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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA5D7 it is the complementary color #245A28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA5D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA5D7 shade: #E0A5D2, #F1B7E5, #FFC9F8, #FFDBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA5D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA5D7 shade: #DBA5D7, #CA93C4, #B981B1, #A86F9E and #975D8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA5D7 shade: #DAA3D6, #DAA3C7, #DAA3B9, #DAA3AA and #DAA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA5D7 shade: #DAA3D6, #CFA3DA, #C1A3DA, #B2A3DA and #A3A3DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA5D7 shade matches the following richer shades: #DAA3D6, #E499DF, #EF8FE8 and #F984F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA5D7 shade: #DAA3D6, #D0AECD, #C6B8C5, #BBC2BC and #B1CDB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA5D7 shade: #C1A3DA, #CFA3DA, #DAA3D7, #DAA3C8 and #DAA3B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA5D7 shade: #C368BC, #CE86C9, #DAA3D6, #E6C1E3 and #F2DEF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA5D7 shade: #DBA5D7, #DAB2A3 and #A3DAC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA5D7 shade: #DBA5D7, #D7DAA3 and #A3D7DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA5D7 shade: #DBA5D7, #DAB2A3, #A3DAA7 and #A3CCDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA5D7 shade: #DBA5D7, #DAC2A3, #A3DAA7 and #A3BBDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 2 / 14

HEX #DBA5D7

RGB 219 165 215

HSL 304.44, 0.43%, 0.75%

LAB 74.11, 28.08, -17.61

 

Complementary color

CMYK 60 / 0 / 56 / 65

HEX #245A28

RGB 36 90 40

HSL 124.44, 0.43%, 0.25%

LAB 33.65, -29.62, 23.44

 

CMYK 0 / 26 / 6 / 12

HEX #E0A5D2

RGB 224 165 210

HSL 314.24, 0.49%, 0.76%

LAB 74.45, 28.86, -14.31

 

CMYK 0 / 24 / 5 / 5

HEX #F1B7E5

RGB 241 183 229

HSL 312.41, 0.67%, 0.83%

LAB 80.86, 28.25, -14.82

 

CMYK 0 / 21 / 3 / 0

HEX #FFC9F8

RGB 255 201 248

HSL 307.78, 1%, 0.89%

LAB 86.9, 26.7, -15.76

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 25 / 2 / 14

HEX #DBA5D7

RGB 219 165 215

HSL 304.44, 0.43%, 0.75%

LAB 74.11, 28.08, -17.61

 

CMYK 0 / 27 / 3 / 21

HEX #CA93C4

RGB 202 147 196

HSL 306.55, 0.34%, 0.68%

LAB 67.58, 28.72, -17.16

 

CMYK 0 / 30 / 4 / 27

HEX #B981B1

RGB 185 129 177

HSL 308.57, 0.29%, 0.62%

LAB 60.95, 29.4, -16.68

 

CMYK 0 / 34 / 6 / 34

HEX #A86F9E

RGB 168 111 158

HSL 310.53, 0.25%, 0.55%

LAB 54.2, 30.13, -16.17

 

CMYK 0 / 38 / 8 / 41

HEX #975D8B

RGB 151 93 139

HSL 312.41, 0.24%, 0.48%

LAB 47.33, 30.91, -15.59

 

CMYK 0 / 25 / 2 / 15

HEX #DAA3D6

RGB 218 163 214

HSL 304.36, 0.43%, 0.75%

LAB 73.52, 28.65, -17.97

 

CMYK 0 / 25 / 9 / 15

HEX #DAA3C7

RGB 218 163 199

HSL 320.73, 0.43%, 0.75%

LAB 73.04, 25.99, -10.46

 

CMYK 0 / 25 / 15 / 15

HEX #DAA3B9

RGB 218 163 185

HSL 336, 0.43%, 0.75%

LAB 72.63, 23.66, -3.35

 

CMYK 0 / 25 / 22 / 15

HEX #DAA3AA

RGB 218 163 170

HSL 352.36, 0.43%, 0.75%

LAB 72.23, 21.34, 4.34

 

CMYK 0 / 25 / 25 / 15

HEX #DAA3A3

RGB 218 163 163

HSL 0, 0.43%, 0.75%

LAB 72.06, 20.33, 7.95

 

CMYK 0 / 25 / 2 / 15

HEX #DAA3D6

RGB 218 163 214

HSL 304.36, 0.43%, 0.75%

LAB 73.52, 28.65, -17.97

 

CMYK 5 / 25 / 0 / 15

HEX #CFA3DA

RGB 207 163 218

HSL 288, 0.43%, 0.75%

LAB 72.58, 25.79, -21.69

 

CMYK 11 / 25 / 0 / 15

HEX #C1A3DA

RGB 193 163 218

HSL 272.73, 0.43%, 0.75%

LAB 71.28, 21.26, -23.79

 

CMYK 18 / 25 / 0 / 15

HEX #B2A3DA

RGB 178 163 218

HSL 256.36, 0.43%, 0.75%

LAB 69.98, 16.51, -25.89

 

CMYK 25 / 25 / 0 / 15

HEX #A3A3DA

RGB 163 163 218

HSL 240, 0.43%, 0.75%

LAB 68.78, 11.91, -27.83

 

CMYK 0 / 25 / 2 / 15

HEX #DAA3D6

RGB 218 163 214

HSL 304.36, 0.43%, 0.75%

LAB 73.52, 28.65, -17.97

 

CMYK 0 / 33 / 2 / 11

HEX #E499DF

RGB 228 153 223

HSL 304, 0.58%, 0.75%

LAB 72.63, 38.89, -24.16

 

CMYK 0 / 40 / 3 / 6

HEX #EF8FE8

RGB 239 143 232

HSL 304.38, 0.75%, 0.75%

LAB 72.11, 49.1, -29.78

 

CMYK 0 / 47 / 4 / 2

HEX #F984F0

RGB 249 132 240

HSL 304.62, 0.91%, 0.75%

LAB 71.51, 58.86, -34.99

 

CMYK 0 / 25 / 2 / 15

HEX #DAA3D6

RGB 218 163 214

HSL 304.36, 0.43%, 0.75%

LAB 73.52, 28.65, -17.97

 

CMYK 0 / 16 / 1 / 18

HEX #D0AECD

RGB 208 174 205

HSL 305.29, 0.27%, 0.75%

LAB 74.88, 17.65, -11.09

 

CMYK 0 / 7 / 1 / 22

HEX #C6B8C5

RGB 198 184 197

HSL 304.29, 0.11%, 0.75%

LAB 76.26, 7.3, -4.78

 

CMYK 4 / 0 / 3 / 24

HEX #BBC2BC

RGB 187 194 188

HSL 128.57, 0.05%, 0.75%

LAB 77.74, -3.53, 2.17

 

CMYK 14 / 0 / 13 / 20

HEX #B1CDB3

RGB 177 205 179

HSL 124.29, 0.22%, 0.75%

LAB 79.76, -14.33, 9.82

 

CMYK 11 / 25 / 0 / 15

HEX #C1A3DA

RGB 193 163 218

HSL 272.73, 0.43%, 0.75%

LAB 71.28, 21.26, -23.79

 

CMYK 5 / 25 / 0 / 15

HEX #CFA3DA

RGB 207 163 218

HSL 288, 0.43%, 0.75%

LAB 72.58, 25.79, -21.69

 

CMYK 0 / 25 / 1 / 15

HEX #DAA3D7

RGB 218 163 215

HSL 303.27, 0.43%, 0.75%

LAB 73.55, 28.83, -18.47

 

CMYK 0 / 25 / 8 / 15

HEX #DAA3C8

RGB 218 163 200

HSL 319.64, 0.43%, 0.75%

LAB 73.07, 26.16, -10.96

 

CMYK 0 / 25 / 15 / 15

HEX #DAA3B9

RGB 218 163 185

HSL 336, 0.43%, 0.75%

LAB 72.63, 23.66, -3.35

 

CMYK 0 / 47 / 4 / 24

HEX #C368BC

RGB 195 104 188

HSL 304.62, 0.43%, 0.59%

LAB 57.21, 48, -28.6

 

CMYK 0 / 35 / 2 / 19

HEX #CE86C9

RGB 206 134 201

HSL 304.17, 0.42%, 0.67%

LAB 65.27, 38.01, -23.44

 

CMYK 0 / 25 / 2 / 15

HEX #DAA3D6

RGB 218 163 214

HSL 304.36, 0.43%, 0.75%

LAB 73.52, 28.65, -17.97

 

CMYK 0 / 16 / 1 / 10

HEX #E6C1E3

RGB 230 193 227

HSL 304.86, 0.43%, 0.83%

LAB 82.11, 18.89, -11.98

 

CMYK 0 / 8 / 1 / 5

HEX #F2DEF0

RGB 242 222 240

HSL 306, 0.43%, 0.91%

LAB 90.51, 9.95, -6.29

 

CMYK 0 / 25 / 2 / 14

HEX #DBA5D7

RGB 219 165 215

HSL 304.44, 0.43%, 0.75%

LAB 74.11, 28.08, -17.61

 

CMYK 0 / 18 / 25 / 15

HEX #DAB2A3

RGB 218 178 163

HSL 16.36, 0.43%, 0.75%

LAB 75.69, 12.25, 13.12

 

CMYK 25 / 0 / 8 / 15

HEX #A3DAC8

RGB 163 218 200

HSL 160.36, 0.43%, 0.75%

LAB 82.97, -21.34, 3.13

 

CMYK 0 / 25 / 2 / 14

HEX #DBA5D7

RGB 219 165 215

HSL 304.44, 0.43%, 0.75%

LAB 74.11, 28.08, -17.61

 

CMYK 1 / 0 / 25 / 15

HEX #D7DAA3

RGB 215 218 163

HSL 63.27, 0.43%, 0.75%

LAB 85.62, -9.81, 26.81

 

CMYK 25 / 1 / 0 / 15

HEX #A3D7DA

RGB 163 215 218

HSL 183.27, 0.43%, 0.75%

LAB 82.62, -15.99, -6.95

 

CMYK 0 / 25 / 2 / 14

HEX #DBA5D7

RGB 219 165 215

HSL 304.44, 0.43%, 0.75%

LAB 74.11, 28.08, -17.61

 

CMYK 0 / 18 / 25 / 15

HEX #DAB2A3

RGB 218 178 163

HSL 16.36, 0.43%, 0.75%

LAB 75.69, 12.25, 13.12

 

CMYK 25 / 0 / 23 / 15

HEX #A3DAA7

RGB 163 218 167

HSL 124.36, 0.43%, 0.75%

LAB 82.23, -27.59, 19.51

 

CMYK 25 / 6 / 0 / 15

HEX #A3CCDA

RGB 163 204 218

HSL 195.27, 0.43%, 0.75%

LAB 79.63, -10.34, -11.39

 

CMYK 0 / 25 / 2 / 14

HEX #DBA5D7

RGB 219 165 215

HSL 304.44, 0.43%, 0.75%

LAB 74.11, 28.08, -17.61

 

CMYK 0 / 11 / 25 / 15

HEX #DAC2A3

RGB 218 194 163

HSL 33.82, 0.43%, 0.75%

LAB 79.69, 3.74, 18.71

 

CMYK 25 / 0 / 23 / 15

HEX #A3DAA7

RGB 163 218 167

HSL 124.36, 0.43%, 0.75%

LAB 82.23, -27.59, 19.51

 

CMYK 25 / 14 / 0 / 15

HEX #A3BBDA

RGB 163 187 218

HSL 213.82, 0.43%, 0.75%

LAB 75.07, -1.32, -18.24

 

Description

Color code: HEX #DBA5D7 | qconv.com Color code: HEX #DBA5D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 165 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 165 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 2 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 2% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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