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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBA534 it is the complementary color #245ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBA534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBA534 shade: #E0A52F, #F1B742, #FFC955, #FFDB68 and #FFED7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBA534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBA534 shade: #DBA534, #CA9321, #B9810E, #A86F00 and #975D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBA534 shade: #DBA433, #DB7733, #DB4A33 and #DB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBA534 shade: #DBA433, #DBD233, #B6DB33, #89DB33 and #5CDB33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBA534 shade matches the following richer shades: #DBA433 and #EEAB1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBA534 shade: #DBA433, #C79D46, #B4975A, #A0906D and #8D8980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBA534 shade: #DB4933, #DB7633, #DBA333, #DBCF33 and #B9DB33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBA534 shade: #9F751C, #C28E22, #DBA433, #E1B456 and #E7C379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBA534 shade: #DBA534, #49DB33 and #5F33DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBA534 shade: #DBA534, #33DBA3 and #A333DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBA534 shade: #DBA534, #49DB33, #336BDB and #C433DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBA534 shade: #DBA534, #33DB4F, #336BDB and #DB33BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 76 / 14

HEX #DBA534

RGB 219 165 52

HSL 40.6, 0.7%, 0.53%

LAB 71.02, 9.6, 62.54

 

Complementary color

CMYK 82 / 56 / 0 / 20

HEX #245ACB

RGB 36 90 203

HSL 220.6, 0.7%, 0.47%

LAB 41.21, 24.56, -63.5

 

CMYK 0 / 26 / 79 / 12

HEX #E0A52F

RGB 224 165 47

HSL 40, 0.74%, 0.53%

LAB 71.53, 11.57, 65.02

 

CMYK 0 / 24 / 73 / 5

HEX #F1B742

RGB 241 183 66

HSL 40.11, 0.86%, 0.6%

LAB 77.85, 10.07, 64.56

 

CMYK 0 / 21 / 67 / 0

HEX #FFC955

RGB 255 201 85

HSL 40.94, 1%, 0.67%

LAB 83.8, 7.52, 63.28

 

CMYK 0 / 14 / 59 / 0

HEX #FFDB68

RGB 255 219 104

HSL 45.7, 1%, 0.7%

LAB 88.41, -0.52, 60

 

CMYK 0 / 7 / 52 / 0

HEX #FFED7B

RGB 255 237 123

HSL 51.82, 1%, 0.74%

LAB 93.13, -8.14, 56.79

 

CMYK 0 / 25 / 76 / 14

HEX #DBA534

RGB 219 165 52

HSL 40.6, 0.7%, 0.53%

LAB 71.02, 9.6, 62.54

 

CMYK 0 / 27 / 84 / 21

HEX #CA9321

RGB 202 147 33

HSL 40.47, 0.72%, 0.46%

LAB 64.59, 11.23, 62.58

 

CMYK 0 / 30 / 92 / 27

HEX #B9810E

RGB 185 129 14

HSL 40.35, 0.86%, 0.39%

LAB 58.08, 13.13, 61.4

 

CMYK 0 / 34 / 100 / 34

HEX #A86F00

RGB 168 111 0

HSL 39.64, 1%, 0.33%

LAB 51.49, 15.31, 58.4

 

CMYK 0 / 38 / 100 / 41

HEX #975D00

RGB 151 93 0

HSL 36.95, 1%, 0.3%

LAB 44.81, 17.79, 52.95

 

CMYK 0 / 25 / 77 / 14

HEX #DBA433

RGB 219 164 51

HSL 40.36, 0.7%, 0.53%

LAB 70.77, 10.1, 62.68

 

CMYK 0 / 46 / 77 / 14

HEX #DB7733

RGB 219 119 51

HSL 24.29, 0.7%, 0.53%

LAB 60.33, 34.11, 52.6

 

CMYK 0 / 66 / 77 / 14

HEX #DB4A33

RGB 219 74 51

HSL 8.21, 0.7%, 0.53%

LAB 52.06, 55.42, 44.18

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

CMYK 0 / 25 / 77 / 14

HEX #DBA433

RGB 219 164 51

HSL 40.36, 0.7%, 0.53%

LAB 70.77, 10.1, 62.68

 

CMYK 0 / 4 / 77 / 14

HEX #DBD233

RGB 219 210 51

HSL 56.79, 0.7%, 0.53%

LAB 82.59, -13.78, 73.57

 

CMYK 17 / 0 / 77 / 14

HEX #B6DB33

RGB 182 219 51

HSL 73.21, 0.7%, 0.53%

LAB 82.3, -33.36, 72.29

 

CMYK 37 / 0 / 77 / 14

HEX #89DB33

RGB 137 219 51

HSL 89.29, 0.7%, 0.53%

LAB 79.74, -50.08, 68.98

 

CMYK 58 / 0 / 77 / 14

HEX #5CDB33

RGB 92 219 51

HSL 105.36, 0.7%, 0.53%

LAB 77.98, -63.36, 66.69

 

CMYK 0 / 25 / 77 / 14

HEX #DBA433

RGB 219 164 51

HSL 40.36, 0.7%, 0.53%

LAB 70.77, 10.1, 62.68

 

CMYK 0 / 28 / 87 / 7

HEX #EEAB1F

RGB 238 171 31

HSL 40.58, 0.86%, 0.53%

LAB 74.45, 13.96, 72.85

 

CMYK 0 / 25 / 77 / 14

HEX #DBA433

RGB 219 164 51

HSL 40.36, 0.7%, 0.53%

LAB 70.77, 10.1, 62.68

 

CMYK 0 / 21 / 65 / 22

HEX #C79D46

RGB 199 157 70

HSL 40.47, 0.54%, 0.53%

LAB 67.05, 6.17, 50.2

 

CMYK 0 / 16 / 50 / 29

HEX #B4975A

RGB 180 151 90

HSL 40.67, 0.38%, 0.53%

LAB 63.82, 2.84, 35.98

 

CMYK 0 / 10 / 32 / 37

HEX #A0906D

RGB 160 144 109

HSL 41.18, 0.21%, 0.53%

LAB 60.36, 0.48, 20.8

 

CMYK 0 / 3 / 9 / 45

HEX #8D8980

RGB 141 137 128

HSL 41.54, 0.05%, 0.53%

LAB 57.18, -0.19, 5.35

 

CMYK 0 / 67 / 77 / 14

HEX #DB4933

RGB 219 73 51

HSL 7.86, 0.7%, 0.53%

LAB 51.91, 55.82, 44.02

 

CMYK 0 / 46 / 77 / 14

HEX #DB7633

RGB 219 118 51

HSL 23.93, 0.7%, 0.53%

LAB 60.12, 34.63, 52.39

 

CMYK 0 / 26 / 77 / 14

HEX #DBA333

RGB 219 163 51

HSL 40, 0.7%, 0.53%

LAB 70.52, 10.63, 62.44

 

CMYK 0 / 5 / 77 / 14

HEX #DBCF33

RGB 219 207 51

HSL 55.71, 0.7%, 0.53%

LAB 81.8, -12.28, 72.86

 

CMYK 16 / 0 / 77 / 14

HEX #B9DB33

RGB 185 219 51

HSL 72.14, 0.7%, 0.53%

LAB 82.49, -32.16, 72.55

 

CMYK 0 / 26 / 82 / 38

HEX #9F751C

RGB 159 117 28

HSL 40.76, 0.7%, 0.37%

LAB 52.04, 8.38, 51.42

 

CMYK 0 / 27 / 82 / 24

HEX #C28E22

RGB 194 142 34

HSL 40.5, 0.7%, 0.45%

LAB 62.45, 10.45, 60.07

 

CMYK 0 / 25 / 77 / 14

HEX #DBA433

RGB 219 164 51

HSL 40.36, 0.7%, 0.53%

LAB 70.77, 10.1, 62.68

 

CMYK 0 / 20 / 62 / 12

HEX #E1B456

RGB 225 180 86

HSL 40.58, 0.7%, 0.61%

LAB 75.65, 6.01, 53.06

 

CMYK 0 / 16 / 48 / 9

HEX #E7C379

RGB 231 195 121

HSL 40.36, 0.7%, 0.69%

LAB 80.4, 3.44, 41.78

 

CMYK 0 / 25 / 76 / 14

HEX #DBA534

RGB 219 165 52

HSL 40.6, 0.7%, 0.53%

LAB 71.02, 9.6, 62.54

 

CMYK 67 / 0 / 77 / 14

HEX #49DB33

RGB 73 219 51

HSL 112.14, 0.7%, 0.53%

LAB 77.47, -67.54, 66.02

 

CMYK 57 / 77 / 0 / 14

HEX #5F33DB

RGB 95 51 219

HSL 255.71, 0.7%, 0.53%

LAB 37.69, 59.33, -78.34

 

CMYK 0 / 25 / 76 / 14

HEX #DBA534

RGB 219 165 52

HSL 40.6, 0.7%, 0.53%

LAB 71.02, 9.6, 62.54

 

CMYK 77 / 0 / 26 / 14

HEX #33DBA3

RGB 51 219 163

HSL 160, 0.7%, 0.53%

LAB 78.47, -54.68, 15.78

 

CMYK 26 / 77 / 0 / 14

HEX #A333DB

RGB 163 51 219

HSL 280, 0.7%, 0.53%

LAB 46, 69.65, -64.42

 

CMYK 0 / 25 / 76 / 14

HEX #DBA534

RGB 219 165 52

HSL 40.6, 0.7%, 0.53%

LAB 71.02, 9.6, 62.54

 

CMYK 67 / 0 / 77 / 14

HEX #49DB33

RGB 73 219 51

HSL 112.14, 0.7%, 0.53%

LAB 77.47, -67.54, 66.02

 

CMYK 77 / 51 / 0 / 14

HEX #336BDB

RGB 51 107 219

HSL 220, 0.7%, 0.53%

LAB 47.41, 21.12, -62.58

 

CMYK 11 / 77 / 0 / 14

HEX #C433DB

RGB 196 51 219

HSL 291.79, 0.7%, 0.53%

LAB 50.94, 75.67, -56.2

 

CMYK 0 / 25 / 76 / 14

HEX #DBA534

RGB 219 165 52

HSL 40.6, 0.7%, 0.53%

LAB 71.02, 9.6, 62.54

 

CMYK 77 / 0 / 64 / 14

HEX #33DB4F

RGB 51 219 79

HSL 130, 0.7%, 0.53%

LAB 77.24, -68.78, 55.35

 

CMYK 77 / 51 / 0 / 14

HEX #336BDB

RGB 51 107 219

HSL 220, 0.7%, 0.53%

LAB 47.41, 21.12, -62.58

 

CMYK 0 / 77 / 13 / 14

HEX #DB33BF

RGB 219 51 191

HSL 310, 0.7%, 0.53%

LAB 53.16, 75.99, -36.37

 

Description

Color code: HEX #DBA534 | qconv.com Color code: HEX #DBA534 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 165 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 165 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 76 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 76% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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