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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB62BE it is the complementary color #249D41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB62BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB62BE shade: #E062B9, #F174CC, #FF86DF, #FF98F2 and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB62BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB62BE shade: #DB62BE, #CA50AB, #B93E98, #A82C85 and #971A72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB62BE shade: #DB61BD, #DB619C, #DB617C and #DB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB62BE shade: #DB61BD, #D761DB, #B661DB, #9561DB and #7461DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB62BE shade matches the following richer shades: #DB61BD, #EA51C6 and #FA41CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB62BE shade: #DB61BD, #CB70B5, #BB80AD, #AC90A5 and #9C9F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB62BE shade: #B661DB, #D761DB, #DB61BE, #DB619E and #DB617D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB62BE shade: #BE2B9B, #D33FB0, #DB61BD, #E282CB and #EAA4D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB62BE shade: #DB62BE, #DB9561 and #61DBC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB62BE shade: #DB62BE, #BEDB61 and #61BEDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB62BE shade: #DB62BE, #DB9561, #61DB7D and #61A6DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB62BE shade: #DB62BE, #DBBA61, #61DB7D and #6181DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 13 / 14

HEX #DB62BE

RGB 219 98 190

HSL 314.38, 0.63%, 0.62%

LAB 59.45, 58.27, -26.02

 

Complementary color

CMYK 77 / 0 / 59 / 38

HEX #249D41

RGB 36 157 65

HSL 134.38, 0.63%, 0.38%

LAB 56.95, -52.03, 38.4

 

CMYK 0 / 56 / 17 / 12

HEX #E062B9

RGB 224 98 185

HSL 318.57, 0.67%, 0.63%

LAB 59.97, 58.95, -22.3

 

CMYK 0 / 52 / 15 / 5

HEX #F174CC

RGB 241 116 204

HSL 317.76, 0.82%, 0.7%

LAB 66.18, 58.42, -23.35

 

CMYK 0 / 47 / 13 / 0

HEX #FF86DF

RGB 255 134 223

HSL 315.87, 1%, 0.76%

LAB 71.99, 56.9, -24.86

 

CMYK 0 / 40 / 5 / 0

HEX #FF98F2

RGB 255 152 242

HSL 307.57, 1%, 0.8%

LAB 76.15, 51.09, -28.87

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 55 / 13 / 14

HEX #DB62BE

RGB 219 98 190

HSL 314.38, 0.63%, 0.62%

LAB 59.45, 58.27, -26.02

 

CMYK 0 / 60 / 15 / 21

HEX #CA50AB

RGB 202 80 171

HSL 315.25, 0.54%, 0.55%

LAB 53.2, 58.63, -24.87

 

CMYK 0 / 66 / 18 / 27

HEX #B93E98

RGB 185 62 152

HSL 316.1, 0.5%, 0.48%

LAB 47.01, 58.7, -23.44

 

CMYK 0 / 74 / 21 / 34

HEX #A82C85

RGB 168 44 133

HSL 316.94, 0.58%, 0.42%

LAB 40.93, 58.24, -21.56

 

CMYK 0 / 83 / 25 / 41

HEX #971A72

RGB 151 26 114

HSL 317.76, 0.71%, 0.35%

LAB 35.07, 56.92, -19.04

 

CMYK 0 / 56 / 14 / 14

HEX #DB61BD

RGB 219 97 189

HSL 314.75, 0.63%, 0.62%

LAB 59.24, 58.57, -25.77

 

CMYK 0 / 56 / 29 / 14

HEX #DB619C

RGB 219 97 156

HSL 330.98, 0.63%, 0.62%

LAB 58.05, 53.93, -8.54

 

CMYK 0 / 56 / 43 / 14

HEX #DB617C

RGB 219 97 124

HSL 346.72, 0.63%, 0.62%

LAB 57.14, 50.25, 8.83

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 56 / 14 / 14

HEX #DB61BD

RGB 219 97 189

HSL 314.75, 0.63%, 0.62%

LAB 59.24, 58.57, -25.77

 

CMYK 2 / 56 / 0 / 14

HEX #D761DB

RGB 215 97 219

HSL 298.03, 0.63%, 0.62%

LAB 59.99, 62.41, -41.65

 

CMYK 17 / 56 / 0 / 14

HEX #B661DB

RGB 182 97 219

HSL 281.8, 0.63%, 0.62%

LAB 55.69, 53.91, -48.72

 

CMYK 32 / 56 / 0 / 14

HEX #9561DB

RGB 149 97 219

HSL 265.57, 0.63%, 0.62%

LAB 51.9, 45.7, -55

 

CMYK 47 / 56 / 0 / 14

HEX #7461DB

RGB 116 97 219

HSL 249.34, 0.63%, 0.62%

LAB 48.73, 38.17, -60.26

 

CMYK 0 / 56 / 14 / 14

HEX #DB61BD

RGB 219 97 189

HSL 314.75, 0.63%, 0.62%

LAB 59.24, 58.57, -25.77

 

CMYK 0 / 65 / 15 / 8

HEX #EA51C6

RGB 234 81 198

HSL 314.12, 0.78%, 0.62%

LAB 59.39, 70.61, -30.49

 

CMYK 0 / 74 / 18 / 2

HEX #FA41CE

RGB 250 65 206

HSL 314.27, 0.95%, 0.62%

LAB 60.39, 80.85, -33.29

 

CMYK 0 / 56 / 14 / 14

HEX #DB61BD

RGB 219 97 189

HSL 314.75, 0.63%, 0.62%

LAB 59.24, 58.57, -25.77

 

CMYK 0 / 45 / 11 / 20

HEX #CB70B5

RGB 203 112 181

HSL 314.51, 0.47%, 0.62%

LAB 59.54, 45.17, -20.91

 

CMYK 0 / 32 / 7 / 27

HEX #BB80AD

RGB 187 128 173

HSL 314.24, 0.3%, 0.62%

LAB 60.8, 29.91, -14.61

 

CMYK 0 / 16 / 4 / 33

HEX #AC90A5

RGB 172 144 165

HSL 315, 0.14%, 0.62%

LAB 62.87, 14.2, -7.12

 

CMYK 2 / 0 / 1 / 38

HEX #9C9F9D

RGB 156 159 157

HSL 140, 0.02%, 0.62%

LAB 65.2, -1.46, 0.66

 

CMYK 17 / 56 / 0 / 14

HEX #B661DB

RGB 182 97 219

HSL 281.8, 0.63%, 0.62%

LAB 55.69, 53.91, -48.72

 

CMYK 2 / 56 / 0 / 14

HEX #D761DB

RGB 215 97 219

HSL 298.03, 0.63%, 0.62%

LAB 59.99, 62.41, -41.65

 

CMYK 0 / 56 / 13 / 14

HEX #DB61BE

RGB 219 97 190

HSL 314.26, 0.63%, 0.62%

LAB 59.28, 58.72, -26.28

 

CMYK 0 / 56 / 28 / 14

HEX #DB619E

RGB 219 97 158

HSL 330, 0.63%, 0.62%

LAB 58.11, 54.18, -9.6

 

CMYK 0 / 56 / 43 / 14

HEX #DB617D

RGB 219 97 125

HSL 346.23, 0.63%, 0.62%

LAB 57.16, 50.35, 8.28

 

CMYK 0 / 77 / 18 / 25

HEX #BE2B9B

RGB 190 43 155

HSL 314.29, 0.63%, 0.46%

LAB 45.69, 66.84, -27.21

 

CMYK 0 / 70 / 17 / 17

HEX #D33FB0

RGB 211 63 176

HSL 314.19, 0.63%, 0.54%

LAB 52.44, 68.35, -28.87

 

CMYK 0 / 56 / 14 / 14

HEX #DB61BD

RGB 219 97 189

HSL 314.75, 0.63%, 0.62%

LAB 59.24, 58.57, -25.77

 

CMYK 0 / 42 / 10 / 11

HEX #E282CB

RGB 226 130 203

HSL 314.38, 0.62%, 0.7%

LAB 66.86, 46.81, -21.92

 

CMYK 0 / 30 / 7 / 8

HEX #EAA4D9

RGB 234 164 217

HSL 314.57, 0.63%, 0.78%

LAB 75.48, 33.95, -16.48

 

CMYK 0 / 55 / 13 / 14

HEX #DB62BE

RGB 219 98 190

HSL 314.38, 0.63%, 0.62%

LAB 59.45, 58.27, -26.02

 

CMYK 0 / 32 / 56 / 14

HEX #DB9561

RGB 219 149 97

HSL 25.57, 0.63%, 0.62%

LAB 67.59, 20.9, 37.9

 

CMYK 56 / 0 / 10 / 14

HEX #61DBC6

RGB 97 219 198

HSL 169.67, 0.63%, 0.62%

LAB 80.34, -39.14, 0.02

 

CMYK 0 / 55 / 13 / 14

HEX #DB62BE

RGB 219 98 190

HSL 314.38, 0.63%, 0.62%

LAB 59.45, 58.27, -26.02

 

CMYK 13 / 0 / 56 / 14

HEX #BEDB61

RGB 190 219 97

HSL 74.26, 0.63%, 0.62%

LAB 83.16, -27.27, 55.79

 

CMYK 56 / 13 / 0 / 14

HEX #61BEDB

RGB 97 190 219

HSL 194.26, 0.63%, 0.62%

LAB 72.55, -19.48, -22.93

 

CMYK 0 / 55 / 13 / 14

HEX #DB62BE

RGB 219 98 190

HSL 314.38, 0.63%, 0.62%

LAB 59.45, 58.27, -26.02

 

CMYK 0 / 32 / 56 / 14

HEX #DB9561

RGB 219 149 97

HSL 25.57, 0.63%, 0.62%

LAB 67.59, 20.9, 37.9

 

CMYK 56 / 0 / 43 / 14

HEX #61DB7D

RGB 97 219 125

HSL 133.77, 0.63%, 0.62%

LAB 78.86, -54.07, 36.12

 

CMYK 56 / 24 / 0 / 14

HEX #61A6DB

RGB 97 166 219

HSL 206.07, 0.63%, 0.62%

LAB 65.69, -6.65, -33.48

 

CMYK 0 / 55 / 13 / 14

HEX #DB62BE

RGB 219 98 190

HSL 314.38, 0.63%, 0.62%

LAB 59.45, 58.27, -26.02

 

CMYK 0 / 15 / 56 / 14

HEX #DBBA61

RGB 219 186 97

HSL 43.77, 0.63%, 0.62%

LAB 76.7, 1.14, 48.9

 

CMYK 56 / 0 / 43 / 14

HEX #61DB7D

RGB 97 219 125

HSL 133.77, 0.63%, 0.62%

LAB 78.86, -54.07, 36.12

 

CMYK 56 / 41 / 0 / 14

HEX #6181DB

RGB 97 129 219

HSL 224.26, 0.63%, 0.62%

LAB 55.44, 14.84, -49.59

 

Description

Color code: HEX #DB62BE | qconv.com Color code: HEX #DB62BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 98 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 98 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 13 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 13% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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