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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE35A it is the complementary color #251CA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE35A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE35A shade: #DFE355, #F0F568, #FFFF7B, #FFFF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE35A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE35A shade: #DAE35A, #C9D147, #B8BF34, #A7AD21 and #969B0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE35A shade: #D9E259, #E2C659, #E2A159, #E27C59 and #E25959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE35A shade: #D9E259, #B4E259, #8FE259, #6AE259 and #59E26D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE35A shade matches the following richer shades: #D9E259 and #E7F249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE35A shade: #D9E259, #CCD368, #BEC378, #B1B388 and #A3A498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE35A shade: #E2A059, #E2C559, #DCE259, #B7E259 and #92E259

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE35A shade: #BCC721, #D1DC36, #D9E259, #E1E87C and #E9EE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE35A shade: #DAE35A, #59E27B and #B259E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE35A shade: #DAE35A, #59DCE2 and #E259DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE35A shade: #DAE35A, #59E27B, #6059E2 and #E259C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE35A shade: #DAE35A, #59E2A4, #6059E2 and #E25997

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 60 / 11

HEX #DAE35A

RGB 218 227 90

HSL 63.94, 0.71%, 0.62%

LAB 87.28, -20.53, 63.95

 

Complementary color

CMYK 78 / 83 / 0 / 35

HEX #251CA5

RGB 37 28 165

HSL 243.94, 0.71%, 0.38%

LAB 23.47, 48.7, -70.16

 

CMYK 2 / 0 / 63 / 11

HEX #DFE355

RGB 223 227 85

HSL 61.69, 0.72%, 0.61%

LAB 87.62, -18.83, 66.48

 

CMYK 2 / 0 / 58 / 4

HEX #F0F568

RGB 240 245 104

HSL 62.13, 0.88%, 0.68%

LAB 93.81, -19.46, 65.69

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 4 / 0 / 60 / 11

HEX #DAE35A

RGB 218 227 90

HSL 63.94, 0.71%, 0.62%

LAB 87.28, -20.53, 63.95

 

CMYK 4 / 0 / 66 / 18

HEX #C9D147

RGB 201 209 71

HSL 63.48, 0.6%, 0.55%

LAB 81, -19.87, 64.6

 

CMYK 4 / 0 / 73 / 25

HEX #B8BF34

RGB 184 191 52

HSL 63.02, 0.57%, 0.48%

LAB 74.64, -19.07, 64.85

 

CMYK 3 / 0 / 81 / 32

HEX #A7AD21

RGB 167 173 33

HSL 62.57, 0.68%, 0.4%

LAB 68.18, -18.09, 64.36

 

CMYK 3 / 0 / 91 / 39

HEX #969B0E

RGB 150 155 14

HSL 62.13, 0.83%, 0.33%

LAB 61.62, -16.88, 62.62

 

CMYK 4 / 0 / 61 / 11

HEX #D9E259

RGB 217 226 89

HSL 63.94, 0.7%, 0.62%

LAB 86.93, -20.51, 63.97

 

CMYK 0 / 12 / 61 / 11

HEX #E2C659

RGB 226 198 89

HSL 47.74, 0.7%, 0.62%

LAB 80.34, -2.76, 56.95

 

CMYK 0 / 29 / 61 / 11

HEX #E2A159

RGB 226 161 89

HSL 31.53, 0.7%, 0.62%

LAB 71.13, 16.74, 46.45

 

CMYK 0 / 45 / 61 / 11

HEX #E27C59

RGB 226 124 89

HSL 15.33, 0.7%, 0.62%

LAB 62.76, 36.36, 36.4

 

CMYK 0 / 61 / 61 / 11

HEX #E25959

RGB 226 89 89

HSL 0, 0.7%, 0.62%

LAB 56.12, 53.35, 28.05

 

CMYK 4 / 0 / 61 / 11

HEX #D9E259

RGB 217 226 89

HSL 63.94, 0.7%, 0.62%

LAB 86.93, -20.51, 63.97

 

CMYK 20 / 0 / 61 / 11

HEX #B4E259

RGB 180 226 89

HSL 80.15, 0.7%, 0.62%

LAB 84.39, -35.03, 60.46

 

CMYK 37 / 0 / 61 / 11

HEX #8FE259

RGB 143 226 89

HSL 96.35, 0.7%, 0.62%

LAB 82.35, -48.23, 57.64

 

CMYK 53 / 0 / 61 / 11

HEX #6AE259

RGB 106 226 89

HSL 112.55, 0.7%, 0.62%

LAB 80.84, -59.22, 55.52

 

CMYK 61 / 0 / 52 / 11

HEX #59E26D

RGB 89 226 109

HSL 128.76, 0.7%, 0.62%

LAB 80.53, -60.86, 45.96

 

CMYK 4 / 0 / 61 / 11

HEX #D9E259

RGB 217 226 89

HSL 63.94, 0.7%, 0.62%

LAB 86.93, -20.51, 63.97

 

CMYK 5 / 0 / 70 / 5

HEX #E7F249

RGB 231 242 73

HSL 63.91, 0.87%, 0.62%

LAB 92.12, -23.47, 75.72

 

CMYK 4 / 0 / 61 / 11

HEX #D9E259

RGB 217 226 89

HSL 63.94, 0.7%, 0.62%

LAB 86.93, -20.51, 63.97

 

CMYK 3 / 0 / 51 / 17

HEX #CCD368

RGB 204 211 104

HSL 63.93, 0.55%, 0.62%

LAB 82.07, -17.22, 51.57

 

CMYK 3 / 0 / 38 / 24

HEX #BEC378

RGB 190 195 120

HSL 64, 0.38%, 0.62%

LAB 76.88, -13.15, 37.1

 

CMYK 1 / 0 / 24 / 30

HEX #B1B388

RGB 177 179 136

HSL 62.79, 0.22%, 0.62%

LAB 71.8, -7.88, 21.79

 

CMYK 1 / 0 / 7 / 36

HEX #A3A498

RGB 163 164 152

HSL 65, 0.06%, 0.62%

LAB 66.98, -2.57, 6.09

 

CMYK 0 / 29 / 61 / 11

HEX #E2A059

RGB 226 160 89

HSL 31.09, 0.7%, 0.62%

LAB 70.89, 17.28, 46.17

 

CMYK 0 / 13 / 61 / 11

HEX #E2C559

RGB 226 197 89

HSL 47.3, 0.7%, 0.62%

LAB 80.08, -2.25, 56.67

 

CMYK 3 / 0 / 61 / 11

HEX #DCE259

RGB 220 226 89

HSL 62.63, 0.7%, 0.62%

LAB 87.16, -19.3, 64.28

 

CMYK 19 / 0 / 61 / 11

HEX #B7E259

RGB 183 226 89

HSL 78.83, 0.7%, 0.62%

LAB 84.58, -33.9, 60.72

 

CMYK 35 / 0 / 61 / 11

HEX #92E259

RGB 146 226 89

HSL 95.04, 0.7%, 0.62%

LAB 82.5, -47.23, 57.84

 

CMYK 6 / 0 / 83 / 22

HEX #BCC721

RGB 188 199 33

HSL 63.98, 0.72%, 0.45%

LAB 77.07, -22.03, 72.63

 

CMYK 5 / 0 / 75 / 14

HEX #D1DC36

RGB 209 220 54

HSL 63.98, 0.7%, 0.54%

LAB 84.49, -22.75, 74.1

 

CMYK 4 / 0 / 61 / 11

HEX #D9E259

RGB 217 226 89

HSL 63.94, 0.7%, 0.62%

LAB 86.93, -20.51, 63.97

 

CMYK 3 / 0 / 47 / 9

HEX #E1E87C

RGB 225 232 124

HSL 63.89, 0.7%, 0.7%

LAB 89.48, -17.43, 51.38

 

CMYK 2 / 0 / 33 / 7

HEX #E9EE9F

RGB 233 238 159

HSL 63.8, 0.7%, 0.78%

LAB 92.12, -13.57, 37.75

 

CMYK 4 / 0 / 60 / 11

HEX #DAE35A

RGB 218 227 90

HSL 63.94, 0.71%, 0.62%

LAB 87.28, -20.53, 63.95

 

CMYK 61 / 0 / 46 / 11

HEX #59E27B

RGB 89 226 123

HSL 134.89, 0.7%, 0.62%

LAB 80.71, -58.84, 39.43

 

CMYK 21 / 61 / 0 / 11

HEX #B259E2

RGB 178 89 226

HSL 278.98, 0.7%, 0.62%

LAB 54.13, 58.32, -55.19

 

CMYK 4 / 0 / 60 / 11

HEX #DAE35A

RGB 218 227 90

HSL 63.94, 0.71%, 0.62%

LAB 87.28, -20.53, 63.95

 

CMYK 61 / 3 / 0 / 11

HEX #59DCE2

RGB 89 220 226

HSL 182.63, 0.7%, 0.62%

LAB 81.18, -33.75, -13.67

 

CMYK 0 / 61 / 3 / 11

HEX #E259DC

RGB 226 89 220

HSL 302.63, 0.7%, 0.62%

LAB 60.32, 68.8, -41.59

 

CMYK 4 / 0 / 60 / 11

HEX #DAE35A

RGB 218 227 90

HSL 63.94, 0.71%, 0.62%

LAB 87.28, -20.53, 63.95

 

CMYK 61 / 0 / 46 / 11

HEX #59E27B

RGB 89 226 123

HSL 134.89, 0.7%, 0.62%

LAB 80.71, -58.84, 39.43

 

CMYK 58 / 61 / 0 / 11

HEX #6059E2

RGB 96 89 226

HSL 243.07, 0.7%, 0.62%

LAB 45.8, 41.18, -69.05

 

CMYK 0 / 61 / 15 / 11

HEX #E259C0

RGB 226 89 192

HSL 314.89, 0.7%, 0.62%

LAB 59.08, 64.47, -27.63

 

CMYK 4 / 0 / 60 / 11

HEX #DAE35A

RGB 218 227 90

HSL 63.94, 0.71%, 0.62%

LAB 87.28, -20.53, 63.95

 

CMYK 61 / 0 / 27 / 11

HEX #59E2A4

RGB 89 226 164

HSL 152.85, 0.7%, 0.62%

LAB 81.4, -51.43, 19.46

 

CMYK 58 / 61 / 0 / 11

HEX #6059E2

RGB 96 89 226

HSL 243.07, 0.7%, 0.62%

LAB 45.8, 41.18, -69.05

 

CMYK 0 / 61 / 33 / 11

HEX #E25997

RGB 226 89 151

HSL 332.85, 0.7%, 0.62%

LAB 57.61, 59.05, -6.17

 

Description

Color code: HEX #DAE35A | qconv.com Color code: HEX #DAE35A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 227 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 227 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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