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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE079 it is the complementary color #241F86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE079. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE079 shade: #E0E074, #F1F287, #FFFF9A, #FFFFAD and #FFFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE079. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE079 shade: #DBE079, #CACE66, #B9BC53, #A8AA40 and #97982D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE079 shade: #DBDF7A, #DFC97A, #DFAE7A, #DF937A and #DF7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE079 shade: #DBDF7A, #BFDF7A, #A4DF7A, #89DF7A and #7ADF87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE079 shade matches the following richer shades: #DBDF7A, #E7ED6D and #F2FA60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE079 shade: #DBDF7A, #CFD288, #C3C595, #B7B8A2 and #ABABAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE079 shade: #DFAD7A, #DFC87A, #DCDF7A, #C1DF7A and #A6DF7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE079 shade: #C8D037, #D2D859, #DBDF7A, #E4E79C and #EDEFBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE079 shade: #DBE079, #7ADF92 and #BA7ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE079 shade: #DBE079, #7ADCDF and #DF7ADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE079 shade: #DBE079, #7ADF92, #7E7ADF and #DF7AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE079 shade: #DBE079, #7ADFB0, #7E7ADF and #DF7AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 46 / 12

HEX #DBE079

RGB 219 224 121

HSL 62.91, 0.62%, 0.68%

LAB 86.88, -16.13, 49.55

 

Complementary color

CMYK 73 / 77 / 0 / 47

HEX #241F86

RGB 36 31 134

HSL 242.91, 0.62%, 0.32%

LAB 20.35, 36.97, -56.2

 

CMYK 0 / 0 / 48 / 12

HEX #E0E074

RGB 224 224 116

HSL 60, 0.64%, 0.67%

LAB 87.2, -14.62, 52.4

 

CMYK 0 / 0 / 44 / 5

HEX #F1F287

RGB 241 242 135

HSL 60.56, 0.8%, 0.74%

LAB 93.43, -15.05, 51.27

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 2 / 0 / 46 / 12

HEX #DBE079

RGB 219 224 121

HSL 62.91, 0.62%, 0.68%

LAB 86.88, -16.13, 49.55

 

CMYK 2 / 0 / 50 / 19

HEX #CACE66

RGB 202 206 102

HSL 62.31, 0.51%, 0.6%

LAB 80.55, -15.71, 50.68

 

CMYK 2 / 0 / 56 / 26

HEX #B9BC53

RGB 185 188 83

HSL 61.71, 0.44%, 0.53%

LAB 74.13, -15.2, 51.75

 

CMYK 1 / 0 / 62 / 33

HEX #A8AA40

RGB 168 170 64

HSL 61.13, 0.45%, 0.46%

LAB 67.61, -14.56, 52.67

 

CMYK 1 / 0 / 70 / 40

HEX #97982D

RGB 151 152 45

HSL 60.56, 0.54%, 0.39%

LAB 60.98, -13.76, 53.24

 

CMYK 2 / 0 / 45 / 13

HEX #DBDF7A

RGB 219 223 122

HSL 62.38, 0.61%, 0.68%

LAB 86.62, -15.54, 48.76

 

CMYK 0 / 10 / 45 / 13

HEX #DFC97A

RGB 223 201 122

HSL 46.93, 0.61%, 0.68%

LAB 81.22, -2.81, 42.15

 

CMYK 0 / 22 / 45 / 13

HEX #DFAE7A

RGB 223 174 122

HSL 30.89, 0.61%, 0.68%

LAB 74.42, 11.38, 33.49

 

CMYK 0 / 34 / 45 / 13

HEX #DF937A

RGB 223 147 122

HSL 14.85, 0.61%, 0.68%

LAB 67.99, 25.86, 25.01

 

CMYK 0 / 45 / 45 / 13

HEX #DF7A7A

RGB 223 122 122

HSL 0, 0.61%, 0.68%

LAB 62.52, 39.06, 17.59

 

CMYK 2 / 0 / 45 / 13

HEX #DBDF7A

RGB 219 223 122

HSL 62.38, 0.61%, 0.68%

LAB 86.62, -15.54, 48.76

 

CMYK 14 / 0 / 45 / 13

HEX #BFDF7A

RGB 191 223 122

HSL 79.01, 0.61%, 0.68%

LAB 84.62, -26.37, 45.84

 

CMYK 26 / 0 / 45 / 13

HEX #A4DF7A

RGB 164 223 122

HSL 95.05, 0.61%, 0.68%

LAB 82.95, -36.21, 43.41

 

CMYK 39 / 0 / 45 / 13

HEX #89DF7A

RGB 137 223 122

HSL 111.09, 0.61%, 0.68%

LAB 81.57, -45.17, 41.37

 

CMYK 45 / 0 / 39 / 13

HEX #7ADF87

RGB 122 223 135

HSL 127.72, 0.61%, 0.68%

LAB 81.11, -47.69, 34.17

 

CMYK 2 / 0 / 45 / 13

HEX #DBDF7A

RGB 219 223 122

HSL 62.38, 0.61%, 0.68%

LAB 86.62, -15.54, 48.76

 

CMYK 3 / 0 / 54 / 7

HEX #E7ED6D

RGB 231 237 109

HSL 62.81, 0.78%, 0.68%

LAB 91.08, -18.79, 60.27

 

CMYK 3 / 0 / 62 / 2

HEX #F2FA60

RGB 242 250 96

HSL 63.12, 0.94%, 0.68%

LAB 95.2, -21.59, 70.53

 

CMYK 2 / 0 / 45 / 13

HEX #DBDF7A

RGB 219 223 122

HSL 62.38, 0.61%, 0.68%

LAB 86.62, -15.54, 48.76

 

CMYK 1 / 0 / 35 / 18

HEX #CFD288

RGB 207 210 136

HSL 62.43, 0.45%, 0.68%

LAB 82.45, -12.24, 36.38

 

CMYK 1 / 0 / 24 / 23

HEX #C3C595

RGB 195 197 149

HSL 62.5, 0.29%, 0.68%

LAB 78.29, -8.53, 23.92

 

CMYK 1 / 0 / 12 / 28

HEX #B7B8A2

RGB 183 184 162

HSL 62.73, 0.13%, 0.68%

LAB 74.16, -4.23, 11.06

 

CMYK 2 / 2 / 0 / 31

HEX #ABABAF

RGB 171 171 175

HSL 240, 0.02%, 0.68%

LAB 70.09, 0.77, -2.06

 

CMYK 0 / 22 / 45 / 13

HEX #DFAD7A

RGB 223 173 122

HSL 30.3, 0.61%, 0.68%

LAB 74.18, 11.92, 33.17

 

CMYK 0 / 10 / 45 / 13

HEX #DFC87A

RGB 223 200 122

HSL 46.34, 0.61%, 0.68%

LAB 80.96, -2.3, 41.82

 

CMYK 1 / 0 / 45 / 13

HEX #DCDF7A

RGB 220 223 122

HSL 61.78, 0.61%, 0.68%

LAB 86.7, -15.15, 48.87

 

CMYK 13 / 0 / 45 / 13

HEX #C1DF7A

RGB 193 223 122

HSL 77.82, 0.61%, 0.68%

LAB 84.75, -25.61, 46.04

 

CMYK 26 / 0 / 45 / 13

HEX #A6DF7A

RGB 166 223 122

HSL 93.86, 0.61%, 0.68%

LAB 83.07, -35.51, 43.57

 

CMYK 4 / 0 / 74 / 18

HEX #C8D037

RGB 200 208 55

HSL 63.14, 0.62%, 0.52%

LAB 80.55, -20.61, 69.88

 

CMYK 3 / 0 / 59 / 15

HEX #D2D859

RGB 210 216 89

HSL 62.83, 0.62%, 0.6%

LAB 83.72, -18.46, 60.32

 

CMYK 2 / 0 / 45 / 13

HEX #DBDF7A

RGB 219 223 122

HSL 62.38, 0.61%, 0.68%

LAB 86.62, -15.54, 48.76

 

CMYK 1 / 0 / 32 / 9

HEX #E4E79C

RGB 228 231 156

HSL 62.4, 0.61%, 0.76%

LAB 89.88, -12.34, 36.25

 

CMYK 1 / 0 / 21 / 6

HEX #EDEFBD

RGB 237 239 189

HSL 62.4, 0.61%, 0.84%

LAB 93.19, -8.67, 24.03

 

CMYK 2 / 0 / 46 / 12

HEX #DBE079

RGB 219 224 121

HSL 62.91, 0.62%, 0.68%

LAB 86.88, -16.13, 49.55

 

CMYK 45 / 0 / 35 / 13

HEX #7ADF92

RGB 122 223 146

HSL 134.26, 0.61%, 0.68%

LAB 81.29, -45.88, 28.81

 

CMYK 17 / 45 / 0 / 13

HEX #BA7ADF

RGB 186 122 223

HSL 278.02, 0.61%, 0.68%

LAB 61.38, 42.79, -41.95

 

CMYK 2 / 0 / 46 / 12

HEX #DBE079

RGB 219 224 121

HSL 62.91, 0.62%, 0.68%

LAB 86.88, -16.13, 49.55

 

CMYK 45 / 1 / 0 / 13

HEX #7ADCDF

RGB 122 220 223

HSL 181.78, 0.61%, 0.68%

LAB 82.19, -28.02, -10.45

 

CMYK 0 / 45 / 1 / 13

HEX #DF7ADC

RGB 223 122 220

HSL 301.78, 0.61%, 0.68%

LAB 65.57, 52.85, -33.41

 

CMYK 2 / 0 / 46 / 12

HEX #DBE079

RGB 219 224 121

HSL 62.91, 0.62%, 0.68%

LAB 86.88, -16.13, 49.55

 

CMYK 45 / 0 / 35 / 13

HEX #7ADF92

RGB 122 223 146

HSL 134.26, 0.61%, 0.68%

LAB 81.29, -45.88, 28.81

 

CMYK 43 / 45 / 0 / 13

HEX #7E7ADF

RGB 126 122 223

HSL 242.38, 0.61%, 0.68%

LAB 55.77, 26.81, -51.2

 

CMYK 0 / 45 / 10 / 13

HEX #DF7AC8

RGB 223 122 200

HSL 313.66, 0.61%, 0.68%

LAB 64.79, 49.45, -23.44

 

CMYK 2 / 0 / 46 / 12

HEX #DBE079

RGB 219 224 121

HSL 62.91, 0.62%, 0.68%

LAB 86.88, -16.13, 49.55

 

CMYK 45 / 0 / 21 / 13

HEX #7ADFB0

RGB 122 223 176

HSL 152.08, 0.61%, 0.68%

LAB 81.86, -40.23, 13.98

 

CMYK 43 / 45 / 0 / 13

HEX #7E7ADF

RGB 126 122 223

HSL 242.38, 0.61%, 0.68%

LAB 55.77, 26.81, -51.2

 

CMYK 0 / 45 / 24 / 13

HEX #DF7AAA

RGB 223 122 170

HSL 331.49, 0.61%, 0.68%

LAB 63.76, 44.88, -8.01

 

Description

Color code: HEX #DBE079 | qconv.com Color code: HEX #DBE079 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 224 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 224 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 46 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 46% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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