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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE1C0 it is the complementary color #241E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE1C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE1C0 shade: #E0E1BB, #F1F3CE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE1C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE1C0 shade: #DBE1C0, #CACFAD, #B9BD9A, #A8AB87 and #979974

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE1C0 shade: #DBE1C1, #E1DEC1, #E1D5C1, #E1CDC1 and #E1C4C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE1C0 shade: #DBE1C1, #D2E1C1, #C9E1C1, #C1E1C1 and #C1E1C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE1C0 shade matches the following richer shades: #DBE1C1, #E0E8B9, #E4F0B2, #E9F7AA and #EEFEA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE1C0 shade: #DBE1C1, #D6D9C8, #D1D2CF, #CDCAD7 and #C8C3DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE1C0 shade: #E1D5C1, #E1DDC1, #DBE1C1, #D3E1C1 and #CAE1C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE1C0 shade: #BBC689, #CBD3A5, #DBE1C1, #EBEEDC and #FBFBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE1C0 shade: #DBE1C0, #C1E1CC and #D9C1E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE1C0 shade: #DBE1C0, #C1DBE1 and #E1C1DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE1C0 shade: #DBE1C0, #C1E1CC, #C6C1E1 and #E1C1D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE1C0 shade: #DBE1C0, #C1E1D6, #C6C1E1 and #E1C1CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 15 / 12

HEX #DBE1C0

RGB 219 225 192

HSL 70.91, 0.35%, 0.82%

LAB 88.31, -7.64, 15.48

 

Complementary color

CMYK 43 / 52 / 0 / 75

HEX #241E3F

RGB 36 30 63

HSL 250.91, 0.35%, 0.18%

LAB 13.61, 12.45, -20.16

 

CMYK 0 / 0 / 17 / 12

HEX #E0E1BB

RGB 224 225 187

HSL 61.58, 0.39%, 0.81%

LAB 88.58, -6.61, 18.52

 

CMYK 1 / 0 / 15 / 5

HEX #F1F3CE

RGB 241 243 206

HSL 63.24, 0.61%, 0.88%

LAB 94.85, -6.76, 17.65

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 3 / 0 / 15 / 12

HEX #DBE1C0

RGB 219 225 192

HSL 70.91, 0.35%, 0.82%

LAB 88.31, -7.64, 15.48

 

CMYK 2 / 0 / 16 / 19

HEX #CACFAD

RGB 202 207 173

HSL 68.82, 0.26%, 0.75%

LAB 81.95, -7.52, 16.34

 

CMYK 2 / 0 / 19 / 26

HEX #B9BD9A

RGB 185 189 154

HSL 66.86, 0.21%, 0.67%

LAB 75.48, -7.4, 17.26

 

CMYK 2 / 0 / 21 / 33

HEX #A8AB87

RGB 168 171 135

HSL 65, 0.18%, 0.6%

LAB 68.9, -7.26, 18.23

 

CMYK 1 / 0 / 24 / 40

HEX #979974

RGB 151 153 116

HSL 63.24, 0.15%, 0.53%

LAB 62.19, -7.1, 19.26

 

CMYK 3 / 0 / 14 / 12

HEX #DBE1C1

RGB 219 225 193

HSL 71.25, 0.35%, 0.82%

LAB 88.33, -7.48, 14.98

 

CMYK 0 / 1 / 14 / 12

HEX #E1DEC1

RGB 225 222 193

HSL 54.38, 0.35%, 0.82%

LAB 88.02, -3.81, 14.6

 

CMYK 0 / 5 / 14 / 12

HEX #E1D5C1

RGB 225 213 193

HSL 37.5, 0.35%, 0.82%

LAB 85.73, 0.83, 11.36

 

CMYK 0 / 9 / 14 / 12

HEX #E1CDC1

RGB 225 205 193

HSL 22.5, 0.35%, 0.82%

LAB 83.72, 5.01, 8.49

 

CMYK 0 / 13 / 14 / 12

HEX #E1C4C1

RGB 225 196 193

HSL 5.63, 0.35%, 0.82%

LAB 81.48, 9.75, 5.27

 

CMYK 3 / 0 / 14 / 12

HEX #DBE1C1

RGB 219 225 193

HSL 71.25, 0.35%, 0.82%

LAB 88.33, -7.48, 14.98

 

CMYK 7 / 0 / 14 / 12

HEX #D2E1C1

RGB 210 225 193

HSL 88.13, 0.35%, 0.82%

LAB 87.68, -10.65, 13.97

 

CMYK 11 / 0 / 14 / 12

HEX #C9E1C1

RGB 201 225 193

HSL 105, 0.35%, 0.82%

LAB 87.05, -13.77, 13

 

CMYK 14 / 0 / 14 / 12

HEX #C1E1C1

RGB 193 225 193

HSL 120, 0.35%, 0.82%

LAB 86.52, -16.49, 12.17

 

CMYK 14 / 0 / 11 / 12

HEX #C1E1C9

RGB 193 225 201

HSL 135, 0.35%, 0.82%

LAB 86.7, -15.06, 8.23

 

CMYK 3 / 0 / 14 / 12

HEX #DBE1C1

RGB 219 225 193

HSL 71.25, 0.35%, 0.82%

LAB 88.33, -7.48, 14.98

 

CMYK 3 / 0 / 20 / 9

HEX #E0E8B9

RGB 224 232 185

HSL 70.21, 0.51%, 0.82%

LAB 90.35, -10.44, 22.01

 

CMYK 5 / 0 / 26 / 6

HEX #E4F0B2

RGB 228 240 178

HSL 71.61, 0.67%, 0.82%

LAB 92.59, -13.97, 28.71

 

CMYK 6 / 0 / 31 / 3

HEX #E9F7AA

RGB 233 247 170

HSL 70.91, 0.83%, 0.82%

LAB 94.63, -16.63, 35.56

 

CMYK 6 / 0 / 36 / 0

HEX #EEFEA3

RGB 238 254 163

HSL 70.55, 0.98%, 0.82%

LAB 96.7, -19.04, 41.8

 

CMYK 3 / 0 / 14 / 12

HEX #DBE1C1

RGB 219 225 193

HSL 71.25, 0.35%, 0.82%

LAB 88.33, -7.48, 14.98

 

CMYK 1 / 0 / 8 / 15

HEX #D6D9C8

RGB 214 217 200

HSL 70.59, 0.18%, 0.82%

LAB 86.05, -4, 8.01

 

CMYK 0 / 0 / 1 / 18

HEX #D1D2CF

RGB 209 210 207

HSL 80, 0.03%, 0.82%

LAB 84.05, -0.88, 1.35

 

CMYK 5 / 6 / 0 / 16

HEX #CDCAD7

RGB 205 202 215

HSL 253.85, 0.14%, 0.82%

LAB 81.91, 3.45, -6.09

 

CMYK 10 / 12 / 0 / 13

HEX #C8C3DE

RGB 200 195 222

HSL 251.11, 0.29%, 0.82%

LAB 79.94, 6.9, -12.8

 

CMYK 0 / 5 / 14 / 12

HEX #E1D5C1

RGB 225 213 193

HSL 37.5, 0.35%, 0.82%

LAB 85.73, 0.83, 11.36

 

CMYK 0 / 2 / 14 / 12

HEX #E1DDC1

RGB 225 221 193

HSL 52.5, 0.35%, 0.82%

LAB 87.76, -3.29, 14.24

 

CMYK 3 / 0 / 14 / 12

HEX #DBE1C1

RGB 219 225 193

HSL 71.25, 0.35%, 0.82%

LAB 88.33, -7.48, 14.98

 

CMYK 6 / 0 / 14 / 12

HEX #D3E1C1

RGB 211 225 193

HSL 86.25, 0.35%, 0.82%

LAB 87.75, -10.3, 14.08

 

CMYK 10 / 0 / 14 / 12

HEX #CAE1C1

RGB 202 225 193

HSL 103.13, 0.35%, 0.82%

LAB 87.12, -13.42, 13.1

 

CMYK 6 / 0 / 31 / 22

HEX #BBC689

RGB 187 198 137

HSL 70.82, 0.35%, 0.66%

LAB 77.73, -13.74, 29.38

 

CMYK 4 / 0 / 22 / 17

HEX #CBD3A5

RGB 203 211 165

HSL 70.43, 0.34%, 0.74%

LAB 82.91, -10.42, 21.92

 

CMYK 3 / 0 / 14 / 12

HEX #DBE1C1

RGB 219 225 193

HSL 71.25, 0.35%, 0.82%

LAB 88.33, -7.48, 14.98

 

CMYK 1 / 0 / 8 / 7

HEX #EBEEDC

RGB 235 238 220

HSL 70, 0.35%, 0.9%

LAB 93.44, -4.1, 8.36

 

CMYK 0 / 0 / 1 / 2

HEX #FBFBF8

RGB 251 251 248

HSL 60, 0.27%, 0.98%

LAB 98.54, -0.52, 1.42

 

CMYK 3 / 0 / 15 / 12

HEX #DBE1C0

RGB 219 225 192

HSL 70.91, 0.35%, 0.82%

LAB 88.31, -7.64, 15.48

 

CMYK 14 / 0 / 9 / 12

HEX #C1E1CC

RGB 193 225 204

HSL 140.63, 0.35%, 0.82%

LAB 86.77, -14.51, 6.75

 

CMYK 4 / 14 / 0 / 12

HEX #D9C1E1

RGB 217 193 225

HSL 285, 0.35%, 0.82%

LAB 80.92, 14.18, -12.81

 

CMYK 3 / 0 / 15 / 12

HEX #DBE1C0

RGB 219 225 192

HSL 70.91, 0.35%, 0.82%

LAB 88.31, -7.64, 15.48

 

CMYK 14 / 3 / 0 / 12

HEX #C1DBE1

RGB 193 219 225

HSL 191.25, 0.35%, 0.82%

LAB 85.72, -7.38, -5.86

 

CMYK 0 / 14 / 3 / 12

HEX #E1C1DB

RGB 225 193 219

HSL 311.25, 0.35%, 0.82%

LAB 81.44, 15.76, -8.75

 

CMYK 3 / 0 / 15 / 12

HEX #DBE1C0

RGB 219 225 192

HSL 70.91, 0.35%, 0.82%

LAB 88.31, -7.64, 15.48

 

CMYK 14 / 0 / 9 / 12

HEX #C1E1CC

RGB 193 225 204

HSL 140.63, 0.35%, 0.82%

LAB 86.77, -14.51, 6.75

 

CMYK 12 / 14 / 0 / 12

HEX #C6C1E1

RGB 198 193 225

HSL 249.38, 0.35%, 0.82%

LAB 79.38, 7.94, -15.29

 

CMYK 0 / 14 / 5 / 12

HEX #E1C1D5

RGB 225 193 213

HSL 322.5, 0.35%, 0.82%

LAB 81.26, 14.69, -5.78

 

CMYK 3 / 0 / 15 / 12

HEX #DBE1C0

RGB 219 225 192

HSL 70.91, 0.35%, 0.82%

LAB 88.31, -7.64, 15.48

 

CMYK 14 / 0 / 5 / 12

HEX #C1E1D6

RGB 193 225 214

HSL 159.38, 0.35%, 0.82%

LAB 87.02, -12.63, 1.84

 

CMYK 12 / 14 / 0 / 12

HEX #C6C1E1

RGB 198 193 225

HSL 249.38, 0.35%, 0.82%

LAB 79.38, 7.94, -15.29

 

CMYK 0 / 14 / 10 / 12

HEX #E1C1CB

RGB 225 193 203

HSL 341.25, 0.35%, 0.82%

LAB 80.99, 12.98, -0.8

 

Description

Color code: HEX #DBE1C0 | qconv.com Color code: HEX #DBE1C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 225 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 225 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 15 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 15% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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