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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE939 it is the complementary color #2516C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE939. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE939 shade: #DFE934, #F0FB47, #FFFF5A, #FFFF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE939. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE939 shade: #DAE939, #C9D726, #B8C513, #A7B300 and #96A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE939 shade: #DAE939, #E9C839, #E99939, #E96A39 and #E93A39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE939 shade: #DAE939, #AAE939, #7BE939, #4CE939 and #39E956

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE939 shade matches the following richer shades: #DAE939 and #E8FA27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE939 shade: #DAE939, #CBD74B, #BCC55D, #ADB36E and #9FA280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE939 shade: #E99A39, #E9C839, #DAE939, #ABE939 and #7CE939

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE939 shade: #ADBB14, #CFE018, #DAE939, #E1ED5E and #E8F183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE939 shade: #DAE939, #39E96B and #B139E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE939 shade: #DAE939, #39DAE9 and #E939DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE939 shade: #DAE939, #39E96B, #4839E9 and #E939B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE939 shade: #DAE939, #39E99F, #4839E9 and #E93982

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

Complementary color

CMYK 81 / 89 / 0 / 22

HEX #2516C6

RGB 37 22 198

HSL 245.11, 0.8%, 0.43%

LAB 26.86, 60.7, -84.22

 

CMYK 4 / 0 / 78 / 9

HEX #DFE934

RGB 223 233 52

HSL 63.31, 0.8%, 0.56%

LAB 89.02, -23.32, 79.17

 

CMYK 4 / 0 / 72 / 2

HEX #F0FB47

RGB 240 251 71

HSL 63.67, 0.96%, 0.63%

LAB 95.15, -24.21, 79.54

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 7 / 0 / 82 / 16

HEX #C9D726

RGB 201 215 38

HSL 64.75, 0.7%, 0.5%

LAB 82.46, -24.21, 76.42

 

CMYK 7 / 0 / 90 / 23

HEX #B8C513

RGB 184 197 19

HSL 64.38, 0.82%, 0.42%

LAB 76.17, -23.07, 74.46

 

CMYK 7 / 0 / 100 / 30

HEX #A7B300

RGB 167 179 0

HSL 64.02, 1%, 0.35%

LAB 69.79, -21.76, 71.31

 

CMYK 7 / 0 / 100 / 37

HEX #96A100

RGB 150 161 0

HSL 64.1, 1%, 0.32%

LAB 63.32, -20.17, 65.93

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 0 / 14 / 76 / 9

HEX #E9C839

RGB 233 200 57

HSL 48.75, 0.8%, 0.57%

LAB 81.25, -2.54, 70.87

 

CMYK 0 / 34 / 76 / 9

HEX #E99939

RGB 233 153 57

HSL 32.73, 0.8%, 0.57%

LAB 69.75, 22.17, 59.9

 

CMYK 0 / 55 / 76 / 9

HEX #E96A39

RGB 233 106 57

HSL 16.7, 0.8%, 0.57%

LAB 59.82, 46.29, 49.93

 

CMYK 0 / 75 / 76 / 9

HEX #E93A39

RGB 233 58 57

HSL 0.34, 0.8%, 0.57%

LAB 52.56, 65.77, 42.24

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 27 / 0 / 76 / 9

HEX #AAE939

RGB 170 233 57

HSL 81.48, 0.8%, 0.57%

LAB 85.56, -43.92, 73.27

 

CMYK 47 / 0 / 76 / 9

HEX #7BE939

RGB 123 233 57

HSL 97.5, 0.8%, 0.57%

LAB 83.33, -59.65, 70.35

 

CMYK 67 / 0 / 76 / 9

HEX #4CE939

RGB 76 233 57

HSL 113.52, 0.8%, 0.57%

LAB 81.9, -71.06, 68.47

 

CMYK 76 / 0 / 63 / 9

HEX #39E956

RGB 57 233 86

HSL 129.89, 0.8%, 0.57%

LAB 81.74, -71.63, 57.47

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 7 / 0 / 84 / 2

HEX #E8FA27

RGB 232 250 39

HSL 65.12, 0.95%, 0.57%

LAB 94.17, -28.06, 86.93

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 6 / 0 / 65 / 16

HEX #CBD74B

RGB 203 215 75

HSL 65.14, 0.64%, 0.57%

LAB 82.81, -21.74, 64.95

 

CMYK 5 / 0 / 53 / 23

HEX #BCC55D

RGB 188 197 93

HSL 65.19, 0.47%, 0.57%

LAB 76.93, -17.67, 50.4

 

CMYK 3 / 0 / 39 / 30

HEX #ADB36E

RGB 173 179 110

HSL 65.22, 0.31%, 0.57%

LAB 71.04, -12.86, 34.52

 

CMYK 2 / 0 / 21 / 36

HEX #9FA280

RGB 159 162 128

HSL 65.29, 0.15%, 0.57%

LAB 65.57, -6.99, 17.37

 

CMYK 0 / 34 / 76 / 9

HEX #E99A39

RGB 233 154 57

HSL 33.07, 0.8%, 0.57%

LAB 69.99, 21.64, 60.13

 

CMYK 0 / 14 / 76 / 9

HEX #E9C839

RGB 233 200 57

HSL 48.75, 0.8%, 0.57%

LAB 81.25, -2.54, 70.87

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 27 / 0 / 76 / 9

HEX #ABE939

RGB 171 233 57

HSL 81.14, 0.8%, 0.57%

LAB 85.62, -43.55, 73.34

 

CMYK 47 / 0 / 76 / 9

HEX #7CE939

RGB 124 233 57

HSL 97.16, 0.8%, 0.57%

LAB 83.37, -59.36, 70.4

 

CMYK 7 / 0 / 89 / 27

HEX #ADBB14

RGB 173 187 20

HSL 65.03, 0.81%, 0.41%

LAB 72.55, -22.83, 71.06

 

CMYK 8 / 0 / 89 / 12

HEX #CFE018

RGB 207 224 24

HSL 65.1, 0.81%, 0.49%

LAB 85.32, -26.36, 81.67

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 5 / 0 / 60 / 7

HEX #E1ED5E

RGB 225 237 94

HSL 65.03, 0.8%, 0.65%

LAB 90.5, -22.27, 65.93

 

CMYK 4 / 0 / 46 / 5

HEX #E8F183

RGB 232 241 131

HSL 64.91, 0.8%, 0.73%

LAB 92.44, -18.43, 51.8

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 76 / 0 / 54 / 9

HEX #39E96B

RGB 57 233 107

HSL 137.05, 0.8%, 0.57%

LAB 81.95, -69.09, 48.46

 

CMYK 24 / 76 / 0 / 9

HEX #B139E9

RGB 177 57 233

HSL 280.91, 0.8%, 0.57%

LAB 49.69, 72.86, -66.3

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 76 / 6 / 0 / 9

HEX #39DAE9

RGB 57 218 233

HSL 185.11, 0.8%, 0.57%

LAB 80.12, -35.1, -19.07

 

CMYK 0 / 76 / 6 / 9

HEX #E939DA

RGB 233 57 218

HSL 305.11, 0.8%, 0.57%

LAB 57.38, 81.12, -45.03

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 76 / 0 / 54 / 9

HEX #39E96B

RGB 57 233 107

HSL 137.05, 0.8%, 0.57%

LAB 81.95, -69.09, 48.46

 

CMYK 69 / 76 / 0 / 9

HEX #4839E9

RGB 72 57 233

HSL 245.11, 0.8%, 0.57%

LAB 38.18, 58.03, -85.6

 

CMYK 0 / 76 / 21 / 9

HEX #E939B7

RGB 233 57 183

HSL 317.05, 0.8%, 0.57%

LAB 55.75, 76.37, -27.51

 

CMYK 6 / 0 / 76 / 9

HEX #DAE939

RGB 218 233 57

HSL 65.11, 0.8%, 0.57%

LAB 88.68, -25.17, 77.28

 

CMYK 76 / 0 / 32 / 9

HEX #39E99F

RGB 57 233 159

HSL 154.77, 0.8%, 0.57%

LAB 82.73, -60.19, 23.77

 

CMYK 69 / 76 / 0 / 9

HEX #4839E9

RGB 72 57 233

HSL 245.11, 0.8%, 0.57%

LAB 38.18, 58.03, -85.6

 

CMYK 0 / 76 / 44 / 9

HEX #E93982

RGB 233 57 130

HSL 335.11, 0.8%, 0.57%

LAB 53.88, 70.65, 0.89

 

Description

Color code: HEX #DAE939 | qconv.com Color code: HEX #DAE939 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 233 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 233 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 76 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 76% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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