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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB1FC7 it is the complementary color #24E038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB1FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB1FC7 shade: #E01FC2, #F131D5, #FF43E8, #FF55FB and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB1FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB1FC7 shade: #DB1FC7, #CA0DB4, #B900A1, #A8008E and #97007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB1FC7 shade: #DA1FC6, #DA1F94, #DA1F61, #DA1F2F and #DA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB1FC7 shade: #DA1FC6, #BC1FDA, #891FDA, #561FDA and #241FDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB1FC7 shade matches the following richer shades: #DA1FC6 and #EE0BD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB1FC7 shade: #DA1FC6, #C633B6, #B247A6, #9E5B96 and #897087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB1FC7 shade: #891FDA, #BB1FDA, #DA1FC7, #DA1F95 and #DA1F63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB1FC7 shade: #921485, #B61AA5, #DA1FC6, #E33FD2 and #E863DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB1FC7 shade: #DB1FC7, #DA571F and #1FDAA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB1FC7 shade: #DB1FC7, #C7DA1F and #1FC7DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB1FC7 shade: #DB1FC7, #DA571F, #1FDA31 and #1FA2DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB1FC7 shade: #DB1FC7, #DA8F1F, #1FDA31 and #1F6ADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 9 / 14

HEX #DB1FC7

RGB 219 31 199

HSL 306.38, 0.75%, 0.49%

LAB 52.02, 81.54, -42.79

 

Complementary color

CMYK 84 / 0 / 75 / 12

HEX #24E038

RGB 36 224 56

HSL 126.38, 0.75%, 0.51%

LAB 78.45, -74.02, 65.17

 

CMYK 0 / 86 / 13 / 12

HEX #E01FC2

RGB 224 31 194

HSL 309.33, 0.76%, 0.5%

LAB 52.64, 81.81, -38.86

 

CMYK 0 / 80 / 12 / 5

HEX #F131D5

RGB 241 49 213

HSL 308.75, 0.87%, 0.57%

LAB 57.75, 84.06, -41.51

 

CMYK 0 / 74 / 9 / 0

HEX #FF43E8

RGB 255 67 232

HSL 307.34, 1%, 0.63%

LAB 62.59, 84.88, -44.44

 

CMYK 0 / 67 / 2 / 0

HEX #FF55FB

RGB 255 85 251

HSL 301.41, 1%, 0.67%

LAB 65.53, 81.97, -50.34

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 86 / 9 / 14

HEX #DB1FC7

RGB 219 31 199

HSL 306.38, 0.75%, 0.49%

LAB 52.02, 81.54, -42.79

 

CMYK 0 / 94 / 11 / 21

HEX #CA0DB4

RGB 202 13 180

HSL 306.98, 0.88%, 0.42%

LAB 47.16, 78.26, -39.61

 

CMYK 0 / 100 / 13 / 27

HEX #B900A1

RGB 185 0 161

HSL 307.78, 1%, 0.36%

LAB 42.59, 73.84, -35.74

 

CMYK 0 / 100 / 15 / 34

HEX #A8008E

RGB 168 0 142

HSL 309.29, 1%, 0.33%

LAB 38.34, 68.21, -31.13

 

CMYK 0 / 100 / 19 / 41

HEX #97007B

RGB 151 0 123

HSL 311.13, 1%, 0.3%

LAB 34, 62.48, -26.38

 

CMYK 0 / 86 / 9 / 15

HEX #DA1FC6

RGB 218 31 198

HSL 306.42, 0.75%, 0.49%

LAB 51.79, 81.21, -42.58

 

CMYK 0 / 86 / 32 / 15

HEX #DA1F94

RGB 218 31 148

HSL 322.46, 0.75%, 0.49%

LAB 49.52, 75.09, -16.68

 

CMYK 0 / 86 / 56 / 15

HEX #DA1F61

RGB 218 31 97

HSL 338.82, 0.75%, 0.49%

LAB 47.94, 70.63, 12.07

 

CMYK 0 / 86 / 78 / 15

HEX #DA1F2F

RGB 218 31 47

HSL 354.87, 0.75%, 0.49%

LAB 47.09, 68.16, 41.11

 

CMYK 0 / 86 / 86 / 15

HEX #DA1F1F

RGB 218 31 31

HSL 0, 0.75%, 0.49%

LAB 46.95, 67.75, 49.38

 

CMYK 0 / 86 / 9 / 15

HEX #DA1FC6

RGB 218 31 198

HSL 306.42, 0.75%, 0.49%

LAB 51.79, 81.21, -42.58

 

CMYK 14 / 86 / 0 / 15

HEX #BC1FDA

RGB 188 31 218

HSL 290.37, 0.75%, 0.49%

LAB 47.92, 79, -60.55

 

CMYK 37 / 86 / 0 / 15

HEX #891FDA

RGB 137 31 218

HSL 274.01, 0.75%, 0.49%

LAB 40.18, 71.49, -73.49

 

CMYK 61 / 86 / 0 / 15

HEX #561FDA

RGB 86 31 218

HSL 257.65, 0.75%, 0.49%

LAB 34.03, 65.99, -83.85

 

CMYK 83 / 86 / 0 / 15

HEX #241FDA

RGB 36 31 218

HSL 241.6, 0.75%, 0.49%

LAB 30.44, 63.08, -89.9

 

CMYK 0 / 86 / 9 / 15

HEX #DA1FC6

RGB 218 31 198

HSL 306.42, 0.75%, 0.49%

LAB 51.79, 81.21, -42.58

 

CMYK 0 / 95 / 10 / 7

HEX #EE0BD6

RGB 238 11 214

HSL 306.34, 0.91%, 0.49%

LAB 55.35, 89.29, -45.9

 

CMYK 0 / 86 / 9 / 15

HEX #DA1FC6

RGB 218 31 198

HSL 306.42, 0.75%, 0.49%

LAB 51.79, 81.21, -42.58

 

CMYK 0 / 74 / 8 / 22

HEX #C633B6

RGB 198 51 182

HSL 306.53, 0.59%, 0.49%

LAB 49.19, 70.12, -37.61

 

CMYK 0 / 60 / 7 / 30

HEX #B247A6

RGB 178 71 166

HSL 306.73, 0.43%, 0.49%

LAB 47.91, 55.21, -30.44

 

CMYK 0 / 42 / 5 / 38

HEX #9E5B96

RGB 158 91 150

HSL 307.16, 0.27%, 0.49%

LAB 48.2, 36.41, -20.73

 

CMYK 0 / 18 / 1 / 46

HEX #897087

RGB 137 112 135

HSL 304.8, 0.1%, 0.49%

LAB 50.28, 14.08, -8.91

 

CMYK 37 / 86 / 0 / 15

HEX #891FDA

RGB 137 31 218

HSL 274.01, 0.75%, 0.49%

LAB 40.18, 71.49, -73.49

 

CMYK 14 / 86 / 0 / 15

HEX #BB1FDA

RGB 187 31 218

HSL 290.05, 0.75%, 0.49%

LAB 47.76, 78.84, -60.82

 

CMYK 0 / 86 / 9 / 15

HEX #DA1FC7

RGB 218 31 199

HSL 306.1, 0.75%, 0.49%

LAB 51.85, 81.35, -43.07

 

CMYK 0 / 86 / 32 / 15

HEX #DA1F95

RGB 218 31 149

HSL 322.14, 0.75%, 0.49%

LAB 49.56, 75.2, -17.22

 

CMYK 0 / 86 / 55 / 15

HEX #DA1F63

RGB 218 31 99

HSL 338.18, 0.75%, 0.49%

LAB 47.99, 70.77, 10.9

 

CMYK 0 / 86 / 9 / 43

HEX #921485

RGB 146 20 133

HSL 306.19, 0.76%, 0.33%

LAB 34.61, 59.86, -31.74

 

CMYK 0 / 86 / 9 / 29

HEX #B61AA5

RGB 182 26 165

HSL 306.54, 0.75%, 0.41%

LAB 43.36, 70.58, -36.95

 

CMYK 0 / 86 / 9 / 15

HEX #DA1FC6

RGB 218 31 198

HSL 306.42, 0.75%, 0.49%

LAB 51.79, 81.21, -42.58

 

CMYK 0 / 72 / 7 / 11

HEX #E33FD2

RGB 227 63 210

HSL 306.22, 0.75%, 0.57%

LAB 56.62, 76.92, -41.74

 

CMYK 0 / 57 / 6 / 9

HEX #E863DA

RGB 232 99 218

HSL 306.32, 0.74%, 0.65%

LAB 62.63, 65.78, -36.79

 

CMYK 0 / 86 / 9 / 14

HEX #DB1FC7

RGB 219 31 199

HSL 306.38, 0.75%, 0.49%

LAB 52.02, 81.54, -42.79

 

CMYK 0 / 60 / 86 / 15

HEX #DA571F

RGB 218 87 31

HSL 17.97, 0.75%, 0.49%

LAB 53.84, 48.87, 55.1

 

CMYK 86 / 0 / 26 / 15

HEX #1FDAA2

RGB 31 218 162

HSL 162.03, 0.75%, 0.49%

LAB 77.9, -56.34, 15.47

 

CMYK 0 / 86 / 9 / 14

HEX #DB1FC7

RGB 219 31 199

HSL 306.38, 0.75%, 0.49%

LAB 52.02, 81.54, -42.79

 

CMYK 9 / 0 / 86 / 15

HEX #C7DA1F

RGB 199 218 31

HSL 66.1, 0.75%, 0.49%

LAB 83.12, -26.66, 78.42

 

CMYK 86 / 9 / 0 / 15

HEX #1FC7DA

RGB 31 199 218

HSL 186.1, 0.75%, 0.49%

LAB 73.68, -32.84, -20.81

 

CMYK 0 / 86 / 9 / 14

HEX #DB1FC7

RGB 219 31 199

HSL 306.38, 0.75%, 0.49%

LAB 52.02, 81.54, -42.79

 

CMYK 0 / 60 / 86 / 15

HEX #DA571F

RGB 218 87 31

HSL 17.97, 0.75%, 0.49%

LAB 53.84, 48.87, 55.1

 

CMYK 86 / 0 / 78 / 15

HEX #1FDA31

RGB 31 218 49

HSL 125.78, 0.75%, 0.49%

LAB 76.47, -73.21, 65.44

 

CMYK 86 / 26 / 0 / 15

HEX #1FA2DA

RGB 31 162 218

HSL 197.97, 0.75%, 0.49%

LAB 62.67, -13.94, -37.77

 

CMYK 0 / 86 / 9 / 14

HEX #DB1FC7

RGB 219 31 199

HSL 306.38, 0.75%, 0.49%

LAB 52.02, 81.54, -42.79

 

CMYK 0 / 34 / 86 / 15

HEX #DA8F1F

RGB 218 143 31

HSL 35.94, 0.75%, 0.49%

LAB 65.47, 20.31, 64.66

 

CMYK 86 / 0 / 78 / 15

HEX #1FDA31

RGB 31 218 49

HSL 125.78, 0.75%, 0.49%

LAB 76.47, -73.21, 65.44

 

CMYK 86 / 51 / 0 / 15

HEX #1F6ADA

RGB 31 106 218

HSL 215.94, 0.75%, 0.49%

LAB 46.53, 19.59, -63.47

 

Description

Color code: HEX #DB1FC7 | qconv.com Color code: HEX #DB1FC7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 31 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 31 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 9% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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