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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB9593 it is the complementary color #246A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB9593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB9593 shade: #E0958E, #F1A7A1, #FFB9B4, #FFCBC7 and #FFDDDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB9593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB9593 shade: #DB9593, #CA8380, #B9716D, #A85F5A and #974D47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB9593 shade: #DB9593 and #DB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB9593 shade: #DB9593, #DBA993, #DBBC93, #DBCF93 and #D3DB93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB9593 shade matches the following richer shades: #DB9593, #E68A88, #F2807C and #FD7571

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB9593 shade: #DB9593, #CFA09F, #C4ABAB, #B8B6B6 and #ADC1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB9593 shade: #DB93B8, #DB93A5, #DB9593, #DBA893 and #DBBB93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB9593 shade: #C65956, #D07774, #DB9593, #E5B4B2 and #EFD2D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB9593 shade: #DB9593, #CBDB93 and #93AFDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB9593 shade: #DB9593, #93DB95 and #9593DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB9593 shade: #DB9593, #CBDB93, #93DADB and #A393DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB9593 shade: #DB9593, #B6DB93, #93DADB and #B893DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

Complementary color

CMYK 67 / 2 / 0 / 58

HEX #246A6C

RGB 36 106 108

HSL 181.67, 0.5%, 0.28%

LAB 40.84, -20.64, -7.55

 

CMYK 0 / 33 / 37 / 12

HEX #E0958E

RGB 224 149 142

HSL 5.12, 0.57%, 0.72%

LAB 68.96, 27.39, 15.3

 

CMYK 0 / 31 / 33 / 5

HEX #F1A7A1

RGB 241 167 161

HSL 4.5, 0.74%, 0.79%

LAB 75.4, 26.53, 14.13

 

CMYK 0 / 27 / 29 / 0

HEX #FFB9B4

RGB 255 185 180

HSL 4, 1%, 0.85%

LAB 81.43, 24.65, 12.57

 

CMYK 0 / 20 / 22 / 0

HEX #FFCBC7

RGB 255 203 199

HSL 4.29, 1%, 0.89%

LAB 86.05, 17.81, 9

 

CMYK 0 / 13 / 15 / 0

HEX #FFDDDA

RGB 255 221 218

HSL 4.86, 1%, 0.93%

LAB 90.8, 11.27, 5.8

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 0 / 35 / 37 / 21

HEX #CA8380

RGB 202 131 128

HSL 2.43, 0.41%, 0.65%

LAB 61.95, 26.99, 12.98

 

CMYK 0 / 39 / 41 / 27

HEX #B9716D

RGB 185 113 109

HSL 3.16, 0.35%, 0.58%

LAB 55.31, 27.98, 14.33

 

CMYK 0 / 43 / 46 / 34

HEX #A85F5A

RGB 168 95 90

HSL 3.85, 0.31%, 0.51%

LAB 48.57, 29.07, 15.87

 

CMYK 0 / 49 / 53 / 41

HEX #974D47

RGB 151 77 71

HSL 4.5, 0.36%, 0.44%

LAB 41.75, 30.28, 17.7

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 0 / 33 / 33 / 14

HEX #DB9393

RGB 219 147 147

HSL 0, 0.5%, 0.72%

LAB 68.05, 27.18, 11.14

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 0 / 23 / 33 / 14

HEX #DBA993

RGB 219 169 147

HSL 18.33, 0.5%, 0.72%

LAB 73.25, 15.32, 18.42

 

CMYK 0 / 14 / 33 / 14

HEX #DBBC93

RGB 219 188 147

HSL 34.17, 0.5%, 0.72%

LAB 77.95, 5.18, 24.86

 

CMYK 0 / 5 / 33 / 14

HEX #DBCF93

RGB 219 207 147

HSL 50, 0.5%, 0.72%

LAB 82.8, -4.74, 31.37

 

CMYK 4 / 0 / 33 / 14

HEX #D3DB93

RGB 211 219 147

HSL 66.67, 0.5%, 0.72%

LAB 85.31, -13.9, 34.57

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 0 / 40 / 41 / 10

HEX #E68A88

RGB 230 138 136

HSL 1.28, 0.65%, 0.72%

LAB 67.11, 34.8, 16.17

 

CMYK 0 / 47 / 49 / 5

HEX #F2807C

RGB 242 128 124

HSL 2.03, 0.82%, 0.72%

LAB 66.34, 43.17, 22.1

 

CMYK 0 / 54 / 55 / 1

HEX #FD7571

RGB 253 117 113

HSL 1.71, 0.97%, 0.72%

LAB 65.59, 51.54, 27.53

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 0 / 23 / 23 / 19

HEX #CFA09F

RGB 207 160 159

HSL 1.25, 0.33%, 0.72%

LAB 70.11, 17.25, 7.23

 

CMYK 0 / 13 / 13 / 23

HEX #C4ABAB

RGB 196 171 171

HSL 0, 0.17%, 0.72%

LAB 72.1, 9.04, 3.33

 

CMYK 0 / 1 / 1 / 28

HEX #B8B6B6

RGB 184 182 182

HSL 0, 0.01%, 0.72%

LAB 74.2, 0.71, 0.24

 

CMYK 11 / 1 / 0 / 24

HEX #ADC1C2

RGB 173 193 194

HSL 182.86, 0.15%, 0.72%

LAB 76.63, -6.59, -2.83

 

CMYK 0 / 33 / 16 / 14

HEX #DB93B8

RGB 219 147 184

HSL 329.17, 0.5%, 0.72%

LAB 69.03, 32.48, -8.11

 

CMYK 0 / 33 / 25 / 14

HEX #DB93A5

RGB 219 147 165

HSL 345, 0.5%, 0.72%

LAB 68.49, 29.61, 1.71

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 0 / 23 / 33 / 14

HEX #DBA893

RGB 219 168 147

HSL 17.5, 0.5%, 0.72%

LAB 73, 15.86, 18.08

 

CMYK 0 / 15 / 33 / 14

HEX #DBBB93

RGB 219 187 147

HSL 33.33, 0.5%, 0.72%

LAB 77.7, 5.71, 24.52

 

CMYK 0 / 55 / 57 / 22

HEX #C65956

RGB 198 89 86

HSL 1.61, 0.5%, 0.56%

LAB 51.64, 43.29, 23.11

 

CMYK 0 / 43 / 44 / 18

HEX #D07774

RGB 208 119 116

HSL 1.96, 0.49%, 0.64%

LAB 59.77, 34.39, 16.91

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 0 / 21 / 22 / 10

HEX #E5B4B2

RGB 229 180 178

HSL 2.35, 0.5%, 0.8%

LAB 77.59, 17.44, 7.81

 

CMYK 0 / 12 / 13 / 6

HEX #EFD2D1

RGB 239 210 209

HSL 2, 0.48%, 0.88%

LAB 86.53, 9.93, 4.2

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 7 / 0 / 33 / 14

HEX #CBDB93

RGB 203 219 147

HSL 73.33, 0.5%, 0.72%

LAB 84.72, -16.92, 33.68

 

CMYK 33 / 20 / 0 / 14

HEX #93AFDB

RGB 147 175 219

HSL 216.67, 0.5%, 0.72%

LAB 70.86, 0.78, -25.3

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 33 / 0 / 32 / 14

HEX #93DB95

RGB 147 219 149

HSL 121.67, 0.5%, 0.72%

LAB 81.31, -36.24, 27.5

 

CMYK 32 / 33 / 0 / 14

HEX #9593DB

RGB 149 147 219

HSL 241.67, 0.5%, 0.72%

LAB 63.65, 17.15, -36.42

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 7 / 0 / 33 / 14

HEX #CBDB93

RGB 203 219 147

HSL 73.33, 0.5%, 0.72%

LAB 84.72, -16.92, 33.68

 

CMYK 33 / 0 / 0 / 14

HEX #93DADB

RGB 147 218 219

HSL 180.83, 0.5%, 0.72%

LAB 82.63, -21.78, -7.56

 

CMYK 26 / 33 / 0 / 14

HEX #A393DB

RGB 163 147 219

HSL 253.33, 0.5%, 0.72%

LAB 64.78, 21.2, -34.58

 

CMYK 0 / 32 / 33 / 14

HEX #DB9593

RGB 219 149 147

HSL 1.67, 0.5%, 0.72%

LAB 68.51, 26.11, 11.79

 

CMYK 17 / 0 / 33 / 14

HEX #B6DB93

RGB 182 219 147

HSL 90.83, 0.5%, 0.72%

LAB 83.29, -24.65, 31.53

 

CMYK 33 / 0 / 0 / 14

HEX #93DADB

RGB 147 218 219

HSL 180.83, 0.5%, 0.72%

LAB 82.63, -21.78, -7.56

 

CMYK 16 / 33 / 0 / 14

HEX #B893DB

RGB 184 147 219

HSL 270.83, 0.5%, 0.72%

LAB 66.65, 27.54, -31.53

 

Description

Color code: HEX #DB9593 | qconv.com Color code: HEX #DB9593 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 149 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 149 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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