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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB9EF5 it is the complementary color #24610A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB9EF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB9EF5 shade: #E09EF0, #F1B0FF, #FFC2FF, #FFD4FF and #FFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB9EF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB9EF5 shade: #DB9EF5, #CA8CE2, #B97ACF, #A868BC and #9756A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB9EF5 shade: #DA9EF4, #F29EF4, #F49EDF, #F49EC8 and #F49EB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB9EF5 shade: #DA9EF4, #C39EF4, #AC9EF4 and #9E9EF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB9EF5 shade matches the following richer shades: #DA9EF4 and #DE95FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB9EF5 shade: #DA9EF4, #D7A6EC, #D3AFE3, #D0B8DA and #CCC0D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB9EF5 shade: #AC9EF4, #C39EF4, #DA9EF4, #F19EF4 and #F49EE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB9EF5 shade: #BF53EC, #CC78F0, #DA9EF4, #E8C3F8 and #F6E8FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB9EF5 shade: #DB9EF5, #F49EA6 and #9EF4B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB9EF5 shade: #DB9EF5, #F4DA9E and #9EF4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB9EF5 shade: #DB9EF5, #F49EA6, #B8F49E and #9EF4EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB9EF5 shade: #DB9EF5, #F4AF9E, #B8F49E and #9EE3F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 36 / 0 / 4

HEX #DB9EF5

RGB 219 158 245

HSL 282.07, 0.81%, 0.79%

LAB 73.61, 37.64, -34.73

 

Complementary color

CMYK 63 / 0 / 90 / 62

HEX #24610A

RGB 36 97 10

HSL 102.07, 0.81%, 0.21%

LAB 35.88, -35.57, 39

 

CMYK 7 / 34 / 0 / 6

HEX #E09EF0

RGB 224 158 240

HSL 288.29, 0.73%, 0.78%

LAB 73.93, 38.17, -31.49

 

CMYK 5 / 31 / 0 / 0

HEX #F1B0FF

RGB 241 176 255

HSL 289.37, 1%, 0.85%

LAB 80.16, 36.71, -29.85

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 11 / 36 / 0 / 4

HEX #DB9EF5

RGB 219 158 245

HSL 282.07, 0.81%, 0.79%

LAB 73.61, 37.64, -34.73

 

CMYK 11 / 38 / 0 / 11

HEX #CA8CE2

RGB 202 140 226

HSL 283.26, 0.6%, 0.72%

LAB 67.13, 38.36, -34.51

 

CMYK 11 / 41 / 0 / 19

HEX #B97ACF

RGB 185 122 207

HSL 284.47, 0.47%, 0.65%

LAB 60.55, 39.13, -34.29

 

CMYK 11 / 45 / 0 / 26

HEX #A868BC

RGB 168 104 188

HSL 285.71, 0.39%, 0.57%

LAB 53.87, 39.91, -34.04

 

CMYK 11 / 49 / 0 / 34

HEX #9756A9

RGB 151 86 169

HSL 286.99, 0.33%, 0.5%

LAB 47.1, 40.71, -33.74

 

CMYK 11 / 35 / 0 / 4

HEX #DA9EF4

RGB 218 158 244

HSL 281.86, 0.8%, 0.79%

LAB 73.47, 37.13, -34.41

 

CMYK 1 / 35 / 0 / 4

HEX #F29EF4

RGB 242 158 244

HSL 298.6, 0.8%, 0.79%

LAB 75.98, 44.42, -30.33

 

CMYK 0 / 35 / 9 / 4

HEX #F49EDF

RGB 244 158 223

HSL 314.65, 0.8%, 0.79%

LAB 75.46, 41.39, -19.69

 

CMYK 0 / 35 / 18 / 4

HEX #F49EC8

RGB 244 158 200

HSL 330.7, 0.8%, 0.79%

LAB 74.73, 37.73, -8.18

 

CMYK 0 / 35 / 27 / 4

HEX #F49EB1

RGB 244 158 177

HSL 346.74, 0.8%, 0.79%

LAB 74.1, 34.44, 3.54

 

CMYK 11 / 35 / 0 / 4

HEX #DA9EF4

RGB 218 158 244

HSL 281.86, 0.8%, 0.79%

LAB 73.47, 37.13, -34.41

 

CMYK 20 / 35 / 0 / 4

HEX #C39EF4

RGB 195 158 244

HSL 265.81, 0.8%, 0.79%

LAB 71.27, 30.28, -38

 

CMYK 30 / 35 / 0 / 4

HEX #AC9EF4

RGB 172 158 244

HSL 249.77, 0.8%, 0.79%

LAB 69.3, 23.68, -41.23

 

CMYK 35 / 35 / 0 / 4

HEX #9E9EF4

RGB 158 158 244

HSL 240, 0.8%, 0.79%

LAB 68.21, 19.85, -43.01

 

CMYK 11 / 35 / 0 / 4

HEX #DA9EF4

RGB 218 158 244

HSL 281.86, 0.8%, 0.79%

LAB 73.47, 37.13, -34.41

 

CMYK 12 / 41 / 0 / 1

HEX #DE95FD

RGB 222 149 253

HSL 282.12, 0.96%, 0.79%

LAB 72.31, 44.93, -41.08

 

CMYK 11 / 35 / 0 / 4

HEX #DA9EF4

RGB 218 158 244

HSL 281.86, 0.8%, 0.79%

LAB 73.47, 37.13, -34.41

 

CMYK 9 / 30 / 0 / 7

HEX #D7A6EC

RGB 215 166 236

HSL 282, 0.65%, 0.79%

LAB 74.68, 30.28, -28.23

 

CMYK 7 / 23 / 0 / 11

HEX #D3AFE3

RGB 211 175 227

HSL 281.54, 0.48%, 0.79%

LAB 76.1, 22.32, -21.21

 

CMYK 5 / 16 / 0 / 15

HEX #D0B8DA

RGB 208 184 218

HSL 282.35, 0.31%, 0.79%

LAB 77.73, 14.68, -13.9

 

CMYK 3 / 9 / 0 / 18

HEX #CCC0D2

RGB 204 192 210

HSL 280, 0.17%, 0.79%

LAB 79.15, 7.49, -7.49

 

CMYK 30 / 35 / 0 / 4

HEX #AC9EF4

RGB 172 158 244

HSL 249.77, 0.8%, 0.79%

LAB 69.3, 23.68, -41.23

 

CMYK 20 / 35 / 0 / 4

HEX #C39EF4

RGB 195 158 244

HSL 265.81, 0.8%, 0.79%

LAB 71.27, 30.28, -38

 

CMYK 11 / 35 / 0 / 4

HEX #DA9EF4

RGB 218 158 244

HSL 281.86, 0.8%, 0.79%

LAB 73.47, 37.13, -34.41

 

CMYK 1 / 35 / 0 / 4

HEX #F19EF4

RGB 241 158 244

HSL 297.91, 0.8%, 0.79%

LAB 75.88, 44.12, -30.51

 

CMYK 0 / 35 / 8 / 4

HEX #F49EE0

RGB 244 158 224

HSL 313.95, 0.8%, 0.79%

LAB 75.49, 41.56, -20.18

 

CMYK 19 / 65 / 0 / 7

HEX #BF53EC

RGB 191 83 236

HSL 282.35, 0.8%, 0.63%

LAB 55.4, 66.06, -58.69

 

CMYK 15 / 50 / 0 / 6

HEX #CC78F0

RGB 204 120 240

HSL 282, 0.8%, 0.71%

LAB 63.8, 52.37, -47.44

 

CMYK 11 / 35 / 0 / 4

HEX #DA9EF4

RGB 218 158 244

HSL 281.86, 0.8%, 0.79%

LAB 73.47, 37.13, -34.41

 

CMYK 6 / 21 / 0 / 3

HEX #E8C3F8

RGB 232 195 248

HSL 281.89, 0.79%, 0.87%

LAB 83.42, 22.42, -21.21

 

CMYK 2 / 8 / 0 / 1

HEX #F6E8FC

RGB 246 232 252

HSL 282, 0.77%, 0.95%

LAB 93.6, 8.26, -7.96

 

CMYK 11 / 36 / 0 / 4

HEX #DB9EF5

RGB 219 158 245

HSL 282.07, 0.81%, 0.79%

LAB 73.61, 37.64, -34.73

 

CMYK 0 / 35 / 32 / 4

HEX #F49EA6

RGB 244 158 166

HSL 354.42, 0.8%, 0.79%

LAB 73.83, 33.01, 9.21

 

CMYK 35 / 0 / 25 / 4

HEX #9EF4B8

RGB 158 244 184

HSL 138.14, 0.8%, 0.79%

LAB 89.59, -38.23, 20.87

 

CMYK 11 / 36 / 0 / 4

HEX #DB9EF5

RGB 219 158 245

HSL 282.07, 0.81%, 0.79%

LAB 73.61, 37.64, -34.73

 

CMYK 0 / 11 / 35 / 4

HEX #F4DA9E

RGB 244 218 158

HSL 41.86, 0.8%, 0.79%

LAB 87.89, 0.58, 32.85

 

CMYK 35 / 0 / 11 / 4

HEX #9EF4DA

RGB 158 244 218

HSL 161.86, 0.8%, 0.79%

LAB 90.34, -31.57, 4.32

 

CMYK 11 / 36 / 0 / 4

HEX #DB9EF5

RGB 219 158 245

HSL 282.07, 0.81%, 0.79%

LAB 73.61, 37.64, -34.73

 

CMYK 0 / 35 / 32 / 4

HEX #F49EA6

RGB 244 158 166

HSL 354.42, 0.8%, 0.79%

LAB 73.83, 33.01, 9.21

 

CMYK 25 / 0 / 35 / 4

HEX #B8F49E

RGB 184 244 158

HSL 101.86, 0.8%, 0.79%

LAB 90.49, -34.19, 35.5

 

CMYK 35 / 0 / 3 / 4

HEX #9EF4EC

RGB 158 244 236

HSL 174.42, 0.8%, 0.79%

LAB 90.79, -27.63, -4.38

 

CMYK 11 / 36 / 0 / 4

HEX #DB9EF5

RGB 219 158 245

HSL 282.07, 0.81%, 0.79%

LAB 73.61, 37.64, -34.73

 

CMYK 0 / 28 / 35 / 4

HEX #F4AF9E

RGB 244 175 158

HSL 11.86, 0.8%, 0.79%

LAB 77.5, 23.06, 18.74

 

CMYK 25 / 0 / 35 / 4

HEX #B8F49E

RGB 184 244 158

HSL 101.86, 0.8%, 0.79%

LAB 90.49, -34.19, 35.5

 

CMYK 35 / 7 / 0 / 4

HEX #9EE3F4

RGB 158 227 244

HSL 191.86, 0.8%, 0.79%

LAB 86.37, -17.42, -15.14

 

Description

Color code: HEX #DB9EF5 | qconv.com Color code: HEX #DB9EF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 158 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 158 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 36 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 36% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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