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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB99ED it is the complementary color #246612. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB99ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB99ED shade: #E099E8, #F1ABFB, #FFBDFF, #FFCFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB99ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB99ED shade: #DB99ED, #CA87DA, #B975C7, #A863B4 and #9751A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB99ED shade: #DA96EC, #EC96E7, #EC96D0, #EC96B9 and #EC96A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB99ED shade: #DA96EC, #C396EC, #AC96EC and #9696EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB99ED shade matches the following richer shades: #DA96EC and #DF8DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB99ED shade: #DA96EC, #D4A0E2, #CEAAD8, #C9B4CE and #C3BEC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB99ED shade: #AC96EC, #C396EC, #DA96EC, #EC96E8 and #EC96D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB99ED shade: #C150E0, #CD73E6, #DA96EC, #E6BAF2 and #F3DDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB99ED shade: #DB99ED, #EC9698 and #96ECB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB99ED shade: #DB99ED, #ECDA96 and #96ECDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB99ED shade: #DB99ED, #EC9698, #A9EC96 and #96ECEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB99ED shade: #DB99ED, #ECAF96, #A9EC96 and #96D4EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 35 / 0 / 7

HEX #DB99ED

RGB 219 153 237

HSL 287.14, 0.7%, 0.76%

LAB 72.2, 38.72, -32.56

 

Complementary color

CMYK 65 / 0 / 82 / 60

HEX #246612

RGB 36 102 18

HSL 107.14, 0.7%, 0.24%

LAB 37.7, -37.05, 38.17

 

CMYK 3 / 34 / 0 / 9

HEX #E099E8

RGB 224 153 232

HSL 293.92, 0.63%, 0.75%

LAB 72.53, 39.29, -29.27

 

CMYK 4 / 32 / 0 / 2

HEX #F1ABFB

RGB 241 171 251

HSL 292.5, 0.91%, 0.83%

LAB 78.92, 38.6, -29.61

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 8 / 35 / 0 / 7

HEX #DB99ED

RGB 219 153 237

HSL 287.14, 0.7%, 0.76%

LAB 72.2, 38.72, -32.56

 

CMYK 7 / 38 / 0 / 15

HEX #CA87DA

RGB 202 135 218

HSL 288.43, 0.53%, 0.69%

LAB 65.71, 39.45, -32.29

 

CMYK 7 / 41 / 0 / 22

HEX #B975C7

RGB 185 117 199

HSL 289.76, 0.42%, 0.62%

LAB 59.12, 40.22, -31.99

 

CMYK 7 / 45 / 0 / 29

HEX #A863B4

RGB 168 99 180

HSL 291.11, 0.35%, 0.55%

LAB 52.45, 40.99, -31.65

 

CMYK 6 / 50 / 0 / 37

HEX #9751A1

RGB 151 81 161

HSL 292.5, 0.33%, 0.47%

LAB 45.69, 41.75, -31.24

 

CMYK 8 / 36 / 0 / 7

HEX #DA96EC

RGB 218 150 236

HSL 287.44, 0.69%, 0.76%

LAB 71.4, 39.83, -33.26

 

CMYK 0 / 36 / 2 / 7

HEX #EC96E7

RGB 236 150 231

HSL 303.49, 0.69%, 0.76%

LAB 73.16, 44.4, -27.64

 

CMYK 0 / 36 / 12 / 7

HEX #EC96D0

RGB 236 150 208

HSL 319.53, 0.69%, 0.76%

LAB 72.36, 40.49, -16.23

 

CMYK 0 / 36 / 22 / 7

HEX #EC96B9

RGB 236 150 185

HSL 335.58, 0.69%, 0.76%

LAB 71.66, 36.94, -4.56

 

CMYK 0 / 36 / 31 / 7

HEX #EC96A2

RGB 236 150 162

HSL 351.63, 0.69%, 0.76%

LAB 71.05, 33.79, 7.32

 

CMYK 8 / 36 / 0 / 7

HEX #DA96EC

RGB 218 150 236

HSL 287.44, 0.69%, 0.76%

LAB 71.4, 39.83, -33.26

 

CMYK 17 / 36 / 0 / 7

HEX #C396EC

RGB 195 150 236

HSL 271.4, 0.69%, 0.76%

LAB 69.09, 32.92, -37.02

 

CMYK 27 / 36 / 0 / 7

HEX #AC96EC

RGB 172 150 236

HSL 255.35, 0.69%, 0.76%

LAB 67.01, 26.23, -40.43

 

CMYK 36 / 36 / 0 / 7

HEX #9696EC

RGB 150 150 236

HSL 240, 0.69%, 0.76%

LAB 65.24, 20.17, -43.32

 

CMYK 8 / 36 / 0 / 7

HEX #DA96EC

RGB 218 150 236

HSL 287.44, 0.69%, 0.76%

LAB 71.4, 39.83, -33.26

 

CMYK 9 / 43 / 0 / 4

HEX #DF8DF6

RGB 223 141 246

HSL 286.86, 0.85%, 0.76%

LAB 70.45, 48.01, -40.16

 

CMYK 8 / 36 / 0 / 7

HEX #DA96EC

RGB 218 150 236

HSL 287.44, 0.69%, 0.76%

LAB 71.4, 39.83, -33.26

 

CMYK 6 / 29 / 0 / 11

HEX #D4A0E2

RGB 212 160 226

HSL 287.27, 0.53%, 0.76%

LAB 72.65, 30.6, -25.92

 

CMYK 5 / 21 / 0 / 15

HEX #CEAAD8

RGB 206 170 216

HSL 286.96, 0.37%, 0.76%

LAB 74.08, 21.25, -18.33

 

CMYK 2 / 13 / 0 / 19

HEX #C9B4CE

RGB 201 180 206

HSL 288.46, 0.21%, 0.76%

LAB 75.77, 12.19, -10.38

 

CMYK 1 / 4 / 0 / 23

HEX #C3BEC5

RGB 195 190 197

HSL 282.86, 0.06%, 0.76%

LAB 77.56, 3.04, -2.9

 

CMYK 27 / 36 / 0 / 7

HEX #AC96EC

RGB 172 150 236

HSL 255.35, 0.69%, 0.76%

LAB 67.01, 26.23, -40.43

 

CMYK 17 / 36 / 0 / 7

HEX #C396EC

RGB 195 150 236

HSL 271.4, 0.69%, 0.76%

LAB 69.09, 32.92, -37.02

 

CMYK 8 / 36 / 0 / 7

HEX #DA96EC

RGB 218 150 236

HSL 287.44, 0.69%, 0.76%

LAB 71.4, 39.83, -33.26

 

CMYK 0 / 36 / 2 / 7

HEX #EC96E8

RGB 236 150 232

HSL 302.79, 0.69%, 0.76%

LAB 73.2, 44.58, -28.13

 

CMYK 0 / 36 / 11 / 7

HEX #EC96D1

RGB 236 150 209

HSL 318.84, 0.69%, 0.76%

LAB 72.39, 40.65, -16.74

 

CMYK 14 / 64 / 0 / 12

HEX #C150E0

RGB 193 80 224

HSL 287.08, 0.7%, 0.6%

LAB 54.51, 65.44, -53.35

 

CMYK 11 / 50 / 0 / 10

HEX #CD73E6

RGB 205 115 230

HSL 286.96, 0.7%, 0.68%

LAB 62.47, 53.17, -44

 

CMYK 8 / 36 / 0 / 7

HEX #DA96EC

RGB 218 150 236

HSL 287.44, 0.69%, 0.76%

LAB 71.4, 39.83, -33.26

 

CMYK 5 / 23 / 0 / 5

HEX #E6BAF2

RGB 230 186 242

HSL 287.14, 0.68%, 0.84%

LAB 80.93, 25.43, -21.8

 

CMYK 2 / 11 / 0 / 2

HEX #F3DDF9

RGB 243 221 249

HSL 287.14, 0.7%, 0.92%

LAB 90.6, 12.44, -10.86

 

CMYK 8 / 35 / 0 / 7

HEX #DB99ED

RGB 219 153 237

HSL 287.14, 0.7%, 0.76%

LAB 72.2, 38.72, -32.56

 

CMYK 0 / 36 / 36 / 7

HEX #EC9698

RGB 236 150 152

HSL 358.6, 0.69%, 0.76%

LAB 70.81, 32.56, 12.54

 

CMYK 36 / 0 / 22 / 7

HEX #96ECB7

RGB 150 236 183

HSL 143.02, 0.69%, 0.76%

LAB 86.94, -37.11, 17.64

 

CMYK 8 / 35 / 0 / 7

HEX #DB99ED

RGB 219 153 237

HSL 287.14, 0.7%, 0.76%

LAB 72.2, 38.72, -32.56

 

CMYK 0 / 8 / 36 / 7

HEX #ECDA96

RGB 236 218 150

HSL 47.44, 0.69%, 0.76%

LAB 87.08, -3.43, 35.74

 

CMYK 36 / 0 / 8 / 7

HEX #96ECDA

RGB 150 236 218

HSL 167.44, 0.69%, 0.76%

LAB 87.75, -29.95, 0.51

 

CMYK 8 / 35 / 0 / 7

HEX #DB99ED

RGB 219 153 237

HSL 287.14, 0.7%, 0.76%

LAB 72.2, 38.72, -32.56

 

CMYK 0 / 36 / 36 / 7

HEX #EC9698

RGB 236 150 152

HSL 358.6, 0.69%, 0.76%

LAB 70.81, 32.56, 12.54

 

CMYK 28 / 0 / 36 / 7

HEX #A9EC96

RGB 169 236 150

HSL 106.74, 0.69%, 0.76%

LAB 87.3, -36.7, 35.17

 

CMYK 36 / 0 / 0 / 7

HEX #96ECEB

RGB 150 236 235

HSL 179.3, 0.69%, 0.76%

LAB 88.2, -26.08, -7.74

 

CMYK 8 / 35 / 0 / 7

HEX #DB99ED

RGB 219 153 237

HSL 287.14, 0.7%, 0.76%

LAB 72.2, 38.72, -32.56

 

CMYK 0 / 26 / 36 / 7

HEX #ECAF96

RGB 236 175 150

HSL 17.44, 0.69%, 0.76%

LAB 76.49, 19.05, 21.54

 

CMYK 28 / 0 / 36 / 7

HEX #A9EC96

RGB 169 236 150

HSL 106.74, 0.69%, 0.76%

LAB 87.3, -36.7, 35.17

 

CMYK 36 / 10 / 0 / 7

HEX #96D4EC

RGB 150 212 236

HSL 196.74, 0.69%, 0.76%

LAB 81.64, -13.85, -18.08

 

Description

Color code: HEX #DB99ED | qconv.com Color code: HEX #DB99ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 153 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 153 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 35 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 35% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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