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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB385A it is the complementary color #24C7A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB385A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB385A shade: #E03855, #F14A68, #FF5C7B, #FF6E8E and #FF80A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB385A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB385A shade: #DB385A, #CA2647, #B91434, #A80221 and #97000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB385A shade: #DA385A and #DA3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB385A shade: #DA385A, #DA3886, #DA38B1, #D738DA and #AC38DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB385A shade matches the following richer shades: #DA385A and #ED254F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB385A shade: #DA385A, #C74B65, #B45E70, #A1717B and #8E8486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB385A shade: #DA38B2, #DA3887, #DA385B, #DA4038 and #DA6C38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB385A shade: #A21D39, #C52446, #DA385A, #E15B77 and #E77E94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB385A shade: #DB385A, #DAD738 and #389CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB385A shade: #DB385A, #5BDA38 and #385BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB385A shade: #DB385A, #DAD738, #38DAB7 and #383BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB385A shade: #DB385A, #ACDA38, #38DAB7 and #6638DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 59 / 14

HEX #DB385A

RGB 219 56 90

HSL 347.48, 0.69%, 0.54%

LAB 50.25, 63.99, 19.53

 

Complementary color

CMYK 82 / 0 / 17 / 22

HEX #24C7A5

RGB 36 199 165

HSL 167.48, 0.69%, 0.46%

LAB 72.19, -47.65, 5.76

 

CMYK 0 / 75 / 62 / 12

HEX #E03855

RGB 224 56 85

HSL 349.64, 0.73%, 0.55%

LAB 51.07, 65.11, 23.8

 

CMYK 0 / 69 / 57 / 5

HEX #F14A68

RGB 241 74 104

HSL 349.22, 0.86%, 0.62%

LAB 56.68, 65.19, 20.5

 

CMYK 0 / 64 / 52 / 0

HEX #FF5C7B

RGB 255 92 123

HSL 348.59, 1%, 0.68%

LAB 61.95, 63.95, 16.98

 

CMYK 0 / 57 / 44 / 0

HEX #FF6E8E

RGB 255 110 142

HSL 346.76, 1%, 0.72%

LAB 65.25, 57.93, 10.67

 

CMYK 0 / 50 / 37 / 0

HEX #FF80A1

RGB 255 128 161

HSL 344.41, 1%, 0.75%

LAB 68.95, 51.49, 5.18

 

CMYK 0 / 74 / 59 / 14

HEX #DB385A

RGB 219 56 90

HSL 347.48, 0.69%, 0.54%

LAB 50.25, 63.99, 19.53

 

CMYK 0 / 81 / 65 / 21

HEX #CA2647

RGB 202 38 71

HSL 347.93, 0.68%, 0.47%

LAB 44.8, 63.29, 23.35

 

CMYK 0 / 89 / 72 / 27

HEX #B91434

RGB 185 20 52

HSL 348.36, 0.8%, 0.4%

LAB 39.69, 61.66, 27.99

 

CMYK 0 / 99 / 80 / 34

HEX #A80221

RGB 168 2 33

HSL 348.8, 0.98%, 0.33%

LAB 34.96, 58.96, 33.32

 

CMYK 0 / 100 / 91 / 41

HEX #97000E

RGB 151 0 14

HSL 354.44, 1%, 0.3%

LAB 30.9, 54.39, 38.78

 

CMYK 0 / 74 / 59 / 15

HEX #DA385A

RGB 218 56 90

HSL 347.41, 0.69%, 0.54%

LAB 50.06, 63.7, 19.25

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 0 / 74 / 59 / 15

HEX #DA385A

RGB 218 56 90

HSL 347.41, 0.69%, 0.54%

LAB 50.06, 63.7, 19.25

 

CMYK 0 / 74 / 39 / 15

HEX #DA3886

RGB 218 56 134

HSL 331.11, 0.69%, 0.54%

LAB 51.22, 67.4, -5.73

 

CMYK 0 / 74 / 19 / 15

HEX #DA38B1

RGB 218 56 177

HSL 315.19, 0.69%, 0.54%

LAB 52.85, 72.43, -28.72

 

CMYK 1 / 74 / 0 / 15

HEX #D738DA

RGB 215 56 218

HSL 298.89, 0.69%, 0.54%

LAB 54.38, 77.74, -49.96

 

CMYK 21 / 74 / 0 / 15

HEX #AC38DA

RGB 172 56 218

HSL 282.96, 0.69%, 0.54%

LAB 47.83, 69.35, -60.82

 

CMYK 0 / 74 / 59 / 15

HEX #DA385A

RGB 218 56 90

HSL 347.41, 0.69%, 0.54%

LAB 50.06, 63.7, 19.25

 

CMYK 0 / 84 / 67 / 7

HEX #ED254F

RGB 237 37 79

HSL 347.4, 0.85%, 0.54%

LAB 51.72, 73.2, 28.71

 

CMYK 0 / 74 / 59 / 15

HEX #DA385A

RGB 218 56 90

HSL 347.41, 0.69%, 0.54%

LAB 50.06, 63.7, 19.25

 

CMYK 0 / 62 / 49 / 22

HEX #C74B65

RGB 199 75 101

HSL 347.42, 0.53%, 0.54%

LAB 49.63, 51.44, 11.48

 

CMYK 0 / 48 / 38 / 29

HEX #B45E70

RGB 180 94 112

HSL 347.44, 0.36%, 0.54%

LAB 50.54, 36.7, 5.75

 

CMYK 0 / 30 / 24 / 37

HEX #A1717B

RGB 161 113 123

HSL 347.5, 0.2%, 0.54%

LAB 52.75, 20.48, 2.1

 

CMYK 0 / 7 / 6 / 44

HEX #8E8486

RGB 142 132 134

HSL 348, 0.04%, 0.54%

LAB 56.06, 4.14, 0.27

 

CMYK 0 / 74 / 18 / 15

HEX #DA38B2

RGB 218 56 178

HSL 314.81, 0.69%, 0.54%

LAB 52.89, 72.56, -29.24

 

CMYK 0 / 74 / 38 / 15

HEX #DA3887

RGB 218 56 135

HSL 330.74, 0.69%, 0.54%

LAB 51.25, 67.5, -6.28

 

CMYK 0 / 74 / 58 / 15

HEX #DA385B

RGB 218 56 91

HSL 347.04, 0.69%, 0.54%

LAB 50.08, 63.77, 18.67

 

CMYK 0 / 71 / 74 / 15

HEX #DA4038

RGB 218 64 56

HSL 2.96, 0.69%, 0.54%

LAB 50.52, 59.14, 39.77

 

CMYK 0 / 50 / 74 / 15

HEX #DA6C38

RGB 218 108 56

HSL 19.26, 0.69%, 0.54%

LAB 57.96, 39.57, 47.78

 

CMYK 0 / 82 / 65 / 36

HEX #A21D39

RGB 162 29 57

HSL 347.37, 0.7%, 0.37%

LAB 35.7, 53.66, 18.83

 

CMYK 0 / 82 / 64 / 23

HEX #C52446

RGB 197 36 70

HSL 347.33, 0.69%, 0.46%

LAB 43.62, 62.37, 22.25

 

CMYK 0 / 74 / 59 / 15

HEX #DA385A

RGB 218 56 90

HSL 347.41, 0.69%, 0.54%

LAB 50.06, 63.7, 19.25

 

CMYK 0 / 60 / 47 / 12

HEX #E15B77

RGB 225 91 119

HSL 347.46, 0.69%, 0.62%

LAB 56.9, 54.51, 11.56

 

CMYK 0 / 45 / 36 / 9

HEX #E77E94

RGB 231 126 148

HSL 347.43, 0.69%, 0.7%

LAB 65, 42.74, 6.44

 

CMYK 0 / 74 / 59 / 14

HEX #DB385A

RGB 219 56 90

HSL 347.48, 0.69%, 0.54%

LAB 50.25, 63.99, 19.53

 

CMYK 0 / 1 / 74 / 15

HEX #DAD738

RGB 218 215 56

HSL 58.89, 0.69%, 0.54%

LAB 83.86, -16.49, 73.15

 

CMYK 74 / 28 / 0 / 15

HEX #389CDA

RGB 56 156 218

HSL 202.96, 0.69%, 0.54%

LAB 61.38, -8.22, -39.76

 

CMYK 0 / 74 / 59 / 14

HEX #DB385A

RGB 219 56 90

HSL 347.48, 0.69%, 0.54%

LAB 50.25, 63.99, 19.53

 

CMYK 58 / 0 / 74 / 15

HEX #5BDA38

RGB 91 218 56

HSL 107.04, 0.69%, 0.54%

LAB 77.67, -62.94, 64.77

 

CMYK 74 / 58 / 0 / 15

HEX #385BDA

RGB 56 91 218

HSL 227.04, 0.69%, 0.54%

LAB 43.34, 31.51, -68.62

 

CMYK 0 / 74 / 59 / 14

HEX #DB385A

RGB 219 56 90

HSL 347.48, 0.69%, 0.54%

LAB 50.25, 63.99, 19.53

 

CMYK 0 / 1 / 74 / 15

HEX #DAD738

RGB 218 215 56

HSL 58.89, 0.69%, 0.54%

LAB 83.86, -16.49, 73.15

 

CMYK 74 / 0 / 16 / 15

HEX #38DAB7

RGB 56 218 183

HSL 167.04, 0.69%, 0.54%

LAB 78.7, -48.94, 5.51

 

CMYK 74 / 73 / 0 / 15

HEX #383BDA

RGB 56 59 218

HSL 238.89, 0.69%, 0.54%

LAB 36.04, 50.89, -80.58

 

CMYK 0 / 74 / 59 / 14

HEX #DB385A

RGB 219 56 90

HSL 347.48, 0.69%, 0.54%

LAB 50.25, 63.99, 19.53

 

CMYK 21 / 0 / 74 / 15

HEX #ACDA38

RGB 172 218 56

HSL 77.04, 0.69%, 0.54%

LAB 81.4, -36.59, 69.67

 

CMYK 74 / 0 / 16 / 15

HEX #38DAB7

RGB 56 218 183

HSL 167.04, 0.69%, 0.54%

LAB 78.7, -48.94, 5.51

 

CMYK 53 / 74 / 0 / 15

HEX #6638DA

RGB 102 56 218

HSL 257.04, 0.69%, 0.54%

LAB 39.1, 57.66, -75.43

 

Description

Color code: HEX #DB385A | qconv.com Color code: HEX #DB385A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 56 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 56 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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