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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAFC73 it is the complementary color #25038C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAFC73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAFC73 shade: #DFFC6E, #F0FF81, #FFFF94, #FFFFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAFC73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAFC73 shade: #DAFC73, #C9EA60, #B8D84D, #A7C63A and #96B427

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAFC73 shade: #DAFC73, #FCF973, #FCD473, #FCAF73 and #FC8A73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAFC73 shade: #DAFC73, #B5FC73, #90FC73, #73FC7A and #73FC9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAFC73 shade matches the following richer shades: #DAFC73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAFC73 shade: #DAFC73, #D4F07E, #CEE58A, #C8D995 and #C2CDA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAFC73 shade: #FCD373, #FCF773, #DCFC73, #B7FC73 and #93FC73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAFC73 shade: #C4FA22, #CFFB4A, #DAFC73, #E4FC9B and #EFFDC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAFC73 shade: #DAFC73, #73FCAE and #E573FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAFC73 shade: #DAFC73, #73DCFC and #FC73DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAFC73 shade: #DAFC73, #73FCAE, #9373FC and #FC73C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAFC73 shade: #DAFC73, #73FCD7, #9373FC and #FC7397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

Complementary color

CMYK 74 / 98 / 0 / 45

HEX #25038C

RGB 37 3 140

HSL 254.89, 0.96%, 0.28%

LAB 17.24, 50.48, -65.12

 

CMYK 12 / 0 / 56 / 1

HEX #DFFC6E

RGB 223 252 110

HSL 72.25, 0.96%, 0.71%

LAB 94.5, -28.97, 63.56

 

CMYK 6 / 0 / 49 / 0

HEX #F0FF81

RGB 240 255 129

HSL 67.14, 1%, 0.75%

LAB 96.67, -22.26, 57.95

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 14 / 0 / 59 / 8

HEX #C9EA60

RGB 201 234 96

HSL 74.35, 0.77%, 0.65%

LAB 88.02, -30.14, 61.89

 

CMYK 15 / 0 / 64 / 15

HEX #B8D84D

RGB 184 216 77

HSL 73.81, 0.64%, 0.57%

LAB 81.75, -29.73, 62.63

 

CMYK 16 / 0 / 71 / 22

HEX #A7C63A

RGB 167 198 58

HSL 73.29, 0.55%, 0.5%

LAB 75.39, -29.21, 63.04

 

CMYK 17 / 0 / 78 / 29

HEX #96B427

RGB 150 180 39

HSL 72.77, 0.64%, 0.43%

LAB 68.95, -28.53, 62.84

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 0 / 1 / 54 / 1

HEX #FCF973

RGB 252 249 115

HSL 58.69, 0.96%, 0.72%

LAB 95.87, -15.84, 63.51

 

CMYK 0 / 16 / 54 / 1

HEX #FCD473

RGB 252 212 115

HSL 42.48, 0.96%, 0.72%

LAB 86.51, 2.64, 52.63

 

CMYK 0 / 31 / 54 / 1

HEX #FCAF73

RGB 252 175 115

HSL 26.28, 0.96%, 0.72%

LAB 77.63, 21.89, 41.84

 

CMYK 0 / 45 / 54 / 1

HEX #FC8A73

RGB 252 138 115

HSL 10.07, 0.96%, 0.72%

LAB 69.55, 41.06, 31.57

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 28 / 0 / 54 / 1

HEX #B5FC73

RGB 181 252 115

HSL 91.09, 0.96%, 0.72%

LAB 91.99, -43.92, 57.82

 

CMYK 43 / 0 / 54 / 1

HEX #90FC73

RGB 144 252 115

HSL 107.3, 0.96%, 0.72%

LAB 90.22, -55.84, 55.3

 

CMYK 54 / 0 / 52 / 1

HEX #73FC7A

RGB 115 252 122

HSL 123.07, 0.96%, 0.72%

LAB 89.24, -62.78, 50.68

 

CMYK 54 / 0 / 37 / 1

HEX #73FC9F

RGB 115 252 159

HSL 139.27, 0.96%, 0.72%

LAB 89.75, -57.27, 33.48

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 12 / 0 / 48 / 6

HEX #D4F07E

RGB 212 240 126

HSL 74.74, 0.79%, 0.72%

LAB 90.7, -26.1, 51.71

 

CMYK 10 / 0 / 40 / 10

HEX #CEE58A

RGB 206 229 138

HSL 75.16, 0.64%, 0.72%

LAB 87.48, -21.8, 41.82

 

CMYK 8 / 0 / 31 / 15

HEX #C8D995

RGB 200 217 149

HSL 75, 0.47%, 0.72%

LAB 84, -16.79, 31.67

 

CMYK 5 / 0 / 21 / 20

HEX #C2CDA1

RGB 194 205 161

HSL 75, 0.31%, 0.72%

LAB 80.57, -11.27, 20.7

 

CMYK 0 / 16 / 54 / 1

HEX #FCD373

RGB 252 211 115

HSL 42.04, 0.96%, 0.72%

LAB 86.27, 3.15, 52.34

 

CMYK 0 / 2 / 54 / 1

HEX #FCF773

RGB 252 247 115

HSL 57.81, 0.96%, 0.72%

LAB 95.35, -14.87, 62.92

 

CMYK 13 / 0 / 54 / 1

HEX #DCFC73

RGB 220 252 115

HSL 74.01, 0.96%, 0.72%

LAB 94.34, -29.7, 61.16

 

CMYK 27 / 0 / 54 / 1

HEX #B7FC73

RGB 183 252 115

HSL 90.22, 0.96%, 0.72%

LAB 92.1, -43.23, 57.97

 

CMYK 42 / 0 / 54 / 1

HEX #93FC73

RGB 147 252 115

HSL 105.99, 0.96%, 0.72%

LAB 90.35, -54.95, 55.48

 

CMYK 22 / 0 / 86 / 2

HEX #C4FA22

RGB 196 250 34

HSL 75, 0.96%, 0.56%

LAB 91.78, -42.35, 84.94

 

CMYK 18 / 0 / 71 / 2

HEX #CFFB4A

RGB 207 251 74

HSL 74.92, 0.96%, 0.64%

LAB 92.91, -37.04, 75.59

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 10 / 0 / 38 / 1

HEX #E4FC9B

RGB 228 252 155

HSL 74.85, 0.94%, 0.8%

LAB 95.36, -22.7, 43.86

 

CMYK 6 / 0 / 23 / 1

HEX #EFFDC3

RGB 239 253 195

HSL 74.48, 0.94%, 0.88%

LAB 97.04, -14.04, 26.28

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 54 / 0 / 31 / 1

HEX #73FCAE

RGB 115 252 174

HSL 145.84, 0.96%, 0.72%

LAB 90.01, -54.6, 26.28

 

CMYK 9 / 54 / 0 / 1

HEX #E573FC

RGB 229 115 252

HSL 289.93, 0.96%, 0.72%

LAB 66.48, 63.69, -49.63

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 54 / 13 / 0 / 1

HEX #73DCFC

RGB 115 220 252

HSL 194.01, 0.96%, 0.72%

LAB 82.84, -21.77, -24.89

 

CMYK 0 / 54 / 13 / 1

HEX #FC73DC

RGB 252 115 220

HSL 314.01, 0.96%, 0.72%

LAB 68.11, 64.44, -29.18

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 54 / 0 / 31 / 1

HEX #73FCAE

RGB 115 252 174

HSL 145.84, 0.96%, 0.72%

LAB 90.01, -54.6, 26.28

 

CMYK 42 / 54 / 0 / 1

HEX #9373FC

RGB 147 115 252

HSL 254.01, 0.96%, 0.72%

LAB 57.55, 43.83, -64.38

 

CMYK 0 / 54 / 24 / 1

HEX #FC73C0

RGB 252 115 192

HSL 326.28, 0.96%, 0.72%

LAB 67.1, 60.46, -15.06

 

CMYK 13 / 0 / 54 / 1

HEX #DAFC73

RGB 218 252 115

HSL 74.89, 0.96%, 0.72%

LAB 94.21, -30.46, 60.97

 

CMYK 54 / 0 / 15 / 1

HEX #73FCD7

RGB 115 252 215

HSL 163.8, 0.96%, 0.72%

LAB 90.86, -46.11, 6.42

 

CMYK 42 / 54 / 0 / 1

HEX #9373FC

RGB 147 115 252

HSL 254.01, 0.96%, 0.72%

LAB 57.55, 43.83, -64.38

 

CMYK 0 / 54 / 40 / 1

HEX #FC7397

RGB 252 115 151

HSL 344.23, 0.96%, 0.72%

LAB 65.9, 55.57, 6.4

 

Description

Color code: HEX #DAFC73 | qconv.com Color code: HEX #DAFC73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 252 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 252 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 54 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 54% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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