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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE76E it is the complementary color #251891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE76E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE76E shade: #DFE769, #F0F97C, #FFFF8F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE76E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE76E shade: #DAE76E, #C9D55B, #B8C348, #A7B135 and #969F22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE76E shade: #DAE76E, #E7D36E, #E7B36E, #E7926E and #E7716E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE76E shade: #DAE76E, #B9E76E, #99E76E, #78E76E and #6EE784

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE76E shade matches the following richer shades: #DAE76E and #E5F560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE76E shade: #DAE76E, #CFD97B, #C5CC89, #BABE97 and #AFB0A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE76E shade: #E7B26E, #E7D36E, #DBE76E, #BBE76E and #9AE76E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE76E shade: #C8DB27, #D1E14A, #DAE76E, #E3ED91 and #ECF2B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE76E shade: #DAE76E, #6EE792 and #C36EE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE76E shade: #DAE76E, #6EDBE7 and #E76EDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE76E shade: #DAE76E, #6EE792, #7A6EE7 and #E76EC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE76E shade: #DAE76E, #6EE7B6, #7A6EE7 and #E76E9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

Complementary color

CMYK 74 / 83 / 0 / 43

HEX #251891

RGB 37 24 145

HSL 246.45, 0.72%, 0.33%

LAB 20.4, 44.36, -62.97

 

CMYK 3 / 0 / 55 / 9

HEX #DFE769

RGB 223 231 105

HSL 63.81, 0.72%, 0.66%

LAB 88.86, -19.37, 59.34

 

CMYK 4 / 0 / 50 / 2

HEX #F0F97C

RGB 240 249 124

HSL 64.32, 0.91%, 0.73%

LAB 95.05, -19.82, 58.31

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 6 / 0 / 57 / 16

HEX #C9D55B

RGB 201 213 91

HSL 65.9, 0.59%, 0.6%

LAB 82.25, -20.49, 57.63

 

CMYK 6 / 0 / 63 / 24

HEX #B8C348

RGB 184 195 72

HSL 65.37, 0.51%, 0.52%

LAB 75.88, -19.92, 58.46

 

CMYK 6 / 0 / 70 / 31

HEX #A7B135

RGB 167 177 53

HSL 64.84, 0.54%, 0.45%

LAB 69.41, -19.22, 58.96

 

CMYK 6 / 0 / 79 / 38

HEX #969F22

RGB 150 159 34

HSL 64.32, 0.65%, 0.38%

LAB 62.84, -18.34, 58.82

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 0 / 9 / 52 / 9

HEX #E7D36E

RGB 231 211 110

HSL 50.08, 0.72%, 0.67%

LAB 84.33, -5.78, 51.96

 

CMYK 0 / 23 / 52 / 9

HEX #E7B36E

RGB 231 179 110

HSL 34.21, 0.72%, 0.67%

LAB 76.29, 10.86, 42.23

 

CMYK 0 / 37 / 52 / 9

HEX #E7926E

RGB 231 146 110

HSL 17.85, 0.72%, 0.67%

LAB 68.51, 28.42, 32.42

 

CMYK 0 / 51 / 52 / 9

HEX #E7716E

RGB 231 113 110

HSL 1.49, 0.72%, 0.67%

LAB 61.59, 45.41, 23.34

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 20 / 0 / 52 / 9

HEX #B9E76E

RGB 185 231 110

HSL 82.81, 0.72%, 0.67%

LAB 86.3, -33.6, 53.45

 

CMYK 34 / 0 / 52 / 9

HEX #99E76E

RGB 153 231 110

HSL 98.68, 0.72%, 0.67%

LAB 84.51, -44.9, 50.89

 

CMYK 48 / 0 / 52 / 9

HEX #78E76E

RGB 120 231 110

HSL 115.04, 0.72%, 0.67%

LAB 83.06, -54.99, 48.8

 

CMYK 52 / 0 / 43 / 9

HEX #6EE784

RGB 110 231 132

HSL 130.91, 0.72%, 0.67%

LAB 82.98, -54.57, 38.03

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 7 / 0 / 61 / 4

HEX #E5F560

RGB 229 245 96

HSL 66.44, 0.88%, 0.67%

LAB 92.93, -24.37, 67.82

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 5 / 0 / 43 / 15

HEX #CFD97B

RGB 207 217 123

HSL 66.38, 0.55%, 0.67%

LAB 84.13, -17.18, 45

 

CMYK 3 / 0 / 33 / 20

HEX #C5CC89

RGB 197 204 137

HSL 66.27, 0.4%, 0.67%

LAB 80.1, -12.95, 32.65

 

CMYK 2 / 0 / 21 / 25

HEX #BABE97

RGB 186 190 151

HSL 66.15, 0.23%, 0.67%

LAB 75.76, -8.01, 19.28

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 0 / 23 / 52 / 9

HEX #E7B26E

RGB 231 178 110

HSL 33.72, 0.72%, 0.67%

LAB 76.04, 11.39, 41.92

 

CMYK 0 / 9 / 52 / 9

HEX #E7D36E

RGB 231 211 110

HSL 50.08, 0.72%, 0.67%

LAB 84.33, -5.78, 51.96

 

CMYK 5 / 0 / 52 / 9

HEX #DBE76E

RGB 219 231 110

HSL 65.95, 0.72%, 0.67%

LAB 88.61, -20.55, 56.74

 

CMYK 19 / 0 / 52 / 9

HEX #BBE76E

RGB 187 231 110

HSL 81.82, 0.72%, 0.67%

LAB 86.43, -32.86, 53.63

 

CMYK 33 / 0 / 52 / 9

HEX #9AE76E

RGB 154 231 110

HSL 98.18, 0.72%, 0.67%

LAB 84.56, -44.57, 50.96

 

CMYK 9 / 0 / 82 / 14

HEX #C8DB27

RGB 200 219 39

HSL 66.33, 0.71%, 0.51%

LAB 83.49, -26.51, 77.03

 

CMYK 7 / 0 / 67 / 12

HEX #D1E14A

RGB 209 225 74

HSL 66.36, 0.72%, 0.59%

LAB 85.96, -24.19, 68.7

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 4 / 0 / 39 / 7

HEX #E3ED91

RGB 227 237 145

HSL 66.52, 0.72%, 0.75%

LAB 91.21, -16.96, 43.43

 

CMYK 2 / 0 / 25 / 5

HEX #ECF2B5

RGB 236 242 181

HSL 65.9, 0.7%, 0.83%

LAB 93.74, -11.64, 28.85

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 52 / 0 / 37 / 9

HEX #6EE792

RGB 110 231 146

HSL 137.85, 0.72%, 0.67%

LAB 83.2, -52.29, 31.29

 

CMYK 16 / 52 / 0 / 9

HEX #C36EE7

RGB 195 110 231

HSL 282.15, 0.72%, 0.67%

LAB 60.36, 53.23, -47.96

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 52 / 5 / 0 / 9

HEX #6EDBE7

RGB 110 219 231

HSL 185.95, 0.72%, 0.67%

LAB 81.7, -28.03, -15.49

 

CMYK 0 / 52 / 5 / 9

HEX #E76EDB

RGB 231 110 219

HSL 305.95, 0.72%, 0.67%

LAB 64.37, 60.73, -34.65

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 52 / 0 / 37 / 9

HEX #6EE792

RGB 110 231 146

HSL 137.85, 0.72%, 0.67%

LAB 83.2, -52.29, 31.29

 

CMYK 47 / 52 / 0 / 9

HEX #7A6EE7

RGB 122 110 231

HSL 245.95, 0.72%, 0.67%

LAB 53.01, 35.32, -60.11

 

CMYK 0 / 52 / 16 / 9

HEX #E76EC3

RGB 231 110 195

HSL 317.85, 0.72%, 0.67%

LAB 63.41, 56.94, -22.63

 

CMYK 6 / 0 / 52 / 9

HEX #DAE76E

RGB 218 231 110

HSL 66.45, 0.72%, 0.67%

LAB 88.53, -20.94, 56.63

 

CMYK 52 / 0 / 21 / 9

HEX #6EE7B6

RGB 110 231 182

HSL 155.7, 0.72%, 0.67%

LAB 83.88, -45.37, 13.62

 

CMYK 47 / 52 / 0 / 9

HEX #7A6EE7

RGB 122 110 231

HSL 245.95, 0.72%, 0.67%

LAB 53.01, 35.32, -60.11

 

CMYK 0 / 52 / 32 / 9

HEX #E76E9E

RGB 231 110 158

HSL 336.2, 0.72%, 0.67%

LAB 62.18, 51.87, -3.38

 

Description

Color code: HEX #DAE76E | qconv.com Color code: HEX #DAE76E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 231 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 231 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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