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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB53EB it is the complementary color #24AC14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB53EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB53EB shade: #E053E6, #F165F9, #FF77FF, #FF89FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB53EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB53EB shade: #DB53EB, #CA41D8, #B92FC5, #A81DB2 and #970B9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB53EB shade: #DA51EA, #EA51D1, #EA51A8, #EA517E and #EA5155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB53EB shade: #DA51EA, #B151EA, #8751EA, #5E51EA and #5151EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB53EB shade matches the following richer shades: #DA51EA and #E641FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB53EB shade: #DA51EA, #CE61DA, #C170CB, #B580BB and #A990AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB53EB shade: #8751EA, #AF51EA, #D851EA, #EA51D3 and #EA51AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB53EB shade: #BD18D1, #D22CE6, #DA51EA, #E276EE and #EA9BF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB53EB shade: #DB53EB, #EA5E51 and #51EA9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB53EB shade: #DB53EB, #EAD851 and #51EAD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB53EB shade: #DB53EB, #EA5E51, #63EA51 and #51DDEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB53EB shade: #DB53EB, #EA8C51, #63EA51 and #51AFEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 65 / 0 / 8

HEX #DB53EB

RGB 219 83 235

HSL 293.68, 0.79%, 0.62%

LAB 59.2, 72.09, -51.83

 

Complementary color

CMYK 79 / 0 / 88 / 33

HEX #24AC14

RGB 36 172 20

HSL 113.68, 0.79%, 0.38%

LAB 61.59, -60.66, 59.33

 

CMYK 3 / 64 / 0 / 10

HEX #E053E6

RGB 224 83 230

HSL 297.55, 0.75%, 0.61%

LAB 59.66, 72.38, -48.26

 

CMYK 3 / 59 / 0 / 2

HEX #F165F9

RGB 241 101 249

HSL 296.76, 0.93%, 0.69%

LAB 65.63, 72.31, -49.22

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 7 / 65 / 0 / 8

HEX #DB53EB

RGB 219 83 235

HSL 293.68, 0.79%, 0.62%

LAB 59.2, 72.09, -51.83

 

CMYK 6 / 70 / 0 / 15

HEX #CA41D8

RGB 202 65 216

HSL 294.44, 0.66%, 0.55%

LAB 53.27, 71.82, -50.71

 

CMYK 6 / 76 / 0 / 23

HEX #B92FC5

RGB 185 47 197

HSL 295.2, 0.61%, 0.48%

LAB 47.47, 70.99, -49.22

 

CMYK 6 / 84 / 0 / 30

HEX #A81DB2

RGB 168 29 178

HSL 295.97, 0.72%, 0.41%

LAB 41.87, 69.29, -47.2

 

CMYK 5 / 93 / 0 / 38

HEX #970B9F

RGB 151 11 159

HSL 296.76, 0.87%, 0.33%

LAB 36.6, 66.36, -44.46

 

CMYK 7 / 65 / 0 / 8

HEX #DA51EA

RGB 218 81 234

HSL 293.73, 0.78%, 0.62%

LAB 58.72, 72.48, -52.04

 

CMYK 0 / 65 / 11 / 8

HEX #EA51D1

RGB 234 81 209

HSL 309.8, 0.78%, 0.62%

LAB 59.87, 72.2, -36

 

CMYK 0 / 65 / 28 / 8

HEX #EA51A8

RGB 234 81 168

HSL 325.88, 0.78%, 0.62%

LAB 58.23, 66.66, -15

 

CMYK 0 / 65 / 46 / 8

HEX #EA517E

RGB 234 81 126

HSL 342.35, 0.78%, 0.62%

LAB 56.96, 62.19, 7.73

 

CMYK 0 / 65 / 64 / 8

HEX #EA5155

RGB 234 81 85

HSL 358.43, 0.78%, 0.62%

LAB 56.12, 59.13, 30.63

 

CMYK 7 / 65 / 0 / 8

HEX #DA51EA

RGB 218 81 234

HSL 293.73, 0.78%, 0.62%

LAB 58.72, 72.48, -52.04

 

CMYK 24 / 65 / 0 / 8

HEX #B151EA

RGB 177 81 234

HSL 277.65, 0.78%, 0.62%

LAB 53.14, 63.51, -61.29

 

CMYK 42 / 65 / 0 / 8

HEX #8751EA

RGB 135 81 234

HSL 261.18, 0.78%, 0.62%

LAB 48.23, 54.99, -69.47

 

CMYK 60 / 65 / 0 / 8

HEX #5E51EA

RGB 94 81 234

HSL 245.1, 0.78%, 0.62%

LAB 44.53, 48, -75.67

 

CMYK 65 / 65 / 0 / 8

HEX #5151EA

RGB 81 81 234

HSL 240, 0.78%, 0.62%

LAB 43.62, 46.2, -77.19

 

CMYK 7 / 65 / 0 / 8

HEX #DA51EA

RGB 218 81 234

HSL 293.73, 0.78%, 0.62%

LAB 58.72, 72.48, -52.04

 

CMYK 8 / 74 / 0 / 2

HEX #E641FA

RGB 230 65 250

HSL 293.51, 0.95%, 0.62%

LAB 59.44, 83.19, -59.71

 

CMYK 7 / 65 / 0 / 8

HEX #DA51EA

RGB 218 81 234

HSL 293.73, 0.78%, 0.62%

LAB 58.72, 72.48, -52.04

 

CMYK 6 / 56 / 0 / 15

HEX #CE61DA

RGB 206 97 218

HSL 294.05, 0.62%, 0.62%

LAB 58.73, 59.9, -43.16

 

CMYK 5 / 45 / 0 / 20

HEX #C170CB

RGB 193 112 203

HSL 293.41, 0.47%, 0.62%

LAB 59.19, 46.05, -34.07

 

CMYK 3 / 32 / 0 / 27

HEX #B580BB

RGB 181 128 187

HSL 293.9, 0.3%, 0.62%

LAB 60.65, 30.52, -22.86

 

CMYK 1 / 16 / 0 / 33

HEX #A990AB

RGB 169 144 171

HSL 295.56, 0.14%, 0.62%

LAB 62.78, 14.28, -10.68

 

CMYK 42 / 65 / 0 / 8

HEX #8751EA

RGB 135 81 234

HSL 261.18, 0.78%, 0.62%

LAB 48.23, 54.99, -69.47

 

CMYK 25 / 65 / 0 / 8

HEX #AF51EA

RGB 175 81 234

HSL 276.86, 0.78%, 0.62%

LAB 52.88, 63.08, -61.72

 

CMYK 8 / 65 / 0 / 8

HEX #D851EA

RGB 216 81 234

HSL 292.94, 0.78%, 0.62%

LAB 58.44, 72.03, -52.51

 

CMYK 0 / 65 / 10 / 8

HEX #EA51D3

RGB 234 81 211

HSL 309.02, 0.78%, 0.62%

LAB 59.96, 72.49, -36.99

 

CMYK 0 / 65 / 27 / 8

HEX #EA51AA

RGB 234 81 170

HSL 325.1, 0.78%, 0.62%

LAB 58.3, 66.9, -16.05

 

CMYK 10 / 89 / 0 / 18

HEX #BD18D1

RGB 189 24 209

HSL 293.51, 0.79%, 0.46%

LAB 47.07, 78.92, -56.75

 

CMYK 9 / 81 / 0 / 10

HEX #D22CE6

RGB 210 44 230

HSL 293.55, 0.79%, 0.54%

LAB 53.19, 81.9, -58.71

 

CMYK 7 / 65 / 0 / 8

HEX #DA51EA

RGB 218 81 234

HSL 293.73, 0.78%, 0.62%

LAB 58.72, 72.48, -52.04

 

CMYK 5 / 50 / 0 / 7

HEX #E276EE

RGB 226 118 238

HSL 294, 0.78%, 0.7%

LAB 65.98, 58.89, -42.73

 

CMYK 4 / 36 / 0 / 5

HEX #EA9BF3

RGB 234 155 243

HSL 293.86, 0.79%, 0.78%

LAB 74.45, 43.37, -32.23

 

CMYK 7 / 65 / 0 / 8

HEX #DB53EB

RGB 219 83 235

HSL 293.68, 0.79%, 0.62%

LAB 59.2, 72.09, -51.83

 

CMYK 0 / 60 / 65 / 8

HEX #EA5E51

RGB 234 94 81

HSL 5.1, 0.78%, 0.62%

LAB 58.12, 53.37, 35.38

 

CMYK 65 / 0 / 34 / 8

HEX #51EA9B

RGB 81 234 155

HSL 149.02, 0.78%, 0.62%

LAB 83.42, -57.85, 26.85

 

CMYK 7 / 65 / 0 / 8

HEX #DB53EB

RGB 219 83 235

HSL 293.68, 0.79%, 0.62%

LAB 59.2, 72.09, -51.83

 

CMYK 0 / 8 / 65 / 8

HEX #EAD851

RGB 234 216 81

HSL 52.94, 0.78%, 0.62%

LAB 85.6, -9.1, 66.24

 

CMYK 65 / 0 / 8 / 8

HEX #51EAD8

RGB 81 234 216

HSL 172.94, 0.78%, 0.62%

LAB 84.77, -44.04, -3.08

 

CMYK 7 / 65 / 0 / 8

HEX #DB53EB

RGB 219 83 235

HSL 293.68, 0.79%, 0.62%

LAB 59.2, 72.09, -51.83

 

CMYK 0 / 60 / 65 / 8

HEX #EA5E51

RGB 234 94 81

HSL 5.1, 0.78%, 0.62%

LAB 58.12, 53.37, 35.38

 

CMYK 58 / 0 / 65 / 8

HEX #63EA51

RGB 99 234 81

HSL 112.94, 0.78%, 0.62%

LAB 82.96, -64.62, 61.13

 

CMYK 65 / 6 / 0 / 8

HEX #51DDEA

RGB 81 221 234

HSL 185.1, 0.78%, 0.62%

LAB 81.51, -33.23, -17.45

 

CMYK 7 / 65 / 0 / 8

HEX #DB53EB

RGB 219 83 235

HSL 293.68, 0.79%, 0.62%

LAB 59.2, 72.09, -51.83

 

CMYK 0 / 40 / 65 / 8

HEX #EA8C51

RGB 234 140 81

HSL 23.14, 0.78%, 0.62%

LAB 67.16, 30.66, 46.08

 

CMYK 58 / 0 / 65 / 8

HEX #63EA51

RGB 99 234 81

HSL 112.94, 0.78%, 0.62%

LAB 82.96, -64.62, 61.13

 

CMYK 65 / 25 / 0 / 8

HEX #51AFEA

RGB 81 175 234

HSL 203.14, 0.78%, 0.62%

LAB 68.28, -9.82, -37.74

 

Description

Color code: HEX #DB53EB | qconv.com Color code: HEX #DB53EB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 83 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 83 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 65 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 65% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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