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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC75D2 it is the complementary color #238A2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC75D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC75D2 shade: #E175CD, #F287E0, #FF99F3, #FFABFF and #FFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC75D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC75D2 shade: #DC75D2, #CB63BF, #BA51AC, #A93F99 and #982D86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC75D2 shade: #DC74D2, #DC74B6, #DC749A, #DC747E and #DC7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC75D2 shade: #DC74D2, #CA74DC, #AE74DC, #9274DC and #7674DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC75D2 shade matches the following richer shades: #DC74D2, #EA66DD and #F858E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC75D2 shade: #DC74D2, #CE82C6, #C090BB, #B29EB0 and #A4ACA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC75D2 shade: #AD74DC, #C974DC, #DC74D3, #DC74B7 and #DC749C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC75D2 shade: #CB32BC, #D453C7, #DC74D2, #E495DC and #ECB6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC75D2 shade: #DC75D2, #DC9174 and #74DCBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC75D2 shade: #DC75D2, #D3DC74 and #74D3DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC75D2 shade: #DC75D2, #DC9174, #74DC7C and #74BEDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC75D2 shade: #DC75D2, #DCB074, #74DC7C and #749FDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 5 / 14

HEX #DC75D2

RGB 220 117 210

HSL 305.83, 0.6%, 0.66%

LAB 63.83, 52.72, -30.56

 

Complementary color

CMYK 75 / 0 / 67 / 46

HEX #238A2D

RGB 35 138 45

HSL 125.83, 0.6%, 0.34%

LAB 50.36, -48.01, 40.24

 

CMYK 0 / 48 / 9 / 12

HEX #E175CD

RGB 225 117 205

HSL 311.11, 0.64%, 0.67%

LAB 64.27, 53.36, -27.01

 

CMYK 0 / 44 / 7 / 5

HEX #F287E0

RGB 242 135 224

HSL 310.09, 0.8%, 0.74%

LAB 70.59, 52.67, -27.7

 

CMYK 0 / 40 / 5 / 0

HEX #FF99F3

RGB 255 153 243

HSL 307.06, 1%, 0.8%

LAB 76.38, 50.75, -29.05

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 47 / 5 / 14

HEX #DC75D2

RGB 220 117 210

HSL 305.83, 0.6%, 0.66%

LAB 63.83, 52.72, -30.56

 

CMYK 0 / 51 / 6 / 20

HEX #CB63BF

RGB 203 99 191

HSL 306.92, 0.5%, 0.59%

LAB 57.45, 53.36, -29.86

 

CMYK 0 / 56 / 8 / 27

HEX #BA51AC

RGB 186 81 172

HSL 308, 0.43%, 0.52%

LAB 51.04, 53.87, -29

 

CMYK 0 / 63 / 9 / 34

HEX #A93F99

RGB 169 63 153

HSL 309.06, 0.46%, 0.45%

LAB 44.65, 54.14, -27.9

 

CMYK 0 / 70 / 12 / 40

HEX #982D86

RGB 152 45 134

HSL 310.09, 0.54%, 0.39%

LAB 38.33, 53.96, -26.43

 

CMYK 0 / 47 / 5 / 14

HEX #DC74D2

RGB 220 116 210

HSL 305.77, 0.6%, 0.66%

LAB 63.64, 53.22, -30.85

 

CMYK 0 / 47 / 17 / 14

HEX #DC74B6

RGB 220 116 182

HSL 321.92, 0.6%, 0.66%

LAB 62.58, 48.69, -16.66

 

CMYK 0 / 47 / 30 / 14

HEX #DC749A

RGB 220 116 154

HSL 338.08, 0.6%, 0.66%

LAB 61.69, 44.74, -1.98

 

CMYK 0 / 47 / 43 / 14

HEX #DC747E

RGB 220 116 126

HSL 354.23, 0.6%, 0.66%

LAB 60.97, 41.45, 13.09

 

CMYK 0 / 47 / 47 / 14

HEX #DC7474

RGB 220 116 116

HSL 0, 0.6%, 0.66%

LAB 60.75, 40.44, 18.52

 

CMYK 0 / 47 / 5 / 14

HEX #DC74D2

RGB 220 116 210

HSL 305.77, 0.6%, 0.66%

LAB 63.64, 53.22, -30.85

 

CMYK 8 / 47 / 0 / 14

HEX #CA74DC

RGB 202 116 220

HSL 289.62, 0.6%, 0.66%

LAB 61.84, 49.87, -39.43

 

CMYK 21 / 47 / 0 / 14

HEX #AE74DC

RGB 174 116 220

HSL 273.46, 0.6%, 0.66%

LAB 58.66, 42.04, -44.66

 

CMYK 34 / 47 / 0 / 14

HEX #9274DC

RGB 146 116 220

HSL 257.31, 0.6%, 0.66%

LAB 55.86, 34.52, -49.27

 

CMYK 46 / 47 / 0 / 14

HEX #7674DC

RGB 118 116 220

HSL 241.15, 0.6%, 0.66%

LAB 53.5, 27.61, -53.16

 

CMYK 0 / 47 / 5 / 14

HEX #DC74D2

RGB 220 116 210

HSL 305.77, 0.6%, 0.66%

LAB 63.64, 53.22, -30.85

 

CMYK 0 / 56 / 6 / 8

HEX #EA66DD

RGB 234 102 221

HSL 305.91, 0.76%, 0.66%

LAB 63.52, 65.48, -37.06

 

CMYK 0 / 65 / 6 / 3

HEX #F858E8

RGB 248 88 232

HSL 306, 0.92%, 0.66%

LAB 63.97, 76.38, -42.35

 

CMYK 0 / 47 / 5 / 14

HEX #DC74D2

RGB 220 116 210

HSL 305.77, 0.6%, 0.66%

LAB 63.64, 53.22, -30.85

 

CMYK 0 / 37 / 4 / 19

HEX #CE82C6

RGB 206 130 198

HSL 306.32, 0.44%, 0.66%

LAB 64.29, 39.61, -23.25

 

CMYK 0 / 25 / 3 / 25

HEX #C090BB

RGB 192 144 187

HSL 306.25, 0.28%, 0.66%

LAB 65.55, 25.32, -15.31

 

CMYK 0 / 11 / 1 / 30

HEX #B29EB0

RGB 178 158 176

HSL 306, 0.11%, 0.66%

LAB 67.32, 10.58, -6.64

 

CMYK 5 / 0 / 4 / 33

HEX #A4ACA5

RGB 164 172 165

HSL 127.5, 0.05%, 0.66%

LAB 69.55, -4.15, 2.61

 

CMYK 21 / 47 / 0 / 14

HEX #AD74DC

RGB 173 116 220

HSL 272.88, 0.6%, 0.66%

LAB 58.55, 41.76, -44.83

 

CMYK 9 / 47 / 0 / 14

HEX #C974DC

RGB 201 116 220

HSL 289.04, 0.6%, 0.66%

LAB 61.72, 49.59, -39.62

 

CMYK 0 / 47 / 4 / 14

HEX #DC74D3

RGB 220 116 211

HSL 305.19, 0.6%, 0.66%

LAB 63.68, 53.39, -31.35

 

CMYK 0 / 47 / 17 / 14

HEX #DC74B7

RGB 220 116 183

HSL 321.35, 0.6%, 0.66%

LAB 62.61, 48.84, -17.17

 

CMYK 0 / 47 / 29 / 14

HEX #DC749C

RGB 220 116 156

HSL 336.92, 0.6%, 0.66%

LAB 61.75, 45, -3.04

 

CMYK 0 / 75 / 7 / 20

HEX #CB32BC

RGB 203 50 188

HSL 305.88, 0.6%, 0.5%

LAB 50.23, 72.4, -39.43

 

CMYK 0 / 61 / 6 / 17

HEX #D453C7

RGB 212 83 199

HSL 306.05, 0.6%, 0.58%

LAB 56.39, 64.37, -35.98

 

CMYK 0 / 47 / 5 / 14

HEX #DC74D2

RGB 220 116 210

HSL 305.77, 0.6%, 0.66%

LAB 63.64, 53.22, -30.85

 

CMYK 0 / 35 / 4 / 11

HEX #E495DC

RGB 228 149 220

HSL 306.08, 0.59%, 0.74%

LAB 71.66, 40.47, -23.99

 

CMYK 0 / 23 / 2 / 7

HEX #ECB6E7

RGB 236 182 231

HSL 305.56, 0.59%, 0.82%

LAB 80.21, 27.48, -16.93

 

CMYK 0 / 47 / 5 / 14

HEX #DC75D2

RGB 220 117 210

HSL 305.83, 0.6%, 0.66%

LAB 63.83, 52.72, -30.56

 

CMYK 0 / 34 / 47 / 14

HEX #DC9174

RGB 220 145 116

HSL 16.73, 0.6%, 0.66%

LAB 67.07, 25.15, 27.02

 

CMYK 47 / 0 / 15 / 14

HEX #74DCBB

RGB 116 220 187

HSL 160.96, 0.6%, 0.66%

LAB 81.01, -38.01, 6.92

 

CMYK 0 / 47 / 5 / 14

HEX #DC75D2

RGB 220 117 210

HSL 305.83, 0.6%, 0.66%

LAB 63.83, 52.72, -30.56

 

CMYK 4 / 0 / 47 / 14

HEX #D3DC74

RGB 211 220 116

HSL 65.19, 0.6%, 0.66%

LAB 85.15, -17.79, 49.7

 

CMYK 47 / 4 / 0 / 14

HEX #74D3DC

RGB 116 211 220

HSL 185.19, 0.6%, 0.66%

LAB 79.31, -25.75, -13.18

 

CMYK 0 / 47 / 5 / 14

HEX #DC75D2

RGB 220 117 210

HSL 305.83, 0.6%, 0.66%

LAB 63.83, 52.72, -30.56

 

CMYK 0 / 34 / 47 / 14

HEX #DC9174

RGB 220 145 116

HSL 16.73, 0.6%, 0.66%

LAB 67.07, 25.15, 27.02

 

CMYK 47 / 0 / 44 / 14

HEX #74DC7C

RGB 116 220 124

HSL 124.62, 0.6%, 0.66%

LAB 79.82, -49.79, 37.98

 

CMYK 47 / 14 / 0 / 14

HEX #74BEDC

RGB 116 190 220

HSL 197.31, 0.6%, 0.66%

LAB 73.36, -15.09, -22.18

 

CMYK 0 / 47 / 5 / 14

HEX #DC75D2

RGB 220 117 210

HSL 305.83, 0.6%, 0.66%

LAB 63.83, 52.72, -30.56

 

CMYK 0 / 20 / 47 / 14

HEX #DCB074

RGB 220 176 116

HSL 34.62, 0.6%, 0.66%

LAB 74.53, 8.51, 36.7

 

CMYK 47 / 0 / 44 / 14

HEX #74DC7C

RGB 116 220 124

HSL 124.62, 0.6%, 0.66%

LAB 79.82, -49.79, 37.98

 

CMYK 47 / 28 / 0 / 14

HEX #749FDC

RGB 116 159 220

HSL 215.19, 0.6%, 0.66%

LAB 64.71, 1.84, -35.5

 

Description

Color code: HEX #DC75D2 | qconv.com Color code: HEX #DC75D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 117 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 117 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 5 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 5% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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