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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC09BF it is the complementary color #23F640. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC09BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC09BF shade: #E109BA, #F21BCD, #FF2DE0, #FF3FF3 and #FF51FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC09BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC09BF shade: #DC09BF, #CB00AC, #BA0099, #A90086 and #980073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC09BF shade: #DC09BF, #DC0986, #DC094D, #DC0914 and #DC0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC09BF shade: #DC09BF, #C009DC, #8709DC, #4E09DC and #1509DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC09BF shade matches the following richer shades: #DC09BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC09BF shade: #DC09BF, #C91BB1, #B72EA4, #A44096 and #925389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC09BF shade: #8709DC, #C009DC, #DC09C0, #DC0987 and #DC094F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC09BF shade: #8D057A, #B4079C, #DC09BF, #F519D7 and #F740DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC09BF shade: #DC09BF, #DC4F09 and #09DCA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC09BF shade: #DC09BF, #C0DC09 and #09C0DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC09BF shade: #DC09BF, #DC4F09, #09DC25 and #0995DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC09BF shade: #DC09BF, #DC8E09, #09DC25 and #0956DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

Complementary color

CMYK 86 / 0 / 74 / 4

HEX #23F640

RGB 35 246 64

HSL 128.25, 0.92%, 0.55%

LAB 85.32, -79.81, 69.39

 

CMYK 0 / 96 / 17 / 12

HEX #E109BA

RGB 225 9 186

HSL 310.83, 0.92%, 0.46%

LAB 51.55, 83.56, -35.91

 

CMYK 0 / 89 / 15 / 5

HEX #F21BCD

RGB 242 27 205

HSL 310.33, 0.89%, 0.53%

LAB 56.16, 87.23, -39.44

 

CMYK 0 / 82 / 12 / 0

HEX #FF2DE0

RGB 255 45 224

HSL 308.86, 1%, 0.59%

LAB 60.35, 89.13, -43.47

 

CMYK 0 / 75 / 5 / 0

HEX #FF3FF3

RGB 255 63 243

HSL 303.75, 1%, 0.62%

LAB 62.75, 87.56, -50.32

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 0 / 100 / 15 / 20

HEX #CB00AC

RGB 203 0 172

HSL 309.16, 1%, 0.4%

LAB 46.55, 78.52, -35.84

 

CMYK 0 / 100 / 18 / 27

HEX #BA0099

RGB 186 0 153

HSL 310.65, 1%, 0.36%

LAB 42.37, 72.99, -31.26

 

CMYK 0 / 100 / 21 / 34

HEX #A90086

RGB 169 0 134

HSL 312.43, 1%, 0.33%

LAB 38.12, 67.37, -26.53

 

CMYK 0 / 100 / 24 / 40

HEX #980073

RGB 152 0 115

HSL 314.61, 1%, 0.3%

LAB 33.8, 61.67, -21.62

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 0 / 96 / 39 / 14

HEX #DC0986

RGB 220 9 134

HSL 324.45, 0.92%, 0.45%

LAB 48.43, 76.94, -9.86

 

CMYK 0 / 96 / 65 / 14

HEX #DC094D

RGB 220 9 77

HSL 340.66, 0.92%, 0.45%

LAB 46.9, 72.86, 23.09

 

CMYK 0 / 96 / 91 / 14

HEX #DC0914

RGB 220 9 20

HSL 356.87, 0.92%, 0.45%

LAB 46.26, 71.08, 53.89

 

CMYK 0 / 96 / 96 / 14

HEX #DC0909

RGB 220 9 9

HSL 0, 0.92%, 0.45%

LAB 46.22, 70.97, 57.55

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 13 / 96 / 0 / 14

HEX #C009DC

RGB 192 9 220

HSL 292.04, 0.92%, 0.45%

LAB 47.71, 82.92, -62

 

CMYK 39 / 96 / 0 / 14

HEX #8709DC

RGB 135 9 220

HSL 275.83, 0.92%, 0.45%

LAB 38.75, 75.63, -77

 

CMYK 65 / 96 / 0 / 14

HEX #4E09DC

RGB 78 9 220

HSL 259.62, 0.92%, 0.45%

LAB 31.77, 71.09, -88.77

 

CMYK 90 / 96 / 0 / 14

HEX #1509DC

RGB 21 9 220

HSL 243.41, 0.92%, 0.45%

LAB 28.17, 69.34, -94.86

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 0 / 87 / 12 / 21

HEX #C91BB1

RGB 201 27 177

HSL 308.28, 0.76%, 0.45%

LAB 47.46, 75.78, -37.37

 

CMYK 0 / 75 / 10 / 28

HEX #B72EA4

RGB 183 46 164

HSL 308.32, 0.6%, 0.45%

LAB 45.22, 65.63, -33.41

 

CMYK 0 / 61 / 9 / 36

HEX #A44096

RGB 164 64 150

HSL 308.4, 0.44%, 0.45%

LAB 43.89, 51.84, -27.34

 

CMYK 0 / 43 / 6 / 43

HEX #925389

RGB 146 83 137

HSL 308.57, 0.28%, 0.45%

LAB 44.38, 34.44, -18.95

 

CMYK 39 / 96 / 0 / 14

HEX #8709DC

RGB 135 9 220

HSL 275.83, 0.92%, 0.45%

LAB 38.75, 75.63, -77

 

CMYK 13 / 96 / 0 / 14

HEX #C009DC

RGB 192 9 220

HSL 292.04, 0.92%, 0.45%

LAB 47.71, 82.92, -62

 

CMYK 0 / 96 / 13 / 14

HEX #DC09C0

RGB 220 9 192

HSL 307.96, 0.92%, 0.45%

LAB 50.94, 83.42, -40.43

 

CMYK 0 / 96 / 39 / 14

HEX #DC0987

RGB 220 9 135

HSL 324.17, 0.92%, 0.45%

LAB 48.46, 77.04, -10.41

 

CMYK 0 / 96 / 64 / 14

HEX #DC094F

RGB 220 9 79

HSL 340.09, 0.92%, 0.45%

LAB 46.94, 72.96, 21.9

 

CMYK 0 / 96 / 13 / 45

HEX #8D057A

RGB 141 5 122

HSL 308.38, 0.93%, 0.29%

LAB 32.21, 59.7, -28.71

 

CMYK 0 / 96 / 13 / 29

HEX #B4079C

RGB 180 7 156

HSL 308.32, 0.93%, 0.37%

LAB 41.62, 71.57, -34.32

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 0 / 90 / 12 / 4

HEX #F519D7

RGB 245 25 215

HSL 308.18, 0.92%, 0.53%

LAB 57.09, 89.31, -43.65

 

CMYK 0 / 74 / 10 / 3

HEX #F740DE

RGB 247 64 222

HSL 308.2, 0.92%, 0.61%

LAB 60.53, 82.65, -42.16

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 0 / 64 / 96 / 14

HEX #DC4F09

RGB 220 79 9

HSL 19.91, 0.92%, 0.45%

LAB 52.76, 52.76, 61.16

 

CMYK 96 / 0 / 25 / 14

HEX #09DCA4

RGB 9 220 164

HSL 164.08, 0.92%, 0.45%

LAB 78.42, -57.67, 15.13

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 13 / 0 / 96 / 14

HEX #C0DC09

RGB 192 220 9

HSL 67.96, 0.92%, 0.45%

LAB 83.13, -30.84, 81.26

 

CMYK 96 / 13 / 0 / 14

HEX #09C0DC

RGB 9 192 220

HSL 187.96, 0.92%, 0.45%

LAB 71.5, -29.77, -25.22

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 0 / 64 / 96 / 14

HEX #DC4F09

RGB 220 79 9

HSL 19.91, 0.92%, 0.45%

LAB 52.76, 52.76, 61.16

 

CMYK 96 / 0 / 83 / 14

HEX #09DC25

RGB 9 220 37

HSL 127.96, 0.92%, 0.45%

LAB 76.91, -75.72, 69.07

 

CMYK 96 / 32 / 0 / 14

HEX #0995DC

RGB 9 149 220

HSL 200.19, 0.92%, 0.45%

LAB 58.71, -6.99, -45.11

 

CMYK 0 / 96 / 13 / 14

HEX #DC09BF

RGB 220 9 191

HSL 308.25, 0.92%, 0.45%

LAB 50.89, 83.29, -39.93

 

CMYK 0 / 35 / 96 / 14

HEX #DC8E09

RGB 220 142 9

HSL 37.82, 0.92%, 0.45%

LAB 65.42, 21.34, 69.41

 

CMYK 96 / 0 / 83 / 14

HEX #09DC25

RGB 9 220 37

HSL 127.96, 0.92%, 0.45%

LAB 76.91, -75.72, 69.07

 

CMYK 96 / 61 / 0 / 14

HEX #0956DC

RGB 9 86 220

HSL 218.1, 0.92%, 0.45%

LAB 41.03, 32.32, -73.58

 

Description

Color code: HEX #DC09BF | qconv.com Color code: HEX #DC09BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 9 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 9 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 13 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 13% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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