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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB2CF9 it is the complementary color #24D306. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB2CF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB2CF9 shade: #E02CF4, #F13EFF, #FF50FF, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB2CF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB2CF9 shade: #DB2CF9, #CA1AE6, #B908D3, #A800C0 and #9700AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB2CF9 shade: #DA2AF8, #F82ADE, #F82AA7, #F82A6F and #F82A38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB2CF9 shade: #DA2AF8, #A22AF8, #6B2AF8, #332AF8 and #2A2AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB2CF9 shade matches the following richer shades: #DA2AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB2CF9 shade: #DA2AF8, #CD3CE6, #C14DD4, #B45FC3 and #A871B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB2CF9 shade: #6B2AF8, #A22AF8, #D92AF8, #F82AE0 and #F82AA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB2CF9 shade: #AD06C9, #CF07F1, #DA2AF8, #E152F9 and #E87AFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB2CF9 shade: #DB2CF9, #F8342A and #2AF887

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB2CF9 shade: #DB2CF9, #F8D92A and #2AF8D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB2CF9 shade: #DB2CF9, #F8342A, #49F82A and #2AEEF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB2CF9 shade: #DB2CF9, #F8722A, #49F82A and #2AB0F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 82 / 0 / 2

HEX #DB2CF9

RGB 219 44 249

HSL 291.22, 0.94%, 0.57%

LAB 55.79, 86.56, -65.11

 

Complementary color

CMYK 83 / 0 / 97 / 17

HEX #24D306

RGB 36 211 6

HSL 111.22, 0.94%, 0.43%

LAB 74.17, -72.42, 71.81

 

CMYK 8 / 82 / 0 / 4

HEX #E02CF4

RGB 224 44 244

HSL 294, 0.9%, 0.56%

LAB 56.27, 86.59, -61.5

 

CMYK 5 / 76 / 0 / 0

HEX #F13EFF

RGB 241 62 255

HSL 295.65, 1%, 0.62%

LAB 61.1, 86.94, -59.72

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 12 / 82 / 0 / 2

HEX #DB2CF9

RGB 219 44 249

HSL 291.22, 0.94%, 0.57%

LAB 55.79, 86.56, -65.11

 

CMYK 12 / 89 / 0 / 10

HEX #CA1AE6

RGB 202 26 230

HSL 291.76, 0.8%, 0.5%

LAB 50.7, 84.09, -62.79

 

CMYK 12 / 96 / 0 / 17

HEX #B908D3

RGB 185 8 211

HSL 292.32, 0.93%, 0.43%

LAB 45.89, 80.51, -59.84

 

CMYK 13 / 100 / 0 / 25

HEX #A800C0

RGB 168 0 192

HSL 292.5, 1%, 0.38%

LAB 41.42, 75.65, -56.17

 

CMYK 13 / 100 / 0 / 32

HEX #9700AD

RGB 151 0 173

HSL 292.37, 1%, 0.34%

LAB 37.11, 69.99, -52.05

 

CMYK 12 / 83 / 0 / 3

HEX #DA2AF8

RGB 218 42 248

HSL 291.26, 0.94%, 0.57%

LAB 55.42, 86.66, -65.15

 

CMYK 0 / 83 / 10 / 3

HEX #F82ADE

RGB 248 42 222

HSL 307.57, 0.94%, 0.57%

LAB 58.87, 88.12, -44.77

 

CMYK 0 / 83 / 33 / 3

HEX #F82AA7

RGB 248 42 167

HSL 323.59, 0.94%, 0.57%

LAB 56.49, 81.57, -16.83

 

CMYK 0 / 83 / 55 / 3

HEX #F82A6F

RGB 248 42 111

HSL 339.9, 0.94%, 0.57%

LAB 54.82, 76.79, 14

 

CMYK 0 / 83 / 77 / 3

HEX #F82A38

RGB 248 42 56

HSL 355.92, 0.94%, 0.57%

LAB 53.92, 74.11, 45.1

 

CMYK 12 / 83 / 0 / 3

HEX #DA2AF8

RGB 218 42 248

HSL 291.26, 0.94%, 0.57%

LAB 55.42, 86.66, -65.15

 

CMYK 35 / 83 / 0 / 3

HEX #A22AF8

RGB 162 42 248

HSL 274.95, 0.94%, 0.57%

LAB 47.12, 78.16, -79

 

CMYK 57 / 83 / 0 / 3

HEX #6B2AF8

RGB 107 42 248

HSL 258.93, 0.94%, 0.57%

LAB 40.51, 71.74, -90.12

 

CMYK 79 / 83 / 0 / 3

HEX #332AF8

RGB 51 42 248

HSL 242.62, 0.94%, 0.57%

LAB 36.25, 67.85, -97.31

 

CMYK 83 / 83 / 0 / 3

HEX #2A2AF8

RGB 42 42 248

HSL 240, 0.94%, 0.57%

LAB 35.84, 67.49, -98

 

CMYK 12 / 83 / 0 / 3

HEX #DA2AF8

RGB 218 42 248

HSL 291.26, 0.94%, 0.57%

LAB 55.42, 86.66, -65.15

 

CMYK 12 / 83 / 0 / 3

HEX #DA2AF8

RGB 218 42 248

HSL 291.26, 0.94%, 0.57%

LAB 55.42, 86.66, -65.15

 

CMYK 11 / 74 / 0 / 10

HEX #CD3CE6

RGB 205 60 230

HSL 291.18, 0.77%, 0.57%

LAB 53.95, 76.53, -57.53

 

CMYK 9 / 64 / 0 / 17

HEX #C14DD4

RGB 193 77 212

HSL 291.56, 0.61%, 0.57%

LAB 53.38, 64.46, -48.34

 

CMYK 8 / 51 / 0 / 24

HEX #B45FC3

RGB 180 95 195

HSL 291, 0.45%, 0.57%

LAB 53.84, 49.53, -38

 

CMYK 5 / 36 / 0 / 31

HEX #A871B1

RGB 168 113 177

HSL 291.56, 0.29%, 0.57%

LAB 55.39, 32.68, -25.35

 

CMYK 57 / 83 / 0 / 3

HEX #6B2AF8

RGB 107 42 248

HSL 258.93, 0.94%, 0.57%

LAB 40.51, 71.74, -90.12

 

CMYK 35 / 83 / 0 / 3

HEX #A22AF8

RGB 162 42 248

HSL 274.95, 0.94%, 0.57%

LAB 47.12, 78.16, -79

 

CMYK 13 / 83 / 0 / 3

HEX #D92AF8

RGB 217 42 248

HSL 290.97, 0.94%, 0.57%

LAB 55.26, 86.49, -65.41

 

CMYK 0 / 83 / 10 / 3

HEX #F82AE0

RGB 248 42 224

HSL 306.99, 0.94%, 0.57%

LAB 58.97, 88.39, -45.74

 

CMYK 0 / 83 / 32 / 3

HEX #F82AA9

RGB 248 42 169

HSL 323.01, 0.94%, 0.57%

LAB 56.56, 81.78, -17.89

 

CMYK 14 / 97 / 0 / 21

HEX #AD06C9

RGB 173 6 201

HSL 291.38, 0.94%, 0.41%

LAB 43.11, 77.28, -58.66

 

CMYK 14 / 97 / 0 / 5

HEX #CF07F1

RGB 207 7 241

HSL 291.28, 0.94%, 0.49%

LAB 51.57, 88.62, -67.53

 

CMYK 12 / 83 / 0 / 3

HEX #DA2AF8

RGB 218 42 248

HSL 291.26, 0.94%, 0.57%

LAB 55.42, 86.66, -65.15

 

CMYK 10 / 67 / 0 / 2

HEX #E152F9

RGB 225 82 249

HSL 291.38, 0.93%, 0.65%

LAB 60.68, 76.24, -57.22

 

CMYK 7 / 51 / 0 / 2

HEX #E87AFA

RGB 232 122 250

HSL 291.56, 0.93%, 0.73%

LAB 68, 60.78, -46.1

 

CMYK 12 / 82 / 0 / 2

HEX #DB2CF9

RGB 219 44 249

HSL 291.22, 0.94%, 0.57%

LAB 55.79, 86.56, -65.11

 

CMYK 0 / 79 / 83 / 3

HEX #F8342A

RGB 248 52 42

HSL 2.91, 0.94%, 0.57%

LAB 54.64, 71.34, 53.04

 

CMYK 83 / 0 / 46 / 3

HEX #2AF887

RGB 42 248 135

HSL 147.09, 0.94%, 0.57%

LAB 86.69, -71.42, 41.02

 

CMYK 12 / 82 / 0 / 2

HEX #DB2CF9

RGB 219 44 249

HSL 291.22, 0.94%, 0.57%

LAB 55.79, 86.56, -65.11

 

CMYK 0 / 13 / 83 / 3

HEX #F8D92A

RGB 248 217 42

HSL 50.97, 0.94%, 0.57%

LAB 86.87, -5.31, 80.73

 

CMYK 83 / 0 / 13 / 3

HEX #2AF8D9

RGB 42 248 217

HSL 170.97, 0.94%, 0.57%

LAB 88.27, -53.94, 1.45

 

CMYK 12 / 82 / 0 / 2

HEX #DB2CF9

RGB 219 44 249

HSL 291.22, 0.94%, 0.57%

LAB 55.79, 86.56, -65.11

 

CMYK 0 / 79 / 83 / 3

HEX #F8342A

RGB 248 52 42

HSL 2.91, 0.94%, 0.57%

LAB 54.64, 71.34, 53.04

 

CMYK 71 / 0 / 83 / 3

HEX #49F82A

RGB 73 248 42

HSL 110.97, 0.94%, 0.57%

LAB 86.36, -77.02, 76.72

 

CMYK 83 / 4 / 0 / 3

HEX #2AEEF8

RGB 42 238 248

HSL 182.91, 0.94%, 0.57%

LAB 86.22, -41.11, -17.82

 

CMYK 12 / 82 / 0 / 2

HEX #DB2CF9

RGB 219 44 249

HSL 291.22, 0.94%, 0.57%

LAB 55.79, 86.56, -65.11

 

CMYK 0 / 54 / 83 / 3

HEX #F8722A

RGB 248 114 42

HSL 20.97, 0.94%, 0.57%

LAB 63.47, 47.56, 60.84

 

CMYK 71 / 0 / 83 / 3

HEX #49F82A

RGB 73 248 42

HSL 110.97, 0.94%, 0.57%

LAB 86.36, -77.02, 76.72

 

CMYK 83 / 29 / 0 / 3

HEX #2AB0F8

RGB 42 176 248

HSL 200.97, 0.94%, 0.57%

LAB 68.26, -10.25, -45.47

 

Description

Color code: HEX #DB2CF9 | qconv.com Color code: HEX #DB2CF9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 44 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 44 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 82 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 82% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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