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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBF263 it is the complementary color #240D9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBF263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBF263 shade: #E0F25E, #F1FF71, #FFFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBF263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBF263 shade: #DBF263, #CAE050, #B9CE3D, #A8BC2A and #97AA17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBF263 shade: #DBF263, #F2E263, #F2BC63, #F29563 and #F26F63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBF263 shade: #DBF263, #B4F263, #8EF263, #67F263 and #63F285

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBF263 shade matches the following richer shades: #DBF263

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBF263 shade: #DBF263, #D2E470, #C8D77E, #BFC98C and #B6BB99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBF263 shade: #F2BB63, #F2E163, #DCF263, #B6F263 and #90F263

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBF263 shade: #C9EC16, #D2EF3D, #DBF263, #E4F589 and #ECF8AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBF263 shade: #DBF263, #63F295 and #CE63F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBF263 shade: #DBF263, #63DCF2 and #F263DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBF263 shade: #DBF263, #63F295, #7863F2 and #F263C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBF263 shade: #DBF263, #63F2C0, #7863F2 and #F26395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

Complementary color

CMYK 77 / 92 / 0 / 39

HEX #240D9C

RGB 36 13 156

HSL 249.65, 0.85%, 0.33%

LAB 20.3, 51.85, -69.95

 

CMYK 7 / 0 / 61 / 5

HEX #E0F25E

RGB 224 242 94

HSL 67.3, 0.85%, 0.66%

LAB 91.76, -25.05, 67.26

 

CMYK 5 / 0 / 56 / 0

HEX #F1FF71

RGB 241 255 113

HSL 65.92, 1%, 0.72%

LAB 96.58, -23.19, 64.96

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 10 / 0 / 64 / 12

HEX #CAE050

RGB 202 224 80

HSL 69.17, 0.7%, 0.6%

LAB 85.22, -26.17, 65.47

 

CMYK 10 / 0 / 70 / 19

HEX #B9CE3D

RGB 185 206 61

HSL 68.69, 0.6%, 0.52%

LAB 78.92, -25.55, 65.87

 

CMYK 11 / 0 / 78 / 26

HEX #A8BC2A

RGB 168 188 42

HSL 68.22, 0.63%, 0.45%

LAB 72.53, -24.77, 65.68

 

CMYK 11 / 0 / 86 / 33

HEX #97AA17

RGB 151 170 23

HSL 67.76, 0.76%, 0.38%

LAB 66.05, -23.81, 64.51

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 0 / 7 / 59 / 5

HEX #F2E263

RGB 242 226 99

HSL 53.29, 0.85%, 0.67%

LAB 89, -9.69, 62.56

 

CMYK 0 / 22 / 59 / 5

HEX #F2BC63

RGB 242 188 99

HSL 37.34, 0.85%, 0.67%

LAB 79.47, 9.78, 51.74

 

CMYK 0 / 38 / 59 / 5

HEX #F29563

RGB 242 149 99

HSL 20.98, 0.85%, 0.67%

LAB 70.37, 30.32, 40.89

 

CMYK 0 / 54 / 59 / 5

HEX #F26F63

RGB 242 111 99

HSL 5.03, 0.85%, 0.67%

LAB 62.63, 49.48, 31.21

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 26 / 0 / 59 / 5

HEX #B4F263

RGB 180 242 99

HSL 86.01, 0.85%, 0.67%

LAB 88.97, -41.38, 61.32

 

CMYK 41 / 0 / 59 / 5

HEX #8EF263

RGB 142 242 99

HSL 101.96, 0.85%, 0.67%

LAB 87.07, -54.12, 58.66

 

CMYK 57 / 0 / 59 / 5

HEX #67F263

RGB 103 242 99

HSL 118.32, 0.85%, 0.67%

LAB 85.65, -64.71, 56.66

 

CMYK 59 / 0 / 45 / 5

HEX #63F285

RGB 99 242 133

HSL 134.27, 0.85%, 0.67%

LAB 85.93, -61.17, 41.24

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 8 / 0 / 51 / 11

HEX #D2E470

RGB 210 228 112

HSL 69.31, 0.68%, 0.67%

LAB 87.17, -22.45, 53.97

 

CMYK 7 / 0 / 41 / 16

HEX #C8D77E

RGB 200 215 126

HSL 70.11, 0.53%, 0.67%

LAB 83.12, -18.6, 42.15

 

CMYK 5 / 0 / 30 / 21

HEX #BFC98C

RGB 191 201 140

HSL 69.84, 0.36%, 0.67%

LAB 78.89, -13.34, 29.41

 

CMYK 3 / 0 / 18 / 27

HEX #B6BB99

RGB 182 187 153

HSL 68.82, 0.2%, 0.67%

LAB 74.69, -7.63, 16.67

 

CMYK 0 / 23 / 59 / 5

HEX #F2BB63

RGB 242 187 99

HSL 36.92, 0.85%, 0.67%

LAB 79.22, 10.31, 51.45

 

CMYK 0 / 7 / 59 / 5

HEX #F2E163

RGB 242 225 99

HSL 52.87, 0.85%, 0.67%

LAB 88.75, -9.19, 62.27

 

CMYK 9 / 0 / 59 / 5

HEX #DCF263

RGB 220 242 99

HSL 69.23, 0.85%, 0.67%

LAB 91.51, -26.28, 64.85

 

CMYK 25 / 0 / 59 / 5

HEX #B6F263

RGB 182 242 99

HSL 85.17, 0.85%, 0.67%

LAB 89.09, -40.66, 61.48

 

CMYK 40 / 0 / 59 / 5

HEX #90F263

RGB 144 242 99

HSL 101.12, 0.85%, 0.67%

LAB 87.16, -53.51, 58.78

 

CMYK 15 / 0 / 91 / 7

HEX #C9EC16

RGB 201 236 22

HSL 69.81, 0.85%, 0.51%

LAB 88.19, -34.41, 84.05

 

CMYK 12 / 0 / 74 / 6

HEX #D2EF3D

RGB 210 239 61

HSL 69.78, 0.85%, 0.59%

LAB 89.75, -31.04, 76.86

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 7 / 0 / 44 / 4

HEX #E4F589

RGB 228 245 137

HSL 69.44, 0.84%, 0.75%

LAB 93.28, -21.3, 49.91

 

CMYK 5 / 0 / 29 / 3

HEX #ECF8AF

RGB 236 248 175

HSL 69.86, 0.84%, 0.83%

LAB 95.19, -15.38, 33.83

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 59 / 0 / 38 / 5

HEX #63F295

RGB 99 242 149

HSL 140.98, 0.85%, 0.67%

LAB 86.17, -58.58, 33.64

 

CMYK 15 / 59 / 0 / 5

HEX #CE63F2

RGB 206 99 242

HSL 284.9, 0.85%, 0.67%

LAB 60.3, 63.53, -54.09

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 59 / 9 / 0 / 5

HEX #63DCF2

RGB 99 220 242

HSL 189.23, 0.85%, 0.67%

LAB 81.97, -27.57, -20.95

 

CMYK 0 / 59 / 9 / 5

HEX #F263DC

RGB 242 99 220

HSL 309.23, 0.85%, 0.67%

LAB 64.14, 68.7, -35.45

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 59 / 0 / 38 / 5

HEX #63F295

RGB 99 242 149

HSL 140.98, 0.85%, 0.67%

LAB 86.17, -58.58, 33.64

 

CMYK 50 / 59 / 0 / 5

HEX #7863F2

RGB 120 99 242

HSL 248.81, 0.85%, 0.67%

LAB 51.07, 44.53, -69.42

 

CMYK 0 / 59 / 21 / 5

HEX #F263C0

RGB 242 99 192

HSL 320.98, 0.85%, 0.67%

LAB 63.02, 64.63, -21.39

 

CMYK 10 / 0 / 59 / 5

HEX #DBF263

RGB 219 242 99

HSL 69.65, 0.85%, 0.67%

LAB 91.44, -26.67, 64.75

 

CMYK 59 / 0 / 21 / 5

HEX #63F2C0

RGB 99 242 192

HSL 159.02, 0.85%, 0.67%

LAB 86.98, -50.14, 12.74

 

CMYK 50 / 59 / 0 / 5

HEX #7863F2

RGB 120 99 242

HSL 248.81, 0.85%, 0.67%

LAB 51.07, 44.53, -69.42

 

CMYK 0 / 59 / 38 / 5

HEX #F26395

RGB 242 99 149

HSL 339.02, 0.85%, 0.67%

LAB 61.63, 59.39, 1.19

 

Description

Color code: HEX #DBF263 | qconv.com Color code: HEX #DBF263 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 242 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 242 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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