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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB02E7 it is the complementary color #24FD18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB02E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB02E7 shade: #E002E2, #F114F5, #FF26FF, #FF38FF and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB02E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB02E7 shade: #DB02E7, #CA00D4, #B900C1, #A800AE and #97009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB02E7 shade: #DC02E8, #E802B6, #E80278, #E8023A and #E80202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB02E7 shade: #DC02E8, #9E02E8, #6002E8, #2202E8 and #0202E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB02E7 shade matches the following richer shades: #DC02E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB02E7 shade: #DC02E8, #CB15D5, #BA28C2, #A93BAF and #984E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB02E7 shade: #5E02E8, #9B02E8, #D802E8, #E802BA and #E8027C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB02E7 shade: #8E0196, #B501BF, #DC02E8, #F017FC and #F340FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB02E7 shade: #DB02E7, #E82102 and #02E87C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB02E7 shade: #DB02E7, #E8D802 and #02E8D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB02E7 shade: #DB02E7, #E82102, #11E802 and #02C9E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB02E7 shade: #DB02E7, #E86502, #11E802 and #0284E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 99 / 0 / 9

HEX #DB02E7

RGB 219 2 231

HSL 296.86, 0.98%, 0.46%

LAB 52.81, 89.19, -59.8

 

Complementary color

CMYK 86 / 0 / 91 / 1

HEX #24FD18

RGB 36 253 24

HSL 116.86, 0.98%, 0.54%

LAB 87.33, -83.59, 80.67

 

CMYK 1 / 99 / 0 / 11

HEX #E002E2

RGB 224 2 226

HSL 299.46, 0.98%, 0.45%

LAB 53.36, 89.23, -56.04

 

CMYK 2 / 92 / 0 / 4

HEX #F114F5

RGB 241 20 245

HSL 298.93, 0.92%, 0.52%

LAB 57.84, 93.28, -59.39

 

CMYK 0 / 85 / 0 / 0

HEX #FF26FF

RGB 255 38 255

HSL 300, 1%, 0.57%

LAB 61.54, 94.66, -58.89

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 5 / 99 / 0 / 9

HEX #DB02E7

RGB 219 2 231

HSL 296.86, 0.98%, 0.46%

LAB 52.81, 89.19, -59.8

 

CMYK 5 / 100 / 0 / 17

HEX #CA00D4

RGB 202 0 212

HSL 297.17, 1%, 0.42%

LAB 48.65, 83.91, -55.83

 

CMYK 4 / 100 / 0 / 24

HEX #B900C1

RGB 185 0 193

HSL 297.51, 1%, 0.38%

LAB 44.47, 78.4, -51.7

 

CMYK 3 / 100 / 0 / 32

HEX #A800AE

RGB 168 0 174

HSL 297.93, 1%, 0.34%

LAB 40.21, 72.79, -47.49

 

CMYK 3 / 100 / 0 / 39

HEX #97009B

RGB 151 0 155

HSL 298.45, 1%, 0.3%

LAB 35.88, 67.08, -43.18

 

CMYK 5 / 99 / 0 / 9

HEX #DC02E8

RGB 220 2 232

HSL 296.87, 0.98%, 0.46%

LAB 53.04, 89.49, -59.98

 

CMYK 0 / 99 / 22 / 9

HEX #E802B6

RGB 232 2 182

HSL 313.04, 0.98%, 0.46%

LAB 52.48, 84.88, -32.03

 

CMYK 0 / 99 / 48 / 9

HEX #E80278

RGB 232 2 120

HSL 329.22, 0.98%, 0.46%

LAB 50.16, 78.88, 1.5

 

CMYK 0 / 99 / 75 / 9

HEX #E8023A

RGB 232 2 58

HSL 345.39, 0.98%, 0.46%

LAB 48.89, 75.46, 37.56

 

CMYK 0 / 99 / 99 / 9

HEX #E80202

RGB 232 2 2

HSL 0, 0.98%, 0.46%

LAB 48.52, 74.44, 62.02

 

CMYK 5 / 99 / 0 / 9

HEX #DC02E8

RGB 220 2 232

HSL 296.87, 0.98%, 0.46%

LAB 53.04, 89.49, -59.98

 

CMYK 32 / 99 / 0 / 9

HEX #9E02E8

RGB 158 2 232

HSL 280.7, 0.98%, 0.46%

LAB 42.97, 81.21, -76.79

 

CMYK 59 / 99 / 0 / 9

HEX #6002E8

RGB 96 2 232

HSL 264.52, 0.98%, 0.46%

LAB 34.71, 75.85, -90.7

 

CMYK 85 / 99 / 0 / 9

HEX #2202E8

RGB 34 2 232

HSL 248.35, 0.98%, 0.46%

LAB 29.94, 73.68, -98.79

 

CMYK 99 / 99 / 0 / 9

HEX #0202E8

RGB 2 2 232

HSL 240, 0.98%, 0.46%

LAB 29.11, 73.4, -100.18

 

CMYK 5 / 99 / 0 / 9

HEX #DC02E8

RGB 220 2 232

HSL 296.87, 0.98%, 0.46%

LAB 53.04, 89.49, -59.98

 

CMYK 5 / 99 / 0 / 9

HEX #DC02E8

RGB 220 2 232

HSL 296.87, 0.98%, 0.46%

LAB 53.04, 89.49, -59.98

 

CMYK 5 / 90 / 0 / 16

HEX #CB15D5

RGB 203 21 213

HSL 296.88, 0.82%, 0.46%

LAB 49.54, 82.27, -54.96

 

CMYK 4 / 79 / 0 / 24

HEX #BA28C2

RGB 186 40 194

HSL 296.88, 0.66%, 0.46%

LAB 46.78, 72.63, -48.57

 

CMYK 3 / 66 / 0 / 31

HEX #A93BAF

RGB 169 59 175

HSL 296.9, 0.5%, 0.46%

LAB 45.16, 59.54, -40.18

 

CMYK 3 / 50 / 0 / 39

HEX #984E9C

RGB 152 78 156

HSL 296.92, 0.33%, 0.46%

LAB 44.98, 42.64, -29.37

 

CMYK 59 / 99 / 0 / 9

HEX #5E02E8

RGB 94 2 232

HSL 264, 0.98%, 0.46%

LAB 34.5, 75.73, -91.06

 

CMYK 33 / 99 / 0 / 9

HEX #9B02E8

RGB 155 2 232

HSL 279.91, 0.98%, 0.46%

LAB 42.52, 80.87, -77.55

 

CMYK 7 / 99 / 0 / 9

HEX #D802E8

RGB 216 2 232

HSL 295.83, 0.98%, 0.46%

LAB 52.36, 88.89, -61.11

 

CMYK 0 / 99 / 20 / 9

HEX #E802BA

RGB 232 2 186

HSL 312, 0.98%, 0.46%

LAB 52.67, 85.35, -34.07

 

CMYK 0 / 99 / 47 / 9

HEX #E8027C

RGB 232 2 124

HSL 328.17, 0.98%, 0.46%

LAB 50.28, 79.19, -0.77

 

CMYK 5 / 99 / 0 / 41

HEX #8E0196

RGB 142 1 150

HSL 296.78, 0.99%, 0.3%

LAB 33.93, 64.67, -43.35

 

CMYK 5 / 99 / 0 / 25

HEX #B501BF

RGB 181 1 191

HSL 296.84, 0.99%, 0.38%

LAB 43.66, 77.37, -51.86

 

CMYK 5 / 99 / 0 / 9

HEX #DC02E8

RGB 220 2 232

HSL 296.87, 0.98%, 0.46%

LAB 53.04, 89.49, -59.98

 

CMYK 5 / 91 / 0 / 1

HEX #F017FC

RGB 240 23 252

HSL 296.86, 0.97%, 0.54%

LAB 58.19, 93.83, -62.72

 

CMYK 4 / 75 / 0 / 1

HEX #F340FD

RGB 243 64 253

HSL 296.83, 0.98%, 0.62%

LAB 61.49, 86.45, -57.97

 

CMYK 5 / 99 / 0 / 9

HEX #DB02E7

RGB 219 2 231

HSL 296.86, 0.98%, 0.46%

LAB 52.81, 89.19, -59.8

 

CMYK 0 / 86 / 99 / 9

HEX #E82102

RGB 232 33 2

HSL 8.09, 0.98%, 0.46%

LAB 49.8, 70.75, 62.53

 

CMYK 99 / 0 / 47 / 9

HEX #02E87C

RGB 2 232 124

HSL 151.83, 0.98%, 0.46%

LAB 81.39, -70.08, 39.57

 

CMYK 5 / 99 / 0 / 9

HEX #DB02E7

RGB 219 2 231

HSL 296.86, 0.98%, 0.46%

LAB 52.81, 89.19, -59.8

 

CMYK 0 / 7 / 99 / 9

HEX #E8D802

RGB 232 216 2

HSL 55.83, 0.98%, 0.46%

LAB 85.13, -12.2, 84.74

 

CMYK 99 / 0 / 7 / 9

HEX #02E8D8

RGB 2 232 216

HSL 175.83, 0.98%, 0.46%

LAB 83.28, -49.28, -5.38

 

CMYK 5 / 99 / 0 / 9

HEX #DB02E7

RGB 219 2 231

HSL 296.86, 0.98%, 0.46%

LAB 52.81, 89.19, -59.8

 

CMYK 0 / 86 / 99 / 9

HEX #E82102

RGB 232 33 2

HSL 8.09, 0.98%, 0.46%

LAB 49.8, 70.75, 62.53

 

CMYK 93 / 0 / 99 / 9

HEX #11E802

RGB 17 232 2

HSL 116.09, 0.98%, 0.46%

LAB 80.65, -79.6, 77.35

 

CMYK 99 / 13 / 0 / 9

HEX #02C9E8

RGB 2 201 232

HSL 188.09, 0.98%, 0.46%

LAB 74.58, -30.43, -27.01

 

CMYK 5 / 99 / 0 / 9

HEX #DB02E7

RGB 219 2 231

HSL 296.86, 0.98%, 0.46%

LAB 52.81, 89.19, -59.8

 

CMYK 0 / 56 / 99 / 9

HEX #E86502

RGB 232 101 2

HSL 25.83, 0.98%, 0.46%

LAB 58.48, 47.13, 66.91

 

CMYK 93 / 0 / 99 / 9

HEX #11E802

RGB 17 232 2

HSL 116.09, 0.98%, 0.46%

LAB 80.65, -79.6, 77.35

 

CMYK 99 / 43 / 0 / 9

HEX #0284E8

RGB 2 132 232

HSL 206.09, 0.98%, 0.46%

LAB 54.39, 7.47, -58.7

 

Description

Color code: HEX #DB02E7 | qconv.com Color code: HEX #DB02E7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 2 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 2 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 99 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 99% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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