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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DADC7E it is the complementary color #252381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DADC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DADC7E shade: #DFDC79, #F0EE8C, #FFFF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DADC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DADC7E shade: #DADC7E, #C9CA6B, #B8B858, #A7A645 and #969432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DADC7E shade: #D9DB7E, #DBC47E, #DBAB7E, #DB927E and #DB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DADC7E shade: #D9DB7E, #C0DB7E, #A7DB7E, #8EDB7E and #7EDB88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DADC7E shade matches the following richer shades: #D9DB7E, #E6E971 and #F3F664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DADC7E shade: #D9DB7E, #CDCE8C, #C0C199, #B4B4A6 and #A7A7B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DADC7E shade: #DBAB7E, #DBC47E, #DADB7E, #C1DB7E and #A8DB7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DADC7E shade: #C7CA3E, #D0D35E, #D9DB7E, #E3E49F and #ECEDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DADC7E shade: #DADC7E, #7EDB93 and #B87EDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DADC7E shade: #DADC7E, #7EDADB and #DB7EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DADC7E shade: #DADC7E, #7EDB93, #807EDB and #DB7EC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DADC7E shade: #DADC7E, #7EDBAE, #807EDB and #DB7EAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 43 / 14

HEX #DADC7E

RGB 218 220 126

HSL 61.28, 0.57%, 0.68%

LAB 85.81, -14.05, 45.8

 

Complementary color

CMYK 71 / 73 / 0 / 49

HEX #252381

RGB 37 35 129

HSL 241.28, 0.57%, 0.32%

LAB 20.75, 32.92, -52.37

 

CMYK 0 / 1 / 46 / 13

HEX #DFDC79

RGB 223 220 121

HSL 58.24, 0.61%, 0.67%

LAB 86.13, -12.57, 48.71

 

CMYK 0 / 1 / 42 / 6

HEX #F0EE8C

RGB 240 238 140

HSL 58.8, 0.77%, 0.75%

LAB 92.38, -12.98, 47.56

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 1 / 0 / 43 / 14

HEX #DADC7E

RGB 218 220 126

HSL 61.28, 0.57%, 0.68%

LAB 85.81, -14.05, 45.8

 

CMYK 0 / 0 / 47 / 21

HEX #C9CA6B

RGB 201 202 107

HSL 60.63, 0.47%, 0.61%

LAB 79.45, -13.65, 46.96

 

CMYK 0 / 0 / 52 / 28

HEX #B8B858

RGB 184 184 88

HSL 60, 0.4%, 0.53%

LAB 73.01, -13.16, 48.11

 

CMYK 0 / 1 / 59 / 35

HEX #A7A645

RGB 167 166 69

HSL 59.39, 0.42%, 0.46%

LAB 66.46, -12.56, 49.17

 

CMYK 0 / 1 / 67 / 41

HEX #969432

RGB 150 148 50

HSL 58.8, 0.5%, 0.39%

LAB 59.79, -11.8, 49.99

 

CMYK 1 / 0 / 42 / 14

HEX #D9DB7E

RGB 217 219 126

HSL 61.29, 0.56%, 0.68%

LAB 85.46, -13.95, 45.36

 

CMYK 0 / 11 / 42 / 14

HEX #DBC47E

RGB 219 196 126

HSL 45.16, 0.56%, 0.68%

LAB 79.64, -1.43, 38.05

 

CMYK 0 / 22 / 42 / 14

HEX #DBAB7E

RGB 219 171 126

HSL 29.03, 0.56%, 0.68%

LAB 73.35, 11.79, 29.88

 

CMYK 0 / 33 / 42 / 14

HEX #DB927E

RGB 219 146 126

HSL 12.9, 0.56%, 0.68%

LAB 67.37, 25.25, 21.89

 

CMYK 0 / 42 / 42 / 14

HEX #DB7E7E

RGB 219 126 126

HSL 0, 0.56%, 0.68%

LAB 62.92, 35.9, 15.78

 

CMYK 1 / 0 / 42 / 14

HEX #D9DB7E

RGB 217 219 126

HSL 61.29, 0.56%, 0.68%

LAB 85.46, -13.95, 45.36

 

CMYK 12 / 0 / 42 / 14

HEX #C0DB7E

RGB 192 219 126

HSL 77.42, 0.56%, 0.68%

LAB 83.64, -23.62, 42.68

 

CMYK 24 / 0 / 42 / 14

HEX #A7DB7E

RGB 167 219 126

HSL 93.55, 0.56%, 0.68%

LAB 82.05, -32.82, 40.34

 

CMYK 35 / 0 / 42 / 14

HEX #8EDB7E

RGB 142 219 126

HSL 109.68, 0.56%, 0.68%

LAB 80.69, -41.3, 38.34

 

CMYK 42 / 0 / 38 / 14

HEX #7EDB88

RGB 126 219 136

HSL 126.45, 0.56%, 0.68%

LAB 80.11, -44.7, 32.39

 

CMYK 1 / 0 / 42 / 14

HEX #D9DB7E

RGB 217 219 126

HSL 61.29, 0.56%, 0.68%

LAB 85.46, -13.95, 45.36

 

CMYK 1 / 0 / 52 / 9

HEX #E6E971

RGB 230 233 113

HSL 61.5, 0.73%, 0.68%

LAB 90, -16.92, 57.2

 

CMYK 1 / 0 / 59 / 4

HEX #F3F664

RGB 243 246 100

HSL 61.23, 0.89%, 0.68%

LAB 94.26, -19.02, 67.92

 

CMYK 1 / 0 / 42 / 14

HEX #D9DB7E

RGB 217 219 126

HSL 61.29, 0.56%, 0.68%

LAB 85.46, -13.95, 45.36

 

CMYK 0 / 0 / 32 / 19

HEX #CDCE8C

RGB 205 206 140

HSL 60.91, 0.4%, 0.68%

LAB 81.3, -10.51, 32.79

 

CMYK 1 / 0 / 21 / 24

HEX #C0C199

RGB 192 193 153

HSL 61.5, 0.24%, 0.68%

LAB 77.07, -7.01, 20.08

 

CMYK 0 / 0 / 8 / 29

HEX #B4B4A6

RGB 180 180 166

HSL 60, 0.09%, 0.68%

LAB 72.96, -2.52, 7.13

 

CMYK 7 / 7 / 0 / 30

HEX #A7A7B3

RGB 167 167 179

HSL 240, 0.07%, 0.68%

LAB 68.83, 2.35, -6.17

 

CMYK 0 / 22 / 42 / 14

HEX #DBAB7E

RGB 219 171 126

HSL 29.03, 0.56%, 0.68%

LAB 73.35, 11.79, 29.88

 

CMYK 0 / 11 / 42 / 14

HEX #DBC47E

RGB 219 196 126

HSL 45.16, 0.56%, 0.68%

LAB 79.64, -1.43, 38.05

 

CMYK 0 / 0 / 42 / 14

HEX #DADB7E

RGB 218 219 126

HSL 60.65, 0.56%, 0.68%

LAB 85.54, -13.56, 45.47

 

CMYK 12 / 0 / 42 / 14

HEX #C1DB7E

RGB 193 219 126

HSL 76.77, 0.56%, 0.68%

LAB 83.71, -23.24, 42.78

 

CMYK 23 / 0 / 42 / 14

HEX #A8DB7E

RGB 168 219 126

HSL 92.9, 0.56%, 0.68%

LAB 82.11, -32.46, 40.42

 

CMYK 1 / 0 / 69 / 21

HEX #C7CA3E

RGB 199 202 62

HSL 61.29, 0.57%, 0.52%

LAB 78.89, -17.73, 65.82

 

CMYK 1 / 0 / 55 / 17

HEX #D0D35E

RGB 208 211 94

HSL 61.54, 0.57%, 0.6%

LAB 82.27, -16.43, 56.47

 

CMYK 1 / 0 / 42 / 14

HEX #D9DB7E

RGB 217 219 126

HSL 61.29, 0.56%, 0.68%

LAB 85.46, -13.95, 45.36

 

CMYK 0 / 0 / 30 / 11

HEX #E3E49F

RGB 227 228 159

HSL 60.87, 0.56%, 0.76%

LAB 89.07, -10.86, 33.65

 

CMYK 0 / 0 / 19 / 7

HEX #ECEDBF

RGB 236 237 191

HSL 61.3, 0.56%, 0.84%

LAB 92.65, -7.75, 22.24

 

CMYK 1 / 0 / 43 / 14

HEX #DADC7E

RGB 218 220 126

HSL 61.28, 0.57%, 0.68%

LAB 85.81, -14.05, 45.8

 

CMYK 42 / 0 / 33 / 14

HEX #7EDB93

RGB 126 219 147

HSL 133.55, 0.56%, 0.68%

LAB 80.29, -42.88, 26.99

 

CMYK 16 / 42 / 0 / 14

HEX #B87EDB

RGB 184 126 219

HSL 277.42, 0.56%, 0.68%

LAB 61.85, 39.18, -39

 

CMYK 1 / 0 / 43 / 14

HEX #DADC7E

RGB 218 220 126

HSL 61.28, 0.57%, 0.68%

LAB 85.81, -14.05, 45.8

 

CMYK 42 / 0 / 0 / 14

HEX #7EDADB

RGB 126 218 219

HSL 180.65, 0.56%, 0.68%

LAB 81.67, -27.12, -9.08

 

CMYK 0 / 42 / 0 / 14

HEX #DB7EDA

RGB 219 126 218

HSL 300.65, 0.56%, 0.68%

LAB 65.78, 49.3, -32.01

 

CMYK 1 / 0 / 43 / 14

HEX #DADC7E

RGB 218 220 126

HSL 61.28, 0.57%, 0.68%

LAB 85.81, -14.05, 45.8

 

CMYK 42 / 0 / 33 / 14

HEX #7EDB93

RGB 126 219 147

HSL 133.55, 0.56%, 0.68%

LAB 80.29, -42.88, 26.99

 

CMYK 42 / 42 / 0 / 14

HEX #807EDB

RGB 128 126 219

HSL 241.29, 0.56%, 0.68%

LAB 56.71, 23.78, -47.45

 

CMYK 0 / 42 / 9 / 14

HEX #DB7EC7

RGB 219 126 199

HSL 312.9, 0.56%, 0.68%

LAB 65.05, 46, -22.52

 

CMYK 1 / 0 / 43 / 14

HEX #DADC7E

RGB 218 220 126

HSL 61.28, 0.57%, 0.68%

LAB 85.81, -14.05, 45.8

 

CMYK 42 / 0 / 21 / 14

HEX #7EDBAE

RGB 126 219 174

HSL 150.97, 0.56%, 0.68%

LAB 80.82, -37.8, 13.59

 

CMYK 42 / 42 / 0 / 14

HEX #807EDB

RGB 128 126 219

HSL 241.29, 0.56%, 0.68%

LAB 56.71, 23.78, -47.45

 

CMYK 0 / 42 / 22 / 14

HEX #DB7EAB

RGB 219 126 171

HSL 330.97, 0.56%, 0.68%

LAB 64.1, 41.61, -8.14

 

Description

Color code: HEX #DADC7E | qconv.com Color code: HEX #DADC7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 220 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 220 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 43 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 43% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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