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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB9491 it is the complementary color #246B6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB9491. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB9491 shade: #E0948C, #F1A69F, #FFB8B2, #FFCAC5 and #FFDCD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB9491. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB9491 shade: #DB9491, #CA827E, #B9706B, #A85E58 and #974C45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB9491 shade: #DA928F and #DA8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB9491 shade: #DA928F, #DAA68F, #DABB8F, #DACF8F and #D1DA8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB9491 shade matches the following richer shades: #DA928F, #E68783, #F27C77 and #FE716B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB9491 shade: #DA928F, #CE9D9B, #C2A8A7, #B6B3B3 and #AABEBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB9491 shade: #DA8FB5, #DA8FA0, #DA918F, #DAA58F and #DABA8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB9491 shade: #C65551, #D07470, #DA928F, #E4B0AE and #EECECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB9491 shade: #DB9491, #C9DA8F and #8FAADA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB9491 shade: #DB9491, #8FDA91 and #918FDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB9491 shade: #DB9491, #C9DA8F, #8FD8DA and #A08FDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB9491 shade: #DB9491, #B2DA8F, #8FD8DA and #B78FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 34 / 14

HEX #DB9491

RGB 219 148 145

HSL 2.43, 0.51%, 0.71%

LAB 68.23, 26.39, 12.51

 

Complementary color

CMYK 67 / 3 / 0 / 57

HEX #246B6E

RGB 36 107 110

HSL 182.43, 0.51%, 0.29%

LAB 41.24, -20.54, -8.17

 

CMYK 0 / 34 / 38 / 12

HEX #E0948C

RGB 224 148 140

HSL 5.71, 0.58%, 0.71%

LAB 68.69, 27.69, 16.03

 

CMYK 0 / 31 / 34 / 5

HEX #F1A69F

RGB 241 166 159

HSL 5.12, 0.75%, 0.78%

LAB 75.12, 26.81, 14.84

 

CMYK 0 / 28 / 30 / 0

HEX #FFB8B2

RGB 255 184 178

HSL 4.68, 1%, 0.85%

LAB 81.16, 24.91, 13.25

 

CMYK 0 / 21 / 23 / 0

HEX #FFCAC5

RGB 255 202 197

HSL 5.17, 1%, 0.89%

LAB 85.77, 18.04, 9.66

 

CMYK 0 / 14 / 15 / 0

HEX #FFDCD8

RGB 255 220 216

HSL 6.15, 1%, 0.92%

LAB 90.51, 11.48, 6.43

 

CMYK 0 / 32 / 34 / 14

HEX #DB9491

RGB 219 148 145

HSL 2.43, 0.51%, 0.71%

LAB 68.23, 26.39, 12.51

 

CMYK 0 / 36 / 38 / 21

HEX #CA827E

RGB 202 130 126

HSL 3.16, 0.42%, 0.64%

LAB 61.68, 27.3, 13.74

 

CMYK 0 / 39 / 42 / 27

HEX #B9706B

RGB 185 112 107

HSL 3.85, 0.36%, 0.57%

LAB 55.04, 28.3, 15.11

 

CMYK 0 / 44 / 48 / 34

HEX #A85E58

RGB 168 94 88

HSL 4.5, 0.31%, 0.5%

LAB 48.3, 29.42, 16.7

 

CMYK 0 / 50 / 54 / 41

HEX #974C45

RGB 151 76 69

HSL 5.12, 0.37%, 0.43%

LAB 41.5, 30.64, 18.58

 

CMYK 0 / 33 / 34 / 15

HEX #DA928F

RGB 218 146 143

HSL 2.4, 0.5%, 0.71%

LAB 67.61, 26.84, 12.74

 

CMYK 0 / 34 / 34 / 15

HEX #DA8F8F

RGB 218 143 143

HSL 0, 0.5%, 0.71%

LAB 66.93, 28.45, 11.78

 

CMYK 0 / 33 / 34 / 15

HEX #DA928F

RGB 218 146 143

HSL 2.4, 0.5%, 0.71%

LAB 67.61, 26.84, 12.74

 

CMYK 0 / 24 / 34 / 15

HEX #DAA68F

RGB 218 166 143

HSL 18.4, 0.5%, 0.71%

LAB 72.34, 16.05, 19.32

 

CMYK 0 / 14 / 34 / 15

HEX #DABB8F

RGB 218 187 143

HSL 35.2, 0.5%, 0.71%

LAB 77.54, 4.82, 26.41

 

CMYK 0 / 5 / 34 / 15

HEX #DACF8F

RGB 218 207 143

HSL 51.2, 0.5%, 0.71%

LAB 82.65, -5.61, 33.22

 

CMYK 4 / 0 / 34 / 15

HEX #D1DA8F

RGB 209 218 143

HSL 67.2, 0.5%, 0.71%

LAB 84.83, -14.65, 35.95

 

CMYK 0 / 33 / 34 / 15

HEX #DA928F

RGB 218 146 143

HSL 2.4, 0.5%, 0.71%

LAB 67.61, 26.84, 12.74

 

CMYK 0 / 41 / 43 / 10

HEX #E68783

RGB 230 135 131

HSL 2.42, 0.66%, 0.71%

LAB 66.36, 35.84, 17.94

 

CMYK 0 / 49 / 51 / 5

HEX #F27C77

RGB 242 124 119

HSL 2.44, 0.83%, 0.71%

LAB 65.46, 44.72, 23.71

 

CMYK 0 / 56 / 58 / 0

HEX #FE716B

RGB 254 113 107

HSL 2.45, 0.99%, 0.71%

LAB 64.92, 53.31, 30.04

 

CMYK 0 / 33 / 34 / 15

HEX #DA928F

RGB 218 146 143

HSL 2.4, 0.5%, 0.71%

LAB 67.61, 26.84, 12.74

 

CMYK 0 / 24 / 25 / 19

HEX #CE9D9B

RGB 206 157 155

HSL 2.35, 0.34%, 0.71%

LAB 69.19, 17.92, 8.11

 

CMYK 0 / 13 / 14 / 24

HEX #C2A8A7

RGB 194 168 167

HSL 2.22, 0.18%, 0.71%

LAB 71.05, 9.28, 4

 

CMYK 0 / 2 / 2 / 29

HEX #B6B3B3

RGB 182 179 179

HSL 0, 0.02%, 0.71%

LAB 73.18, 1.06, 0.37

 

CMYK 11 / 1 / 0 / 25

HEX #AABEBF

RGB 170 190 191

HSL 182.86, 0.14%, 0.71%

LAB 75.53, -6.6, -2.83

 

CMYK 0 / 34 / 17 / 15

HEX #DA8FB5

RGB 218 143 181

HSL 329.6, 0.5%, 0.71%

LAB 67.94, 33.8, -8.07

 

CMYK 0 / 34 / 27 / 15

HEX #DA8FA0

RGB 218 143 160

HSL 346.4, 0.5%, 0.71%

LAB 67.34, 30.69, 2.83

 

CMYK 0 / 33 / 34 / 15

HEX #DA918F

RGB 218 145 143

HSL 1.6, 0.5%, 0.71%

LAB 67.38, 27.38, 12.42

 

CMYK 0 / 24 / 34 / 15

HEX #DAA58F

RGB 218 165 143

HSL 17.6, 0.5%, 0.71%

LAB 72.09, 16.59, 18.99

 

CMYK 0 / 15 / 34 / 15

HEX #DABA8F

RGB 218 186 143

HSL 34.4, 0.5%, 0.71%

LAB 77.28, 5.35, 26.07

 

CMYK 0 / 57 / 59 / 22

HEX #C65551

RGB 198 85 81

HSL 2.05, 0.51%, 0.55%

LAB 50.8, 44.85, 24.96

 

CMYK 0 / 44 / 46 / 18

HEX #D07470

RGB 208 116 112

HSL 2.5, 0.51%, 0.63%

LAB 59.04, 35.56, 18.21

 

CMYK 0 / 33 / 34 / 15

HEX #DA928F

RGB 218 146 143

HSL 2.4, 0.5%, 0.71%

LAB 67.61, 26.84, 12.74

 

CMYK 0 / 23 / 24 / 11

HEX #E4B0AE

RGB 228 176 174

HSL 2.22, 0.5%, 0.79%

LAB 76.44, 18.63, 8.33

 

CMYK 0 / 13 / 14 / 7

HEX #EECECD

RGB 238 206 205

HSL 1.82, 0.49%, 0.87%

LAB 85.37, 11.04, 4.63

 

CMYK 0 / 32 / 34 / 14

HEX #DB9491

RGB 219 148 145

HSL 2.43, 0.51%, 0.71%

LAB 68.23, 26.39, 12.51

 

CMYK 8 / 0 / 34 / 15

HEX #C9DA8F

RGB 201 218 143

HSL 73.6, 0.5%, 0.71%

LAB 84.25, -17.69, 35.07

 

CMYK 34 / 22 / 0 / 15

HEX #8FAADA

RGB 143 170 218

HSL 218.4, 0.5%, 0.71%

LAB 69.22, 2.16, -27.28

 

CMYK 0 / 32 / 34 / 14

HEX #DB9491

RGB 219 148 145

HSL 2.43, 0.51%, 0.71%

LAB 68.23, 26.39, 12.51

 

CMYK 34 / 0 / 33 / 15

HEX #8FDA91

RGB 143 218 145

HSL 121.6, 0.5%, 0.71%

LAB 80.75, -37.69, 28.78

 

CMYK 33 / 34 / 0 / 15

HEX #918FDA

RGB 145 143 218

HSL 241.6, 0.5%, 0.71%

LAB 62.28, 18.08, -38.03

 

CMYK 0 / 32 / 34 / 14

HEX #DB9491

RGB 219 148 145

HSL 2.43, 0.51%, 0.71%

LAB 68.23, 26.39, 12.51

 

CMYK 8 / 0 / 34 / 15

HEX #C9DA8F

RGB 201 218 143

HSL 73.6, 0.5%, 0.71%

LAB 84.25, -17.69, 35.07

 

CMYK 34 / 1 / 0 / 15

HEX #8FD8DA

RGB 143 216 218

HSL 181.6, 0.5%, 0.71%

LAB 81.85, -22.09, -8.21

 

CMYK 27 / 34 / 0 / 15

HEX #A08FDA

RGB 160 143 218

HSL 253.6, 0.5%, 0.71%

LAB 63.49, 22.36, -36.04

 

CMYK 0 / 32 / 34 / 14

HEX #DB9491

RGB 219 148 145

HSL 2.43, 0.51%, 0.71%

LAB 68.23, 26.39, 12.51

 

CMYK 18 / 0 / 34 / 15

HEX #B2DA8F

RGB 178 218 143

HSL 92, 0.5%, 0.71%

LAB 82.7, -26.17, 32.74

 

CMYK 34 / 1 / 0 / 15

HEX #8FD8DA

RGB 143 216 218

HSL 181.6, 0.5%, 0.71%

LAB 81.85, -22.09, -8.21

 

CMYK 16 / 34 / 0 / 15

HEX #B78FDA

RGB 183 143 218

HSL 272, 0.5%, 0.71%

LAB 65.57, 29.25, -32.65

 

Description

Color code: HEX #DB9491 | qconv.com Color code: HEX #DB9491 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 148 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 148 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 34 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 34% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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