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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE816 it is the complementary color #2517E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE816 shade: #DFE811, #F0FA24, #FFFF37, #FFFF4A and #FFFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE816 shade: #DAE816, #C9D603, #B8C400, #A7B200 and #96A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE816 shade: #DBE915, #E9BE15, #E98515, #E94C15 and #E91515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE816 shade: #DBE915, #A2E915, #69E915, #2FE915 and #15E934

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE816 shade matches the following richer shades: #DBE915 and #EDFD01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE816 shade: #DBE915, #C9D42A, #B7C03E, #A5AB53 and #939668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE816 shade: #E98615, #E9BE15, #DBE915, #A2E915 and #6AE915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE816 shade: #949D0E, #B7C312, #DBE915, #E1EC3B and #E6F061

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE816 shade: #DAE816, #15E94E and #A215E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE816 shade: #DAE816, #15DBE9 and #E915DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE816 shade: #DAE816, #15E94E, #2315E9 and #E915B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE816 shade: #DAE816, #15E98D, #2315E9 and #E91571

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 91 / 9

HEX #DAE816

RGB 218 232 22

HSL 64, 0.83%, 0.5%

LAB 88.29, -25.65, 84.64

 

Complementary color

CMYK 84 / 90 / 0 / 9

HEX #2517E9

RGB 37 23 233

HSL 244, 0.83%, 0.5%

LAB 31.55, 69.82, -96.65

 

CMYK 4 / 0 / 93 / 9

HEX #DFE811

RGB 223 232 17

HSL 62.51, 0.86%, 0.49%

LAB 88.66, -23.65, 85.7

 

CMYK 4 / 0 / 86 / 2

HEX #F0FA24

RGB 240 250 36

HSL 62.8, 0.96%, 0.56%

LAB 94.75, -24.89, 88.22

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF37

RGB 255 255 55

HSL 60, 1%, 0.61%

LAB 97.25, -20.65, 86.56

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4A

RGB 255 255 74

HSL 60, 1%, 0.65%

LAB 97.34, -19.94, 81.05

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 6 / 0 / 91 / 9

HEX #DAE816

RGB 218 232 22

HSL 64, 0.83%, 0.5%

LAB 88.29, -25.65, 84.64

 

CMYK 6 / 0 / 99 / 16

HEX #C9D603

RGB 201 214 3

HSL 63.7, 0.97%, 0.43%

LAB 82.12, -24.34, 81.31

 

CMYK 6 / 0 / 100 / 23

HEX #B8C400

RGB 184 196 0

HSL 63.67, 1%, 0.38%

LAB 75.87, -22.83, 76.39

 

CMYK 6 / 0 / 100 / 30

HEX #A7B200

RGB 167 178 0

HSL 63.71, 1%, 0.35%

LAB 69.51, -21.26, 71.1

 

CMYK 6 / 0 / 100 / 37

HEX #96A000

RGB 150 160 0

HSL 63.75, 1%, 0.31%

LAB 63.03, -19.66, 65.71

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 0 / 18 / 91 / 9

HEX #E9BE15

RGB 233 190 21

HSL 47.83, 0.83%, 0.5%

LAB 78.58, 1.66, 77.85

 

CMYK 0 / 43 / 91 / 9

HEX #E98515

RGB 233 133 21

HSL 31.7, 0.83%, 0.5%

LAB 65.08, 31.72, 67.79

 

CMYK 0 / 67 / 91 / 9

HEX #E94C15

RGB 233 76 21

HSL 15.57, 0.83%, 0.5%

LAB 54.6, 58.53, 60.35

 

CMYK 0 / 91 / 91 / 9

HEX #E91515

RGB 233 21 21

HSL 0, 0.83%, 0.5%

LAB 49.39, 73.1, 56.86

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 30 / 0 / 91 / 9

HEX #A2E915

RGB 162 233 21

HSL 80.09, 0.83%, 0.5%

LAB 85, -48.06, 80.65

 

CMYK 55 / 0 / 91 / 9

HEX #69E915

RGB 105 233 21

HSL 96.23, 0.83%, 0.5%

LAB 82.56, -66.1, 77.64

 

CMYK 80 / 0 / 91 / 9

HEX #2FE915

RGB 47 233 21

HSL 112.64, 0.83%, 0.5%

LAB 81.26, -77.1, 76.03

 

CMYK 91 / 0 / 78 / 9

HEX #15E934

RGB 21 233 52

HSL 128.77, 0.83%, 0.5%

LAB 81.12, -77.92, 68.98

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 6 / 0 / 100 / 1

HEX #EDFD01

RGB 237 253 1

HSL 63.81, 0.99%, 0.5%

LAB 95.27, -27.96, 92.43

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 5 / 0 / 80 / 17

HEX #C9D42A

RGB 201 212 42

HSL 63.88, 0.67%, 0.5%

LAB 81.66, -22.64, 74.74

 

CMYK 5 / 0 / 68 / 25

HEX #B7C03E

RGB 183 192 62

HSL 64.15, 0.51%, 0.5%

LAB 74.9, -19.47, 61.43

 

CMYK 4 / 0 / 51 / 33

HEX #A5AB53

RGB 165 171 83

HSL 64.09, 0.35%, 0.5%

LAB 67.84, -14.83, 44.08

 

CMYK 2 / 0 / 31 / 41

HEX #939668

RGB 147 150 104

HSL 63.91, 0.18%, 0.5%

LAB 60.8, -8.8, 23.96

 

CMYK 0 / 42 / 91 / 9

HEX #E98615

RGB 233 134 21

HSL 31.98, 0.83%, 0.5%

LAB 65.3, 31.2, 67.95

 

CMYK 0 / 18 / 91 / 9

HEX #E9BE15

RGB 233 190 21

HSL 47.83, 0.83%, 0.5%

LAB 78.58, 1.66, 77.85

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 30 / 0 / 91 / 9

HEX #A2E915

RGB 162 233 21

HSL 80.09, 0.83%, 0.5%

LAB 85, -48.06, 80.65

 

CMYK 55 / 0 / 91 / 9

HEX #6AE915

RGB 106 233 21

HSL 95.94, 0.83%, 0.5%

LAB 82.59, -65.84, 77.68

 

CMYK 6 / 0 / 91 / 38

HEX #949D0E

RGB 148 157 14

HSL 63.78, 0.84%, 0.34%

LAB 62.03, -18.8, 62.88

 

CMYK 6 / 0 / 91 / 24

HEX #B7C312

RGB 183 195 18

HSL 64.07, 0.83%, 0.42%

LAB 75.54, -22.54, 74.08

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 5 / 0 / 75 / 7

HEX #E1EC3B

RGB 225 236 59

HSL 63.73, 0.82%, 0.58%

LAB 90.01, -23.67, 78.09

 

CMYK 4 / 0 / 60 / 6

HEX #E6F061

RGB 230 240 97

HSL 64.2, 0.83%, 0.66%

LAB 91.69, -21.52, 66.08

 

CMYK 6 / 0 / 91 / 9

HEX #DAE816

RGB 218 232 22

HSL 64, 0.83%, 0.5%

LAB 88.29, -25.65, 84.64

 

CMYK 91 / 0 / 67 / 9

HEX #15E94E

RGB 21 233 78

HSL 136.13, 0.83%, 0.5%

LAB 81.28, -75.81, 60.1

 

CMYK 30 / 91 / 0 / 9

HEX #A215E9

RGB 162 21 233

HSL 279.91, 0.83%, 0.5%

LAB 44.38, 79.72, -75.04

 

CMYK 6 / 0 / 91 / 9

HEX #DAE816

RGB 218 232 22

HSL 64, 0.83%, 0.5%

LAB 88.29, -25.65, 84.64

 

CMYK 91 / 6 / 0 / 9

HEX #15DBE9

RGB 21 219 233

HSL 183.96, 0.83%, 0.5%

LAB 80.01, -38.07, -19.27

 

CMYK 0 / 91 / 6 / 9

HEX #E915DB

RGB 233 21 219

HSL 303.96, 0.83%, 0.5%

LAB 55.05, 88.2, -49.29

 

CMYK 6 / 0 / 91 / 9

HEX #DAE816

RGB 218 232 22

HSL 64, 0.83%, 0.5%

LAB 88.29, -25.65, 84.64

 

CMYK 91 / 0 / 67 / 9

HEX #15E94E

RGB 21 233 78

HSL 136.13, 0.83%, 0.5%

LAB 81.28, -75.81, 60.1

 

CMYK 85 / 91 / 0 / 9

HEX #2315E9

RGB 35 21 233

HSL 243.96, 0.83%, 0.5%

LAB 31.29, 70.31, -97.09

 

CMYK 0 / 91 / 24 / 9

HEX #E915B0

RGB 233 21 176

HSL 316.13, 0.83%, 0.5%

LAB 52.94, 82.79, -27.78

 

CMYK 6 / 0 / 91 / 9

HEX #DAE816

RGB 218 232 22

HSL 64, 0.83%, 0.5%

LAB 88.29, -25.65, 84.64

 

CMYK 91 / 0 / 39 / 9

HEX #15E98D

RGB 21 233 141

HSL 153.96, 0.83%, 0.5%

LAB 82.03, -66.73, 31.96

 

CMYK 85 / 91 / 0 / 9

HEX #2315E9

RGB 35 21 233

HSL 243.96, 0.83%, 0.5%

LAB 31.29, 70.31, -97.09

 

CMYK 0 / 91 / 52 / 9

HEX #E91571

RGB 233 21 113

HSL 333.96, 0.83%, 0.5%

LAB 50.75, 76.89, 6.64

 

Description

Color code: HEX #DAE816 | qconv.com Color code: HEX #DAE816 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 232 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 232 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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