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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC5A41 it is the complementary color #23A5BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC5A41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC5A41 shade: #E15A3C, #F26C4F, #FF7E62, #FF9075 and #FFA288

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC5A41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC5A41 shade: #DC5A41, #CB482E, #BA361B, #A92408 and #981200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC5A41 shade: #DC5A41 and #DC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC5A41 shade: #DC5A41, #DC8441, #DCAD41, #DCD741 and #B7DC41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC5A41 shade matches the following richer shades: #DC5A41 and #EE4E2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC5A41 shade: #DC5A41, #CA6653, #B77265, #A57F77 and #938B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC5A41 shade: #DC417C, #DC4153, #DC5841, #DC8141 and #DCAB41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC5A41 shade: #AB361F, #CE4125, #DC5A41, #E27864 and #E99687

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC5A41 shade: #DC5A41, #A6DC41 and #4168DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC5A41 shade: #DC5A41, #41DC58 and #5841DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC5A41 shade: #DC5A41, #A6DC41, #41C4DC and #7741DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC5A41 shade: #DC5A41, #77DC41, #41C4DC and #A641DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

Complementary color

CMYK 82 / 13 / 0 / 25

HEX #23A5BE

RGB 35 165 190

HSL 189.68, 0.69%, 0.44%

LAB 62.5, -24.78, -22.44

 

CMYK 0 / 60 / 73 / 12

HEX #E15A3C

RGB 225 90 60

HSL 10.91, 0.73%, 0.56%

LAB 55.73, 50.97, 43.68

 

CMYK 0 / 55 / 67 / 5

HEX #F26C4F

RGB 242 108 79

HSL 10.67, 0.86%, 0.63%

LAB 61.8, 49.66, 41.18

 

CMYK 0 / 51 / 62 / 0

HEX #FF7E62

RGB 255 126 98

HSL 10.7, 1%, 0.69%

LAB 67.32, 46.89, 38.07

 

CMYK 0 / 44 / 54 / 0

HEX #FF9075

RGB 255 144 117

HSL 11.74, 1%, 0.73%

LAB 71.21, 39.3, 32.71

 

CMYK 0 / 36 / 47 / 0

HEX #FFA288

RGB 255 162 136

HSL 13.11, 1%, 0.77%

LAB 75.38, 31.71, 27.93

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 0 / 65 / 77 / 20

HEX #CB482E

RGB 203 72 46

HSL 9.94, 0.63%, 0.49%

LAB 48.92, 50.63, 42.67

 

CMYK 0 / 71 / 85 / 27

HEX #BA361B

RGB 186 54 27

HSL 10.19, 0.75%, 0.42%

LAB 43, 51.6, 45.42

 

CMYK 0 / 79 / 95 / 34

HEX #A92408

RGB 169 36 8

HSL 10.43, 0.91%, 0.35%

LAB 37.32, 52.07, 47.35

 

CMYK 0 / 88 / 100 / 40

HEX #981200

RGB 152 18 0

HSL 7.11, 1%, 0.3%

LAB 32.05, 51.58, 45.56

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 0 / 70 / 70 / 14

HEX #DC4141

RGB 220 65 65

HSL 0, 0.69%, 0.56%

LAB 51.13, 59.8, 35.48

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 0 / 40 / 70 / 14

HEX #DC8441

RGB 220 132 65

HSL 25.94, 0.69%, 0.56%

LAB 63.43, 28.31, 49.32

 

CMYK 0 / 21 / 70 / 14

HEX #DCAD41

RGB 220 173 65

HSL 41.81, 0.69%, 0.56%

LAB 73.21, 6.36, 59.58

 

CMYK 0 / 2 / 70 / 14

HEX #DCD741

RGB 220 215 65

HSL 58.06, 0.69%, 0.56%

LAB 84.07, -15.26, 70.39

 

CMYK 17 / 0 / 70 / 14

HEX #B7DC41

RGB 183 220 65

HSL 74.32, 0.69%, 0.56%

LAB 82.72, -32.73, 68.14

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 0 / 67 / 80 / 7

HEX #EE4E2F

RGB 238 78 47

HSL 9.74, 0.85%, 0.56%

LAB 55.92, 59.95, 51.16

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 0 / 50 / 59 / 21

HEX #CA6653

RGB 202 102 83

HSL 9.58, 0.53%, 0.56%

LAB 54.75, 38.01, 28.98

 

CMYK 0 / 38 / 45 / 28

HEX #B77265

RGB 183 114 101

HSL 9.51, 0.36%, 0.56%

LAB 55.12, 25.74, 18.66

 

CMYK 0 / 23 / 28 / 35

HEX #A57F77

RGB 165 127 119

HSL 10.43, 0.2%, 0.56%

LAB 56.59, 13.47, 10

 

CMYK 0 / 5 / 7 / 42

HEX #938B89

RGB 147 139 137

HSL 12, 0.04%, 0.56%

LAB 58.48, 2.6, 2.13

 

CMYK 0 / 70 / 44 / 14

HEX #DC417C

RGB 220 65 124

HSL 337.16, 0.69%, 0.56%

LAB 52.34, 63.95, 1.97

 

CMYK 0 / 70 / 62 / 14

HEX #DC4153

RGB 220 65 83

HSL 353.03, 0.69%, 0.56%

LAB 51.41, 60.76, 25.29

 

CMYK 0 / 60 / 70 / 14

HEX #DC5841

RGB 220 88 65

HSL 8.9, 0.69%, 0.56%

LAB 54.63, 50.34, 39.55

 

CMYK 0 / 41 / 70 / 14

HEX #DC8141

RGB 220 129 65

HSL 24.77, 0.69%, 0.56%

LAB 62.76, 29.9, 48.6

 

CMYK 0 / 22 / 70 / 14

HEX #DCAB41

RGB 220 171 65

HSL 41.03, 0.69%, 0.56%

LAB 72.71, 7.42, 59.07

 

CMYK 0 / 68 / 82 / 33

HEX #AB361F

RGB 171 54 31

HSL 9.86, 0.69%, 0.4%

LAB 40.24, 46.63, 39.91

 

CMYK 0 / 68 / 82 / 19

HEX #CE4125

RGB 206 65 37

HSL 9.94, 0.7%, 0.48%

LAB 48.31, 54.23, 46.8

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 0 / 47 / 56 / 11

HEX #E27864

RGB 226 120 100

HSL 9.52, 0.68%, 0.64%

LAB 62.1, 39.23, 29.52

 

CMYK 0 / 36 / 42 / 9

HEX #E99687

RGB 233 150 135

HSL 9.18, 0.69%, 0.72%

LAB 70.1, 29.5, 20.9

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 25 / 0 / 70 / 14

HEX #A6DC41

RGB 166 220 65

HSL 80.9, 0.69%, 0.56%

LAB 81.66, -39.29, 66.74

 

CMYK 70 / 53 / 0 / 14

HEX #4168DC

RGB 65 104 220

HSL 224.9, 0.69%, 0.56%

LAB 47.23, 25.11, -63.42

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 70 / 0 / 60 / 14

HEX #41DC58

RGB 65 220 88

HSL 128.9, 0.69%, 0.56%

LAB 77.88, -66.01, 52.29

 

CMYK 60 / 70 / 0 / 14

HEX #5841DC

RGB 88 65 220

HSL 248.9, 0.69%, 0.56%

LAB 39.62, 51.76, -75.77

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 25 / 0 / 70 / 14

HEX #A6DC41

RGB 166 220 65

HSL 80.9, 0.69%, 0.56%

LAB 81.66, -39.29, 66.74

 

CMYK 70 / 11 / 0 / 14

HEX #41C4DC

RGB 65 196 220

HSL 189.29, 0.69%, 0.56%

LAB 73.4, -27.5, -22.27

 

CMYK 46 / 70 / 0 / 14

HEX #7741DC

RGB 119 65 220

HSL 260.9, 0.69%, 0.56%

LAB 42.57, 56.48, -70.82

 

CMYK 0 / 59 / 70 / 14

HEX #DC5A41

RGB 220 90 65

HSL 9.68, 0.69%, 0.56%

LAB 54.98, 49.43, 39.94

 

CMYK 46 / 0 / 70 / 14

HEX #77DC41

RGB 119 220 65

HSL 99.1, 0.69%, 0.56%

LAB 79.32, -55.4, 63.62

 

CMYK 70 / 11 / 0 / 14

HEX #41C4DC

RGB 65 196 220

HSL 189.29, 0.69%, 0.56%

LAB 73.4, -27.5, -22.27

 

CMYK 25 / 70 / 0 / 14

HEX #A641DC

RGB 166 65 220

HSL 279.1, 0.69%, 0.56%

LAB 48.33, 65.16, -61.2

 

Description

Color code: HEX #DC5A41 | qconv.com Color code: HEX #DC5A41 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 90 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 90 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 70 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 70% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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