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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC44F9 it is the complementary color #23BB06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC44F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC44F9 shade: #E144F4, #F256FF, #FF68FF, #FF7AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC44F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC44F9 shade: #DC44F9, #CB32E6, #BA20D3, #A90EC0 and #9800AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC44F9 shade: #DC43F9, #F943E5, #F943B4, #F94382 and #F94351

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC44F9 shade: #DC43F9, #AA43F9, #7943F9, #4843F9 and #4343F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC44F9 shade matches the following richer shades: #DC43F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC44F9 shade: #DC43F9, #D152E9, #C662D9, #BC72CA and #B181BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC44F9 shade: #7943F9, #AA43F9, #DA43F9, #F943E6 and #F943B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC44F9 shade: #BF07E2, #D41AF7, #DC43F9, #E36BFA and #EA93FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC44F9 shade: #DC44F9, #F94943 and #43F991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC44F9 shade: #DC44F9, #F9DA43 and #43F9DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC44F9 shade: #DC44F9, #F94943, #61F943 and #43F3F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC44F9 shade: #DC44F9, #F97F43, #61F943 and #43BCF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 73 / 0 / 2

HEX #DC44F9

RGB 220 68 249

HSL 290.39, 0.94%, 0.62%

LAB 58.22, 80.15, -61.19

 

Complementary color

CMYK 81 / 0 / 97 / 27

HEX #23BB06

RGB 35 187 6

HSL 110.39, 0.94%, 0.38%

LAB 66.45, -65.65, 65.51

 

CMYK 8 / 72 / 0 / 4

HEX #E144F4

RGB 225 68 244

HSL 293.52, 0.89%, 0.61%

LAB 58.67, 80.28, -57.65

 

CMYK 5 / 66 / 0 / 0

HEX #F256FF

RGB 242 86 255

HSL 295.38, 1%, 0.67%

LAB 63.96, 79.43, -55.16

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 12 / 73 / 0 / 2

HEX #DC44F9

RGB 220 68 249

HSL 290.39, 0.94%, 0.62%

LAB 58.22, 80.15, -61.19

 

CMYK 12 / 78 / 0 / 10

HEX #CB32E6

RGB 203 50 230

HSL 291, 0.78%, 0.55%

LAB 52.61, 79.13, -59.7

 

CMYK 12 / 85 / 0 / 17

HEX #BA20D3

RGB 186 32 211

HSL 291.62, 0.74%, 0.48%

LAB 47.2, 77.29, -57.72

 

CMYK 12 / 93 / 0 / 25

HEX #A90EC0

RGB 169 14 192

HSL 292.25, 0.86%, 0.4%

LAB 42.08, 74.35, -55.1

 

CMYK 12 / 100 / 0 / 32

HEX #9800AD

RGB 152 0 173

HSL 292.72, 1%, 0.34%

LAB 37.28, 70.14, -51.76

 

CMYK 12 / 73 / 0 / 2

HEX #DC43F9

RGB 220 67 249

HSL 290.44, 0.94%, 0.62%

LAB 58.1, 80.47, -61.38

 

CMYK 0 / 73 / 8 / 2

HEX #F943E5

RGB 249 67 229

HSL 306.59, 0.94%, 0.62%

LAB 61.49, 83.19, -44.56

 

CMYK 0 / 73 / 28 / 2

HEX #F943B4

RGB 249 67 180

HSL 322.75, 0.94%, 0.62%

LAB 59.39, 76.82, -19.96

 

CMYK 0 / 73 / 48 / 2

HEX #F94382

RGB 249 67 130

HSL 339.23, 0.94%, 0.62%

LAB 57.81, 71.83, 6.93

 

CMYK 0 / 73 / 67 / 2

HEX #F94351

RGB 249 67 81

HSL 355.38, 0.94%, 0.62%

LAB 56.83, 68.6, 34.38

 

CMYK 12 / 73 / 0 / 2

HEX #DC43F9

RGB 220 67 249

HSL 290.44, 0.94%, 0.62%

LAB 58.1, 80.47, -61.38

 

CMYK 32 / 73 / 0 / 2

HEX #AA43F9

RGB 170 67 249

HSL 273.96, 0.94%, 0.62%

LAB 51.15, 71.25, -72.95

 

CMYK 51 / 73 / 0 / 2

HEX #7943F9

RGB 121 67 249

HSL 257.8, 0.94%, 0.62%

LAB 45.52, 63.46, -82.37

 

CMYK 71 / 73 / 0 / 2

HEX #4843F9

RGB 72 67 249

HSL 241.65, 0.94%, 0.62%

LAB 41.58, 57.76, -89

 

CMYK 73 / 73 / 0 / 2

HEX #4343F9

RGB 67 67 249

HSL 240, 0.94%, 0.62%

LAB 41.29, 57.33, -89.49

 

CMYK 12 / 73 / 0 / 2

HEX #DC43F9

RGB 220 67 249

HSL 290.44, 0.94%, 0.62%

LAB 58.1, 80.47, -61.38

 

CMYK 12 / 73 / 0 / 2

HEX #DC43F9

RGB 220 67 249

HSL 290.44, 0.94%, 0.62%

LAB 58.1, 80.47, -61.38

 

CMYK 10 / 65 / 0 / 9

HEX #D152E9

RGB 209 82 233

HSL 290.46, 0.77%, 0.62%

LAB 57.53, 69.89, -53.45

 

CMYK 9 / 55 / 0 / 15

HEX #C662D9

RGB 198 98 217

HSL 290.42, 0.61%, 0.62%

LAB 57.8, 57.16, -44.13

 

CMYK 7 / 44 / 0 / 21

HEX #BC72CA

RGB 188 114 202

HSL 290.45, 0.45%, 0.62%

LAB 58.97, 43.32, -33.91

 

CMYK 5 / 31 / 0 / 27

HEX #B181BA

RGB 177 129 186

HSL 290.53, 0.29%, 0.62%

LAB 60.42, 28.45, -22.68

 

CMYK 51 / 73 / 0 / 2

HEX #7943F9

RGB 121 67 249

HSL 257.8, 0.94%, 0.62%

LAB 45.52, 63.46, -82.37

 

CMYK 32 / 73 / 0 / 2

HEX #AA43F9

RGB 170 67 249

HSL 273.96, 0.94%, 0.62%

LAB 51.15, 71.25, -72.95

 

CMYK 12 / 73 / 0 / 2

HEX #DA43F9

RGB 218 67 249

HSL 289.78, 0.94%, 0.62%

LAB 57.81, 80.09, -61.87

 

CMYK 0 / 73 / 8 / 2

HEX #F943E6

RGB 249 67 230

HSL 306.26, 0.94%, 0.62%

LAB 61.54, 83.33, -45.04

 

CMYK 0 / 73 / 27 / 2

HEX #F943B6

RGB 249 67 182

HSL 322.09, 0.94%, 0.62%

LAB 59.46, 77.05, -21

 

CMYK 15 / 97 / 0 / 11

HEX #BF07E2

RGB 191 7 226

HSL 290.41, 0.94%, 0.46%

LAB 47.9, 83.92, -65.12

 

CMYK 14 / 89 / 0 / 3

HEX #D41AF7

RGB 212 26 247

HSL 290.5, 0.93%, 0.54%

LAB 53.44, 88.38, -67.83

 

CMYK 12 / 73 / 0 / 2

HEX #DC43F9

RGB 220 67 249

HSL 290.44, 0.94%, 0.62%

LAB 58.1, 80.47, -61.38

 

CMYK 9 / 57 / 0 / 2

HEX #E36BFA

RGB 227 107 250

HSL 290.35, 0.93%, 0.7%

LAB 64.76, 66.49, -51.26

 

CMYK 7 / 41 / 0 / 2

HEX #EA93FB

RGB 234 147 251

HSL 290.19, 0.93%, 0.78%

LAB 73.11, 49.04, -38.65

 

CMYK 12 / 73 / 0 / 2

HEX #DC44F9

RGB 220 68 249

HSL 290.39, 0.94%, 0.62%

LAB 58.22, 80.15, -61.19

 

CMYK 0 / 71 / 73 / 2

HEX #F94943

RGB 249 73 67

HSL 1.98, 0.94%, 0.62%

LAB 57.38, 65.95, 42.89

 

CMYK 73 / 0 / 42 / 2

HEX #43F991

RGB 67 249 145

HSL 145.71, 0.94%, 0.62%

LAB 87.48, -67.32, 37.22

 

CMYK 12 / 73 / 0 / 2

HEX #DC44F9

RGB 220 68 249

HSL 290.39, 0.94%, 0.62%

LAB 58.22, 80.15, -61.19

 

CMYK 0 / 12 / 73 / 2

HEX #F9DA43

RGB 249 218 67

HSL 49.78, 0.94%, 0.62%

LAB 87.33, -4.54, 73.69

 

CMYK 73 / 0 / 12 / 2

HEX #43F9DA

RGB 67 249 218

HSL 169.78, 0.94%, 0.62%

LAB 88.93, -51.77, 1.92

 

CMYK 12 / 73 / 0 / 2

HEX #DC44F9

RGB 220 68 249

HSL 290.39, 0.94%, 0.62%

LAB 58.22, 80.15, -61.19

 

CMYK 0 / 71 / 73 / 2

HEX #F94943

RGB 249 73 67

HSL 1.98, 0.94%, 0.62%

LAB 57.38, 65.95, 42.89

 

CMYK 61 / 0 / 73 / 2

HEX #61F943

RGB 97 249 67

HSL 110.11, 0.94%, 0.62%

LAB 87.34, -71.3, 70.78

 

CMYK 73 / 2 / 0 / 2

HEX #43F3F9

RGB 67 243 249

HSL 181.98, 0.94%, 0.62%

LAB 88.03, -40.89, -15.58

 

CMYK 12 / 73 / 0 / 2

HEX #DC44F9

RGB 220 68 249

HSL 290.39, 0.94%, 0.62%

LAB 58.22, 80.15, -61.19

 

CMYK 0 / 49 / 73 / 2

HEX #F97F43

RGB 249 127 67

HSL 19.78, 0.94%, 0.62%

LAB 66.31, 42.48, 52.61

 

CMYK 61 / 0 / 73 / 2

HEX #61F943

RGB 97 249 67

HSL 110.11, 0.94%, 0.62%

LAB 87.34, -71.3, 70.78

 

CMYK 73 / 24 / 0 / 2

HEX #43BCF9

RGB 67 188 249

HSL 200.11, 0.94%, 0.62%

LAB 72.23, -13.91, -39.76

 

Description

Color code: HEX #DC44F9 | qconv.com Color code: HEX #DC44F9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 68 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 68 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 73 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 73% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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