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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC3BB9 it is the complementary color #23C446. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC3BB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC3BB9 shade: #E13BB4, #F24DC7, #FF5FDA, #FF71ED and #FF83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC3BB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC3BB9 shade: #DC3BB9, #CB29A6, #BA1793, #A90580 and #98006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC3BB9 shade: #DC3BB9, #DC3B8E, #DC3B63 and #DC3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC3BB9 shade: #DC3BB9, #D43BDC, #A83BDC, #7D3BDC and #523BDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC3BB9 shade matches the following richer shades: #DC3BB9 and #EF29C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC3BB9 shade: #DC3BB9, #CA4EAF, #B761A4, #A4739A and #92868F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC3BB9 shade: #A93BDC, #D43BDC, #DC3BB9, #DC3B8E and #DC3B64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC3BB9 shade: #A81D8A, #CB23A6, #DC3BB9, #E25EC6 and #E882D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC3BB9 shade: #DC3BB9, #DC7E3B and #3BDCBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC3BB9 shade: #DC3BB9, #B9DC3B and #3BB9DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC3BB9 shade: #DC3BB9, #DC7E3B, #3BDC5E and #3B99DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC3BB9 shade: #DC3BB9, #DCAF3B, #3BDC5E and #3B69DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

Complementary color

CMYK 82 / 0 / 64 / 23

HEX #23C446

RGB 35 196 70

HSL 133.04, 0.7%, 0.45%

LAB 69.67, -64.43, 50.67

 

CMYK 0 / 74 / 20 / 12

HEX #E13BB4

RGB 225 59 180

HSL 316.27, 0.73%, 0.56%

LAB 54.48, 73.54, -27.85

 

CMYK 0 / 68 / 18 / 5

HEX #F24DC7

RGB 242 77 199

HSL 315.64, 0.86%, 0.63%

LAB 60.17, 74.19, -29.76

 

CMYK 0 / 63 / 15 / 0

HEX #FF5FDA

RGB 255 95 218

HSL 313.88, 1%, 0.69%

LAB 65.36, 73.37, -32.28

 

CMYK 0 / 56 / 7 / 0

HEX #FF71ED

RGB 255 113 237

HSL 307.61, 1%, 0.72%

LAB 68.88, 68.75, -37.36

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 0 / 80 / 18 / 20

HEX #CB29A6

RGB 203 41 166

HSL 313.7, 0.66%, 0.48%

LAB 48.3, 71.76, -29.52

 

CMYK 0 / 88 / 21 / 27

HEX #BA1793

RGB 186 23 147

HSL 314.36, 0.78%, 0.41%

LAB 43, 69.52, -26.63

 

CMYK 0 / 97 / 24 / 34

HEX #A90580

RGB 169 5 128

HSL 315, 0.94%, 0.34%

LAB 38.03, 66.07, -22.96

 

CMYK 0 / 100 / 28 / 40

HEX #98006D

RGB 152 0 109

HSL 316.97, 1%, 0.3%

LAB 33.52, 60.95, -18.24

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 0 / 73 / 35 / 14

HEX #DC3B8E

RGB 220 59 142

HSL 329.07, 0.7%, 0.55%

LAB 52.17, 67.79, -9.06

 

CMYK 0 / 73 / 55 / 14

HEX #DC3B63

RGB 220 59 99

HSL 345.09, 0.7%, 0.55%

LAB 50.97, 63.92, 15.1

 

CMYK 0 / 73 / 73 / 14

HEX #DC3B3B

RGB 220 59 59

HSL 0, 0.7%, 0.55%

LAB 50.29, 61.64, 37.93

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 4 / 73 / 0 / 14

HEX #D43BDC

RGB 212 59 220

HSL 297.02, 0.7%, 0.55%

LAB 54.34, 76.56, -51.2

 

CMYK 24 / 73 / 0 / 14

HEX #A83BDC

RGB 168 59 220

HSL 280.62, 0.7%, 0.55%

LAB 47.78, 67.9, -62.08

 

CMYK 43 / 73 / 0 / 14

HEX #7D3BDC

RGB 125 59 220

HSL 264.6, 0.7%, 0.55%

LAB 42.24, 60.27, -71.33

 

CMYK 63 / 73 / 0 / 14

HEX #523BDC

RGB 82 59 220

HSL 248.57, 0.7%, 0.55%

LAB 38, 54.16, -78.44

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 0 / 83 / 18 / 6

HEX #EF29C4

RGB 239 41 196

HSL 313.03, 0.86%, 0.55%

LAB 56.01, 83.18, -34.54

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 0 / 61 / 13 / 21

HEX #CA4EAF

RGB 202 78 175

HSL 313.06, 0.54%, 0.55%

LAB 53.06, 60.1, -27.43

 

CMYK 0 / 47 / 10 / 28

HEX #B761A4

RGB 183 97 164

HSL 313.26, 0.37%, 0.55%

LAB 53.27, 43.74, -20.91

 

CMYK 0 / 30 / 6 / 36

HEX #A4739A

RGB 164 115 154

HSL 312.24, 0.21%, 0.55%

LAB 54.54, 25.74, -13.36

 

CMYK 0 / 8 / 2 / 43

HEX #92868F

RGB 146 134 143

HSL 315, 0.05%, 0.55%

LAB 57.22, 6.21, -3.19

 

CMYK 23 / 73 / 0 / 14

HEX #A93BDC

RGB 169 59 220

HSL 280.99, 0.7%, 0.55%

LAB 47.92, 68.09, -61.84

 

CMYK 4 / 73 / 0 / 14

HEX #D43BDC

RGB 212 59 220

HSL 297.02, 0.7%, 0.55%

LAB 54.34, 76.56, -51.2

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 0 / 73 / 35 / 14

HEX #DC3B8E

RGB 220 59 142

HSL 329.07, 0.7%, 0.55%

LAB 52.17, 67.79, -9.06

 

CMYK 0 / 73 / 55 / 14

HEX #DC3B64

RGB 220 59 100

HSL 344.72, 0.7%, 0.55%

LAB 50.99, 63.99, 14.52

 

CMYK 0 / 83 / 18 / 34

HEX #A81D8A

RGB 168 29 138

HSL 312.95, 0.71%, 0.39%

LAB 39.65, 63.26, -26.62

 

CMYK 0 / 83 / 18 / 20

HEX #CB23A6

RGB 203 35 166

HSL 313.21, 0.71%, 0.47%

LAB 47.82, 73.16, -30.28

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 0 / 58 / 12 / 11

HEX #E25EC6

RGB 226 94 198

HSL 312.73, 0.69%, 0.63%

LAB 60.12, 63.22, -29.46

 

CMYK 0 / 44 / 9 / 9

HEX #E882D2

RGB 232 130 210

HSL 312.94, 0.69%, 0.71%

LAB 67.85, 49.83, -24.24

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 0 / 43 / 73 / 14

HEX #DC7E3B

RGB 220 126 59

HSL 24.97, 0.7%, 0.55%

LAB 62.04, 31.19, 50.7

 

CMYK 73 / 0 / 13 / 14

HEX #3BDCBF

RGB 59 220 191

HSL 169.19, 0.7%, 0.55%

LAB 79.54, -47.4, 2.48

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 16 / 0 / 73 / 14

HEX #B9DC3B

RGB 185 220 59

HSL 73.04, 0.7%, 0.55%

LAB 82.82, -32.26, 70.34

 

CMYK 73 / 16 / 0 / 14

HEX #3BB9DC

RGB 59 185 220

HSL 193.04, 0.7%, 0.55%

LAB 70.03, -22.74, -27.43

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 0 / 43 / 73 / 14

HEX #DC7E3B

RGB 220 126 59

HSL 24.97, 0.7%, 0.55%

LAB 62.04, 31.19, 50.7

 

CMYK 73 / 0 / 57 / 14

HEX #3BDC5E

RGB 59 220 94

HSL 133.04, 0.7%, 0.55%

LAB 77.83, -66.23, 49.52

 

CMYK 73 / 30 / 0 / 14

HEX #3B99DC

RGB 59 153 220

HSL 204.97, 0.7%, 0.55%

LAB 60.68, -5.45, -41.97

 

CMYK 0 / 73 / 16 / 14

HEX #DC3BB9

RGB 220 59 185

HSL 313.04, 0.7%, 0.55%

LAB 53.86, 73.05, -31.78

 

CMYK 0 / 20 / 73 / 14

HEX #DCAF3B

RGB 220 175 59

HSL 43.23, 0.7%, 0.55%

LAB 73.67, 5.01, 62.46

 

CMYK 73 / 0 / 57 / 14

HEX #3BDC5E

RGB 59 220 94

HSL 133.04, 0.7%, 0.55%

LAB 77.83, -66.23, 49.52

 

CMYK 73 / 52 / 0 / 14

HEX #3B69DC

RGB 59 105 220

HSL 222.86, 0.7%, 0.55%

LAB 47.24, 23.7, -63.42

 

Description

Color code: HEX #DC3BB9 | qconv.com Color code: HEX #DC3BB9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 59 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 59 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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