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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB965 it is the complementary color #24469A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB965 shade: #E0B960, #F1CB73, #FFDD86, #FFEF99 and #FFFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB965 shade: #DBB965, #CAA752, #B9953F, #A8832C and #977119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB965 shade: #DBB966, #DB9966, #DB7A66 and #DB6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB965 shade: #DBB966, #DBD866, #BDDB66, #9EDB66 and #7EDB66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB965 shade matches the following richer shades: #DBB966, #EABF56 and #F9C647

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB965 shade: #DBB966, #CBB275, #BCAC84, #ADA693 and #9E9FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB965 shade: #DB7966, #DB9866, #DBB866, #DBD766 and #BFDB66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB965 shade: #C1962D, #D3AA44, #DBB966, #E2C887 and #EAD7A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB965 shade: #DBB965, #71DB66 and #8966DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB965 shade: #DBB965, #66DBB8 and #B866DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB965 shade: #DBB965, #71DB66, #6689DB and #CF66DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB965 shade: #DBB965, #66DB7D, #6689DB and #DB66C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 54 / 14

HEX #DBB965

RGB 219 185 101

HSL 42.71, 0.62%, 0.63%

LAB 76.5, 1.99, 46.7

 

Complementary color

CMYK 77 / 55 / 0 / 40

HEX #24469A

RGB 36 70 154

HSL 222.71, 0.62%, 0.37%

LAB 32.01, 18.84, -49.47

 

CMYK 0 / 17 / 57 / 12

HEX #E0B960

RGB 224 185 96

HSL 41.72, 0.67%, 0.63%

LAB 76.91, 3.67, 49.75

 

CMYK 0 / 16 / 52 / 5

HEX #F1CB73

RGB 241 203 115

HSL 41.9, 0.82%, 0.7%

LAB 83.26, 2.8, 48.48

 

CMYK 0 / 13 / 47 / 0

HEX #FFDD86

RGB 255 221 134

HSL 43.14, 1%, 0.76%

LAB 89.25, 0.86, 46.84

 

CMYK 0 / 6 / 40 / 0

HEX #FFEF99

RGB 255 239 153

HSL 50.59, 1%, 0.8%

LAB 94.01, -6.35, 43.51

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 16 / 54 / 14

HEX #DBB965

RGB 219 185 101

HSL 42.71, 0.62%, 0.63%

LAB 76.5, 1.99, 46.7

 

CMYK 0 / 17 / 59 / 21

HEX #CAA752

RGB 202 167 82

HSL 42.5, 0.53%, 0.56%

LAB 70.04, 2.9, 47.96

 

CMYK 0 / 19 / 66 / 27

HEX #B9953F

RGB 185 149 63

HSL 42.3, 0.49%, 0.49%

LAB 63.48, 3.98, 49.14

 

CMYK 0 / 22 / 74 / 34

HEX #A8832C

RGB 168 131 44

HSL 42.1, 0.58%, 0.42%

LAB 56.82, 5.27, 50.06

 

CMYK 0 / 25 / 83 / 41

HEX #977119

RGB 151 113 25

HSL 41.9, 0.72%, 0.35%

LAB 50.05, 6.85, 50.35

 

CMYK 0 / 16 / 53 / 14

HEX #DBB966

RGB 219 185 102

HSL 42.56, 0.62%, 0.63%

LAB 76.51, 2.07, 46.23

 

CMYK 0 / 30 / 53 / 14

HEX #DB9966

RGB 219 153 102

HSL 26.15, 0.62%, 0.63%

LAB 68.61, 19.16, 36.53

 

CMYK 0 / 44 / 53 / 14

HEX #DB7A66

RGB 219 122 102

HSL 10.26, 0.62%, 0.63%

LAB 61.6, 35.69, 27.56

 

CMYK 0 / 53 / 53 / 14

HEX #DB6666

RGB 219 102 102

HSL 0, 0.62%, 0.63%

LAB 57.58, 45.82, 22.25

 

CMYK 0 / 16 / 53 / 14

HEX #DBB966

RGB 219 185 102

HSL 42.56, 0.62%, 0.63%

LAB 76.51, 2.07, 46.23

 

CMYK 0 / 1 / 53 / 14

HEX #DBD866

RGB 219 216 102

HSL 58.46, 0.62%, 0.63%

LAB 84.55, -13.83, 55.68

 

CMYK 14 / 0 / 53 / 14

HEX #BDDB66

RGB 189 219 102

HSL 75.38, 0.62%, 0.63%

LAB 83.15, -27.22, 53.49

 

CMYK 28 / 0 / 53 / 14

HEX #9EDB66

RGB 158 219 102

HSL 91.28, 0.62%, 0.63%

LAB 81.23, -38.78, 50.76

 

CMYK 42 / 0 / 53 / 14

HEX #7EDB66

RGB 126 219 102

HSL 107.69, 0.62%, 0.63%

LAB 79.65, -49.39, 48.49

 

CMYK 0 / 16 / 53 / 14

HEX #DBB966

RGB 219 185 102

HSL 42.56, 0.62%, 0.63%

LAB 76.51, 2.07, 46.23

 

CMYK 0 / 18 / 63 / 8

HEX #EABF56

RGB 234 191 86

HSL 42.57, 0.78%, 0.63%

LAB 79.29, 4.02, 57.35

 

CMYK 0 / 20 / 71 / 2

HEX #F9C647

RGB 249 198 71

HSL 42.81, 0.94%, 0.63%

LAB 82.37, 5.86, 67.36

 

CMYK 0 / 16 / 53 / 14

HEX #DBB966

RGB 219 185 102

HSL 42.56, 0.62%, 0.63%

LAB 76.51, 2.07, 46.23

 

CMYK 0 / 12 / 42 / 20

HEX #CBB275

RGB 203 178 117

HSL 42.56, 0.45%, 0.63%

LAB 73.43, 0.61, 34.45

 

CMYK 0 / 9 / 30 / 26

HEX #BCAC84

RGB 188 172 132

HSL 42.86, 0.29%, 0.63%

LAB 70.78, -0.42, 22.7

 

CMYK 0 / 4 / 15 / 32

HEX #ADA693

RGB 173 166 147

HSL 43.85, 0.14%, 0.63%

LAB 68.21, -0.77, 10.74

 

CMYK 3 / 2 / 0 / 36

HEX #9E9FA3

RGB 158 159 163

HSL 228, 0.03%, 0.63%

LAB 65.52, 0.42, -2.21

 

CMYK 0 / 45 / 53 / 14

HEX #DB7966

RGB 219 121 102

HSL 9.74, 0.62%, 0.63%

LAB 61.39, 36.21, 27.29

 

CMYK 0 / 31 / 53 / 14

HEX #DB9866

RGB 219 152 102

HSL 25.64, 0.62%, 0.63%

LAB 68.37, 19.7, 36.23

 

CMYK 0 / 16 / 53 / 14

HEX #DBB866

RGB 219 184 102

HSL 42.05, 0.62%, 0.63%

LAB 76.25, 2.6, 45.92

 

CMYK 0 / 2 / 53 / 14

HEX #DBD766

RGB 219 215 102

HSL 57.95, 0.62%, 0.63%

LAB 84.29, -13.33, 55.38

 

CMYK 13 / 0 / 53 / 14

HEX #BFDB66

RGB 191 219 102

HSL 74.36, 0.62%, 0.63%

LAB 83.28, -26.44, 53.68

 

CMYK 0 / 22 / 77 / 24

HEX #C1962D

RGB 193 150 45

HSL 42.57, 0.62%, 0.47%

LAB 64.43, 6.04, 57.96

 

CMYK 0 / 19 / 68 / 17

HEX #D3AA44

RGB 211 170 68

HSL 42.8, 0.62%, 0.55%

LAB 71.57, 4.25, 56.32

 

CMYK 0 / 16 / 53 / 14

HEX #DBB966

RGB 219 185 102

HSL 42.56, 0.62%, 0.63%

LAB 76.51, 2.07, 46.23

 

CMYK 0 / 12 / 40 / 11

HEX #E2C887

RGB 226 200 135

HSL 42.86, 0.61%, 0.71%

LAB 81.42, 0.24, 35.85

 

CMYK 0 / 8 / 28 / 8

HEX #EAD7A8

RGB 234 215 168

HSL 42.73, 0.61%, 0.79%

LAB 86.46, -0.47, 25.61

 

CMYK 0 / 16 / 54 / 14

HEX #DBB965

RGB 219 185 101

HSL 42.71, 0.62%, 0.63%

LAB 76.5, 1.99, 46.7

 

CMYK 48 / 0 / 53 / 14

HEX #71DB66

RGB 113 219 102

HSL 114.36, 0.62%, 0.63%

LAB 79.12, -53.19, 47.73

 

CMYK 37 / 53 / 0 / 14

HEX #8966DB

RGB 137 102 219

HSL 257.95, 0.62%, 0.63%

LAB 51.76, 40.03, -55.28

 

CMYK 0 / 16 / 54 / 14

HEX #DBB965

RGB 219 185 101

HSL 42.71, 0.62%, 0.63%

LAB 76.5, 1.99, 46.7

 

CMYK 53 / 0 / 16 / 14

HEX #66DBB8

RGB 102 219 184

HSL 162.05, 0.62%, 0.63%

LAB 80.15, -41.43, 7.21

 

CMYK 16 / 53 / 0 / 14

HEX #B866DB

RGB 184 102 219

HSL 282.05, 0.62%, 0.63%

LAB 56.89, 51.91, -46.81

 

CMYK 0 / 16 / 54 / 14

HEX #DBB965

RGB 219 185 101

HSL 42.71, 0.62%, 0.63%

LAB 76.5, 1.99, 46.7

 

CMYK 48 / 0 / 53 / 14

HEX #71DB66

RGB 113 219 102

HSL 114.36, 0.62%, 0.63%

LAB 79.12, -53.19, 47.73

 

CMYK 53 / 37 / 0 / 14

HEX #6689DB

RGB 102 137 219

HSL 222.05, 0.62%, 0.63%

LAB 57.88, 11.11, -45.71

 

CMYK 5 / 53 / 0 / 14

HEX #CF66DB

RGB 207 102 219

HSL 293.85, 0.62%, 0.63%

LAB 59.78, 57.99, -42.05

 

CMYK 0 / 16 / 54 / 14

HEX #DBB965

RGB 219 185 101

HSL 42.71, 0.62%, 0.63%

LAB 76.5, 1.99, 46.7

 

CMYK 53 / 0 / 43 / 14

HEX #66DB7D

RGB 102 219 125

HSL 131.79, 0.62%, 0.63%

LAB 79.02, -52.87, 36.36

 

CMYK 53 / 37 / 0 / 14

HEX #6689DB

RGB 102 137 219

HSL 222.05, 0.62%, 0.63%

LAB 57.88, 11.11, -45.71

 

CMYK 0 / 53 / 11 / 14

HEX #DB66C3

RGB 219 102 195

HSL 312.31, 0.62%, 0.63%

LAB 60.34, 57.19, -27.49

 

Description

Color code: HEX #DBB965 | qconv.com Color code: HEX #DBB965 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 185 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 185 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 54 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 54% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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