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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD7CC it is the complementary color #242833. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD7CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD7CC shade: #E0D7C7, #F1E9DA and #FFFBED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD7CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD7CC shade: #DBD7CC, #CAC5B9, #B9B3A6, #A8A193 and #978F80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD7CC shade: #DBD7CC, #DBD3CC, #DBCFCC and #DBCCCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD7CC shade: #DBD7CC, #DADBCC, #D7DBCC, #D3DBCC and #CFDBCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD7CC shade matches the following richer shades: #DBD7CC, #E2DAC5, #E9DDBE, #F0E0B7 and #F7E4B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD7CC shade: #DBD7CC, #D4D3D3, #CCD0DA, #C5CDE1 and #BEC9E8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD7CC shade: #DBCFCC, #DBD3CC, #DBD7CC, #DBDBCC and #D7DBCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD7CC shade: #B8B19C, #C9C4B4, #DBD7CC, #ECEAE4 and #FDFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD7CC shade: #DBD7CC, #CDDBCC and #D1CCDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD7CC shade: #DBD7CC, #CCDBD7 and #D7CCDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD7CC shade: #DBD7CC, #CDDBCC, #CCD0DB and #DACCDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD7CC shade: #DBD7CC, #CCDBCF, #CCD0DB and #DBCCD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

Complementary color

CMYK 29 / 22 / 0 / 80

HEX #242833

RGB 36 40 51

HSL 224, 0.17%, 0.17%

LAB 16.16, 1.31, -7.73

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C7

RGB 224 215 199

HSL 38.4, 0.29%, 0.83%

LAB 86.29, 0.39, 8.98

 

CMYK 0 / 3 / 10 / 5

HEX #F1E9DA

RGB 241 233 218

HSL 39.13, 0.45%, 0.9%

LAB 92.59, 0.18, 8.24

 

CMYK 0 / 2 / 7 / 0

HEX #FFFBED

RGB 255 251 237

HSL 46.67, 1%, 0.96%

LAB 98.58, -1.03, 7.16

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 0 / 2 / 8 / 21

HEX #CAC5B9

RGB 202 197 185

HSL 42.35, 0.14%, 0.76%

LAB 79.61, -0.36, 6.62

 

CMYK 0 / 3 / 10 / 27

HEX #B9B3A6

RGB 185 179 166

HSL 41.05, 0.12%, 0.69%

LAB 73.09, -0.16, 7.38

 

CMYK 0 / 4 / 13 / 34

HEX #A8A193

RGB 168 161 147

HSL 40, 0.11%, 0.62%

LAB 66.46, 0.06, 8.19

 

CMYK 0 / 5 / 15 / 41

HEX #978F80

RGB 151 143 128

HSL 39.13, 0.1%, 0.55%

LAB 59.69, 0.31, 9.04

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 0 / 4 / 7 / 14

HEX #DBD3CC

RGB 219 211 204

HSL 28, 0.17%, 0.83%

LAB 85, 1.54, 4.43

 

CMYK 0 / 5 / 7 / 14

HEX #DBCFCC

RGB 219 207 204

HSL 12, 0.17%, 0.83%

LAB 83.99, 3.63, 2.96

 

CMYK 0 / 7 / 7 / 14

HEX #DBCCCC

RGB 219 204 204

HSL 0, 0.17%, 0.83%

LAB 83.23, 5.21, 1.87

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 0 / 0 / 7 / 14

HEX #DADBCC

RGB 218 219 204

HSL 64, 0.17%, 0.83%

LAB 86.96, -2.96, 7.25

 

CMYK 2 / 0 / 7 / 14

HEX #D7DBCC

RGB 215 219 204

HSL 76, 0.17%, 0.83%

LAB 86.74, -4, 6.89

 

CMYK 4 / 0 / 7 / 14

HEX #D3DBCC

RGB 211 219 204

HSL 92, 0.17%, 0.83%

LAB 86.44, -5.38, 6.43

 

CMYK 5 / 0 / 7 / 14

HEX #CFDBCC

RGB 207 219 204

HSL 108, 0.17%, 0.83%

LAB 86.15, -6.76, 5.97

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 0 / 4 / 13 / 11

HEX #E2DAC5

RGB 226 218 197

HSL 43.45, 0.33%, 0.83%

LAB 87.16, -0.77, 11.31

 

CMYK 0 / 5 / 18 / 9

HEX #E9DDBE

RGB 233 221 190

HSL 43.26, 0.49%, 0.83%

LAB 88.33, -0.86, 16.7

 

CMYK 0 / 7 / 24 / 6

HEX #F0E0B7

RGB 240 224 183

HSL 43.16, 0.66%, 0.83%

LAB 89.51, -0.83, 22.08

 

CMYK 0 / 8 / 29 / 3

HEX #F7E4B0

RGB 247 228 176

HSL 43.94, 0.82%, 0.83%

LAB 90.96, -1.19, 27.77

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 0 / 0 / 0 / 17

HEX #D4D3D3

RGB 212 211 211

HSL 0, 0.01%, 0.83%

LAB 84.63, 0.35, 0.11

 

CMYK 6 / 5 / 0 / 15

HEX #CCD0DA

RGB 204 208 218

HSL 222.86, 0.16%, 0.83%

LAB 83.45, 0.53, -5.42

 

CMYK 12 / 9 / 0 / 12

HEX #C5CDE1

RGB 197 205 225

HSL 222.86, 0.32%, 0.83%

LAB 82.36, 1.21, -10.82

 

CMYK 18 / 13 / 0 / 9

HEX #BEC9E8

RGB 190 201 232

HSL 224.29, 0.48%, 0.83%

LAB 81.04, 2.59, -16.59

 

CMYK 0 / 5 / 7 / 14

HEX #DBCFCC

RGB 219 207 204

HSL 12, 0.17%, 0.83%

LAB 83.99, 3.63, 2.96

 

CMYK 0 / 4 / 7 / 14

HEX #DBD3CC

RGB 219 211 204

HSL 28, 0.17%, 0.83%

LAB 85, 1.54, 4.43

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 0 / 0 / 7 / 14

HEX #DBDBCC

RGB 219 219 204

HSL 60, 0.17%, 0.83%

LAB 87.04, -2.61, 7.37

 

CMYK 2 / 0 / 7 / 14

HEX #D7DBCC

RGB 215 219 204

HSL 76, 0.17%, 0.83%

LAB 86.74, -4, 6.89

 

CMYK 0 / 4 / 15 / 28

HEX #B8B19C

RGB 184 177 156

HSL 45, 0.16%, 0.67%

LAB 72.25, -1.11, 11.64

 

CMYK 0 / 2 / 10 / 21

HEX #C9C4B4

RGB 201 196 180

HSL 45.71, 0.16%, 0.75%

LAB 79.15, -1.03, 8.64

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 0 / 1 / 3 / 7

HEX #ECEAE4

RGB 236 234 228

HSL 45, 0.17%, 0.91%

LAB 92.7, -0.37, 3.13

 

CMYK 0 / 0 / 0 / 1

HEX #FDFDFC

RGB 253 253 252

HSL 60, 0.2%, 0.99%

LAB 99.28, -0.17, 0.47

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 6 / 0 / 7 / 14

HEX #CDDBCC

RGB 205 219 204

HSL 116, 0.17%, 0.83%

LAB 86.01, -7.44, 5.75

 

CMYK 5 / 7 / 0 / 14

HEX #D1CCDB

RGB 209 204 219

HSL 260, 0.17%, 0.83%

LAB 82.84, 4.5, -6.82

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 7 / 0 / 2 / 14

HEX #CCDBD7

RGB 204 219 215

HSL 164, 0.17%, 0.83%

LAB 86.21, -5.77, 0.22

 

CMYK 2 / 7 / 0 / 14

HEX #D7CCDB

RGB 215 204 219

HSL 284, 0.17%, 0.83%

LAB 83.31, 6.51, -6.06

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 6 / 0 / 7 / 14

HEX #CDDBCC

RGB 205 219 204

HSL 116, 0.17%, 0.83%

LAB 86.01, -7.44, 5.75

 

CMYK 7 / 5 / 0 / 14

HEX #CCD0DB

RGB 204 208 219

HSL 224, 0.17%, 0.83%

LAB 83.48, 0.72, -5.91

 

CMYK 0 / 7 / 0 / 14

HEX #DACCDB

RGB 218 204 219

HSL 296, 0.17%, 0.83%

LAB 83.55, 7.53, -5.68

 

CMYK 0 / 2 / 7 / 14

HEX #DBD7CC

RGB 219 215 204

HSL 44, 0.17%, 0.83%

LAB 86.02, -0.54, 5.9

 

CMYK 7 / 0 / 5 / 14

HEX #CCDBCF

RGB 204 219 207

HSL 132, 0.17%, 0.83%

LAB 86.01, -7.24, 4.16

 

CMYK 7 / 5 / 0 / 14

HEX #CCD0DB

RGB 204 208 219

HSL 224, 0.17%, 0.83%

LAB 83.48, 0.72, -5.91

 

CMYK 0 / 7 / 2 / 14

HEX #DBCCD7

RGB 219 204 215

HSL 316, 0.17%, 0.83%

LAB 83.52, 7.14, -3.58

 

Description

Color code: HEX #DBD7CC | qconv.com Color code: HEX #DBD7CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 215 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 215 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 7 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 7% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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