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Color name
HEX #DBB32C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB32C it is the complementary color #244CD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB32C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB32C shade: #E0B327, #F1C53A, #FFD74D, #FFE960 and #FFFB73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB32C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB32C shade: #DBB32C, #CAA119, #B98F06, #A87D00 and #976B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB32C shade: #DBB32D, #DB842D, #DB562D and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB32C shade: #DBB32D, #D4DB2D, #A5DB2D, #76DB2D and #47DB2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB32C shade matches the following richer shades: #DBB32D and #EFBE19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB32C shade: #DBB32D, #C7A941, #B39E55, #A09369 and #8C887C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB32C shade: #DB562D, #DB842D, #DBB22D, #D5DB2D and #A7DB2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB32C shade: #9C7E1A, #BF9B20, #DBB32D, #E1C050 and #E7CD74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB32C shade: #DBB32C, #33DB2D and #6D2DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB32C shade: #DBB32C, #2DDBB2 and #B22DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB32C shade: #DBB32C, #33DB2D, #2D56DB and #D52DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB32C shade: #DBB32C, #2DDB5C, #2D56DB and #DB2DAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 80 / 14

HEX #DBB32C

RGB 219 179 44

HSL 46.29, 0.71%, 0.52%

LAB 74.5, 1.89, 68.48

 

Complementary color

CMYK 83 / 64 / 0 / 17

HEX #244CD3

RGB 36 76 211

HSL 226.29, 0.71%, 0.48%

LAB 38.28, 36.64, -72.9

 

CMYK 0 / 20 / 83 / 12

HEX #E0B327

RGB 224 179 39

HSL 45.41, 0.75%, 0.52%

LAB 74.97, 3.9, 70.57

 

CMYK 0 / 18 / 76 / 5

HEX #F1C53A

RGB 241 197 58

HSL 45.57, 0.87%, 0.59%

LAB 81.26, 2.45, 70.81

 

CMYK 0 / 16 / 70 / 0

HEX #FFD74D

RGB 255 215 77

HSL 46.52, 1%, 0.65%

LAB 87.19, -0.07, 70.04

 

CMYK 0 / 9 / 62 / 0

HEX #FFE960

RGB 255 233 96

HSL 51.7, 1%, 0.69%

LAB 91.86, -8.07, 67.26

 

CMYK 0 / 2 / 55 / 0

HEX #FFFB73

RGB 255 251 115

HSL 58.29, 1%, 0.73%

LAB 96.61, -15.62, 64.42

 

CMYK 0 / 18 / 80 / 14

HEX #DBB32C

RGB 219 179 44

HSL 46.29, 0.71%, 0.52%

LAB 74.5, 1.89, 68.48

 

CMYK 0 / 20 / 88 / 21

HEX #CAA119

RGB 202 161 25

HSL 46.1, 0.78%, 0.45%

LAB 68.11, 3.47, 67.61

 

CMYK 0 / 23 / 97 / 27

HEX #B98F06

RGB 185 143 6

HSL 45.92, 0.94%, 0.37%

LAB 61.63, 5.3, 65.3

 

CMYK 0 / 26 / 100 / 34

HEX #A87D00

RGB 168 125 0

HSL 44.64, 1%, 0.33%

LAB 55.06, 7.43, 60.8

 

CMYK 0 / 29 / 100 / 41

HEX #976B00

RGB 151 107 0

HSL 42.52, 1%, 0.3%

LAB 48.38, 9.74, 55.32

 

CMYK 0 / 18 / 79 / 14

HEX #DBB32D

RGB 219 179 45

HSL 46.21, 0.71%, 0.52%

LAB 74.5, 1.92, 68.17

 

CMYK 0 / 40 / 79 / 14

HEX #DB842D

RGB 219 132 45

HSL 30, 0.71%, 0.52%

LAB 63.14, 27.03, 57.83

 

CMYK 0 / 61 / 79 / 14

HEX #DB562D

RGB 219 86 45

HSL 14.14, 0.71%, 0.52%

LAB 53.93, 50.07, 49.08

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 18 / 79 / 14

HEX #DBB32D

RGB 219 179 45

HSL 46.21, 0.71%, 0.52%

LAB 74.5, 1.92, 68.17

 

CMYK 3 / 0 / 79 / 14

HEX #D4DB2D

RGB 212 219 45

HSL 62.41, 0.71%, 0.52%

LAB 84.41, -21.35, 76.67

 

CMYK 25 / 0 / 79 / 14

HEX #A5DB2D

RGB 165 219 45

HSL 78.62, 0.71%, 0.52%

LAB 81.21, -40.23, 72.62

 

CMYK 46 / 0 / 79 / 14

HEX #76DB2D

RGB 118 219 45

HSL 94.83, 0.71%, 0.52%

LAB 78.87, -56.52, 69.62

 

CMYK 68 / 0 / 79 / 14

HEX #47DB2D

RGB 71 219 45

HSL 111.03, 0.71%, 0.52%

LAB 77.4, -68.28, 67.71

 

CMYK 0 / 18 / 79 / 14

HEX #DBB32D

RGB 219 179 45

HSL 46.21, 0.71%, 0.52%

LAB 74.5, 1.92, 68.17

 

CMYK 0 / 21 / 90 / 6

HEX #EFBE19

RGB 239 190 25

HSL 46.26, 0.87%, 0.52%

LAB 79.18, 4.31, 77.88

 

CMYK 0 / 18 / 79 / 14

HEX #DBB32D

RGB 219 179 45

HSL 46.21, 0.71%, 0.52%

LAB 74.5, 1.92, 68.17

 

CMYK 0 / 15 / 67 / 22

HEX #C7A941

RGB 199 169 65

HSL 46.57, 0.54%, 0.52%

LAB 70.11, -0.57, 55.72

 

CMYK 0 / 12 / 53 / 30

HEX #B39E55

RGB 179 158 85

HSL 46.6, 0.38%, 0.52%

LAB 65.51, -1.85, 40.61

 

CMYK 0 / 8 / 34 / 37

HEX #A09369

RGB 160 147 105

HSL 45.82, 0.22%, 0.52%

LAB 61.1, -1.7, 24.02

 

CMYK 0 / 3 / 11 / 45

HEX #8C887C

RGB 140 136 124

HSL 45, 0.07%, 0.52%

LAB 56.72, -0.72, 6.97

 

CMYK 0 / 61 / 79 / 14

HEX #DB562D

RGB 219 86 45

HSL 14.14, 0.71%, 0.52%

LAB 53.93, 50.07, 49.08

 

CMYK 0 / 40 / 79 / 14

HEX #DB842D

RGB 219 132 45

HSL 30, 0.71%, 0.52%

LAB 63.14, 27.03, 57.83

 

CMYK 0 / 19 / 79 / 14

HEX #DBB22D

RGB 219 178 45

HSL 45.86, 0.71%, 0.52%

LAB 74.25, 2.45, 67.94

 

CMYK 3 / 0 / 79 / 14

HEX #D5DB2D

RGB 213 219 45

HSL 62.07, 0.71%, 0.52%

LAB 84.48, -20.94, 76.77

 

CMYK 24 / 0 / 79 / 14

HEX #A7DB2D

RGB 167 219 45

HSL 77.93, 0.71%, 0.52%

LAB 81.33, -39.47, 72.77

 

CMYK 0 / 19 / 83 / 39

HEX #9C7E1A

RGB 156 126 26

HSL 46.15, 0.71%, 0.36%

LAB 54.1, 1.84, 53.76

 

CMYK 0 / 19 / 83 / 25

HEX #BF9B20

RGB 191 155 32

HSL 46.42, 0.71%, 0.44%

LAB 65.45, 1.98, 63.14

 

CMYK 0 / 18 / 79 / 14

HEX #DBB32D

RGB 219 179 45

HSL 46.21, 0.71%, 0.52%

LAB 74.5, 1.92, 68.17

 

CMYK 0 / 15 / 64 / 12

HEX #E1C050

RGB 225 192 80

HSL 46.34, 0.71%, 0.6%

LAB 78.63, -0.66, 59.04

 

CMYK 0 / 11 / 50 / 9

HEX #E7CD74

RGB 231 205 116

HSL 46.43, 0.71%, 0.68%

LAB 82.87, -2.2, 47.31

 

CMYK 0 / 18 / 80 / 14

HEX #DBB32C

RGB 219 179 44

HSL 46.29, 0.71%, 0.52%

LAB 74.5, 1.89, 68.48

 

CMYK 77 / 0 / 79 / 14

HEX #33DB2D

RGB 51 219 45

HSL 117.93, 0.71%, 0.52%

LAB 77.01, -71.55, 67.22

 

CMYK 50 / 79 / 0 / 14

HEX #6D2DDB

RGB 109 45 219

HSL 262.07, 0.71%, 0.52%

LAB 38.27, 63.61, -77.33

 

CMYK 0 / 18 / 80 / 14

HEX #DBB32C

RGB 219 179 44

HSL 46.29, 0.71%, 0.52%

LAB 74.5, 1.89, 68.48

 

CMYK 79 / 0 / 19 / 14

HEX #2DDBB2

RGB 45 219 178

HSL 165.86, 0.71%, 0.52%

LAB 78.71, -51.76, 8.17

 

CMYK 19 / 79 / 0 / 14

HEX #B22DDB

RGB 178 45 219

HSL 285.86, 0.71%, 0.52%

LAB 47.57, 74.14, -61.78

 

CMYK 0 / 18 / 80 / 14

HEX #DBB32C

RGB 219 179 44

HSL 46.29, 0.71%, 0.52%

LAB 74.5, 1.89, 68.48

 

CMYK 77 / 0 / 79 / 14

HEX #33DB2D

RGB 51 219 45

HSL 117.93, 0.71%, 0.52%

LAB 77.01, -71.55, 67.22

 

CMYK 79 / 61 / 0 / 14

HEX #2D56DB

RGB 45 86 219

HSL 225.86, 0.71%, 0.52%

LAB 41.73, 33.94, -71.83

 

CMYK 3 / 79 / 0 / 14

HEX #D52DDB

RGB 213 45 219

HSL 297.93, 0.71%, 0.52%

LAB 53.1, 80.45, -52.59

 

CMYK 0 / 18 / 80 / 14

HEX #DBB32C

RGB 219 179 44

HSL 46.29, 0.71%, 0.52%

LAB 74.5, 1.89, 68.48

 

CMYK 79 / 0 / 58 / 14

HEX #2DDB5C

RGB 45 219 92

HSL 136.21, 0.71%, 0.52%

LAB 77.28, -68, 49.72

 

CMYK 79 / 61 / 0 / 14

HEX #2D56DB

RGB 45 86 219

HSL 225.86, 0.71%, 0.52%

LAB 41.73, 33.94, -71.83

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAD

RGB 219 45 173

HSL 315.86, 0.71%, 0.52%

LAB 51.79, 75.18, -28.02

 

Description

Color code: HEX #DBB32C | qconv.com Color code: HEX #DBB32C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 179 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 179 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 80 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 80% 14% C M Y K

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Provide designers and agencies with accurate color values.

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