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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE1A5 it is the complementary color #251E5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE1A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE1A5 shade: #DFE1A0, #F0F3B3, #FFFFC6, #FFFFD9 and #FFFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE1A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE1A5 shade: #DAE1A5, #C9CF92, #B8BD7F, #A7AB6C and #969959

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE1A5 shade: #D9E0A3, #E0D7A3, #E0C6A3, #E0B6A3 and #E0A5A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE1A5 shade: #D9E0A3, #C8E0A3, #B8E0A3, #A7E0A3 and #A3E0AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE1A5 shade matches the following richer shades: #D9E0A3, #E0EA99, #E8F48F and #F0FE85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE1A5 shade: #D9E0A3, #D1D6AD, #CACCB7, #C2C2C0 and #BAB8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE1A5 shade: #E0C6A3, #E0D7A3, #D9E0A3, #C8E0A3 and #B8E0A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE1A5 shade: #BFCB65, #CCD684, #D9E0A3, #E5EAC2 and #F2F5E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE1A5 shade: #DAE1A5, #A3E0B6 and #CFA3E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE1A5 shade: #DAE1A5, #A3D9E0 and #E0A3D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE1A5 shade: #DAE1A5, #A3E0B6, #AAA3E0 and #E0A3CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE1A5 shade: #DAE1A5, #A3E0C8, #AAA3E0 and #E0A3BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 27 / 12

HEX #DAE1A5

RGB 218 225 165

HSL 67, 0.5%, 0.76%

LAB 87.71, -11.95, 28.65

 

Complementary color

CMYK 59 / 67 / 0 / 65

HEX #251E5A

RGB 37 30 90

HSL 247, 0.5%, 0.24%

LAB 15.8, 22.21, -35.13

 

CMYK 1 / 0 / 29 / 12

HEX #DFE1A0

RGB 223 225 160

HSL 61.85, 0.52%, 0.75%

LAB 88.01, -10.74, 31.67

 

CMYK 1 / 0 / 26 / 5

HEX #F0F3B3

RGB 240 243 179

HSL 62.81, 0.73%, 0.83%

LAB 94.26, -10.93, 30.62

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 3 / 0 / 27 / 12

HEX #DAE1A5

RGB 218 225 165

HSL 67, 0.5%, 0.76%

LAB 87.71, -11.95, 28.65

 

CMYK 3 / 0 / 29 / 19

HEX #C9CF92

RGB 201 207 146

HSL 65.9, 0.39%, 0.69%

LAB 81.36, -11.78, 29.71

 

CMYK 3 / 0 / 33 / 26

HEX #B8BD7F

RGB 184 189 127

HSL 64.84, 0.32%, 0.62%

LAB 74.9, -11.59, 30.82

 

CMYK 2 / 0 / 37 / 33

HEX #A7AB6C

RGB 167 171 108

HSL 63.81, 0.27%, 0.55%

LAB 68.33, -11.35, 31.99

 

CMYK 2 / 0 / 42 / 40

HEX #969959

RGB 150 153 89

HSL 62.81, 0.26%, 0.47%

LAB 61.64, -11.05, 33.21

 

CMYK 3 / 0 / 27 / 12

HEX #D9E0A3

RGB 217 224 163

HSL 66.89, 0.5%, 0.76%

LAB 87.34, -12.09, 29.16

 

CMYK 0 / 4 / 27 / 12

HEX #E0D7A3

RGB 224 215 163

HSL 51.15, 0.5%, 0.76%

LAB 85.55, -4.9, 26.83

 

CMYK 0 / 12 / 27 / 12

HEX #E0C6A3

RGB 224 198 163

HSL 34.43, 0.5%, 0.76%

LAB 81.23, 3.91, 20.92

 

CMYK 0 / 19 / 27 / 12

HEX #E0B6A3

RGB 224 182 163

HSL 18.69, 0.5%, 0.76%

LAB 77.25, 12.38, 15.39

 

CMYK 0 / 26 / 27 / 12

HEX #E0A5A3

RGB 224 165 163

HSL 1.97, 0.5%, 0.76%

LAB 73.16, 21.49, 9.6

 

CMYK 3 / 0 / 27 / 12

HEX #D9E0A3

RGB 217 224 163

HSL 66.89, 0.5%, 0.76%

LAB 87.34, -12.09, 29.16

 

CMYK 11 / 0 / 27 / 12

HEX #C8E0A3

RGB 200 224 163

HSL 83.61, 0.5%, 0.76%

LAB 86.12, -18.33, 27.31

 

CMYK 18 / 0 / 27 / 12

HEX #B8E0A3

RGB 184 224 163

HSL 99.34, 0.5%, 0.76%

LAB 85.07, -24.02, 25.7

 

CMYK 25 / 0 / 27 / 12

HEX #A7E0A3

RGB 167 224 163

HSL 116.07, 0.5%, 0.76%

LAB 84.05, -29.8, 24.15

 

CMYK 27 / 0 / 22 / 12

HEX #A3E0AF

RGB 163 224 175

HSL 131.8, 0.5%, 0.76%

LAB 84.07, -29.05, 17.88

 

CMYK 3 / 0 / 27 / 12

HEX #D9E0A3

RGB 217 224 163

HSL 66.89, 0.5%, 0.76%

LAB 87.34, -12.09, 29.16

 

CMYK 4 / 0 / 35 / 8

HEX #E0EA99

RGB 224 234 153

HSL 67.41, 0.66%, 0.76%

LAB 90.32, -15.7, 38.27

 

CMYK 5 / 0 / 41 / 4

HEX #E8F48F

RGB 232 244 143

HSL 67.13, 0.82%, 0.76%

LAB 93.38, -18.68, 47.22

 

CMYK 6 / 0 / 48 / 0

HEX #F0FE85

RGB 240 254 133

HSL 66.94, 0.98%, 0.76%

LAB 96.45, -21.42, 55.86

 

CMYK 3 / 0 / 27 / 12

HEX #D9E0A3

RGB 217 224 163

HSL 66.89, 0.5%, 0.76%

LAB 87.34, -12.09, 29.16

 

CMYK 2 / 0 / 19 / 16

HEX #D1D6AD

RGB 209 214 173

HSL 67.32, 0.33%, 0.76%

LAB 84.31, -8.56, 19.72

 

CMYK 1 / 0 / 10 / 20

HEX #CACCB7

RGB 202 204 183

HSL 65.71, 0.17%, 0.76%

LAB 81.38, -4.36, 10.23

 

CMYK 0 / 0 / 1 / 24

HEX #C2C2C0

RGB 194 194 192

HSL 60, 0.02%, 0.76%

LAB 78.38, -0.36, 0.99

 

CMYK 8 / 9 / 0 / 21

HEX #BAB8CA

RGB 186 184 202

HSL 246.67, 0.15%, 0.76%

LAB 75.44, 4.17, -8.82

 

CMYK 0 / 12 / 27 / 12

HEX #E0C6A3

RGB 224 198 163

HSL 34.43, 0.5%, 0.76%

LAB 81.23, 3.91, 20.92

 

CMYK 0 / 4 / 27 / 12

HEX #E0D7A3

RGB 224 215 163

HSL 51.15, 0.5%, 0.76%

LAB 85.55, -4.9, 26.83

 

CMYK 3 / 0 / 27 / 12

HEX #D9E0A3

RGB 217 224 163

HSL 66.89, 0.5%, 0.76%

LAB 87.34, -12.09, 29.16

 

CMYK 11 / 0 / 27 / 12

HEX #C8E0A3

RGB 200 224 163

HSL 83.61, 0.5%, 0.76%

LAB 86.12, -18.33, 27.31

 

CMYK 18 / 0 / 27 / 12

HEX #B8E0A3

RGB 184 224 163

HSL 99.34, 0.5%, 0.76%

LAB 85.07, -24.02, 25.7

 

CMYK 6 / 0 / 50 / 20

HEX #BFCB65

RGB 191 203 101

HSL 67.06, 0.5%, 0.6%

LAB 78.88, -18.74, 48.98

 

CMYK 5 / 0 / 38 / 16

HEX #CCD684

RGB 204 214 132

HSL 67.32, 0.5%, 0.68%

LAB 83.23, -15.88, 39.35

 

CMYK 3 / 0 / 27 / 12

HEX #D9E0A3

RGB 217 224 163

HSL 66.89, 0.5%, 0.76%

LAB 87.34, -12.09, 29.16

 

CMYK 2 / 0 / 17 / 8

HEX #E5EAC2

RGB 229 234 194

HSL 67.5, 0.49%, 0.84%

LAB 91.41, -8.31, 18.9

 

CMYK 1 / 0 / 8 / 4

HEX #F2F5E1

RGB 242 245 225

HSL 69, 0.5%, 0.92%

LAB 95.84, -4.41, 9.27

 

CMYK 3 / 0 / 27 / 12

HEX #DAE1A5

RGB 218 225 165

HSL 67, 0.5%, 0.76%

LAB 87.71, -11.95, 28.65

 

CMYK 27 / 0 / 19 / 12

HEX #A3E0B6

RGB 163 224 182

HSL 138.69, 0.5%, 0.76%

LAB 84.21, -27.78, 14.42

 

CMYK 8 / 27 / 0 / 12

HEX #CFA3E0

RGB 207 163 224

HSL 283.28, 0.5%, 0.76%

LAB 72.79, 26.98, -24.66

 

CMYK 3 / 0 / 27 / 12

HEX #DAE1A5

RGB 218 225 165

HSL 67, 0.5%, 0.76%

LAB 87.71, -11.95, 28.65

 

CMYK 27 / 3 / 0 / 12

HEX #A3D9E0

RGB 163 217 224

HSL 186.89, 0.5%, 0.76%

LAB 83.33, -15.66, -9.08

 

CMYK 0 / 27 / 3 / 12

HEX #E0A3D9

RGB 224 163 217

HSL 306.89, 0.5%, 0.76%

LAB 74.22, 31.18, -18.49

 

CMYK 3 / 0 / 27 / 12

HEX #DAE1A5

RGB 218 225 165

HSL 67, 0.5%, 0.76%

LAB 87.71, -11.95, 28.65

 

CMYK 27 / 0 / 19 / 12

HEX #A3E0B6

RGB 163 224 182

HSL 138.69, 0.5%, 0.76%

LAB 84.21, -27.78, 14.42

 

CMYK 24 / 27 / 0 / 12

HEX #AAA3E0

RGB 170 163 224

HSL 246.89, 0.5%, 0.76%

LAB 69.56, 15.44, -29.89

 

CMYK 0 / 27 / 8 / 12

HEX #E0A3CD

RGB 224 163 205

HSL 318.69, 0.5%, 0.76%

LAB 73.84, 29.07, -12.5

 

CMYK 3 / 0 / 27 / 12

HEX #DAE1A5

RGB 218 225 165

HSL 67, 0.5%, 0.76%

LAB 87.71, -11.95, 28.65

 

CMYK 27 / 0 / 11 / 12

HEX #A3E0C8

RGB 163 224 200

HSL 156.39, 0.5%, 0.76%

LAB 84.62, -24.29, 5.52

 

CMYK 24 / 27 / 0 / 12

HEX #AAA3E0

RGB 170 163 224

HSL 246.89, 0.5%, 0.76%

LAB 69.56, 15.44, -29.89

 

CMYK 0 / 27 / 17 / 12

HEX #E0A3BA

RGB 224 163 186

HSL 337.38, 0.5%, 0.76%

LAB 73.28, 25.95, -2.88

 

Description

Color code: HEX #DAE1A5 | qconv.com Color code: HEX #DAE1A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 225 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 225 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 27 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 27% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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