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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5E2C it is the complementary color #23A1D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5E2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5E2C shade: #E15E27, #F2703A, #FF824D, #FF9460 and #FFA673

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5E2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5E2C shade: #DC5E2C, #CB4C19, #BA3A06, #A92800 and #981600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5E2C shade: #DC5E2C, #DC2F2C and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5E2C shade: #DC5E2C, #DC8E2C, #DCBD2C, #CCDC2C and #9CDC2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5E2C shade matches the following richer shades: #DC5E2C and #F05618

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5E2C shade: #DC5E2C, #C86740, #B56F54, #A17867 and #8D807B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5E2C shade: #DC2C58, #DC2F2C, #DC5E2C, #DC8D2C and #DCBC2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5E2C shade: #9D3E19, #C04D1F, #DC5E2C, #E2794F and #E89473

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5E2C shade: #DC5E2C, #87DC2C and #2C41DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5E2C shade: #DC5E2C, #2CDC5E and #5E2CDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5E2C shade: #DC5E2C, #87DC2C, #2CAADC and #812CDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5E2C shade: #DC5E2C, #52DC2C, #2CAADC and #B62CDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

Complementary color

CMYK 83 / 24 / 0 / 17

HEX #23A1D3

RGB 35 161 211

HSL 197.05, 0.72%, 0.48%

LAB 62.13, -15.56, -34.73

 

CMYK 0 / 58 / 83 / 12

HEX #E15E27

RGB 225 94 39

HSL 17.74, 0.76%, 0.52%

LAB 56.25, 48.4, 54.33

 

CMYK 0 / 54 / 76 / 5

HEX #F2703A

RGB 242 112 58

HSL 17.61, 0.88%, 0.59%

LAB 62.31, 46.8, 52.44

 

CMYK 0 / 49 / 70 / 0

HEX #FF824D

RGB 255 130 77

HSL 17.87, 1%, 0.65%

LAB 67.84, 43.74, 49.62

 

CMYK 0 / 42 / 62 / 0

HEX #FF9460

RGB 255 148 96

HSL 19.62, 1%, 0.69%

LAB 71.75, 35.74, 44.49

 

CMYK 0 / 35 / 55 / 0

HEX #FFA673

RGB 255 166 115

HSL 21.86, 1%, 0.73%

LAB 75.93, 27.79, 39.78

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 0 / 63 / 88 / 20

HEX #CB4C19

RGB 203 76 25

HSL 17.19, 0.78%, 0.45%

LAB 49.42, 48.28, 52.8

 

CMYK 0 / 69 / 97 / 27

HEX #BA3A06

RGB 186 58 6

HSL 17.33, 0.94%, 0.38%

LAB 43.48, 49.68, 53.3

 

CMYK 0 / 76 / 100 / 34

HEX #A92800

RGB 169 40 0

HSL 14.2, 1%, 0.33%

LAB 37.76, 50.67, 50.54

 

CMYK 0 / 86 / 100 / 40

HEX #981600

RGB 152 22 0

HSL 8.68, 1%, 0.3%

LAB 32.37, 50.68, 45.77

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 0 / 79 / 80 / 14

HEX #DC2F2C

RGB 220 47 44

HSL 1.02, 0.72%, 0.52%

LAB 48.8, 64.82, 44.61

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 0 / 35 / 80 / 14

HEX #DC8E2C

RGB 220 142 44

HSL 33.41, 0.72%, 0.52%

LAB 65.55, 22.07, 60.48

 

CMYK 0 / 14 / 80 / 14

HEX #DCBD2C

RGB 220 189 44

HSL 49.43, 0.72%, 0.52%

LAB 77.16, -2.9, 70.86

 

CMYK 7 / 0 / 80 / 14

HEX #CCDC2C

RGB 204 220 44

HSL 65.45, 0.72%, 0.52%

LAB 84.07, -25.18, 76.41

 

CMYK 29 / 0 / 80 / 14

HEX #9CDC2C

RGB 156 220 44

HSL 81.82, 0.72%, 0.52%

LAB 80.98, -44.08, 72.49

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 0 / 64 / 90 / 6

HEX #F05618

RGB 240 86 24

HSL 17.22, 0.88%, 0.52%

LAB 57.32, 56.89, 61.86

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 0 / 49 / 68 / 22

HEX #C86740

RGB 200 103 64

HSL 17.21, 0.55%, 0.52%

LAB 54.4, 35.46, 39.01

 

CMYK 0 / 39 / 54 / 29

HEX #B56F54

RGB 181 111 84

HSL 16.7, 0.4%, 0.52%

LAB 53.85, 24.91, 26.68

 

CMYK 0 / 25 / 36 / 37

HEX #A17867

RGB 161 120 103

HSL 17.59, 0.24%, 0.52%

LAB 54.02, 13.63, 15.58

 

CMYK 0 / 9 / 13 / 45

HEX #8D807B

RGB 141 128 123

HSL 16.67, 0.07%, 0.52%

LAB 54.59, 4.04, 4.49

 

CMYK 0 / 80 / 60 / 14

HEX #DC2C58

RGB 220 44 88

HSL 345, 0.72%, 0.52%

LAB 49.16, 67.63, 19.31

 

CMYK 0 / 79 / 80 / 14

HEX #DC2F2C

RGB 220 47 44

HSL 1.02, 0.72%, 0.52%

LAB 48.8, 64.82, 44.61

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 0 / 36 / 80 / 14

HEX #DC8D2C

RGB 220 141 44

HSL 33.07, 0.72%, 0.52%

LAB 65.32, 22.61, 60.27

 

CMYK 0 / 15 / 80 / 14

HEX #DCBC2C

RGB 220 188 44

HSL 49.09, 0.72%, 0.52%

LAB 76.9, -2.38, 70.63

 

CMYK 0 / 61 / 84 / 38

HEX #9D3E19

RGB 157 62 25

HSL 16.82, 0.73%, 0.36%

LAB 39.04, 37.69, 40.85

 

CMYK 0 / 60 / 84 / 25

HEX #C04D1F

RGB 192 77 31

HSL 17.14, 0.72%, 0.44%

LAB 47.77, 43.95, 48.2

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 0 / 46 / 65 / 11

HEX #E2794F

RGB 226 121 79

HSL 17.14, 0.72%, 0.6%

LAB 62, 37.25, 40.84

 

CMYK 0 / 36 / 50 / 9

HEX #E89473

RGB 232 148 115

HSL 16.92, 0.72%, 0.68%

LAB 69.16, 28.2, 30.58

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 39 / 0 / 80 / 14

HEX #87DC2C

RGB 135 220 44

HSL 88.98, 0.72%, 0.52%

LAB 79.91, -51.5, 71.12

 

CMYK 80 / 70 / 0 / 14

HEX #2C41DC

RGB 44 65 220

HSL 232.84, 0.72%, 0.52%

LAB 36.9, 47.18, -80.34

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 80 / 0 / 57 / 14

HEX #2CDC5E

RGB 44 220 94

HSL 137.05, 0.72%, 0.52%

LAB 77.6, -68.18, 49.18

 

CMYK 57 / 80 / 0 / 14

HEX #5E2CDC

RGB 94 44 220

HSL 257.05, 0.72%, 0.52%

LAB 36.65, 62.5, -80.64

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 39 / 0 / 80 / 14

HEX #87DC2C

RGB 135 220 44

HSL 88.98, 0.72%, 0.52%

LAB 79.91, -51.5, 71.12

 

CMYK 80 / 23 / 0 / 14

HEX #2CAADC

RGB 44 170 220

HSL 197.05, 0.72%, 0.52%

LAB 65.32, -16.52, -34.73

 

CMYK 41 / 80 / 0 / 14

HEX #812CDC

RGB 129 44 220

HSL 268.98, 0.72%, 0.52%

LAB 40.63, 66.9, -73.94

 

CMYK 0 / 57 / 80 / 14

HEX #DC5E2C

RGB 220 94 44

HSL 17.05, 0.72%, 0.52%

LAB 55.48, 46.72, 51.11

 

CMYK 63 / 0 / 80 / 14

HEX #52DC2C

RGB 82 220 44

HSL 107.05, 0.72%, 0.52%

LAB 77.97, -66.41, 68.62

 

CMYK 80 / 23 / 0 / 14

HEX #2CAADC

RGB 44 170 220

HSL 197.05, 0.72%, 0.52%

LAB 65.32, -16.52, -34.73

 

CMYK 17 / 80 / 0 / 14

HEX #B62CDC

RGB 182 44 220

HSL 287.05, 0.72%, 0.52%

LAB 48.15, 75.3, -61.37

 

Description

Color code: HEX #DC5E2C | qconv.com Color code: HEX #DC5E2C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 94 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 94 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 80 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 80% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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