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Color name
HEX #DB2DC8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB2DC8 it is the complementary color #24D237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB2DC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB2DC8 shade: #E02DC3, #F13FD6, #FF51E9, #FF63FC and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB2DC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB2DC8 shade: #DB2DC8, #CA1BB5, #B909A2, #A8008F and #97007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB2DC8 shade: #DB2DC8, #DB2D99, #DB2D6A, #DB2D3B and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB2DC8 shade: #DB2DC8, #BF2DDB, #902DDB, #612DDB and #322DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB2DC8 shade matches the following richer shades: #DB2DC8 and #EF19D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB2DC8 shade: #DB2DC8, #C741B9, #B355A9, #A0699A and #8C7C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB2DC8 shade: #902DDB, #BE2DDB, #DB2DCA, #DB2D9B and #DB2D6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB2DC8 shade: #9C1A8E, #BF20AE, #DB2DC8, #E150D1 and #E774DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB2DC8 shade: #DB2DC8, #DB612D and #2DDBA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB2DC8 shade: #DB2DC8, #CADB2D and #2DCADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB2DC8 shade: #DB2DC8, #DB612D, #2DDB3F and #2DA7DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB2DC8 shade: #DB2DC8, #DB952D, #2DDB3F and #2D73DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

Complementary color

CMYK 83 / 0 / 74 / 18

HEX #24D237

RGB 36 210 55

HSL 126.55, 0.71%, 0.48%

LAB 74.03, -69.99, 61.1

 

CMYK 0 / 80 / 13 / 12

HEX #E02DC3

RGB 224 45 195

HSL 309.72, 0.74%, 0.53%

LAB 53.67, 79.11, -37.82

 

CMYK 0 / 74 / 11 / 5

HEX #F13FD6

RGB 241 63 214

HSL 309.1, 0.86%, 0.6%

LAB 59.08, 80.53, -39.99

 

CMYK 0 / 68 / 9 / 0

HEX #FF51E9

RGB 255 81 233

HSL 307.59, 1%, 0.66%

LAB 64.18, 80.64, -42.49

 

CMYK 0 / 61 / 1 / 0

HEX #FF63FC

RGB 255 99 252

HSL 301.15, 1%, 0.69%

LAB 67.44, 76.94, -47.89

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 0 / 87 / 10 / 21

HEX #CA1BB5

RGB 202 27 181

HSL 307.2, 0.76%, 0.45%

LAB 47.85, 76.52, -39.1

 

CMYK 0 / 95 / 12 / 27

HEX #B909A2

RGB 185 9 162

HSL 307.84, 0.91%, 0.38%

LAB 42.94, 73.11, -35.79

 

CMYK 0 / 100 / 15 / 34

HEX #A8008F

RGB 168 0 143

HSL 308.93, 1%, 0.33%

LAB 38.39, 68.34, -31.66

 

CMYK 0 / 100 / 18 / 41

HEX #97007C

RGB 151 0 124

HSL 310.73, 1%, 0.3%

LAB 34.05, 62.61, -26.92

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 0 / 79 / 30 / 14

HEX #DB2D99

RGB 219 45 153

HSL 322.76, 0.71%, 0.52%

LAB 50.96, 72.8, -17.46

 

CMYK 0 / 79 / 52 / 14

HEX #DB2D6A

RGB 219 45 106

HSL 338.97, 0.71%, 0.52%

LAB 49.47, 68.35, 8.72

 

CMYK 0 / 79 / 73 / 14

HEX #DB2D3B

RGB 219 45 59

HSL 355.17, 0.71%, 0.52%

LAB 48.58, 65.61, 35.93

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 13 / 79 / 0 / 14

HEX #BF2DDB

RGB 191 45 219

HSL 290.34, 0.71%, 0.52%

LAB 49.58, 76.44, -58.43

 

CMYK 34 / 79 / 0 / 14

HEX #902DDB

RGB 144 45 219

HSL 274.14, 0.71%, 0.52%

LAB 42.64, 68.55, -70

 

CMYK 56 / 79 / 0 / 14

HEX #612DDB

RGB 97 45 219

HSL 257.93, 0.71%, 0.52%

LAB 36.99, 62.16, -79.49

 

CMYK 77 / 79 / 0 / 14

HEX #322DDB

RGB 50 45 219

HSL 241.72, 0.71%, 0.52%

LAB 33.28, 58.01, -85.73

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 0 / 90 / 10 / 6

HEX #EF19D8

RGB 239 25 216

HSL 306.45, 0.87%, 0.52%

LAB 56.09, 88.37, -45.86

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 0 / 67 / 7 / 22

HEX #C741B9

RGB 199 65 185

HSL 306.27, 0.54%, 0.52%

LAB 51.18, 66.06, -36.22

 

CMYK 0 / 53 / 6 / 30

HEX #B355A9

RGB 179 85 169

HSL 306.38, 0.38%, 0.52%

LAB 50.62, 49.44, -27.97

 

CMYK 0 / 34 / 4 / 37

HEX #A0699A

RGB 160 105 154

HSL 306.55, 0.22%, 0.52%

LAB 51.74, 30.02, -17.66

 

CMYK 0 / 11 / 1 / 45

HEX #8C7C8A

RGB 140 124 138

HSL 307.5, 0.07%, 0.52%

LAB 53.84, 8.77, -5.34

 

CMYK 34 / 79 / 0 / 14

HEX #902DDB

RGB 144 45 219

HSL 274.14, 0.71%, 0.52%

LAB 42.64, 68.55, -70

 

CMYK 13 / 79 / 0 / 14

HEX #BE2DDB

RGB 190 45 219

HSL 290, 0.71%, 0.52%

LAB 49.42, 76.26, -58.69

 

CMYK 0 / 79 / 8 / 14

HEX #DB2DCA

RGB 219 45 202

HSL 305.86, 0.71%, 0.52%

LAB 53.17, 79.07, -42.7

 

CMYK 0 / 79 / 29 / 14

HEX #DB2D9B

RGB 219 45 155

HSL 322.07, 0.71%, 0.52%

LAB 51.04, 73.02, -18.53

 

CMYK 0 / 79 / 50 / 14

HEX #DB2D6D

RGB 219 45 109

HSL 337.93, 0.71%, 0.52%

LAB 49.55, 68.58, 7

 

CMYK 0 / 83 / 9 / 39

HEX #9C1A8E

RGB 156 26 142

HSL 306.46, 0.71%, 0.36%

LAB 37.41, 61.95, -32.75

 

CMYK 0 / 83 / 9 / 25

HEX #BF20AE

RGB 191 32 174

HSL 306.42, 0.71%, 0.44%

LAB 45.86, 72.44, -38.25

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 0 / 64 / 7 / 12

HEX #E150D1

RGB 225 80 209

HSL 306.62, 0.71%, 0.6%

LAB 58.37, 70.39, -38.45

 

CMYK 0 / 50 / 6 / 9

HEX #E774DA

RGB 231 116 218

HSL 306.78, 0.71%, 0.68%

LAB 65.39, 57.74, -32.5

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 0 / 56 / 79 / 14

HEX #DB612D

RGB 219 97 45

HSL 17.93, 0.71%, 0.52%

LAB 55.89, 44.95, 50.98

 

CMYK 79 / 0 / 24 / 14

HEX #2DDBA7

RGB 45 219 167

HSL 162.07, 0.71%, 0.52%

LAB 78.47, -54.39, 13.65

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 8 / 0 / 79 / 14

HEX #CADB2D

RGB 202 219 45

HSL 65.86, 0.71%, 0.52%

LAB 83.66, -25.49, 75.73

 

CMYK 79 / 8 / 0 / 14

HEX #2DCADB

RGB 45 202 219

HSL 185.86, 0.71%, 0.52%

LAB 74.77, -32.91, -19.67

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 0 / 56 / 79 / 14

HEX #DB612D

RGB 219 97 45

HSL 17.93, 0.71%, 0.52%

LAB 55.89, 44.95, 50.98

 

CMYK 79 / 0 / 71 / 14

HEX #2DDB3F

RGB 45 219 63

HSL 126.21, 0.71%, 0.52%

LAB 77.03, -71.05, 61.36

 

CMYK 79 / 24 / 0 / 14

HEX #2DA7DB

RGB 45 167 219

HSL 197.93, 0.71%, 0.52%

LAB 64.41, -15.15, -35.59

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC8

RGB 219 45 200

HSL 306.55, 0.71%, 0.52%

LAB 53.07, 78.79, -41.71

 

CMYK 0 / 32 / 79 / 14

HEX #DB952D

RGB 219 149 45

HSL 35.86, 0.71%, 0.52%

LAB 67.08, 17.92, 61.47

 

CMYK 79 / 0 / 71 / 14

HEX #2DDB3F

RGB 45 219 63

HSL 126.21, 0.71%, 0.52%

LAB 77.03, -71.05, 61.36

 

CMYK 79 / 47 / 0 / 14

HEX #2D73DB

RGB 45 115 219

HSL 215.86, 0.71%, 0.52%

LAB 49.42, 15.43, -59.35

 

Description

Color code: HEX #DB2DC8 | qconv.com Color code: HEX #DB2DC8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 45 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 45 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 9% 14% C M Y K

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