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Color name
HEX #DC6F8B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC6F8B it is the complementary color #239074. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC6F8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC6F8B shade: #E16F86, #F28199, #FF93AC, #FFA5BF and #FFB7D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC6F8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC6F8B shade: #DC6F8B, #CB5D78, #BA4B65, #A93952 and #98273F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC6F8B shade: #DC6F8B and #DC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC6F8B shade: #DC6F8B, #DC6FA8, #DC6FC5, #D56FDC and #B76FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC6F8B shade matches the following richer shades: #DC6F8B, #EA6084 and #F9527D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC6F8B shade: #DC6F8B, #CD7D92, #BF8C99, #B09AA0 and #A2A9A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC6F8B shade: #DC6FC6, #DC6FA9, #DC6F8C, #DC6F6F and #DC8C6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC6F8B shade: #C83057, #D44E70, #DC6F8B, #E490A6 and #ECB1C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC6F8B shade: #DC6F8B, #DCD46F and #6FB7DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC6F8B shade: #DC6F8B, #8CDC6F and #6F8CDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC6F8B shade: #DC6F8B, #DCD46F, #6FDCBF and #6F76DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC6F8B shade: #DC6F8B, #C2DC6F, #6FDCBF and #886FDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

Complementary color

CMYK 76 / 0 / 19 / 44

HEX #239074

RGB 35 144 116

HSL 164.59, 0.61%, 0.35%

LAB 53.56, -36.92, 6.33

 

CMYK 0 / 51 / 40 / 12

HEX #E16F86

RGB 225 111 134

HSL 347.89, 0.66%, 0.66%

LAB 60.87, 46.58, 8.44

 

CMYK 0 / 47 / 37 / 5

HEX #F28199

RGB 242 129 153

HSL 347.26, 0.81%, 0.73%

LAB 67.19, 45.66, 6.93

 

CMYK 0 / 42 / 33 / 0

HEX #FF93AC

RGB 255 147 172

HSL 346.11, 1%, 0.79%

LAB 72.96, 43.36, 4.83

 

CMYK 0 / 35 / 25 / 0

HEX #FFA5BF

RGB 255 165 191

HSL 342.67, 1%, 0.82%

LAB 77.24, 36.57, 0.58

 

CMYK 0 / 28 / 18 / 0

HEX #FFB7D2

RGB 255 183 210

HSL 337.5, 1%, 0.86%

LAB 81.72, 29.92, -3.17

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 0 / 54 / 41 / 20

HEX #CB5D78

RGB 203 93 120

HSL 345.27, 0.51%, 0.58%

LAB 53.9, 46.3, 6.25

 

CMYK 0 / 60 / 46 / 27

HEX #BA4B65

RGB 186 75 101

HSL 345.95, 0.45%, 0.51%

LAB 47.51, 47.1, 8.18

 

CMYK 0 / 66 / 51 / 34

HEX #A93952

RGB 169 57 82

HSL 346.61, 0.5%, 0.44%

LAB 41.17, 47.71, 10.57

 

CMYK 0 / 74 / 59 / 40

HEX #98273F

RGB 152 39 63

HSL 347.26, 0.59%, 0.37%

LAB 34.97, 47.89, 13.63

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 0 / 50 / 24 / 14

HEX #DC6FA8

RGB 220 111 168

HSL 328.62, 0.61%, 0.65%

LAB 61.14, 49.13, -10.82

 

CMYK 0 / 50 / 10 / 14

HEX #DC6FC5

RGB 220 111 197

HSL 312.66, 0.61%, 0.65%

LAB 62.18, 53.51, -25.77

 

CMYK 3 / 50 / 0 / 14

HEX #D56FDC

RGB 213 111 220

HSL 296.15, 0.61%, 0.65%

LAB 62.24, 55.45, -38.71

 

CMYK 17 / 50 / 0 / 14

HEX #B76FDC

RGB 183 111 220

HSL 279.63, 0.61%, 0.65%

LAB 58.61, 47.19, -44.67

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 0 / 59 / 44 / 8

HEX #EA6084

RGB 234 96 132

HSL 344.35, 0.77%, 0.65%

LAB 59.46, 56.44, 7.77

 

CMYK 0 / 67 / 50 / 2

HEX #F9527D

RGB 249 82 125

HSL 344.55, 0.93%, 0.65%

LAB 59.58, 66.2, 12.37

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 0 / 39 / 29 / 20

HEX #CD7D92

RGB 205 125 146

HSL 344.25, 0.44%, 0.65%

LAB 61.41, 33.69, 1.98

 

CMYK 0 / 27 / 20 / 25

HEX #BF8C99

RGB 191 140 153

HSL 344.71, 0.28%, 0.65%

LAB 63.45, 21.34, 0.76

 

CMYK 0 / 13 / 9 / 31

HEX #B09AA0

RGB 176 154 160

HSL 343.64, 0.12%, 0.65%

LAB 65.65, 9.15, -0.15

 

CMYK 4 / 0 / 1 / 34

HEX #A2A9A7

RGB 162 169 167

HSL 162.86, 0.04%, 0.65%

LAB 68.64, -2.85, 0.16

 

CMYK 0 / 50 / 10 / 14

HEX #DC6FC6

RGB 220 111 198

HSL 312.11, 0.61%, 0.65%

LAB 62.22, 53.67, -26.28

 

CMYK 0 / 50 / 23 / 14

HEX #DC6FA9

RGB 220 111 169

HSL 328.07, 0.61%, 0.65%

LAB 61.18, 49.27, -11.35

 

CMYK 0 / 50 / 36 / 14

HEX #DC6F8C

RGB 220 111 140

HSL 344.04, 0.61%, 0.65%

LAB 60.32, 45.53, 4.09

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 0 / 36 / 50 / 14

HEX #DC8C6F

RGB 220 140 111

HSL 15.96, 0.61%, 0.65%

LAB 65.84, 27.35, 28.15

 

CMYK 0 / 76 / 57 / 22

HEX #C83057

RGB 200 48 87

HSL 344.61, 0.61%, 0.49%

LAB 45.75, 60.89, 14.67

 

CMYK 0 / 63 / 47 / 17

HEX #D44E70

RGB 212 78 112

HSL 344.78, 0.61%, 0.57%

LAB 52.53, 55.34, 9.24

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 0 / 37 / 27 / 11

HEX #E490A6

RGB 228 144 166

HSL 344.29, 0.61%, 0.73%

LAB 68.89, 34.6, 1.86

 

CMYK 0 / 25 / 19 / 7

HEX #ECB1C0

RGB 236 177 192

HSL 344.75, 0.61%, 0.81%

LAB 77.92, 23.66, 0.78

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 0 / 4 / 50 / 14

HEX #DCD46F

RGB 220 212 111

HSL 55.6, 0.61%, 0.65%

LAB 83.68, -10.66, 50.48

 

CMYK 50 / 17 / 0 / 14

HEX #6FB7DC

RGB 111 183 220

HSL 200.37, 0.61%, 0.65%

LAB 71.16, -12.55, -25.56

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 36 / 0 / 50 / 14

HEX #8CDC6F

RGB 140 220 111

HSL 104.04, 0.61%, 0.65%

LAB 80.69, -44.34, 45.65

 

CMYK 50 / 36 / 0 / 14

HEX #6F8CDC

RGB 111 140 220

HSL 224.04, 0.61%, 0.65%

LAB 59.25, 11.66, -44.06

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 0 / 4 / 50 / 14

HEX #DCD46F

RGB 220 212 111

HSL 55.6, 0.61%, 0.65%

LAB 83.68, -10.66, 50.48

 

CMYK 50 / 0 / 13 / 14

HEX #6FDCBF

RGB 111 220 191

HSL 164.04, 0.61%, 0.65%

LAB 80.92, -38.28, 4.65

 

CMYK 50 / 46 / 0 / 14

HEX #6F76DC

RGB 111 118 220

HSL 236.15, 0.61%, 0.65%

LAB 53.5, 24.82, -53.2

 

CMYK 0 / 50 / 37 / 14

HEX #DC6F8B

RGB 220 111 139

HSL 344.59, 0.61%, 0.65%

LAB 60.29, 45.41, 4.63

 

CMYK 12 / 0 / 50 / 14

HEX #C2DC6F

RGB 194 220 111

HSL 74.31, 0.61%, 0.65%

LAB 83.86, -24.91, 50.23

 

CMYK 50 / 0 / 13 / 14

HEX #6FDCBF

RGB 111 220 191

HSL 164.04, 0.61%, 0.65%

LAB 80.92, -38.28, 4.65

 

CMYK 38 / 50 / 0 / 14

HEX #886FDC

RGB 136 111 220

HSL 253.76, 0.61%, 0.65%

LAB 53.78, 34.87, -52.62

 

Description

Color code: HEX #DC6F8B | qconv.com Color code: HEX #DC6F8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 111 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 111 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 37 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 37% 14% C M Y K

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Provide designers and agencies with accurate color values.

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