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Color name
HEX #DACC54

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DACC54 it is the complementary color #2533AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DACC54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DACC54 shade: #DFCC4F, #F0DE62, #FFF075, #FFFF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DACC54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DACC54 shade: #DACC54, #C9BA41, #B8A82E, #A7961B and #968408

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DACC54 shade: #D9CB53, #D9A753, #D98353, #D95F53 and #D95353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DACC54 shade: #D9CB53, #C3D953, #9FD953, #7BD953 and #56D953

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DACC54 shade matches the following richer shades: #D9CB53, #EAD842 and #FBE631

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DACC54 shade: #D9CB53, #C8BD64, #B7B075, #A6A386 and #959597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DACC54 shade: #D98253, #D9A653, #D9C953, #C5D953 and #A1D953

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DACC54 shade: #B3A427, #D1C131, #D9CB53, #E0D575 and #E8DF97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DACC54 shade: #DACC54, #53D95E and #9453D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DACC54 shade: #DACC54, #53D9C9 and #C953D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DACC54 shade: #DACC54, #53D95E, #5363D9 and #D953CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DACC54 shade: #DACC54, #53D986, #5363D9 and #D953A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 61 / 15

HEX #DACC54

RGB 218 204 84

HSL 53.73, 0.64%, 0.59%

LAB 81.14, -9.5, 59.84

 

Complementary color

CMYK 78 / 70 / 0 / 33

HEX #2533AB

RGB 37 51 171

HSL 233.73, 0.64%, 0.41%

LAB 28.65, 37.94, -65.23

 

CMYK 0 / 9 / 65 / 13

HEX #DFCC4F

RGB 223 204 79

HSL 52.08, 0.69%, 0.59%

LAB 81.53, -7.73, 62.5

 

CMYK 0 / 8 / 59 / 6

HEX #F0DE62

RGB 240 222 98

HSL 52.39, 0.83%, 0.66%

LAB 87.8, -8.57, 61.61

 

CMYK 0 / 6 / 54 / 0

HEX #FFF075

RGB 255 240 117

HSL 53.48, 1%, 0.73%

LAB 93.82, -10.09, 60.34

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 6 / 61 / 15

HEX #DACC54

RGB 218 204 84

HSL 53.73, 0.64%, 0.59%

LAB 81.14, -9.5, 59.84

 

CMYK 0 / 7 / 68 / 21

HEX #C9BA41

RGB 201 186 65

HSL 53.38, 0.56%, 0.52%

LAB 74.77, -8.62, 60.6

 

CMYK 0 / 9 / 75 / 28

HEX #B8A82E

RGB 184 168 46

HSL 53.04, 0.6%, 0.45%

LAB 68.31, -7.55, 60.94

 

CMYK 0 / 10 / 84 / 35

HEX #A7961B

RGB 167 150 27

HSL 52.71, 0.72%, 0.38%

LAB 61.75, -6.27, 60.46

 

CMYK 0 / 12 / 95 / 41

HEX #968408

RGB 150 132 8

HSL 52.39, 0.9%, 0.31%

LAB 55.08, -4.7, 58.53

 

CMYK 0 / 6 / 62 / 15

HEX #D9CB53

RGB 217 203 83

HSL 53.73, 0.64%, 0.59%

LAB 80.79, -9.48, 59.86

 

CMYK 0 / 23 / 62 / 15

HEX #D9A753

RGB 217 167 83

HSL 37.61, 0.64%, 0.59%

LAB 71.56, 9.34, 49.63

 

CMYK 0 / 40 / 62 / 15

HEX #D98353

RGB 217 131 83

HSL 21.49, 0.64%, 0.59%

LAB 63.02, 28.69, 39.64

 

CMYK 0 / 56 / 62 / 15

HEX #D95F53

RGB 217 95 83

HSL 5.37, 0.64%, 0.59%

LAB 55.65, 47.05, 30.59

 

CMYK 0 / 62 / 62 / 15

HEX #D95353

RGB 217 83 83

HSL 0, 0.64%, 0.59%

LAB 53.56, 52.55, 27.95

 

CMYK 0 / 6 / 62 / 15

HEX #D9CB53

RGB 217 203 83

HSL 53.73, 0.64%, 0.59%

LAB 80.79, -9.48, 59.86

 

CMYK 10 / 0 / 62 / 15

HEX #C3D953

RGB 195 217 83

HSL 69.85, 0.64%, 0.59%

LAB 82.83, -25.42, 61.57

 

CMYK 27 / 0 / 62 / 15

HEX #9FD953

RGB 159 217 83

HSL 85.97, 0.64%, 0.59%

LAB 80.53, -39.29, 58.39

 

CMYK 43 / 0 / 62 / 15

HEX #7BD953

RGB 123 217 83

HSL 102.09, 0.64%, 0.59%

LAB 78.73, -51.5, 55.9

 

CMYK 60 / 0 / 62 / 15

HEX #56D953

RGB 86 217 83

HSL 118.66, 0.64%, 0.59%

LAB 77.42, -61.43, 54.07

 

CMYK 0 / 6 / 62 / 15

HEX #D9CB53

RGB 217 203 83

HSL 53.73, 0.64%, 0.59%

LAB 80.79, -9.48, 59.86

 

CMYK 0 / 8 / 72 / 8

HEX #EAD842

RGB 234 216 66

HSL 53.57, 0.8%, 0.59%

LAB 85.5, -9.86, 71.82

 

CMYK 0 / 8 / 80 / 2

HEX #FBE631

RGB 251 230 49

HSL 53.76, 0.96%, 0.59%

LAB 90.47, -10.35, 82.11

 

CMYK 0 / 6 / 62 / 15

HEX #D9CB53

RGB 217 203 83

HSL 53.73, 0.64%, 0.59%

LAB 80.79, -9.48, 59.86

 

CMYK 0 / 5 / 50 / 22

HEX #C8BD64

RGB 200 189 100

HSL 53.4, 0.48%, 0.59%

LAB 75.82, -8.06, 45.98

 

CMYK 0 / 4 / 36 / 28

HEX #B7B075

RGB 183 176 117

HSL 53.64, 0.31%, 0.59%

LAB 71.15, -6.44, 31.15

 

CMYK 0 / 2 / 19 / 35

HEX #A6A386

RGB 166 163 134

HSL 54.38, 0.15%, 0.59%

LAB 66.54, -3.89, 15.48

 

CMYK 1 / 1 / 0 / 41

HEX #959597

RGB 149 149 151

HSL 240, 0.01%, 0.59%

LAB 61.76, 0.39, -1.06

 

CMYK 0 / 40 / 62 / 15

HEX #D98253

RGB 217 130 83

HSL 21.04, 0.64%, 0.59%

LAB 62.79, 29.22, 39.38

 

CMYK 0 / 24 / 62 / 15

HEX #D9A653

RGB 217 166 83

HSL 37.16, 0.64%, 0.59%

LAB 71.32, 9.88, 49.34

 

CMYK 0 / 7 / 62 / 15

HEX #D9C953

RGB 217 201 83

HSL 52.84, 0.64%, 0.59%

LAB 80.26, -8.46, 59.29

 

CMYK 9 / 0 / 62 / 15

HEX #C5D953

RGB 197 217 83

HSL 68.96, 0.64%, 0.59%

LAB 82.98, -24.62, 61.77

 

CMYK 26 / 0 / 62 / 15

HEX #A1D953

RGB 161 217 83

HSL 85.07, 0.64%, 0.59%

LAB 80.64, -38.55, 58.55

 

CMYK 0 / 8 / 78 / 30

HEX #B3A427

RGB 179 164 39

HSL 53.57, 0.64%, 0.43%

LAB 66.73, -7.94, 61.68

 

CMYK 0 / 8 / 77 / 18

HEX #D1C131

RGB 209 193 49

HSL 54, 0.63%, 0.51%

LAB 77.23, -9.53, 69.01

 

CMYK 0 / 6 / 62 / 15

HEX #D9CB53

RGB 217 203 83

HSL 53.73, 0.64%, 0.59%

LAB 80.79, -9.48, 59.86

 

CMYK 0 / 5 / 48 / 12

HEX #E0D575

RGB 224 213 117

HSL 53.83, 0.63%, 0.67%

LAB 84.34, -9.02, 48.48

 

CMYK 0 / 4 / 35 / 9

HEX #E8DF97

RGB 232 223 151

HSL 53.33, 0.64%, 0.75%

LAB 88.05, -7.4, 36.43

 

CMYK 0 / 6 / 61 / 15

HEX #DACC54

RGB 218 204 84

HSL 53.73, 0.64%, 0.59%

LAB 81.14, -9.5, 59.84

 

CMYK 62 / 0 / 57 / 15

HEX #53D95E

RGB 83 217 94

HSL 124.93, 0.64%, 0.59%

LAB 77.44, -60.83, 49.2

 

CMYK 32 / 62 / 0 / 15

HEX #9453D9

RGB 148 83 217

HSL 269.1, 0.64%, 0.59%

LAB 48.87, 52.39, -58.73

 

CMYK 0 / 6 / 61 / 15

HEX #DACC54

RGB 218 204 84

HSL 53.73, 0.64%, 0.59%

LAB 81.14, -9.5, 59.84

 

CMYK 62 / 0 / 7 / 15

HEX #53D9C9

RGB 83 217 201

HSL 172.84, 0.64%, 0.59%

LAB 79.43, -40.05, -2.96

 

CMYK 7 / 62 / 0 / 15

HEX #C953D9

RGB 201 83 217

HSL 292.84, 0.64%, 0.59%

LAB 55.7, 64.72, -47.43

 

CMYK 0 / 6 / 61 / 15

HEX #DACC54

RGB 218 204 84

HSL 53.73, 0.64%, 0.59%

LAB 81.14, -9.5, 59.84

 

CMYK 62 / 0 / 57 / 15

HEX #53D95E

RGB 83 217 94

HSL 124.93, 0.64%, 0.59%

LAB 77.44, -60.83, 49.2

 

CMYK 62 / 54 / 0 / 15

HEX #5363D9

RGB 83 99 217

HSL 232.84, 0.64%, 0.59%

LAB 46.67, 29.96, -62.56

 

CMYK 0 / 62 / 5 / 15

HEX #D953CE

RGB 217 83 206

HSL 304.93, 0.64%, 0.59%

LAB 57.46, 66.76, -38.26

 

CMYK 0 / 6 / 61 / 15

HEX #DACC54

RGB 218 204 84

HSL 53.73, 0.64%, 0.59%

LAB 81.14, -9.5, 59.84

 

CMYK 62 / 0 / 38 / 15

HEX #53D986

RGB 83 217 134

HSL 142.84, 0.64%, 0.59%

LAB 77.98, -54.81, 30.33

 

CMYK 62 / 54 / 0 / 15

HEX #5363D9

RGB 83 99 217

HSL 232.84, 0.64%, 0.59%

LAB 46.67, 29.96, -62.56

 

CMYK 0 / 62 / 24 / 15

HEX #D953A6

RGB 217 83 166

HSL 322.84, 0.64%, 0.59%

LAB 55.78, 60.86, -17.81

 

Description

Color code: HEX #DACC54 | qconv.com Color code: HEX #DACC54 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 204 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 204 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 61% 15% C M Y K

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Provide designers and agencies with accurate color values.

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