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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD194 it is the complementary color #242E6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD194 shade: #E0D18F, #F1E3A2, #FFF5B5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD194 shade: #DBD194, #CABF81, #B9AD6E, #A89B5B and #978948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD194 shade: #DBD193, #DBBD93, #DBAA93, #DB9793 and #DB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD194 shade: #DBD193, #D2DB93, #BEDB93, #ABDB93 and #98DB93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD194 shade matches the following richer shades: #DBD193, #E6D988, #F2E17C and #FDEA71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD194 shade: #DBD193, #CFC89F, #C4C0AB, #B8B8B6 and #ADB0C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD194 shade: #DBAA93, #DBBD93, #DBD093, #D2DB93 and #BFDB93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD194 shade: #C6B656, #D0C474, #DBD193, #E5DEB2 and #EFEBD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD194 shade: #DBD194, #93DB97 and #B493DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD194 shade: #DBD194, #93DBD0 and #D093DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD194 shade: #DBD194, #93DB97, #939EDB and #DB93D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD194 shade: #DBD194, #93DBAC, #939EDB and #DB93C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 32 / 14

HEX #DBD194

RGB 219 209 148

HSL 51.55, 0.5%, 0.72%

LAB 83.34, -5.64, 31.56

 

Complementary color

CMYK 66 / 57 / 0 / 58

HEX #242E6B

RGB 36 46 107

HSL 231.55, 0.5%, 0.28%

LAB 21.54, 17.13, -37.01

 

CMYK 0 / 7 / 36 / 12

HEX #E0D18F

RGB 224 209 143

HSL 48.89, 0.57%, 0.72%

LAB 83.67, -4.3, 34.65

 

CMYK 0 / 6 / 33 / 5

HEX #F1E3A2

RGB 241 227 162

HSL 49.37, 0.74%, 0.79%

LAB 89.97, -4.68, 33.52

 

CMYK 0 / 4 / 29 / 0

HEX #FFF5B5

RGB 255 245 181

HSL 51.89, 1%, 0.85%

LAB 95.96, -6.13, 32.09

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 5 / 32 / 14

HEX #DBD194

RGB 219 209 148

HSL 51.55, 0.5%, 0.72%

LAB 83.34, -5.64, 31.56

 

CMYK 0 / 5 / 36 / 21

HEX #CABF81

RGB 202 191 129

HSL 50.96, 0.41%, 0.65%

LAB 76.92, -5.28, 32.7

 

CMYK 0 / 6 / 41 / 27

HEX #B9AD6E

RGB 185 173 110

HSL 50.4, 0.35%, 0.58%

LAB 70.4, -4.85, 33.9

 

CMYK 0 / 8 / 46 / 34

HEX #A89B5B

RGB 168 155 91

HSL 49.87, 0.31%, 0.51%

LAB 63.77, -4.33, 35.16

 

CMYK 0 / 9 / 52 / 41

HEX #978948

RGB 151 137 72

HSL 49.37, 0.35%, 0.44%

LAB 57.02, -3.7, 36.45

 

CMYK 0 / 5 / 33 / 14

HEX #DBD193

RGB 219 209 147

HSL 51.67, 0.5%, 0.72%

LAB 83.32, -5.77, 32.05

 

CMYK 0 / 14 / 33 / 14

HEX #DBBD93

RGB 219 189 147

HSL 35, 0.5%, 0.72%

LAB 78.21, 4.65, 25.2

 

CMYK 0 / 22 / 33 / 14

HEX #DBAA93

RGB 219 170 147

HSL 19.17, 0.5%, 0.72%

LAB 73.49, 14.78, 18.75

 

CMYK 0 / 31 / 33 / 14

HEX #DB9793

RGB 219 151 147

HSL 3.33, 0.5%, 0.72%

LAB 68.97, 25.03, 12.44

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 5 / 33 / 14

HEX #DBD193

RGB 219 209 147

HSL 51.67, 0.5%, 0.72%

LAB 83.32, -5.77, 32.05

 

CMYK 4 / 0 / 33 / 14

HEX #D2DB93

RGB 210 219 147

HSL 67.5, 0.5%, 0.72%

LAB 85.24, -14.28, 34.45

 

CMYK 13 / 0 / 33 / 14

HEX #BEDB93

RGB 190 219 147

HSL 84.17, 0.5%, 0.72%

LAB 83.82, -21.75, 32.32

 

CMYK 22 / 0 / 33 / 14

HEX #ABDB93

RGB 171 219 147

HSL 100, 0.5%, 0.72%

LAB 82.61, -28.55, 30.5

 

CMYK 31 / 0 / 33 / 14

HEX #98DB93

RGB 152 219 147

HSL 115.83, 0.5%, 0.72%

LAB 81.54, -34.95, 28.87

 

CMYK 0 / 5 / 33 / 14

HEX #DBD193

RGB 219 209 147

HSL 51.67, 0.5%, 0.72%

LAB 83.32, -5.77, 32.05

 

CMYK 0 / 6 / 41 / 10

HEX #E6D988

RGB 230 217 136

HSL 51.7, 0.65%, 0.72%

LAB 86.12, -6.8, 41.45

 

CMYK 0 / 7 / 49 / 5

HEX #F2E17C

RGB 242 225 124

HSL 51.36, 0.82%, 0.72%

LAB 89.01, -7.23, 51.13

 

CMYK 0 / 8 / 55 / 1

HEX #FDEA71

RGB 253 234 113

HSL 51.86, 0.97%, 0.72%

LAB 92.1, -8.22, 60.11

 

CMYK 0 / 5 / 33 / 14

HEX #DBD193

RGB 219 209 147

HSL 51.67, 0.5%, 0.72%

LAB 83.32, -5.77, 32.05

 

CMYK 0 / 3 / 23 / 19

HEX #CFC89F

RGB 207 200 159

HSL 51.25, 0.33%, 0.72%

LAB 80.22, -4.13, 21.43

 

CMYK 0 / 2 / 13 / 23

HEX #C4C0AB

RGB 196 192 171

HSL 50.4, 0.17%, 0.72%

LAB 77.5, -2.21, 11.08

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B6

RGB 184 184 182

HSL 60, 0.01%, 0.72%

LAB 74.73, -0.37, 1

HEX #B8B8B6

CMYK 11 / 9 / 0 / 24

HEX #ADB0C2

RGB 173 176 194

HSL 231.43, 0.15%, 0.72%

LAB 72.11, 2.53, -9.51

HEX #ADB0C2

CMYK 0 / 22 / 33 / 14

HEX #DBAA93

RGB 219 170 147

HSL 19.17, 0.5%, 0.72%

LAB 73.49, 14.78, 18.75

 

CMYK 0 / 14 / 33 / 14

HEX #DBBD93

RGB 219 189 147

HSL 35, 0.5%, 0.72%

LAB 78.21, 4.65, 25.2

 

CMYK 0 / 5 / 33 / 14

HEX #DBD093

RGB 219 208 147

HSL 50.83, 0.5%, 0.72%

LAB 83.06, -5.25, 31.71

 

CMYK 4 / 0 / 33 / 14

HEX #D2DB93

RGB 210 219 147

HSL 67.5, 0.5%, 0.72%

LAB 85.24, -14.28, 34.45

 

CMYK 13 / 0 / 33 / 14

HEX #BFDB93

RGB 191 219 147

HSL 83.33, 0.5%, 0.72%

LAB 83.89, -21.38, 32.42

 

CMYK 0 / 8 / 57 / 22

HEX #C6B656

RGB 198 182 86

HSL 51.43, 0.5%, 0.56%

LAB 73.63, -6.43, 50.08

 

CMYK 0 / 6 / 44 / 18

HEX #D0C474

RGB 208 196 116

HSL 52.17, 0.49%, 0.64%

LAB 78.55, -6.88, 41.54

 

CMYK 0 / 5 / 33 / 14

HEX #DBD193

RGB 219 209 147

HSL 51.67, 0.5%, 0.72%

LAB 83.32, -5.77, 32.05

 

CMYK 0 / 3 / 22 / 10

HEX #E5DEB2

RGB 229 222 178

HSL 51.76, 0.5%, 0.8%

LAB 88.02, -4.57, 22.49

 

CMYK 0 / 2 / 13 / 6

HEX #EFEBD1

RGB 239 235 209

HSL 52, 0.48%, 0.88%

LAB 92.74, -2.97, 13.1

HEX #EFEBD1

CMYK 0 / 5 / 32 / 14

HEX #DBD194

RGB 219 209 148

HSL 51.55, 0.5%, 0.72%

LAB 83.34, -5.64, 31.56

 

CMYK 33 / 0 / 31 / 14

HEX #93DB97

RGB 147 219 151

HSL 123.33, 0.5%, 0.72%

LAB 81.35, -35.91, 26.51

 

CMYK 18 / 33 / 0 / 14

HEX #B493DB

RGB 180 147 219

HSL 267.5, 0.5%, 0.72%

LAB 66.28, 26.32, -32.13

 

CMYK 0 / 5 / 32 / 14

HEX #DBD194

RGB 219 209 148

HSL 51.55, 0.5%, 0.72%

LAB 83.34, -5.64, 31.56

 

CMYK 33 / 0 / 5 / 14

HEX #93DBD0

RGB 147 219 208

HSL 170.83, 0.5%, 0.72%

LAB 82.6, -24.78, -1.75

 

CMYK 5 / 33 / 0 / 14

HEX #D093DB

RGB 208 147 219

HSL 290.83, 0.5%, 0.72%

LAB 69.03, 35.02, -27.65

 

CMYK 0 / 5 / 32 / 14

HEX #DBD194

RGB 219 209 148

HSL 51.55, 0.5%, 0.72%

LAB 83.34, -5.64, 31.56

 

CMYK 33 / 0 / 31 / 14

HEX #93DB97

RGB 147 219 151

HSL 123.33, 0.5%, 0.72%

LAB 81.35, -35.91, 26.51

 

CMYK 33 / 28 / 0 / 14

HEX #939EDB

RGB 147 158 219

HSL 230.83, 0.5%, 0.72%

LAB 66.34, 10.3, -32.24

 

CMYK 0 / 33 / 2 / 14

HEX #DB93D7

RGB 219 147 215

HSL 303.33, 0.5%, 0.72%

LAB 70.06, 37.76, -23.77

 

CMYK 0 / 5 / 32 / 14

HEX #DBD194

RGB 219 209 148

HSL 51.55, 0.5%, 0.72%

LAB 83.34, -5.64, 31.56

 

CMYK 33 / 0 / 21 / 14

HEX #93DBAC

RGB 147 219 172

HSL 140.83, 0.5%, 0.72%

LAB 81.75, -32.2, 16.09

 

CMYK 33 / 28 / 0 / 14

HEX #939EDB

RGB 147 158 219

HSL 230.83, 0.5%, 0.72%

LAB 66.34, 10.3, -32.24

 

CMYK 0 / 33 / 11 / 14

HEX #DB93C2

RGB 219 147 194

HSL 320.83, 0.5%, 0.72%

LAB 69.34, 34.11, -13.21

 

Description

Color code: HEX #DBD194 | qconv.com Color code: HEX #DBD194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 209 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 209 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 32 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 32% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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