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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBFF2B it is the complementary color #2400D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBFF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBFF2B shade: #E0FF26, #F1FF39, #FFFF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBFF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBFF2B shade: #DBFF2B, #CAED18, #B9DB05, #A8C900 and #97B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBFF2B shade: #DAFF28, #FFE928, #FFAF28, #FF7628 and #FF3C28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBFF2B shade: #DAFF28, #A0FF28, #67FF28, #2DFF28 and #28FF5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBFF2B shade matches the following richer shades: #DAFF28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBFF2B shade: #DAFF28, #CFED3A, #C3DC4B, #B8CB5C and #ACB96E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBFF2B shade: #FFB028, #FFE928, #DBFF28, #A2FF28 and #69FF28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBFF2B shade: #B1D500, #D3FE00, #DAFF28, #E1FF52 and #E8FF7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBFF2B shade: #DBFF2B, #28FF77 and #CD28FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBFF2B shade: #DBFF2B, #28DBFF and #FF28DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBFF2B shade: #DBFF2B, #28FF77, #4C28FF and #FF28B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBFF2B shade: #DBFF2B, #28FFB7, #4C28FF and #FF2870

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 83 / 0

HEX #DBFF2B

RGB 219 255 43

HSL 70.19, 1%, 0.58%

LAB 94.63, -35.43, 86.13

 

Complementary color

CMYK 83 / 100 / 0 / 17

HEX #2400D4

RGB 36 0 212

HSL 250.19, 1%, 0.42%

LAB 27.1, 69.25, -92.01

 

CMYK 12 / 0 / 85 / 0

HEX #E0FF26

RGB 224 255 38

HSL 68.57, 1%, 0.57%

LAB 94.95, -33.59, 87.55

 

CMYK 5 / 0 / 78 / 0

HEX #F1FF39

RGB 241 255 57

HSL 64.24, 1%, 0.61%

LAB 96.21, -26.24, 84.71

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 14 / 0 / 83 / 0

HEX #DBFF2B

RGB 219 255 43

HSL 70.19, 1%, 0.58%

LAB 94.63, -35.43, 86.13

 

CMYK 15 / 0 / 90 / 7

HEX #CAED18

RGB 202 237 24

HSL 69.86, 0.86%, 0.51%

LAB 88.54, -34.43, 84.08

 

CMYK 16 / 0 / 98 / 14

HEX #B9DB05

RGB 185 219 5

HSL 69.53, 0.96%, 0.44%

LAB 82.37, -33.27, 80.83

 

CMYK 16 / 0 / 100 / 21

HEX #A8C900

RGB 168 201 0

HSL 69.85, 1%, 0.39%

LAB 76.13, -31.91, 76.07

 

CMYK 17 / 0 / 100 / 28

HEX #97B700

RGB 151 183 0

HSL 70.49, 1%, 0.36%

LAB 69.79, -30.49, 70.79

 

CMYK 15 / 0 / 84 / 0

HEX #DAFF28

RGB 218 255 40

HSL 70.33, 1%, 0.58%

LAB 94.56, -35.9, 86.66

 

CMYK 0 / 9 / 84 / 0

HEX #FFE928

RGB 255 233 40

HSL 53.86, 1%, 0.58%

LAB 91.55, -10.39, 85.3

 

CMYK 0 / 31 / 84 / 0

HEX #FFAF28

RGB 255 175 40

HSL 37.67, 1%, 0.58%

LAB 77.32, 19.27, 73.6

 

CMYK 0 / 54 / 84 / 0

HEX #FF7628

RGB 255 118 40

HSL 21.77, 1%, 0.58%

LAB 65.26, 48.21, 63.54

 

CMYK 0 / 76 / 84 / 0

HEX #FF3C28

RGB 255 60 40

HSL 5.58, 1%, 0.58%

LAB 56.73, 71.06, 56.32

 

CMYK 15 / 0 / 84 / 0

HEX #DAFF28

RGB 218 255 40

HSL 70.33, 1%, 0.58%

LAB 94.56, -35.9, 86.66

 

CMYK 37 / 0 / 84 / 0

HEX #A0FF28

RGB 160 255 40

HSL 86.51, 1%, 0.58%

LAB 91.3, -57.16, 82.6

 

CMYK 60 / 0 / 84 / 0

HEX #67FF28

RGB 103 255 40

HSL 102.42, 1%, 0.58%

LAB 89.18, -73.34, 79.93

 

CMYK 82 / 0 / 84 / 0

HEX #2DFF28

RGB 45 255 40

HSL 118.6, 1%, 0.58%

LAB 88.08, -82.8, 78.53

 

CMYK 84 / 0 / 63 / 0

HEX #28FF5E

RGB 40 255 94

HSL 135.07, 1%, 0.58%

LAB 88.34, -79.3, 61.48

 

CMYK 15 / 0 / 84 / 0

HEX #DAFF28

RGB 218 255 40

HSL 70.33, 1%, 0.58%

LAB 94.56, -35.9, 86.66

 

CMYK 15 / 0 / 84 / 0

HEX #DAFF28

RGB 218 255 40

HSL 70.33, 1%, 0.58%

LAB 94.56, -35.9, 86.66

 

CMYK 13 / 0 / 76 / 7

HEX #CFED3A

RGB 207 237 58

HSL 70.06, 0.83%, 0.58%

LAB 88.99, -31.43, 76.99

 

CMYK 11 / 0 / 66 / 14

HEX #C3DC4B

RGB 195 220 75

HSL 70.34, 0.67%, 0.58%

LAB 83.6, -27.38, 65.59

 

CMYK 9 / 0 / 55 / 20

HEX #B8CB5C

RGB 184 203 92

HSL 70.27, 0.52%, 0.58%

LAB 78.27, -22.34, 52.33

 

CMYK 7 / 0 / 41 / 27

HEX #ACB96E

RGB 172 185 110

HSL 70.4, 0.35%, 0.58%

LAB 72.62, -16.34, 36.52

 

CMYK 0 / 31 / 84 / 0

HEX #FFB028

RGB 255 176 40

HSL 37.95, 1%, 0.58%

LAB 77.56, 18.75, 73.79

 

CMYK 0 / 9 / 84 / 0

HEX #FFE928

RGB 255 233 40

HSL 53.86, 1%, 0.58%

LAB 91.55, -10.39, 85.3

 

CMYK 14 / 0 / 84 / 0

HEX #DBFF28

RGB 219 255 40

HSL 70.05, 1%, 0.58%

LAB 94.62, -35.51, 86.75

 

CMYK 36 / 0 / 84 / 0

HEX #A2FF28

RGB 162 255 40

HSL 85.95, 1%, 0.58%

LAB 91.39, -56.49, 82.72

 

CMYK 59 / 0 / 84 / 0

HEX #69FF28

RGB 105 255 40

HSL 101.86, 1%, 0.58%

LAB 89.24, -72.88, 80

 

CMYK 17 / 0 / 100 / 16

HEX #B1D500

RGB 177 213 0

HSL 70.14, 1%, 0.42%

LAB 80.14, -33.8, 79.36

 

CMYK 17 / 0 / 100 / 0

HEX #D3FE00

RGB 211 254 0

HSL 70.16, 1%, 0.5%

LAB 93.77, -38.79, 90.59

 

CMYK 15 / 0 / 84 / 0

HEX #DAFF28

RGB 218 255 40

HSL 70.33, 1%, 0.58%

LAB 94.56, -35.9, 86.66

 

CMYK 12 / 0 / 68 / 0

HEX #E1FF52

RGB 225 255 82

HSL 70.4, 1%, 0.66%

LAB 95.22, -31.47, 75.49

 

CMYK 9 / 0 / 52 / 0

HEX #E8FF7B

RGB 232 255 123

HSL 70.45, 1%, 0.74%

LAB 96.04, -25.85, 59.78

 

CMYK 14 / 0 / 83 / 0

HEX #DBFF2B

RGB 219 255 43

HSL 70.19, 1%, 0.58%

LAB 94.63, -35.43, 86.13

 

CMYK 84 / 0 / 53 / 0

HEX #28FF77

RGB 40 255 119

HSL 142.05, 1%, 0.58%

LAB 88.59, -76.24, 50.92

 

CMYK 20 / 84 / 0 / 0

HEX #CD28FF

RGB 205 40 255

HSL 286.05, 1%, 0.58%

LAB 53.73, 86.21, -71.88

 

CMYK 14 / 0 / 83 / 0

HEX #DBFF2B

RGB 219 255 43

HSL 70.19, 1%, 0.58%

LAB 94.63, -35.43, 86.13

 

CMYK 84 / 14 / 0 / 0

HEX #28DBFF

RGB 40 219 255

HSL 190.05, 1%, 0.58%

LAB 80.92, -30.24, -29.56

 

CMYK 0 / 84 / 14 / 0

HEX #FF28DB

RGB 255 40 219

HSL 310.05, 1%, 0.58%

LAB 59.79, 89.43, -41.54

 

CMYK 14 / 0 / 83 / 0

HEX #DBFF2B

RGB 219 255 43

HSL 70.19, 1%, 0.58%

LAB 94.63, -35.43, 86.13

 

CMYK 84 / 0 / 53 / 0

HEX #28FF77

RGB 40 255 119

HSL 142.05, 1%, 0.58%

LAB 88.59, -76.24, 50.92

 

CMYK 70 / 84 / 0 / 0

HEX #4C28FF

RGB 76 40 255

HSL 250.05, 1%, 0.58%

LAB 38.33, 71.83, -97.73

 

CMYK 0 / 84 / 31 / 0

HEX #FF28B0

RGB 255 40 176

HSL 322.05, 1%, 0.58%

LAB 57.95, 84.42, -19.74

 

CMYK 14 / 0 / 83 / 0

HEX #DBFF2B

RGB 219 255 43

HSL 70.19, 1%, 0.58%

LAB 94.63, -35.43, 86.13

 

CMYK 84 / 0 / 28 / 0

HEX #28FFB7

RGB 40 255 183

HSL 159.91, 1%, 0.58%

LAB 89.58, -64.84, 20.87

 

CMYK 70 / 84 / 0 / 0

HEX #4C28FF

RGB 76 40 255

HSL 250.05, 1%, 0.58%

LAB 38.33, 71.83, -97.73

 

CMYK 0 / 84 / 56 / 0

HEX #FF2870

RGB 255 40 112

HSL 339.91, 1%, 0.58%

LAB 56.04, 78.98, 15.29

 

Description

Color code: HEX #DBFF2B | qconv.com Color code: HEX #DBFF2B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 255 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 255 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 83 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 83% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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