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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB377F it is the complementary color #24C880. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB377F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB377F shade: #E0377A, #F1498D, #FF5BA0, #FF6DB3 and #FF7FC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB377F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB377F shade: #DB377F, #CA256C, #B91359, #A80146 and #970033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB377F shade: #DA387F, #DA3854 and #DA3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB377F shade: #DA387F, #DA38AB, #DA38D7, #B238DA and #8638DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB377F shade matches the following richer shades: #DA387F and #ED257D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB377F shade: #DA387F, #C74B82, #B45E84, #A17186 and #8E8489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB377F shade: #DA38D7, #DA38AC, #DA3881, #DA3856 and #DA4638

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB377F shade: #A21D58, #C5246B, #DA387F, #E15B96 and #E77EAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB377F shade: #DB377F, #DAB238 and #38C2DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB377F shade: #DB377F, #81DA38 and #3881DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB377F shade: #DB377F, #DAB238, #38DA91 and #3861DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB377F shade: #DB377F, #D2DA38, #38DA91 and #4038DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 42 / 14

HEX #DB377F

RGB 219 55 127

HSL 333.66, 0.69%, 0.54%

LAB 51.07, 67.29, -1.72

 

Complementary color

CMYK 82 / 0 / 36 / 22

HEX #24C880

RGB 36 200 128

HSL 153.66, 0.69%, 0.46%

LAB 71.72, -56.56, 24.92

 

CMYK 0 / 75 / 46 / 12

HEX #E0377A

RGB 224 55 122

HSL 336.21, 0.73%, 0.55%

LAB 51.82, 68.16, 2.5

 

CMYK 0 / 70 / 41 / 5

HEX #F1498D

RGB 241 73 141

HSL 335.71, 0.86%, 0.62%

LAB 57.45, 68.61, -0.25

 

CMYK 0 / 64 / 37 / 0

HEX #FF5BA0

RGB 255 91 160

HSL 334.76, 1%, 0.68%

LAB 62.74, 67.75, -3.28

 

CMYK 0 / 57 / 30 / 0

HEX #FF6DB3

RGB 255 109 179

HSL 331.23, 1%, 0.71%

LAB 66.1, 62.39, -9.17

 

CMYK 0 / 50 / 22 / 0

HEX #FF7FC6

RGB 255 127 198

HSL 326.72, 1%, 0.75%

LAB 69.84, 56.6, -14.26

 

CMYK 0 / 75 / 42 / 14

HEX #DB377F

RGB 219 55 127

HSL 333.66, 0.69%, 0.54%

LAB 51.07, 67.29, -1.72

 

CMYK 0 / 82 / 47 / 21

HEX #CA256C

RGB 202 37 108

HSL 334.18, 0.69%, 0.47%

LAB 45.58, 66.16, 1.49

 

CMYK 0 / 90 / 52 / 27

HEX #B91359

RGB 185 19 89

HSL 334.7, 0.81%, 0.4%

LAB 40.41, 64.04, 5.52

 

CMYK 0 / 99 / 58 / 34

HEX #A80146

RGB 168 1 70

HSL 335.21, 0.99%, 0.33%

LAB 35.57, 60.87, 10.43

 

CMYK 0 / 100 / 66 / 41

HEX #970033

RGB 151 0 51

HSL 339.74, 1%, 0.3%

LAB 31.39, 55.71, 16.67

 

CMYK 0 / 74 / 42 / 15

HEX #DA387F

RGB 218 56 127

HSL 333.7, 0.69%, 0.54%

LAB 51, 66.71, -1.84

 

CMYK 0 / 74 / 61 / 15

HEX #DA3854

RGB 218 56 84

HSL 349.63, 0.69%, 0.54%

LAB 49.95, 63.32, 22.72

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 0 / 74 / 42 / 15

HEX #DA387F

RGB 218 56 127

HSL 333.7, 0.69%, 0.54%

LAB 51, 66.71, -1.84

 

CMYK 0 / 74 / 22 / 15

HEX #DA38AB

RGB 218 56 171

HSL 317.41, 0.69%, 0.54%

LAB 52.59, 71.65, -25.61

 

CMYK 0 / 74 / 1 / 15

HEX #DA38D7

RGB 218 56 215

HSL 301.11, 0.69%, 0.54%

LAB 54.7, 77.88, -47.72

 

CMYK 18 / 74 / 0 / 15

HEX #B238DA

RGB 178 56 218

HSL 285.19, 0.69%, 0.54%

LAB 48.7, 70.48, -59.37

 

CMYK 39 / 74 / 0 / 15

HEX #8638DA

RGB 134 56 218

HSL 268.89, 0.69%, 0.54%

LAB 42.7, 62.57, -69.39

 

CMYK 0 / 74 / 42 / 15

HEX #DA387F

RGB 218 56 127

HSL 333.7, 0.69%, 0.54%

LAB 51, 66.71, -1.84

 

CMYK 0 / 84 / 47 / 7

HEX #ED257D

RGB 237 37 125

HSL 333.6, 0.85%, 0.54%

LAB 52.74, 76.17, 2.33

 

CMYK 0 / 74 / 42 / 15

HEX #DA387F

RGB 218 56 127

HSL 333.7, 0.69%, 0.54%

LAB 51, 66.71, -1.84

 

CMYK 0 / 62 / 35 / 22

HEX #C74B82

RGB 199 75 130

HSL 333.39, 0.53%, 0.54%

LAB 50.44, 54.44, -4.84

 

CMYK 0 / 48 / 27 / 29

HEX #B45E84

RGB 180 94 132

HSL 333.49, 0.36%, 0.54%

LAB 51.12, 39.32, -5.33

 

CMYK 0 / 30 / 17 / 37

HEX #A17186

RGB 161 113 134

HSL 333.75, 0.2%, 0.54%

LAB 53.07, 22.25, -3.9

 

CMYK 0 / 7 / 4 / 44

HEX #8E8489

RGB 142 132 137

HSL 330, 0.04%, 0.54%

LAB 56.15, 4.71, -1.34

 

CMYK 0 / 74 / 1 / 15

HEX #DA38D7

RGB 218 56 215

HSL 301.11, 0.69%, 0.54%

LAB 54.7, 77.88, -47.72

 

CMYK 0 / 74 / 21 / 15

HEX #DA38AC

RGB 218 56 172

HSL 317.04, 0.69%, 0.54%

LAB 52.63, 71.78, -26.13

 

CMYK 0 / 74 / 41 / 15

HEX #DA3881

RGB 218 56 129

HSL 332.96, 0.69%, 0.54%

LAB 51.06, 66.9, -2.96

 

CMYK 0 / 74 / 61 / 15

HEX #DA3856

RGB 218 56 86

HSL 348.89, 0.69%, 0.54%

LAB 49.98, 63.45, 21.56

 

CMYK 0 / 68 / 74 / 15

HEX #DA4638

RGB 218 70 56

HSL 5.19, 0.69%, 0.54%

LAB 51.35, 56.88, 40.69

 

CMYK 0 / 82 / 46 / 36

HEX #A21D58

RGB 162 29 88

HSL 333.38, 0.7%, 0.37%

LAB 36.49, 56.02, -0.09

 

CMYK 0 / 82 / 46 / 23

HEX #C5246B

RGB 197 36 107

HSL 333.54, 0.69%, 0.46%

LAB 44.51, 65.05, 0.43

 

CMYK 0 / 74 / 42 / 15

HEX #DA387F

RGB 218 56 127

HSL 333.7, 0.69%, 0.54%

LAB 51, 66.71, -1.84

 

CMYK 0 / 60 / 33 / 12

HEX #E15B96

RGB 225 91 150

HSL 333.58, 0.69%, 0.62%

LAB 57.74, 57.76, -5.4

 

CMYK 0 / 45 / 26 / 9

HEX #E77EAC

RGB 231 126 172

HSL 333.71, 0.69%, 0.7%

LAB 65.66, 45.8, -6.21

 

CMYK 0 / 75 / 42 / 14

HEX #DB377F

RGB 219 55 127

HSL 333.66, 0.69%, 0.54%

LAB 51.07, 67.29, -1.72

 

CMYK 0 / 18 / 74 / 15

HEX #DAB238

RGB 218 178 56

HSL 45.19, 0.69%, 0.54%

LAB 74.21, 2.44, 64.06

 

CMYK 74 / 11 / 0 / 15

HEX #38C2DA

RGB 56 194 218

HSL 188.89, 0.69%, 0.54%

LAB 72.55, -28.23, -22.49

 

CMYK 0 / 75 / 42 / 14

HEX #DB377F

RGB 219 55 127

HSL 333.66, 0.69%, 0.54%

LAB 51.07, 67.29, -1.72

 

CMYK 41 / 0 / 74 / 15

HEX #81DA38

RGB 129 218 56

HSL 92.96, 0.69%, 0.54%

LAB 79.1, -52.07, 66.65

 

CMYK 74 / 41 / 0 / 15

HEX #3881DA

RGB 56 129 218

HSL 212.96, 0.69%, 0.54%

LAB 53.6, 7.61, -52.06

 

CMYK 0 / 75 / 42 / 14

HEX #DB377F

RGB 219 55 127

HSL 333.66, 0.69%, 0.54%

LAB 51.07, 67.29, -1.72

 

CMYK 0 / 18 / 74 / 15

HEX #DAB238

RGB 218 178 56

HSL 45.19, 0.69%, 0.54%

LAB 74.21, 2.44, 64.06

 

CMYK 74 / 0 / 33 / 15

HEX #38DA91

RGB 56 218 145

HSL 152.96, 0.69%, 0.54%

LAB 77.89, -57.55, 24.43

 

CMYK 74 / 56 / 0 / 15

HEX #3861DA

RGB 56 97 218

HSL 224.81, 0.69%, 0.54%

LAB 44.87, 27.69, -66.12

 

CMYK 0 / 75 / 42 / 14

HEX #DB377F

RGB 219 55 127

HSL 333.66, 0.69%, 0.54%

LAB 51.07, 67.29, -1.72

 

CMYK 4 / 0 / 74 / 15

HEX #D2DA38

RGB 210 218 56

HSL 62.96, 0.69%, 0.54%

LAB 84.03, -21.29, 73.09

 

CMYK 74 / 0 / 33 / 15

HEX #38DA91

RGB 56 218 145

HSL 152.96, 0.69%, 0.54%

LAB 77.89, -57.55, 24.43

 

CMYK 71 / 74 / 0 / 15

HEX #4038DA

RGB 64 56 218

HSL 242.96, 0.69%, 0.54%

LAB 35.95, 53.22, -80.73

 

Description

Color code: HEX #DB377F | qconv.com Color code: HEX #DB377F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 55 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 55 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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