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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB2C35 it is the complementary color #24D3CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB2C35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB2C35 shade: #E02C30, #F13E43, #FF5056, #FF6269 and #FF747C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB2C35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB2C35 shade: #DB2C35, #CA1A22, #B9080F, #A80000 and #970000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB2C35 shade: #DB2D36 and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB2C35 shade: #DB2D36, #DB2D65, #DB2D94, #DB2DC3 and #C42DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB2C35 shade matches the following richer shades: #DB2D36 and #EF1924

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB2C35 shade: #DB2D36, #C74148, #B3555A, #A0696B and #8C7C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB2C35 shade: #DB2D95, #DB2D67, #DB2D39, #DB502D and #DB7E2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB2C35 shade: #9C1A21, #BF2028, #DB2D36, #E15058 and #E7747A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB2C35 shade: #DB2C35, #C4DB2D and #2D7EDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB2C35 shade: #DB2C35, #39DB2D and #2D39DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB2C35 shade: #DB2C35, #C4DB2D, #2DDBCF and #442DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB2C35 shade: #DB2C35, #90DB2D, #2DDBCF and #792DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 76 / 14

HEX #DB2C35

RGB 219 44 53

HSL 356.91, 0.71%, 0.52%

LAB 48.41, 65.65, 39.19

 

Complementary color

CMYK 83 / 0 / 4 / 17

HEX #24D3CA

RGB 36 211 202

HSL 176.91, 0.71%, 0.48%

LAB 76.82, -42.78, -7.45

 

CMYK 0 / 80 / 79 / 12

HEX #E02C30

RGB 224 44 48

HSL 358.67, 0.74%, 0.53%

LAB 49.33, 66.88, 43.24

 

CMYK 0 / 74 / 72 / 5

HEX #F13E43

RGB 241 62 67

HSL 358.32, 0.86%, 0.59%

LAB 54.61, 67.24, 39.36

 

CMYK 0 / 69 / 66 / 0

HEX #FF5056

RGB 255 80 86

HSL 357.94, 1%, 0.66%

LAB 59.59, 66.15, 35.16

 

CMYK 0 / 62 / 59 / 0

HEX #FF6269

RGB 255 98 105

HSL 357.32, 1%, 0.69%

LAB 62.52, 60.16, 28.08

 

CMYK 0 / 55 / 51 / 0

HEX #FF747C

RGB 255 116 124

HSL 356.55, 1%, 0.73%

LAB 65.91, 53.57, 21.82

 

CMYK 0 / 80 / 76 / 14

HEX #DB2C35

RGB 219 44 53

HSL 356.91, 0.71%, 0.52%

LAB 48.41, 65.65, 39.19

 

CMYK 0 / 87 / 83 / 21

HEX #CA1A22

RGB 202 26 34

HSL 357.27, 0.77%, 0.45%

LAB 43.38, 64.49, 43.46

 

CMYK 0 / 96 / 92 / 27

HEX #B9080F

RGB 185 8 15

HSL 357.63, 0.92%, 0.38%

LAB 38.76, 62.24, 47.35

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 79 / 75 / 14

HEX #DB2D36

RGB 219 45 54

HSL 356.9, 0.71%, 0.52%

LAB 48.52, 65.42, 38.73

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 79 / 75 / 14

HEX #DB2D36

RGB 219 45 54

HSL 356.9, 0.71%, 0.52%

LAB 48.52, 65.42, 38.73

 

CMYK 0 / 79 / 54 / 14

HEX #DB2D65

RGB 219 45 101

HSL 340.69, 0.71%, 0.52%

LAB 49.35, 67.98, 11.6

 

CMYK 0 / 79 / 32 / 14

HEX #DB2D94

RGB 219 45 148

HSL 324.48, 0.71%, 0.52%

LAB 50.77, 72.25, -14.76

 

CMYK 0 / 79 / 11 / 14

HEX #DB2DC3

RGB 219 45 195

HSL 308.28, 0.71%, 0.52%

LAB 52.81, 78.09, -39.22

 

CMYK 11 / 79 / 0 / 14

HEX #C42DDB

RGB 196 45 219

HSL 292.07, 0.71%, 0.52%

LAB 50.37, 77.33, -57.12

 

CMYK 0 / 79 / 75 / 14

HEX #DB2D36

RGB 219 45 54

HSL 356.9, 0.71%, 0.52%

LAB 48.52, 65.42, 38.73

 

CMYK 0 / 90 / 85 / 6

HEX #EF1924

RGB 239 25 36

HSL 356.92, 0.87%, 0.52%

LAB 50.89, 74.32, 51.99

 

CMYK 0 / 79 / 75 / 14

HEX #DB2D36

RGB 219 45 54

HSL 356.9, 0.71%, 0.52%

LAB 48.52, 65.42, 38.73

 

CMYK 0 / 67 / 64 / 22

HEX #C74148

RGB 199 65 72

HSL 356.87, 0.54%, 0.52%

LAB 47.48, 53.47, 26.07

 

CMYK 0 / 53 / 50 / 30

HEX #B3555A

RGB 179 85 90

HSL 356.81, 0.38%, 0.52%

LAB 48.03, 38.64, 15.39

 

CMYK 0 / 34 / 33 / 37

HEX #A0696B

RGB 160 105 107

HSL 357.82, 0.22%, 0.52%

LAB 50.26, 22.33, 7.97

 

CMYK 0 / 11 / 11 / 45

HEX #8C7C7D

RGB 140 124 125

HSL 356.25, 0.07%, 0.52%

LAB 53.46, 6.3, 1.69

 

CMYK 0 / 79 / 32 / 14

HEX #DB2D95

RGB 219 45 149

HSL 324.14, 0.71%, 0.52%

LAB 50.81, 72.36, -15.3

 

CMYK 0 / 79 / 53 / 14

HEX #DB2D67

RGB 219 45 103

HSL 340, 0.71%, 0.52%

LAB 49.39, 68.12, 10.45

 

CMYK 0 / 79 / 74 / 14

HEX #DB2D39

RGB 219 45 57

HSL 355.86, 0.71%, 0.52%

LAB 48.55, 65.53, 37.06

 

CMYK 0 / 63 / 79 / 14

HEX #DB502D

RGB 219 80 45

HSL 12.07, 0.71%, 0.52%

LAB 52.94, 52.7, 48.12

 

CMYK 0 / 42 / 79 / 14

HEX #DB7E2D

RGB 219 126 45

HSL 27.93, 0.71%, 0.52%

LAB 61.8, 30.22, 56.59

 

CMYK 0 / 83 / 79 / 39

HEX #9C1A21

RGB 156 26 33

HSL 356.77, 0.71%, 0.36%

LAB 33.81, 51.58, 31.32

 

CMYK 0 / 83 / 79 / 25

HEX #BF2028

RGB 191 32 40

HSL 356.98, 0.71%, 0.44%

LAB 41.63, 60.37, 37.68

 

CMYK 0 / 79 / 75 / 14

HEX #DB2D36

RGB 219 45 54

HSL 356.9, 0.71%, 0.52%

LAB 48.52, 65.42, 38.73

 

CMYK 0 / 64 / 61 / 12

HEX #E15058

RGB 225 80 88

HSL 356.69, 0.71%, 0.6%

LAB 54.5, 56.81, 26.51

 

CMYK 0 / 50 / 47 / 9

HEX #E7747A

RGB 231 116 122

HSL 356.87, 0.71%, 0.68%

LAB 62.41, 45.01, 17.61

 

CMYK 0 / 80 / 76 / 14

HEX #DB2C35

RGB 219 44 53

HSL 356.91, 0.71%, 0.52%

LAB 48.41, 65.65, 39.19

 

CMYK 11 / 0 / 79 / 14

HEX #C4DB2D

RGB 196 219 45

HSL 67.93, 0.71%, 0.52%

LAB 83.23, -27.95, 75.18

 

CMYK 79 / 42 / 0 / 14

HEX #2D7EDB

RGB 45 126 219

HSL 212.07, 0.71%, 0.52%

LAB 52.5, 8.57, -54.4

 

CMYK 0 / 80 / 76 / 14

HEX #DB2C35

RGB 219 44 53

HSL 356.91, 0.71%, 0.52%

LAB 48.41, 65.65, 39.19

 

CMYK 74 / 0 / 79 / 14

HEX #39DB2D

RGB 57 219 45

HSL 115.86, 0.71%, 0.52%

LAB 77.11, -70.69, 67.35

 

CMYK 79 / 74 / 0 / 14

HEX #2D39DB

RGB 45 57 219

HSL 235.86, 0.71%, 0.52%

LAB 35.2, 51.49, -82.57

 

CMYK 0 / 80 / 76 / 14

HEX #DB2C35

RGB 219 44 53

HSL 356.91, 0.71%, 0.52%

LAB 48.41, 65.65, 39.19

 

CMYK 11 / 0 / 79 / 14

HEX #C4DB2D

RGB 196 219 45

HSL 67.93, 0.71%, 0.52%

LAB 83.23, -27.95, 75.18

 

CMYK 79 / 0 / 5 / 14

HEX #2DDBCF

RGB 45 219 207

HSL 175.86, 0.71%, 0.52%

LAB 79.46, -44.16, -6.21

 

CMYK 69 / 79 / 0 / 14

HEX #442DDB

RGB 68 45 219

HSL 247.93, 0.71%, 0.52%

LAB 34.44, 59.3, -83.79

 

CMYK 0 / 80 / 76 / 14

HEX #DB2C35

RGB 219 44 53

HSL 356.91, 0.71%, 0.52%

LAB 48.41, 65.65, 39.19

 

CMYK 34 / 0 / 79 / 14

HEX #90DB2D

RGB 144 219 45

HSL 85.86, 0.71%, 0.52%

LAB 80.06, -47.95, 71.14

 

CMYK 79 / 0 / 5 / 14

HEX #2DDBCF

RGB 45 219 207

HSL 175.86, 0.71%, 0.52%

LAB 79.46, -44.16, -6.21

 

CMYK 45 / 79 / 0 / 14

HEX #792DDB

RGB 121 45 219

HSL 266.21, 0.71%, 0.52%

LAB 39.67, 65.19, -74.97

 

Description

Color code: HEX #DB2C35 | qconv.com Color code: HEX #DB2C35 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 44 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 44 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 76 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 76% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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