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Color name
HEX #DC4F22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC4F22 it is the complementary color #23B0DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC4F22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC4F22 shade: #E14F1D, #F26130, #FF7343, #FF8556 and #FF9769

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC4F22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC4F22 shade: #DC4F22, #CB3D0F, #BA2B00, #A91900 and #980700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC4F22 shade: #DC4F22 and #DC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC4F22 shade: #DC4F22, #DC8122, #DCB322, #D3DC22 and #A0DC22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC4F22 shade matches the following richer shades: #DC4F22 and #F1440D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC4F22 shade: #DC4F22, #C75A37, #B3644B, #9E6F60 and #8A7A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC4F22 shade: #DC225A, #DC2228, #DC4D22, #DC7F22 and #DCB122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC4F22 shade: #953517, #B8421C, #DC4F22, #E26B46 and #E78869

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC4F22 shade: #DC4F22, #8BDC22 and #2241DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC4F22 shade: #DC4F22, #22DC4D and #4D22DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC4F22 shade: #DC4F22, #8BDC22, #22B1DC and #7322DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC4F22 shade: #DC4F22, #54DC22, #22B1DC and #AA22DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

Complementary color

CMYK 84 / 20 / 0 / 13

HEX #23B0DD

RGB 35 176 221

HSL 194.52, 0.73%, 0.5%

LAB 67, -20.1, -32.69

 

CMYK 0 / 65 / 87 / 12

HEX #E14F1D

RGB 225 79 29

HSL 15.31, 0.77%, 0.5%

LAB 53.69, 54.77, 56.25

 

CMYK 0 / 60 / 80 / 5

HEX #F26130

RGB 242 97 48

HSL 15.15, 0.88%, 0.57%

LAB 59.56, 53.4, 54.39

 

CMYK 0 / 55 / 74 / 0

HEX #FF7343

RGB 255 115 67

HSL 15.32, 1%, 0.63%

LAB 64.9, 50.51, 51.38

 

CMYK 0 / 48 / 66 / 0

HEX #FF8556

RGB 255 133 86

HSL 16.69, 1%, 0.67%

LAB 68.54, 42.72, 45.85

 

CMYK 0 / 41 / 59 / 0

HEX #FF9769

RGB 255 151 105

HSL 18.4, 1%, 0.71%

LAB 72.5, 34.81, 40.74

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 0 / 70 / 93 / 20

HEX #CB3D0F

RGB 203 61 15

HSL 14.68, 0.86%, 0.43%

LAB 47.06, 54.33, 54.57

 

CMYK 0 / 77 / 100 / 27

HEX #BA2B00

RGB 186 43 0

HSL 13.87, 1%, 0.36%

LAB 41.48, 55.06, 54.16

 

CMYK 0 / 85 / 100 / 34

HEX #A91900

RGB 169 25 0

HSL 8.88, 1%, 0.33%

LAB 36.23, 54.95, 49.86

 

CMYK 0 / 95 / 100 / 40

HEX #980700

RGB 152 7 0

HSL 2.76, 1%, 0.3%

LAB 31.41, 53.42, 45.13

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 0 / 85 / 85 / 14

HEX #DC2222

RGB 220 34 34

HSL 0, 0.73%, 0.5%

LAB 47.59, 67.75, 48.62

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 0 / 41 / 85 / 14

HEX #DC8122

RGB 220 129 34

HSL 30.65, 0.73%, 0.5%

LAB 62.53, 28.71, 61.39

 

CMYK 0 / 19 / 85 / 14

HEX #DCB322

RGB 220 179 34

HSL 46.77, 0.73%, 0.5%

LAB 74.55, 2.03, 71.41

 

CMYK 4 / 0 / 85 / 14

HEX #D3DC22

RGB 211 220 34

HSL 62.9, 0.73%, 0.5%

LAB 84.56, -22.57, 79.37

 

CMYK 27 / 0 / 85 / 14

HEX #A0DC22

RGB 160 220 34

HSL 79.35, 0.73%, 0.5%

LAB 81.17, -42.95, 75.15

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 0 / 72 / 95 / 5

HEX #F1440D

RGB 241 68 13

HSL 14.47, 0.9%, 0.5%

LAB 54.93, 63.94, 63.48

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 0 / 55 / 72 / 22

HEX #C75A37

RGB 199 90 55

HSL 14.58, 0.57%, 0.5%

LAB 51.53, 41.21, 40.53

 

CMYK 0 / 44 / 58 / 30

HEX #B3644B

RGB 179 100 75

HSL 14.42, 0.41%, 0.5%

LAB 50.93, 29.37, 28.02

 

CMYK 0 / 30 / 39 / 38

HEX #9E6F60

RGB 158 111 96

HSL 14.52, 0.24%, 0.5%

LAB 51.25, 16.65, 15.79

 

CMYK 0 / 12 / 16 / 46

HEX #8A7A74

RGB 138 122 116

HSL 16.36, 0.09%, 0.5%

LAB 52.49, 5.09, 5.53

 

CMYK 0 / 85 / 59 / 14

HEX #DC225A

RGB 220 34 90

HSL 341.94, 0.73%, 0.5%

LAB 48.38, 70.08, 17.05

 

CMYK 0 / 85 / 82 / 14

HEX #DC2228

RGB 220 34 40

HSL 358.06, 0.73%, 0.5%

LAB 47.64, 67.89, 45.6

 

CMYK 0 / 65 / 85 / 14

HEX #DC4D22

RGB 220 77 34

HSL 13.87, 0.73%, 0.5%

LAB 52.55, 54, 52.91

 

CMYK 0 / 42 / 85 / 14

HEX #DC7F22

RGB 220 127 34

HSL 30, 0.73%, 0.5%

LAB 62.09, 29.77, 61.02

 

CMYK 0 / 20 / 85 / 14

HEX #DCB122

RGB 220 177 34

HSL 46.13, 0.73%, 0.5%

LAB 74.05, 3.08, 70.99

 

CMYK 0 / 64 / 85 / 42

HEX #953517

RGB 149 53 23

HSL 14.29, 0.73%, 0.34%

LAB 35.98, 38.89, 38.49

 

CMYK 0 / 64 / 85 / 28

HEX #B8421C

RGB 184 66 28

HSL 14.62, 0.74%, 0.42%

LAB 44.48, 45.97, 46.11

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 0 / 53 / 69 / 11

HEX #E26B46

RGB 226 107 70

HSL 14.23, 0.73%, 0.58%

LAB 59.09, 43.79, 42.21

 

CMYK 0 / 41 / 55 / 9

HEX #E78869

RGB 231 136 105

HSL 14.76, 0.72%, 0.66%

LAB 66.23, 33.27, 32.2

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 37 / 0 / 85 / 14

HEX #8BDC22

RGB 139 220 34

HSL 86.13, 0.73%, 0.5%

LAB 80.06, -50.53, 73.76

 

CMYK 85 / 70 / 0 / 14

HEX #2241DC

RGB 34 65 220

HSL 230, 0.73%, 0.5%

LAB 36.53, 46.55, -80.95

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 85 / 0 / 65 / 14

HEX #22DC4D

RGB 34 220 77

HSL 133.87, 0.73%, 0.5%

LAB 77.32, -71.16, 56.2

 

CMYK 65 / 85 / 0 / 14

HEX #4D22DC

RGB 77 34 220

HSL 253.87, 0.73%, 0.5%

LAB 33.75, 64.77, -85.48

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 37 / 0 / 85 / 14

HEX #8BDC22

RGB 139 220 34

HSL 86.13, 0.73%, 0.5%

LAB 80.06, -50.53, 73.76

 

CMYK 85 / 20 / 0 / 14

HEX #22B1DC

RGB 34 177 220

HSL 193.87, 0.73%, 0.5%

LAB 67.24, -21.03, -31.77

 

CMYK 48 / 85 / 0 / 14

HEX #7322DC

RGB 115 34 220

HSL 266.13, 0.73%, 0.5%

LAB 37.76, 68.41, -78.72

 

CMYK 0 / 64 / 85 / 14

HEX #DC4F22

RGB 220 79 34

HSL 14.52, 0.73%, 0.5%

LAB 52.87, 53.16, 53.18

 

CMYK 62 / 0 / 85 / 14

HEX #54DC22

RGB 84 220 34

HSL 103.87, 0.73%, 0.5%

LAB 77.99, -66.43, 71.14

 

CMYK 85 / 20 / 0 / 14

HEX #22B1DC

RGB 34 177 220

HSL 193.87, 0.73%, 0.5%

LAB 67.24, -21.03, -31.77

 

CMYK 23 / 85 / 0 / 14

HEX #AA22DC

RGB 170 34 220

HSL 283.87, 0.73%, 0.5%

LAB 45.44, 75.87, -65.85

 

Description

Color code: HEX #DC4F22 | qconv.com Color code: HEX #DC4F22 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 79 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 79 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 85% 14% C M Y K

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Provide designers and agencies with accurate color values.

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