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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC2BE7 it is the complementary color #23D418. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC2BE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC2BE7 shade: #E12BE2, #F23DF5, #FF4FFF, #FF61FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC2BE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC2BE7 shade: #DC2BE7, #CB19D4, #BA07C1, #A900AE and #98009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC2BE7 shade: #DC2BE7, #E72BBF, #E72B8D, #E72B5A and #E72B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC2BE7 shade: #DC2BE7, #A92BE7, #772BE7, #442BE7 and #2B2BE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC2BE7 shade matches the following richer shades: #DC2BE7 and #ED18FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC2BE7 shade: #DC2BE7, #CB3ED4, #BB51C1, #AA64AE and #99779B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC2BE7 shade: #762BE7, #A82BE7, #DB2BE7, #E72BC2 and #E72B8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC2BE7 shade: #A413AD, #C717D2, #DC2BE7, #E250EB and #E876EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC2BE7 shade: #DC2BE7, #E7442B and #2BE78F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC2BE7 shade: #DC2BE7, #E7DB2B and #2BE7DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC2BE7 shade: #DC2BE7, #E7442B, #38E72B and #2BCEE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC2BE7 shade: #DC2BE7, #E77D2B, #38E72B and #2B96E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

Complementary color

CMYK 83 / 0 / 89 / 17

HEX #23D418

RGB 35 212 24

HSL 116.49, 0.8%, 0.46%

LAB 74.51, -72.37, 69.76

 

CMYK 0 / 81 / 0 / 11

HEX #E12BE2

RGB 225 43 226

HSL 299.67, 0.76%, 0.53%

LAB 55.3, 84.2, -52.93

 

CMYK 1 / 75 / 0 / 4

HEX #F23DF5

RGB 242 61 245

HSL 299.02, 0.9%, 0.6%

LAB 60.61, 85.85, -54.95

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 4 / 88 / 0 / 17

HEX #CB19D4

RGB 203 25 212

HSL 297.11, 0.79%, 0.46%

LAB 49.67, 81.55, -54.17

 

CMYK 4 / 96 / 0 / 24

HEX #BA07C1

RGB 186 7 193

HSL 297.74, 0.93%, 0.39%

LAB 44.86, 77.92, -51.06

 

CMYK 3 / 100 / 0 / 32

HEX #A900AE

RGB 169 0 174

HSL 298.28, 1%, 0.34%

LAB 40.4, 72.96, -47.19

 

CMYK 2 / 100 / 0 / 39

HEX #98009B

RGB 152 0 155

HSL 298.84, 1%, 0.3%

LAB 36.06, 67.24, -42.87

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 0 / 81 / 17 / 9

HEX #E72BBF

RGB 231 43 191

HSL 312.77, 0.8%, 0.54%

LAB 54.53, 80.49, -34.07

 

CMYK 0 / 81 / 39 / 9

HEX #E72B8D

RGB 231 43 141

HSL 328.72, 0.8%, 0.54%

LAB 52.55, 74.87, -7.68

 

CMYK 0 / 81 / 61 / 9

HEX #E72B5A

RGB 231 43 90

HSL 345, 0.8%, 0.54%

LAB 51.22, 70.91, 21.22

 

CMYK 0 / 81 / 81 / 9

HEX #E72B2B

RGB 231 43 43

HSL 0, 0.8%, 0.54%

LAB 50.56, 68.93, 47.58

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 27 / 81 / 0 / 9

HEX #A92BE7

RGB 169 43 231

HSL 280.21, 0.8%, 0.54%

LAB 46.89, 75.5, -69.77

 

CMYK 48 / 81 / 0 / 9

HEX #772BE7

RGB 119 43 231

HSL 264.26, 0.8%, 0.54%

LAB 40.28, 68.53, -80.85

 

CMYK 71 / 81 / 0 / 9

HEX #442BE7

RGB 68 43 231

HSL 247.98, 0.8%, 0.54%

LAB 35.45, 63.6, -88.98

 

CMYK 81 / 81 / 0 / 9

HEX #2B2BE7

RGB 43 43 231

HSL 240, 0.8%, 0.54%

LAB 34.01, 62.16, -91.42

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 5 / 90 / 0 / 2

HEX #ED18FA

RGB 237 24 250

HSL 296.55, 0.96%, 0.54%

LAB 57.62, 92.95, -62.57

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 4 / 71 / 0 / 17

HEX #CB3ED4

RGB 203 62 212

HSL 296.4, 0.64%, 0.54%

LAB 52.83, 72.4, -49.12

 

CMYK 3 / 58 / 0 / 24

HEX #BB51C1

RGB 187 81 193

HSL 296.79, 0.47%, 0.54%

LAB 52.17, 57.78, -39.41

 

CMYK 2 / 43 / 0 / 32

HEX #AA64AE

RGB 170 100 174

HSL 296.76, 0.31%, 0.54%

LAB 52.64, 39.88, -27.85

 

CMYK 1 / 23 / 0 / 39

HEX #99779B

RGB 153 119 155

HSL 296.67, 0.15%, 0.54%

LAB 54.38, 19.76, -14.3

 

CMYK 49 / 81 / 0 / 9

HEX #762BE7

RGB 118 43 231

HSL 263.94, 0.8%, 0.54%

LAB 40.16, 68.41, -81.04

 

CMYK 27 / 81 / 0 / 9

HEX #A82BE7

RGB 168 43 231

HSL 279.89, 0.8%, 0.54%

LAB 46.74, 75.35, -70.01

 

CMYK 5 / 81 / 0 / 9

HEX #DB2BE7

RGB 219 43 231

HSL 296.17, 0.8%, 0.54%

LAB 54.61, 83.88, -56.91

 

CMYK 0 / 81 / 16 / 9

HEX #E72BC2

RGB 231 43 194

HSL 311.81, 0.8%, 0.54%

LAB 54.67, 80.87, -35.59

 

CMYK 0 / 81 / 38 / 9

HEX #E72B8F

RGB 231 43 143

HSL 328.09, 0.8%, 0.54%

LAB 52.62, 75.06, -8.78

 

CMYK 5 / 89 / 0 / 32

HEX #A413AD

RGB 164 19 173

HSL 296.49, 0.8%, 0.38%

LAB 40.21, 69.7, -46.94

 

CMYK 5 / 89 / 0 / 18

HEX #C717D2

RGB 199 23 210

HSL 296.47, 0.8%, 0.46%

LAB 48.77, 80.87, -54.51

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 4 / 66 / 0 / 8

HEX #E250EB

RGB 226 80 235

HSL 296.52, 0.79%, 0.62%

LAB 59.8, 74.81, -50.82

 

CMYK 3 / 51 / 0 / 6

HEX #E876EF

RGB 232 118 239

HSL 296.53, 0.79%, 0.7%

LAB 66.78, 60.69, -41.97

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 0 / 71 / 81 / 9

HEX #E7442B

RGB 231 68 43

HSL 7.98, 0.8%, 0.54%

LAB 53.27, 61.35, 50.15

 

CMYK 81 / 0 / 38 / 9

HEX #2BE78F

RGB 43 231 143

HSL 151.91, 0.8%, 0.54%

LAB 81.65, -64.12, 30.47

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 0 / 5 / 81 / 9

HEX #E7DB2B

RGB 231 219 43

HSL 56.17, 0.8%, 0.54%

LAB 85.92, -13.46, 79.09

 

CMYK 81 / 0 / 5 / 9

HEX #2BE7DB

RGB 43 231 219

HSL 176.17, 0.8%, 0.54%

LAB 83.33, -46.21, -6.86

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 0 / 71 / 81 / 9

HEX #E7442B

RGB 231 68 43

HSL 7.98, 0.8%, 0.54%

LAB 53.27, 61.35, 50.15

 

CMYK 76 / 0 / 81 / 9

HEX #38E72B

RGB 56 231 43

HSL 115.85, 0.8%, 0.54%

LAB 80.83, -74.53, 71.33

 

CMYK 81 / 11 / 0 / 9

HEX #2BCEE7

RGB 43 206 231

HSL 187.98, 0.8%, 0.54%

LAB 76.33, -31.28, -23.77

 

CMYK 5 / 81 / 0 / 9

HEX #DC2BE7

RGB 220 43 231

HSL 296.49, 0.8%, 0.54%

LAB 54.78, 84.06, -56.64

 

CMYK 0 / 46 / 81 / 9

HEX #E77D2B

RGB 231 125 43

HSL 26.17, 0.8%, 0.54%

LAB 63.2, 35.55, 59.27

 

CMYK 76 / 0 / 81 / 9

HEX #38E72B

RGB 56 231 43

HSL 115.85, 0.8%, 0.54%

LAB 80.83, -74.53, 71.33

 

CMYK 81 / 35 / 0 / 9

HEX #2B96E7

RGB 43 150 231

HSL 205.85, 0.8%, 0.54%

LAB 59.98, -1.55, -49.21

 

Description

Color code: HEX #DC2BE7 | qconv.com Color code: HEX #DC2BE7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 43 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 43 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 81 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 81% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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