HEX #D254F6

RGB 210 84 246

HSL 286.67, 0.9%, 0.65%

LAB 58.69, 71.7, -58.85

 

CMYK 11 / 50 / 0 / 3

HEX #DC7BF8

RGB 220 123 248

HSL 286.56, 0.9%, 0.73%

LAB 66.64, 56.73, -47.25

 

CMYK 8 / 35 / 0 / 2

HEX #E6A2FA

RGB 230 162 250

HSL 286.36, 0.9%, 0.81%

LAB 75.8, 39.81, -33.96

 

CMYK 4 / 20 / 0 / 1

HEX #F1CAFC

RGB 241 202 252

HSL 286.8, 0.89%, 0.89%

LAB 85.99, 22.35, -19.37

 

CMYK 12 / 51 / 0 / 2

HEX #DC79F9

RGB 220 121 249

HSL 286.41, 0.91%, 0.73%

LAB 66.31, 57.91, -48.32

 

CMYK 0 / 50 / 49 / 3

HEX #F87B7F

RGB 248 123 127

HSL 358.08, 0.9%, 0.73%

LAB 66.26, 48.07, 20.43

 

CMYK 50 / 0 / 32 / 3

HEX #7BF8A9

RGB 123 248 169

HSL 142.08, 0.9%, 0.73%

LAB 89.02, -52.04, 27.51

 

CMYK 12 / 51 / 0 / 2

HEX #DC79F9

RGB 220 121 249

HSL 286.41, 0.91%, 0.73%

LAB 66.31, 57.91, -48.32

 

CMYK 0 / 12 / 50 / 3

HEX #F8DB7B

RGB 248 219 123

HSL 46.08, 0.9%, 0.73%

LAB 87.99, -1.89, 50.5

 

CMYK 50 / 0 / 12 / 3

HEX #7BF8DB

RGB 123 248 219

HSL 166.08, 0.9%, 0.73%

LAB 90.07, -41.76, 3.24

 

CMYK 12 / 51 / 0 / 2

HEX #DC79F9

RGB 220 121 249

HSL 286.41, 0.91%, 0.73%

LAB 66.31, 57.91, -48.32

 

CMYK 0 / 50 / 49 / 3

HEX #F87B7F

RGB 248 123 127

HSL 358.08, 0.9%, 0.73%

LAB 66.26, 48.07, 20.43

 

CMYK 39 / 0 / 50 / 3

HEX #98F87B

RGB 152 248 123

HSL 106.08, 0.9%, 0.73%

LAB 89.51, -50.89, 50.87

 

CMYK 50 / 0 / 2 / 3

HEX #7BF8F4

RGB 123 248 244

HSL 178.08, 0.9%, 0.73%

LAB 90.72, -35.76, -8.8

 

CMYK 12 / 51 / 0 / 2

HEX #DC79F9

RGB 220 121 249

HSL 286.41, 0.91%, 0.73%

LAB 66.31, 57.91, -48.32

 

CMYK 0 / 37 / 50 / 3

HEX #F89C7B

RGB 248 156 123

HSL 15.84, 0.9%, 0.73%

LAB 73, 30.94, 31.63

 

CMYK 39 / 0 / 50 / 3

HEX #98F87B

RGB 152 248 123

HSL 106.08, 0.9%, 0.73%

LAB 89.51, -50.89, 50.87

 

CMYK 50 / 13 / 0 / 3

HEX #7BD7F8

RGB 123 215 248

HSL 195.84, 0.9%, 0.73%

LAB 81.61, -18.71, -24.61

 

Description

Color code: HEX #DC79F9 | qconv.com Color code: HEX #DC79F9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 121 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 121 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 51 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 51% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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