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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE0A4 it is the complementary color #241F5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE0A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE0A4 shade: #E0E09F, #F1F2B2, #FFFFC5, #FFFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE0A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE0A4 shade: #DBE0A4, #CACE91, #B9BC7E, #A8AA6B and #979858

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE0A4 shade: #DADFA3, #DFD4A3, #DFC4A3, #DFB4A3 and #DFA4A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE0A4 shade: #DADFA3, #CADFA3, #BADFA3, #AADFA3 and #A3DFAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE0A4 shade matches the following richer shades: #DADFA3, #E3E999, #EBF390 and #F3FD86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE0A4 shade: #DADFA3, #D2D5AD, #CACBB7, #C2C2C1 and #B9B8CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE0A4 shade: #DFC4A3, #DFD4A3, #DADFA3, #CADFA3 and #BADFA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE0A4 shade: #C2CA66, #CED585, #DADFA3, #E6EAC2 and #F3F4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE0A4 shade: #DBE0A4, #A3DFB4 and #CCA3DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE0A4 shade: #DBE0A4, #A3DADF and #DFA3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE0A4 shade: #DBE0A4, #A3DFB4, #A8A3DF and #DFA3CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE0A4 shade: #DBE0A4, #A3DFC6, #A8A3DF and #DFA3BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 27 / 12

HEX #DBE0A4

RGB 219 224 164

HSL 65, 0.49%, 0.76%

LAB 87.51, -11.21, 28.9

 

Complementary color

CMYK 60 / 66 / 0 / 64

HEX #241F5B

RGB 36 31 91

HSL 245, 0.49%, 0.24%

LAB 16.06, 21.68, -35.39

 

CMYK 0 / 0 / 29 / 12

HEX #E0E09F

RGB 224 224 159

HSL 60, 0.51%, 0.75%

LAB 87.81, -9.98, 31.92

 

CMYK 0 / 0 / 26 / 5

HEX #F1F2B2

RGB 241 242 178

HSL 60.94, 0.71%, 0.82%

LAB 94.06, -10.2, 30.87

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 2 / 0 / 27 / 12

HEX #DBE0A4

RGB 219 224 164

HSL 65, 0.49%, 0.76%

LAB 87.51, -11.21, 28.9

 

CMYK 2 / 0 / 30 / 19

HEX #CACE91

RGB 202 206 145

HSL 63.93, 0.38%, 0.69%

LAB 81.15, -11.02, 29.96

 

CMYK 2 / 0 / 33 / 26

HEX #B9BC7E

RGB 185 188 126

HSL 62.9, 0.32%, 0.62%

LAB 74.69, -10.81, 31.08

 

CMYK 1 / 0 / 37 / 33

HEX #A8AA6B

RGB 168 170 107

HSL 61.9, 0.27%, 0.54%

LAB 68.12, -10.54, 32.26

 

CMYK 1 / 0 / 42 / 40

HEX #979858

RGB 151 152 88

HSL 60.94, 0.27%, 0.47%

LAB 61.43, -10.21, 33.49

 

CMYK 2 / 0 / 27 / 13

HEX #DADFA3

RGB 218 223 163

HSL 65, 0.48%, 0.76%

LAB 87.16, -11.21, 28.92

 

CMYK 0 / 5 / 27 / 13

HEX #DFD4A3

RGB 223 212 163

HSL 49, 0.48%, 0.76%

LAB 84.7, -3.74, 25.66

 

CMYK 0 / 12 / 27 / 13

HEX #DFC4A3

RGB 223 196 163

HSL 33, 0.48%, 0.76%

LAB 80.63, 4.58, 20.09

 

CMYK 0 / 19 / 27 / 13

HEX #DFB4A3

RGB 223 180 163

HSL 17, 0.48%, 0.76%

LAB 76.66, 13.07, 14.55

 

CMYK 0 / 26 / 27 / 13

HEX #DFA4A3

RGB 223 164 163

HSL 1, 0.48%, 0.76%

LAB 72.81, 21.66, 9.1

 

CMYK 2 / 0 / 27 / 13

HEX #DADFA3

RGB 218 223 163

HSL 65, 0.48%, 0.76%

LAB 87.16, -11.21, 28.92

 

CMYK 9 / 0 / 27 / 13

HEX #CADFA3

RGB 202 223 163

HSL 81, 0.48%, 0.76%

LAB 85.99, -17.11, 27.16

 

CMYK 17 / 0 / 27 / 13

HEX #BADFA3

RGB 186 223 163

HSL 97, 0.48%, 0.76%

LAB 84.92, -22.83, 25.52

 

CMYK 24 / 0 / 27 / 13

HEX #AADFA3

RGB 170 223 163

HSL 113, 0.48%, 0.76%

LAB 83.95, -28.33, 24.03

 

CMYK 27 / 0 / 22 / 13

HEX #A3DFAD

RGB 163 223 173

HSL 130, 0.48%, 0.76%

LAB 83.75, -28.93, 18.48

 

CMYK 2 / 0 / 27 / 13

HEX #DADFA3

RGB 218 223 163

HSL 65, 0.48%, 0.76%

LAB 87.16, -11.21, 28.92

 

CMYK 3 / 0 / 34 / 9

HEX #E3E999

RGB 227 233 153

HSL 64.5, 0.65%, 0.76%

LAB 90.28, -14.07, 38.26

 

CMYK 3 / 0 / 41 / 5

HEX #EBF390

RGB 235 243 144

HSL 64.85, 0.8%, 0.76%

LAB 93.35, -16.94, 46.75

 

CMYK 4 / 0 / 47 / 1

HEX #F3FD86

RGB 243 253 134

HSL 65.04, 0.97%, 0.76%

LAB 96.42, -19.7, 55.41

 

CMYK 2 / 0 / 27 / 13

HEX #DADFA3

RGB 218 223 163

HSL 65, 0.48%, 0.76%

LAB 87.16, -11.21, 28.92

 

CMYK 1 / 0 / 19 / 16

HEX #D2D5AD

RGB 210 213 173

HSL 64.5, 0.32%, 0.76%

LAB 84.13, -7.68, 19.47

 

CMYK 0 / 0 / 10 / 20

HEX #CACBB7

RGB 202 203 183

HSL 63, 0.16%, 0.76%

LAB 81.12, -3.84, 9.86

 

CMYK 0 / 0 / 1 / 24

HEX #C2C2C1

RGB 194 194 193

HSL 60, 0.01%, 0.76%

LAB 78.41, -0.18, 0.49

 

CMYK 9 / 9 / 0 / 20

HEX #B9B8CB

RGB 185 184 203

HSL 243.16, 0.15%, 0.76%

LAB 75.39, 4.03, -9.45

 

CMYK 0 / 12 / 27 / 13

HEX #DFC4A3

RGB 223 196 163

HSL 33, 0.48%, 0.76%

LAB 80.63, 4.58, 20.09

 

CMYK 0 / 5 / 27 / 13

HEX #DFD4A3

RGB 223 212 163

HSL 49, 0.48%, 0.76%

LAB 84.7, -3.74, 25.66

 

CMYK 2 / 0 / 27 / 13

HEX #DADFA3

RGB 218 223 163

HSL 65, 0.48%, 0.76%

LAB 87.16, -11.21, 28.92

 

CMYK 9 / 0 / 27 / 13

HEX #CADFA3

RGB 202 223 163

HSL 81, 0.48%, 0.76%

LAB 85.99, -17.11, 27.16

 

CMYK 17 / 0 / 27 / 13

HEX #BADFA3

RGB 186 223 163

HSL 97, 0.48%, 0.76%

LAB 84.92, -22.83, 25.52

 

CMYK 4 / 0 / 50 / 21

HEX #C2CA66

RGB 194 202 102

HSL 64.8, 0.49%, 0.6%

LAB 78.85, -16.94, 48.52

 

CMYK 3 / 0 / 38 / 16

HEX #CED585

RGB 206 213 133

HSL 65.25, 0.49%, 0.68%

LAB 83.13, -14.49, 38.75

 

CMYK 2 / 0 / 27 / 13

HEX #DADFA3

RGB 218 223 163

HSL 65, 0.48%, 0.76%

LAB 87.16, -11.21, 28.92

 

CMYK 2 / 0 / 17 / 8

HEX #E6EAC2

RGB 230 234 194

HSL 66, 0.49%, 0.84%

LAB 91.49, -7.96, 19.01

 

CMYK 0 / 0 / 8 / 4

HEX #F3F4E1

RGB 243 244 225

HSL 63.16, 0.46%, 0.92%

LAB 95.66, -3.57, 9.03

 

CMYK 2 / 0 / 27 / 12

HEX #DBE0A4

RGB 219 224 164

HSL 65, 0.49%, 0.76%

LAB 87.51, -11.21, 28.9

 

CMYK 27 / 0 / 19 / 13

HEX #A3DFB4

RGB 163 223 180

HSL 137, 0.48%, 0.76%

LAB 83.89, -27.67, 15.01

 

CMYK 9 / 27 / 0 / 13

HEX #CCA3DF

RGB 204 163 223

HSL 281, 0.48%, 0.76%

LAB 72.47, 25.82, -24.62

 

CMYK 2 / 0 / 27 / 12

HEX #DBE0A4

RGB 219 224 164

HSL 65, 0.49%, 0.76%

LAB 87.51, -11.21, 28.9

 

CMYK 27 / 2 / 0 / 13

HEX #A3DADF

RGB 163 218 223

HSL 185, 0.48%, 0.76%

LAB 83.58, -16.39, -8.18

 

CMYK 0 / 27 / 2 / 13

HEX #DFA3DA

RGB 223 163 218

HSL 305, 0.48%, 0.76%

LAB 74.15, 31.03, -19.15

 

CMYK 2 / 0 / 27 / 12

HEX #DBE0A4

RGB 219 224 164

HSL 65, 0.49%, 0.76%

LAB 87.51, -11.21, 28.9

 

CMYK 27 / 0 / 19 / 13

HEX #A3DFB4

RGB 163 223 180

HSL 137, 0.48%, 0.76%

LAB 83.89, -27.67, 15.01

 

CMYK 25 / 27 / 0 / 13

HEX #A8A3DF

RGB 168 163 223

HSL 245, 0.48%, 0.76%

LAB 69.36, 14.61, -29.66

 

CMYK 0 / 27 / 8 / 13

HEX #DFA3CE

RGB 223 163 206

HSL 317, 0.48%, 0.76%

LAB 73.76, 28.9, -13.16

 

CMYK 2 / 0 / 27 / 12

HEX #DBE0A4

RGB 219 224 164

HSL 65, 0.49%, 0.76%

LAB 87.51, -11.21, 28.9

 

CMYK 27 / 0 / 11 / 13

HEX #A3DFC6

RGB 163 223 198

HSL 155, 0.48%, 0.76%

LAB 84.3, -24.21, 6.11

 

CMYK 25 / 27 / 0 / 13

HEX #A8A3DF

RGB 168 163 223

HSL 245, 0.48%, 0.76%

LAB 69.36, 14.61, -29.66

 

CMYK 0 / 27 / 16 / 13

HEX #DFA3BC

RGB 223 163 188

HSL 335, 0.48%, 0.76%

LAB 73.23, 25.91, -4.07

 

Description

Color code: HEX #DBE0A4 | qconv.com Color code: HEX #DBE0A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 224 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 224 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 27 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 27% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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