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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE4D4 it is the complementary color #241B2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE4D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE4D4 shade: #E0E4CF, #F1F6E2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE4D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE4D4 shade: #DBE4D4, #CAD2C1, #B9C0AE, #A8AE9B and #979C88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE4D4 shade: #DAE3D3, #DEE3D3, #E3E3D3, #E3DFD3 and #E3DBD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE4D4 shade: #DAE3D3, #D5E3D3, #D3E3D4, #D3E3D9 and #D3E3DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE4D4 shade matches the following richer shades: #DAE3D3, #D9E9CD, #D8EFC7, #D8F4C1 and #D7FABB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE4D4 shade: #DAE3D3, #DADDD8, #DBD7DE, #DCD2E4 and #DDCCEA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE4D4 shade: #E3E3D3, #DEE3D3, #DAE3D3, #D6E3D3 and #D3E3D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE4D4 shade: #AFC3A0, #C5D3B9, #DAE3D3 and #EFF3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE4D4 shade: #DBE4D4, #D3E3DF and #E3D3E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE4D4 shade: #DBE4D4, #D3DAE3 and #E3D3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE4D4 shade: #DBE4D4, #D3E3DF, #DCD3E3 and #E3D3D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE4D4 shade: #DBE4D4, #D3E2E3, #DCD3E3 and #E3D3D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 7 / 11

HEX #DBE4D4

RGB 219 228 212

HSL 93.75, 0.23%, 0.86%

LAB 89.53, -5.86, 6.75

 

Complementary color

CMYK 16 / 37 / 0 / 83

HEX #241B2B

RGB 36 27 43

HSL 273.75, 0.23%, 0.14%

LAB 11.51, 8.38, -9.12

 

CMYK 2 / 0 / 9 / 11

HEX #E0E4CF

RGB 224 228 207

HSL 71.43, 0.28%, 0.85%

LAB 89.78, -4.98, 9.78

 

CMYK 2 / 0 / 8 / 4

HEX #F1F6E2

RGB 241 246 226

HSL 75, 0.53%, 0.93%

LAB 96.04, -5.09, 9.04

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 4 / 0 / 7 / 11

HEX #DBE4D4

RGB 219 228 212

HSL 93.75, 0.23%, 0.86%

LAB 89.53, -5.86, 6.75

 

CMYK 4 / 0 / 8 / 18

HEX #CAD2C1

RGB 202 210 193

HSL 88.24, 0.16%, 0.79%

LAB 83.18, -5.77, 7.48

 

CMYK 4 / 0 / 9 / 25

HEX #B9C0AE

RGB 185 192 174

HSL 83.33, 0.13%, 0.72%

LAB 76.72, -5.69, 8.23

 

CMYK 3 / 0 / 11 / 32

HEX #A8AE9B

RGB 168 174 155

HSL 78.95, 0.1%, 0.65%

LAB 70.15, -5.6, 9.02

 

CMYK 3 / 0 / 13 / 39

HEX #979C88

RGB 151 156 136

HSL 75, 0.09%, 0.57%

LAB 63.45, -5.5, 9.86

 

CMYK 4 / 0 / 7 / 11

HEX #DAE3D3

RGB 218 227 211

HSL 93.75, 0.22%, 0.86%

LAB 89.18, -5.86, 6.76

 

CMYK 2 / 0 / 7 / 11

HEX #DEE3D3

RGB 222 227 211

HSL 78.75, 0.22%, 0.86%

LAB 89.47, -4.49, 7.22

 

CMYK 0 / 0 / 7 / 11

HEX #E3E3D3

RGB 227 227 211

HSL 60, 0.22%, 0.86%

LAB 89.85, -2.76, 7.8

 

CMYK 0 / 2 / 7 / 11

HEX #E3DFD3

RGB 227 223 211

HSL 45, 0.22%, 0.86%

LAB 88.83, -0.71, 6.35

 

CMYK 0 / 4 / 7 / 11

HEX #E3DBD3

RGB 227 219 211

HSL 30, 0.22%, 0.86%

LAB 87.82, 1.36, 4.89

 

CMYK 4 / 0 / 7 / 11

HEX #DAE3D3

RGB 218 227 211

HSL 93.75, 0.22%, 0.86%

LAB 89.18, -5.86, 6.76

 

CMYK 6 / 0 / 7 / 11

HEX #D5E3D3

RGB 213 227 211

HSL 112.5, 0.22%, 0.86%

LAB 88.82, -7.57, 6.2

 

CMYK 7 / 0 / 7 / 11

HEX #D3E3D4

RGB 211 227 212

HSL 123.75, 0.22%, 0.86%

LAB 88.7, -8.07, 5.49

 

CMYK 7 / 0 / 4 / 11

HEX #D3E3D9

RGB 211 227 217

HSL 142.5, 0.22%, 0.86%

LAB 88.83, -7.17, 3.04

 

CMYK 7 / 0 / 3 / 11

HEX #D3E3DD

RGB 211 227 221

HSL 157.5, 0.22%, 0.86%

LAB 88.93, -6.43, 1.09

 

CMYK 4 / 0 / 7 / 11

HEX #DAE3D3

RGB 218 227 211

HSL 93.75, 0.22%, 0.86%

LAB 89.18, -5.86, 6.76

 

CMYK 7 / 0 / 12 / 9

HEX #D9E9CD

RGB 217 233 205

HSL 94.29, 0.39%, 0.86%

LAB 90.52, -10.27, 11.81

 

CMYK 10 / 0 / 17 / 6

HEX #D8EFC7

RGB 216 239 199

HSL 94.5, 0.56%, 0.86%

LAB 91.89, -14.59, 16.84

 

CMYK 11 / 0 / 21 / 4

HEX #D8F4C1

RGB 216 244 193

HSL 92.94, 0.7%, 0.86%

LAB 93.08, -18.01, 21.59

 

CMYK 14 / 0 / 25 / 2

HEX #D7FABB

RGB 215 250 187

HSL 93.33, 0.86%, 0.86%

LAB 94.49, -22.18, 26.58

 

CMYK 4 / 0 / 7 / 11

HEX #DAE3D3

RGB 218 227 211

HSL 93.75, 0.22%, 0.86%

LAB 89.18, -5.86, 6.76

 

CMYK 1 / 0 / 2 / 13

HEX #DADDD8

RGB 218 221 216

HSL 96, 0.07%, 0.86%

LAB 87.76, -1.91, 2.08

 

CMYK 1 / 3 / 0 / 13

HEX #DBD7DE

RGB 219 215 222

HSL 274.29, 0.1%, 0.86%

LAB 86.47, 2.63, -2.96

 

CMYK 4 / 8 / 0 / 11

HEX #DCD2E4

RGB 220 210 228

HSL 273.33, 0.25%, 0.86%

LAB 85.46, 6.7, -7.63

 

CMYK 6 / 13 / 0 / 8

HEX #DDCCEA

RGB 221 204 234

HSL 274, 0.42%, 0.86%

LAB 84.22, 11.35, -12.64

 

CMYK 0 / 0 / 7 / 11

HEX #E3E3D3

RGB 227 227 211

HSL 60, 0.22%, 0.86%

LAB 89.85, -2.76, 7.8

 

CMYK 2 / 0 / 7 / 11

HEX #DEE3D3

RGB 222 227 211

HSL 78.75, 0.22%, 0.86%

LAB 89.47, -4.49, 7.22

 

CMYK 4 / 0 / 7 / 11

HEX #DAE3D3

RGB 218 227 211

HSL 93.75, 0.22%, 0.86%

LAB 89.18, -5.86, 6.76

 

CMYK 6 / 0 / 7 / 11

HEX #D6E3D3

RGB 214 227 211

HSL 108.75, 0.22%, 0.86%

LAB 88.89, -7.23, 6.31

 

CMYK 7 / 0 / 7 / 11

HEX #D3E3D4

RGB 211 227 212

HSL 123.75, 0.22%, 0.86%

LAB 88.7, -8.07, 5.49

 

CMYK 10 / 0 / 18 / 24

HEX #AFC3A0

RGB 175 195 160

HSL 94.29, 0.23%, 0.7%

LAB 76.49, -13.21, 15.33

 

CMYK 7 / 0 / 12 / 17

HEX #C5D3B9

RGB 197 211 185

HSL 92.31, 0.23%, 0.78%

LAB 82.89, -9.41, 11.27

 

CMYK 4 / 0 / 7 / 11

HEX #DAE3D3

RGB 218 227 211

HSL 93.75, 0.22%, 0.86%

LAB 89.18, -5.86, 6.76

 

CMYK 2 / 0 / 3 / 5

HEX #EFF3EC

RGB 239 243 236

HSL 94.29, 0.23%, 0.94%

LAB 95.37, -2.56, 2.89

 

CMYK 4 / 0 / 7 / 11

HEX #DBE4D4

RGB 219 228 212

HSL 93.75, 0.23%, 0.86%

LAB 89.53, -5.86, 6.75

 

CMYK 7 / 0 / 2 / 11

HEX #D3E3DF

RGB 211 227 223

HSL 165, 0.22%, 0.86%

LAB 88.98, -6.06, 0.11

 

CMYK 0 / 7 / 1 / 11

HEX #E3D3E1

RGB 227 211 225

HSL 307.5, 0.22%, 0.86%

LAB 86.18, 7.97, -4.9

 

CMYK 4 / 0 / 7 / 11

HEX #DBE4D4

RGB 219 228 212

HSL 93.75, 0.23%, 0.86%

LAB 89.53, -5.86, 6.75

 

CMYK 7 / 4 / 0 / 11

HEX #D3DAE3

RGB 211 218 227

HSL 213.75, 0.22%, 0.86%

LAB 86.77, -0.66, -5.24

 

CMYK 0 / 7 / 4 / 11

HEX #E3D3DA

RGB 227 211 218

HSL 333.75, 0.22%, 0.86%

LAB 86, 6.73, -1.47

 

CMYK 4 / 0 / 7 / 11

HEX #DBE4D4

RGB 219 228 212

HSL 93.75, 0.23%, 0.86%

LAB 89.53, -5.86, 6.75

 

CMYK 7 / 0 / 2 / 11

HEX #D3E3DF

RGB 211 227 223

HSL 165, 0.22%, 0.86%

LAB 88.98, -6.06, 0.11

 

CMYK 3 / 7 / 0 / 11

HEX #DCD3E3

RGB 220 211 227

HSL 273.75, 0.22%, 0.86%

LAB 85.68, 5.99, -6.77

 

CMYK 0 / 7 / 5 / 11

HEX #E3D3D7

RGB 227 211 215

HSL 345, 0.22%, 0.86%

LAB 85.92, 6.21, 0.01

 

CMYK 4 / 0 / 7 / 11

HEX #DBE4D4

RGB 219 228 212

HSL 93.75, 0.23%, 0.86%

LAB 89.53, -5.86, 6.75

 

CMYK 7 / 0 / 0 / 11

HEX #D3E2E3

RGB 211 226 227

HSL 183.75, 0.22%, 0.86%

LAB 88.82, -4.79, -2.22

 

CMYK 3 / 7 / 0 / 11

HEX #DCD3E3

RGB 220 211 227

HSL 273.75, 0.22%, 0.86%

LAB 85.68, 5.99, -6.77

 

CMYK 0 / 7 / 7 / 11

HEX #E3D3D3

RGB 227 211 211

HSL 0, 0.22%, 0.86%

LAB 85.82, 5.52, 1.98

 

Description

Color code: HEX #DBE4D4 | qconv.com Color code: HEX #DBE4D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 228 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 228 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 7 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 7% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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