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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB34C9 it is the complementary color #24CB36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB34C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB34C9 shade: #E034C4, #F146D7, #FF58EA, #FF6AFD and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB34C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB34C9 shade: #DB34C9, #CA22B6, #B910A3, #A80090 and #97007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB34C9 shade: #DB33C8, #DB339B, #DB336E, #DB3341 and #DB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB34C9 shade: #DB33C8, #BF33DB, #9233DB, #6533DB and #3833DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB34C9 shade matches the following richer shades: #DB33C8 and #EE1FD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB34C9 shade: #DB33C8, #C746B9, #B45AAA, #A06D9B and #8D808C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB34C9 shade: #9233DB, #BF33DB, #DB33CA, #DB339D and #DB3370

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB34C9 shade: #9F1C91, #C222B1, #DB33C8, #E156D2 and #E779DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB34C9 shade: #DB34C9, #DB6533 and #33DBA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB34C9 shade: #DB34C9, #CADB33 and #33CADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB34C9 shade: #DB34C9, #DB6533, #33DB44 and #33A8DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB34C9 shade: #DB34C9, #DB9733, #33DB44 and #3376DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 8 / 14

HEX #DB34C9

RGB 219 52 201

HSL 306.47, 0.7%, 0.53%

LAB 53.74, 77.13, -41.22

 

Complementary color

CMYK 82 / 0 / 73 / 20

HEX #24CB36

RGB 36 203 54

HSL 126.47, 0.7%, 0.47%

LAB 71.79, -67.98, 59.19

 

CMYK 0 / 77 / 13 / 12

HEX #E034C4

RGB 224 52 196

HSL 309.77, 0.74%, 0.54%

LAB 54.33, 77.48, -37.36

 

CMYK 0 / 71 / 11 / 5

HEX #F146D7

RGB 241 70 215

HSL 309.12, 0.86%, 0.61%

LAB 59.88, 78.53, -39.3

 

CMYK 0 / 65 / 8 / 0

HEX #FF58EA

RGB 255 88 234

HSL 307.54, 1%, 0.67%

LAB 65.11, 78.33, -41.61

 

CMYK 0 / 58 / 1 / 0

HEX #FF6AFD

RGB 255 106 253

HSL 300.81, 1%, 0.71%

LAB 68.5, 74.29, -46.75

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 76 / 8 / 14

HEX #DB34C9

RGB 219 52 201

HSL 306.47, 0.7%, 0.53%

LAB 53.74, 77.13, -41.22

 

CMYK 0 / 83 / 10 / 21

HEX #CA22B6

RGB 202 34 182

HSL 307.14, 0.71%, 0.46%

LAB 48.36, 75.33, -38.88

 

CMYK 0 / 91 / 12 / 27

HEX #B910A3

RGB 185 16 163

HSL 307.81, 0.84%, 0.39%

LAB 43.26, 72.48, -35.89

 

CMYK 0 / 100 / 14 / 34

HEX #A80090

RGB 168 0 144

HSL 308.57, 1%, 0.33%

LAB 38.44, 68.48, -32.19

 

CMYK 0 / 100 / 17 / 41

HEX #97007D

RGB 151 0 125

HSL 310.33, 1%, 0.3%

LAB 34.11, 62.74, -27.47

 

CMYK 0 / 77 / 9 / 14

HEX #DB33C8

RGB 219 51 200

HSL 306.79, 0.7%, 0.53%

LAB 53.6, 77.26, -40.87

 

CMYK 0 / 77 / 29 / 14

HEX #DB339B

RGB 219 51 155

HSL 322.86, 0.7%, 0.53%

LAB 51.6, 71.42, -17.67

 

CMYK 0 / 77 / 50 / 14

HEX #DB336E

RGB 219 51 110

HSL 338.93, 0.7%, 0.53%

LAB 50.16, 67, 7.26

 

CMYK 0 / 77 / 70 / 14

HEX #DB3341

RGB 219 51 65

HSL 355, 0.7%, 0.53%

LAB 49.26, 64.16, 33.23

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

CMYK 0 / 77 / 9 / 14

HEX #DB33C8

RGB 219 51 200

HSL 306.79, 0.7%, 0.53%

LAB 53.6, 77.26, -40.87

 

CMYK 13 / 77 / 0 / 14

HEX #BF33DB

RGB 191 51 219

HSL 290, 0.7%, 0.53%

LAB 50.17, 74.73, -57.48

 

CMYK 33 / 77 / 0 / 14

HEX #9233DB

RGB 146 51 219

HSL 273.93, 0.7%, 0.53%

LAB 43.64, 66.76, -68.35

 

CMYK 54 / 77 / 0 / 14

HEX #6533DB

RGB 101 51 219

HSL 257.86, 0.7%, 0.53%

LAB 38.29, 60.08, -77.34

 

CMYK 74 / 77 / 0 / 14

HEX #3833DB

RGB 56 51 219

HSL 241.79, 0.7%, 0.53%

LAB 34.65, 55.46, -83.47

 

CMYK 0 / 77 / 9 / 14

HEX #DB33C8

RGB 219 51 200

HSL 306.79, 0.7%, 0.53%

LAB 53.6, 77.26, -40.87

 

CMYK 0 / 87 / 9 / 7

HEX #EE1FD8

RGB 238 31 216

HSL 306.38, 0.86%, 0.53%

LAB 56.2, 87.35, -45.69

 

CMYK 0 / 77 / 9 / 14

HEX #DB33C8

RGB 219 51 200

HSL 306.79, 0.7%, 0.53%

LAB 53.6, 77.26, -40.87

 

CMYK 0 / 65 / 7 / 22

HEX #C746B9

RGB 199 70 185

HSL 306.51, 0.54%, 0.53%

LAB 51.87, 64.14, -35.15

 

CMYK 0 / 50 / 6 / 29

HEX #B45AAA

RGB 180 90 170

HSL 306.67, 0.38%, 0.53%

LAB 51.74, 47.42, -26.81

 

CMYK 0 / 32 / 3 / 37

HEX #A06D9B

RGB 160 109 155

HSL 305.88, 0.21%, 0.53%

LAB 52.71, 27.94, -16.77

 

CMYK 0 / 9 / 1 / 45

HEX #8D808C

RGB 141 128 140

HSL 304.62, 0.05%, 0.53%

LAB 55.07, 7.22, -4.68

 

CMYK 33 / 77 / 0 / 14

HEX #9233DB

RGB 146 51 219

HSL 273.93, 0.7%, 0.53%

LAB 43.64, 66.76, -68.35

 

CMYK 13 / 77 / 0 / 14

HEX #BF33DB

RGB 191 51 219

HSL 290, 0.7%, 0.53%

LAB 50.17, 74.73, -57.48

 

CMYK 0 / 77 / 8 / 14

HEX #DB33CA

RGB 219 51 202

HSL 306.07, 0.7%, 0.53%

LAB 53.7, 77.54, -41.86

 

CMYK 0 / 77 / 28 / 14

HEX #DB339D

RGB 219 51 157

HSL 322.14, 0.7%, 0.53%

LAB 51.68, 71.65, -18.74

 

CMYK 0 / 77 / 49 / 14

HEX #DB3370

RGB 219 51 112

HSL 338.21, 0.7%, 0.53%

LAB 50.21, 67.16, 6.12

 

CMYK 0 / 82 / 9 / 38

HEX #9F1C91

RGB 159 28 145

HSL 306.41, 0.7%, 0.37%

LAB 38.28, 62.56, -33.17

 

CMYK 0 / 82 / 9 / 24

HEX #C222B1

RGB 194 34 177

HSL 306.38, 0.7%, 0.45%

LAB 46.69, 73.03, -38.66

 

CMYK 0 / 77 / 9 / 14

HEX #DB33C8

RGB 219 51 200

HSL 306.79, 0.7%, 0.53%

LAB 53.6, 77.26, -40.87

 

CMYK 0 / 62 / 7 / 12

HEX #E156D2

RGB 225 86 210

HSL 306.47, 0.7%, 0.61%

LAB 59.27, 68.18, -37.61

 

CMYK 0 / 48 / 5 / 9

HEX #E779DB

RGB 231 121 219

HSL 306.55, 0.7%, 0.69%

LAB 66.35, 55.49, -31.57

 

CMYK 0 / 76 / 8 / 14

HEX #DB34C9

RGB 219 52 201

HSL 306.47, 0.7%, 0.53%

LAB 53.74, 77.13, -41.22

 

CMYK 0 / 54 / 77 / 14

HEX #DB6533

RGB 219 101 51

HSL 17.86, 0.7%, 0.53%

LAB 56.69, 43.23, 48.95

 

CMYK 77 / 0 / 23 / 14

HEX #33DBA8

RGB 51 219 168

HSL 161.79, 0.7%, 0.53%

LAB 78.57, -53.53, 13.29

 

CMYK 0 / 76 / 8 / 14

HEX #DB34C9

RGB 219 52 201

HSL 306.47, 0.7%, 0.53%

LAB 53.74, 77.13, -41.22

 

CMYK 8 / 0 / 77 / 14

HEX #CADB33

RGB 202 219 51

HSL 66.07, 0.7%, 0.53%

LAB 83.68, -25.27, 74.07

 

CMYK 77 / 8 / 0 / 14

HEX #33CADB

RGB 51 202 219

HSL 186.07, 0.7%, 0.53%

LAB 74.86, -32.34, -19.53

 

CMYK 0 / 76 / 8 / 14

HEX #DB34C9

RGB 219 52 201

HSL 306.47, 0.7%, 0.53%

LAB 53.74, 77.13, -41.22

 

CMYK 0 / 54 / 77 / 14

HEX #DB6533

RGB 219 101 51

HSL 17.86, 0.7%, 0.53%

LAB 56.69, 43.23, 48.95

 

CMYK 77 / 0 / 69 / 14

HEX #33DB44

RGB 51 219 68

HSL 126.07, 0.7%, 0.53%

LAB 77.15, -69.86, 59.66

 

CMYK 77 / 23 / 0 / 14

HEX #33A8DB

RGB 51 168 219

HSL 198.21, 0.7%, 0.53%

LAB 64.82, -15.07, -34.94

 

CMYK 0 / 76 / 8 / 14

HEX #DB34C9

RGB 219 52 201

HSL 306.47, 0.7%, 0.53%

LAB 53.74, 77.13, -41.22

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 77 / 0 / 69 / 14

HEX #33DB44

RGB 51 219 68

HSL 126.07, 0.7%, 0.53%

LAB 77.15, -69.86, 59.66

 

CMYK 77 / 46 / 0 / 14

HEX #3376DB

RGB 51 118 219

HSL 216.07, 0.7%, 0.53%

LAB 50.42, 14.18, -57.72

 

Description

Color code: HEX #DB34C9 | qconv.com Color code: HEX #DB34C9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 52 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 52 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 8 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 8% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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