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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB5CA7 it is the complementary color #24A358. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB5CA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB5CA7 shade: #E05CA2, #F16EB5, #FF80C8, #FF92DB and #FFA4EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB5CA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB5CA7 shade: #DB5CA7, #CA4A94, #B93881, #A8266E and #97145B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB5CA7 shade: #DB5BA7, #DB5B84, #DB5B62 and #DB5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB5CA7 shade: #DB5BA7, #DB5BC9, #CA5BDB, #A85BDB and #865BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB5CA7 shade matches the following richer shades: #DB5BA7, #EB4BA9 and #FB3BAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB5CA7 shade: #DB5BA7, #CB6BA4, #BB7CA1, #AA8C9E and #9A9C9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB5CA7 shade: #CA5BDB, #DB5BCA, #DB5BA8, #DB5B86 and #DB5B64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB5CA7 shade: #BB297F, #D33A94, #DB5BA7, #E27DB9 and #EA9FCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB5CA7 shade: #DB5CA7, #DBA85B and #5BDBDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB5CA7 shade: #DB5CA7, #A8DB5B and #5BA8DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB5CA7 shade: #DB5CA7, #DBA85B, #5BDB8E and #5B8EDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB5CA7 shade: #DB5CA7, #DBCE5B, #5BDB8E and #5B68DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 24 / 14

HEX #DB5CA7

RGB 219 92 167

HSL 324.57, 0.64%, 0.61%

LAB 57.56, 57.66, -15.65

 

Complementary color

CMYK 78 / 0 / 46 / 36

HEX #24A358

RGB 36 163 88

HSL 144.57, 0.64%, 0.39%

LAB 59.23, -50.58, 29.54

 

CMYK 0 / 59 / 28 / 12

HEX #E05CA2

RGB 224 92 162

HSL 328.18, 0.68%, 0.62%

LAB 58.14, 58.49, -11.81

 

CMYK 0 / 54 / 25 / 5

HEX #F16EB5

RGB 241 110 181

HSL 327.48, 0.82%, 0.69%

LAB 64.31, 57.96, -13.19

 

CMYK 0 / 50 / 22 / 0

HEX #FF80C8

RGB 255 128 200

HSL 325.98, 1%, 0.75%

LAB 70.08, 56.4, -15

 

CMYK 0 / 43 / 14 / 0

HEX #FF92DB

RGB 255 146 219

HSL 319.82, 1%, 0.79%

LAB 74.15, 50.38, -19.37

 

CMYK 0 / 36 / 7 / 0

HEX #FFA4EE

RGB 255 164 238

HSL 311.21, 1%, 0.82%

LAB 78.45, 44.3, -23.18

 

CMYK 0 / 58 / 24 / 14

HEX #DB5CA7

RGB 219 92 167

HSL 324.57, 0.64%, 0.61%

LAB 57.56, 57.66, -15.65

 

CMYK 0 / 63 / 27 / 21

HEX #CA4A94

RGB 202 74 148

HSL 325.31, 0.55%, 0.54%

LAB 51.37, 57.98, -14.13

 

CMYK 0 / 70 / 30 / 27

HEX #B93881

RGB 185 56 129

HSL 326.05, 0.54%, 0.47%

LAB 45.26, 57.95, -12.23

 

CMYK 0 / 77 / 35 / 34

HEX #A8266E

RGB 168 38 110

HSL 326.77, 0.63%, 0.4%

LAB 39.3, 57.3, -9.76

 

CMYK 0 / 87 / 40 / 41

HEX #97145B

RGB 151 20 91

HSL 327.48, 0.77%, 0.34%

LAB 33.64, 55.65, -6.5

 

CMYK 0 / 58 / 24 / 14

HEX #DB5BA7

RGB 219 91 167

HSL 324.38, 0.64%, 0.61%

LAB 57.4, 58.1, -15.9

 

CMYK 0 / 58 / 40 / 14

HEX #DB5B84

RGB 219 91 132

HSL 340.78, 0.64%, 0.61%

LAB 56.3, 53.86, 2.93

 

CMYK 0 / 58 / 55 / 14

HEX #DB5B62

RGB 219 91 98

HSL 356.72, 0.64%, 0.61%

LAB 55.51, 50.71, 21.81

 

CMYK 0 / 58 / 58 / 14

HEX #DB5B5B

RGB 219 91 91

HSL 0, 0.64%, 0.61%

LAB 55.38, 50.18, 25.71

 

CMYK 0 / 58 / 24 / 14

HEX #DB5BA7

RGB 219 91 167

HSL 324.38, 0.64%, 0.61%

LAB 57.4, 58.1, -15.9

 

CMYK 0 / 58 / 8 / 14

HEX #DB5BC9

RGB 219 91 201

HSL 308.44, 0.64%, 0.61%

LAB 58.75, 63.11, -33.37

 

CMYK 8 / 58 / 0 / 14

HEX #CA5BDB

RGB 202 91 219

HSL 292.03, 0.64%, 0.61%

LAB 57.22, 61.81, -46.13

 

CMYK 23 / 58 / 0 / 14

HEX #A85BDB

RGB 168 91 219

HSL 276.09, 0.64%, 0.61%

LAB 52.86, 53.44, -53.33

 

CMYK 39 / 58 / 0 / 14

HEX #865BDB

RGB 134 91 219

HSL 260.16, 0.64%, 0.61%

LAB 49.09, 45.51, -59.6

 

CMYK 0 / 58 / 24 / 14

HEX #DB5BA7

RGB 219 91 167

HSL 324.38, 0.64%, 0.61%

LAB 57.4, 58.1, -15.9

 

CMYK 0 / 68 / 28 / 8

HEX #EB4BA9

RGB 235 75 169

HSL 324.75, 0.8%, 0.61%

LAB 57.62, 69.3, -16.5

 

CMYK 0 / 76 / 31 / 2

HEX #FB3BAC

RGB 251 59 172

HSL 324.69, 0.96%, 0.61%

LAB 58.62, 78.73, -16.47

 

CMYK 0 / 58 / 24 / 14

HEX #DB5BA7

RGB 219 91 167

HSL 324.38, 0.64%, 0.61%

LAB 57.4, 58.1, -15.9

 

CMYK 0 / 47 / 19 / 20

HEX #CB6BA4

RGB 203 107 164

HSL 324.38, 0.48%, 0.61%

LAB 57.93, 45.04, -13.57

 

CMYK 0 / 34 / 14 / 27

HEX #BB7CA1

RGB 187 124 161

HSL 324.76, 0.32%, 0.61%

LAB 59.48, 30.04, -9.72

 

CMYK 0 / 18 / 7 / 33

HEX #AA8C9E

RGB 170 140 158

HSL 324, 0.15%, 0.61%

LAB 61.46, 14.43, -5.26

 

CMYK 1 / 0 / 1 / 39

HEX #9A9C9B

RGB 154 156 155

HSL 150, 0.01%, 0.61%

LAB 64.17, -0.91, 0.26

 

CMYK 8 / 58 / 0 / 14

HEX #CA5BDB

RGB 202 91 219

HSL 292.03, 0.64%, 0.61%

LAB 57.22, 61.81, -46.13

 

CMYK 0 / 58 / 8 / 14

HEX #DB5BCA

RGB 219 91 202

HSL 307.97, 0.64%, 0.61%

LAB 58.79, 63.27, -33.87

 

CMYK 0 / 58 / 23 / 14

HEX #DB5BA8

RGB 219 91 168

HSL 323.91, 0.64%, 0.61%

LAB 57.43, 58.24, -16.43

 

CMYK 0 / 58 / 39 / 14

HEX #DB5B86

RGB 219 91 134

HSL 339.84, 0.64%, 0.61%

LAB 56.35, 54.07, 1.83

 

CMYK 0 / 58 / 54 / 14

HEX #DB5B64

RGB 219 91 100

HSL 355.78, 0.64%, 0.61%

LAB 55.55, 50.86, 20.69

 

CMYK 0 / 78 / 32 / 27

HEX #BB297F

RGB 187 41 127

HSL 324.66, 0.64%, 0.45%

LAB 43.77, 63.21, -13.22

 

CMYK 0 / 73 / 30 / 17

HEX #D33A94

RGB 211 58 148

HSL 324.71, 0.63%, 0.53%

LAB 50.7, 66.46, -15.01

 

CMYK 0 / 58 / 24 / 14

HEX #DB5BA7

RGB 219 91 167

HSL 324.38, 0.64%, 0.61%

LAB 57.4, 58.1, -15.9

 

CMYK 0 / 45 / 18 / 11

HEX #E27DB9

RGB 226 125 185

HSL 324.36, 0.64%, 0.69%

LAB 65.23, 46.53, -14.27

 

CMYK 0 / 32 / 13 / 8

HEX #EA9FCB

RGB 234 159 203

HSL 324.8, 0.64%, 0.77%

LAB 73.93, 34.27, -11.14

 

CMYK 0 / 58 / 24 / 14

HEX #DB5CA7

RGB 219 92 167

HSL 324.57, 0.64%, 0.61%

LAB 57.56, 57.66, -15.65

 

CMYK 0 / 23 / 58 / 14

HEX #DBA85B

RGB 219 168 91

HSL 36.09, 0.64%, 0.61%

LAB 72.11, 10.22, 46.42

 

CMYK 58 / 0 / 0 / 14

HEX #5BDBDB

RGB 91 219 219

HSL 180, 0.64%, 0.61%

LAB 80.74, -34.84, -10.6

 

CMYK 0 / 58 / 24 / 14

HEX #DB5CA7

RGB 219 92 167

HSL 324.57, 0.64%, 0.61%

LAB 57.56, 57.66, -15.65

 

CMYK 23 / 0 / 58 / 14

HEX #A8DB5B

RGB 168 219 91

HSL 83.91, 0.64%, 0.61%

LAB 81.7, -36.18, 56.4

 

CMYK 58 / 23 / 0 / 14

HEX #5BA8DB

RGB 91 168 219

HSL 203.91, 0.64%, 0.61%

LAB 66.02, -8.96, -33

 

CMYK 0 / 58 / 24 / 14

HEX #DB5CA7

RGB 219 92 167

HSL 324.57, 0.64%, 0.61%

LAB 57.56, 57.66, -15.65

 

CMYK 0 / 23 / 58 / 14

HEX #DBA85B

RGB 219 168 91

HSL 36.09, 0.64%, 0.61%

LAB 72.11, 10.22, 46.42

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8E

RGB 91 219 142

HSL 143.91, 0.64%, 0.61%

LAB 78.95, -52.5, 27.55

 

CMYK 58 / 35 / 0 / 14

HEX #5B8EDB

RGB 91 142 219

HSL 216.09, 0.64%, 0.61%

LAB 58.68, 5.86, -44.47

 

CMYK 0 / 58 / 24 / 14

HEX #DB5CA7

RGB 219 92 167

HSL 324.57, 0.64%, 0.61%

LAB 57.56, 57.66, -15.65

 

CMYK 0 / 6 / 58 / 14

HEX #DBCE5B

RGB 219 206 91

HSL 53.91, 0.64%, 0.61%

LAB 81.82, -9.63, 57.54

 

CMYK 58 / 0 / 35 / 14

HEX #5BDB8E

RGB 91 219 142

HSL 143.91, 0.64%, 0.61%

LAB 78.95, -52.5, 27.55

 

CMYK 58 / 53 / 0 / 14

HEX #5B68DB

RGB 91 104 219

HSL 233.91, 0.64%, 0.61%

LAB 48.56, 28.96, -60.63

 

Description

Color code: HEX #DB5CA7 | qconv.com Color code: HEX #DB5CA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 92 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 92 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 24 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 24% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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