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Color name
HEX #DAC223

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC223 it is the complementary color #253DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC223 shade: #DFC21E, #F0D431, #FFE644, #FFF857 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC223 shade: #DAC223, #C9B010, #B89E00, #A78C00 and #967A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC223 shade: #DBC323, #DB9123, #DB6023, #DB2E23 and #DB2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC223 shade: #DBC323, #C1DB23, #90DB23, #5EDB23 and #2DDB23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC223 shade matches the following richer shades: #DBC323 and #EFD20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC223 shade: #DBC323, #C6B438, #B2A44C, #9D9561 and #888676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC223 shade: #DB6023, #DB9123, #DBC223, #C2DB23 and #91DB23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC223 shade: #948418, #B7A31D, #DBC323, #E1CC47 and #E6D66A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC223 shade: #DAC223, #23DB2F and #7923DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC223 shade: #DAC223, #23DBC2 and #C223DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC223 shade: #DAC223, #23DB2F, #233CDB and #DB23CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC223 shade: #DAC223, #23DB67, #233CDB and #DB2397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 84 / 15

HEX #DAC223

RGB 218 194 35

HSL 52.13, 0.72%, 0.5%

LAB 78.23, -6.61, 74.14

 

Complementary color

CMYK 83 / 72 / 0 / 14

HEX #253DDC

RGB 37 61 220

HSL 232.13, 0.72%, 0.5%

LAB 35.79, 49.07, -82.18

 

CMYK 0 / 13 / 87 / 13

HEX #DFC21E

RGB 223 194 30

HSL 50.98, 0.76%, 0.5%

LAB 78.67, -4.57, 75.82

 

CMYK 0 / 12 / 80 / 6

HEX #F0D431

RGB 240 212 49

HSL 51.2, 0.86%, 0.57%

LAB 84.91, -5.97, 76.92

 

CMYK 0 / 10 / 73 / 0

HEX #FFE644

RGB 255 230 68

HSL 51.98, 1%, 0.63%

LAB 90.9, -8.01, 76.93

 

CMYK 0 / 3 / 66 / 0

HEX #FFF857

RGB 255 248 87

HSL 57.5, 1%, 0.67%

LAB 95.62, -15.95, 74.76

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 11 / 84 / 15

HEX #DAC223

RGB 218 194 35

HSL 52.13, 0.72%, 0.5%

LAB 78.23, -6.61, 74.14

 

CMYK 0 / 12 / 92 / 21

HEX #C9B010

RGB 201 176 16

HSL 51.89, 0.85%, 0.43%

LAB 71.9, -5.09, 72.22

 

CMYK 0 / 14 / 100 / 28

HEX #B89E00

RGB 184 158 0

HSL 51.52, 1%, 0.36%

LAB 65.47, -3.35, 68.84

 

CMYK 0 / 16 / 100 / 35

HEX #A78C00

RGB 167 140 0

HSL 50.3, 1%, 0.33%

LAB 58.95, -1.36, 63.45

 

CMYK 0 / 19 / 100 / 41

HEX #967A00

RGB 150 122 0

HSL 48.8, 1%, 0.29%

LAB 52.29, 0.73, 57.96

 

CMYK 0 / 11 / 84 / 14

HEX #DBC323

RGB 219 195 35

HSL 52.17, 0.72%, 0.5%

LAB 78.58, -6.69, 74.47

 

CMYK 0 / 34 / 84 / 14

HEX #DB9123

RGB 219 145 35

HSL 35.87, 0.72%, 0.5%

LAB 66.08, 19.76, 64.01

 

CMYK 0 / 56 / 84 / 14

HEX #DB6023

RGB 219 96 35

HSL 19.89, 0.72%, 0.5%

LAB 55.63, 45.13, 55.08

 

CMYK 0 / 79 / 84 / 14

HEX #DB2E23

RGB 219 46 35

HSL 3.59, 0.72%, 0.5%

LAB 48.43, 64.57, 48.79

 

CMYK 0 / 84 / 84 / 14

HEX #DB2323

RGB 219 35 35

HSL 0, 0.72%, 0.5%

LAB 47.47, 67.28, 47.94

 

CMYK 0 / 11 / 84 / 14

HEX #DBC323

RGB 219 195 35

HSL 52.17, 0.72%, 0.5%

LAB 78.58, -6.69, 74.47

 

CMYK 12 / 0 / 84 / 14

HEX #C1DB23

RGB 193 219 35

HSL 68.48, 0.72%, 0.5%

LAB 82.98, -29.49, 77.31

 

CMYK 34 / 0 / 84 / 14

HEX #90DB23

RGB 144 219 35

HSL 84.46, 0.72%, 0.5%

LAB 80.02, -48.34, 73.6

 

CMYK 57 / 0 / 84 / 14

HEX #5EDB23

RGB 94 219 35

HSL 100.76, 0.72%, 0.5%

LAB 77.97, -63.67, 71.02

 

CMYK 79 / 0 / 84 / 14

HEX #2DDB23

RGB 45 219 35

HSL 116.74, 0.72%, 0.5%

LAB 76.89, -72.84, 69.64

 

CMYK 0 / 11 / 84 / 14

HEX #DBC323

RGB 219 195 35

HSL 52.17, 0.72%, 0.5%

LAB 78.58, -6.69, 74.47

 

CMYK 0 / 12 / 94 / 6

HEX #EFD20F

RGB 239 210 15

HSL 52.23, 0.88%, 0.5%

LAB 84.21, -6.09, 83.15

 

CMYK 0 / 11 / 84 / 14

HEX #DBC323

RGB 219 195 35

HSL 52.17, 0.72%, 0.5%

LAB 78.58, -6.69, 74.47

 

CMYK 0 / 9 / 72 / 22

HEX #C6B438

RGB 198 180 56

HSL 52.39, 0.56%, 0.5%

LAB 72.85, -7.26, 62.09

 

CMYK 0 / 8 / 57 / 30

HEX #B2A44C

RGB 178 164 76

HSL 51.76, 0.4%, 0.5%

LAB 66.93, -6.24, 46.68

 

CMYK 0 / 5 / 38 / 38

HEX #9D9561

RGB 157 149 97

HSL 52, 0.24%, 0.5%

LAB 61.24, -5.03, 28.54

 

CMYK 0 / 1 / 13 / 47

HEX #888676

RGB 136 134 118

HSL 53.33, 0.07%, 0.5%

LAB 55.68, -2.2, 8.88

 

CMYK 0 / 56 / 84 / 14

HEX #DB6023

RGB 219 96 35

HSL 19.89, 0.72%, 0.5%

LAB 55.63, 45.13, 55.08

 

CMYK 0 / 34 / 84 / 14

HEX #DB9123

RGB 219 145 35

HSL 35.87, 0.72%, 0.5%

LAB 66.08, 19.76, 64.01

 

CMYK 0 / 11 / 84 / 14

HEX #DBC223

RGB 219 194 35

HSL 51.85, 0.72%, 0.5%

LAB 78.32, -6.18, 74.25

 

CMYK 11 / 0 / 84 / 14

HEX #C2DB23

RGB 194 219 35

HSL 68.15, 0.72%, 0.5%

LAB 83.05, -29.08, 77.39

 

CMYK 34 / 0 / 84 / 14

HEX #91DB23

RGB 145 219 35

HSL 84.13, 0.72%, 0.5%

LAB 80.07, -47.99, 73.67

 

CMYK 0 / 11 / 84 / 42

HEX #948418

RGB 148 132 24

HSL 52.26, 0.72%, 0.34%

LAB 54.93, -5.26, 54.77

 

CMYK 0 / 11 / 84 / 28

HEX #B7A31D

RGB 183 163 29

HSL 52.21, 0.73%, 0.42%

LAB 66.79, -5.96, 64.78

 

CMYK 0 / 11 / 84 / 14

HEX #DBC323

RGB 219 195 35

HSL 52.17, 0.72%, 0.5%

LAB 78.58, -6.69, 74.47

 

CMYK 0 / 9 / 68 / 12

HEX #E1CC47

RGB 225 204 71

HSL 51.82, 0.72%, 0.58%

LAB 81.65, -7.33, 65.9

 

CMYK 0 / 7 / 54 / 10

HEX #E6D66A

RGB 230 214 106

HSL 52.26, 0.71%, 0.66%

LAB 84.97, -8.04, 54.57

 

CMYK 0 / 11 / 84 / 15

HEX #DAC223

RGB 218 194 35

HSL 52.13, 0.72%, 0.5%

LAB 78.23, -6.61, 74.14

 

CMYK 84 / 0 / 79 / 14

HEX #23DB2F

RGB 35 219 47

HSL 123.91, 0.72%, 0.5%

LAB 76.82, -73.27, 66.38

 

CMYK 45 / 84 / 0 / 14

HEX #7923DB

RGB 121 35 219

HSL 268.04, 0.72%, 0.5%

LAB 38.52, 68.58, -76.87

 

CMYK 0 / 11 / 84 / 15

HEX #DAC223

RGB 218 194 35

HSL 52.13, 0.72%, 0.5%

LAB 78.23, -6.61, 74.14

 

CMYK 84 / 0 / 11 / 14

HEX #23DBC2

RGB 35 219 194

HSL 171.85, 0.72%, 0.5%

LAB 78.99, -48.49, 0.04

 

CMYK 11 / 84 / 0 / 14

HEX #C223DB

RGB 194 35 219

HSL 291.85, 0.72%, 0.5%

LAB 49.24, 79.35, -58.96

 

CMYK 0 / 11 / 84 / 15

HEX #DAC223

RGB 218 194 35

HSL 52.13, 0.72%, 0.5%

LAB 78.23, -6.61, 74.14

 

CMYK 84 / 0 / 79 / 14

HEX #23DB2F

RGB 35 219 47

HSL 123.91, 0.72%, 0.5%

LAB 76.82, -73.27, 66.38

 

CMYK 84 / 73 / 0 / 14

HEX #233CDB

RGB 35 60 219

HSL 231.85, 0.72%, 0.5%

LAB 35.41, 49.19, -82.24

 

CMYK 0 / 84 / 5 / 14

HEX #DB23CF

RGB 219 35 207

HSL 303.91, 0.72%, 0.5%

LAB 52.69, 81.93, -46.32

 

CMYK 0 / 11 / 84 / 15

HEX #DAC223

RGB 218 194 35

HSL 52.13, 0.72%, 0.5%

LAB 78.23, -6.61, 74.14

 

CMYK 84 / 0 / 53 / 14

HEX #23DB67

RGB 35 219 103

HSL 142.17, 0.72%, 0.5%

LAB 77.28, -67.52, 44.6

 

CMYK 84 / 73 / 0 / 14

HEX #233CDB

RGB 35 60 219

HSL 231.85, 0.72%, 0.5%

LAB 35.41, 49.19, -82.24

 

CMYK 0 / 84 / 31 / 14

HEX #DB2397

RGB 219 35 151

HSL 322.17, 0.72%, 0.5%

LAB 50.09, 74.86, -17.59

 

Description

Color code: HEX #DAC223 | qconv.com Color code: HEX #DAC223 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 194 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 194 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 84 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 84% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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