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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC182 it is the complementary color #253E7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC182 shade: #DFC17D, #F0D390, #FFE5A3, #FFF7B6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC182 shade: #DAC182, #C9AF6F, #B89D5C, #A78B49 and #967936

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC182 shade: #D9C081, #D9A881, #D99081 and #D98181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC182 shade: #D9C081, #D9D881, #C2D981, #ABD981 and #93D981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC182 shade matches the following richer shades: #D9C081, #E6C674 and #F3CB66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC182 shade: #D9C081, #CCBA8E, #BFB59B, #B1AFA8 and #A4A9B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC182 shade: #D99081, #D9A781, #D9BF81, #D9D681 and #C4D981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC182 shade: #C6A041, #CFB061, #D9C081, #E2D0A1 and #ECE0C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC182 shade: #DAC182, #8AD981 and #9B81D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC182 shade: #DAC182, #81D9BF and #BF81D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC182 shade: #DAC182, #8AD981, #819BD9 and #D081D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC182 shade: #DAC182, #81D992, #819BD9 and #D981C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 40 / 15

HEX #DAC182

RGB 218 193 130

HSL 42.95, 0.54%, 0.68%

LAB 78.84, 0.16, 34.95

 

Complementary color

CMYK 70 / 50 / 0 / 51

HEX #253E7D

RGB 37 62 125

HSL 222.95, 0.54%, 0.32%

LAB 27.63, 13.09, -38.67

 

CMYK 0 / 13 / 44 / 13

HEX #DFC17D

RGB 223 193 125

HSL 41.63, 0.6%, 0.68%

LAB 79.22, 1.64, 38.1

 

CMYK 0 / 12 / 40 / 6

HEX #F0D390

RGB 240 211 144

HSL 41.88, 0.76%, 0.75%

LAB 85.57, 1.05, 36.88

 

CMYK 0 / 10 / 36 / 0

HEX #FFE5A3

RGB 255 229 163

HSL 43.04, 1%, 0.82%

LAB 91.66, -0.23, 35.46

 

CMYK 0 / 3 / 29 / 0

HEX #FFF7B6

RGB 255 247 182

HSL 53.42, 1%, 0.86%

LAB 96.48, -7, 32.28

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 11 / 40 / 15

HEX #DAC182

RGB 218 193 130

HSL 42.95, 0.54%, 0.68%

LAB 78.84, 0.16, 34.95

 

CMYK 0 / 13 / 45 / 21

HEX #C9AF6F

RGB 201 175 111

HSL 42.67, 0.45%, 0.61%

LAB 72.38, 0.76, 36.19

 

CMYK 0 / 15 / 50 / 28

HEX #B89D5C

RGB 184 157 92

HSL 42.39, 0.39%, 0.54%

LAB 65.81, 1.46, 37.49

 

CMYK 0 / 17 / 56 / 35

HEX #A78B49

RGB 167 139 73

HSL 42.13, 0.39%, 0.47%

LAB 59.12, 2.3, 38.82

 

CMYK 0 / 19 / 64 / 41

HEX #967936

RGB 150 121 54

HSL 41.88, 0.47%, 0.4%

LAB 52.31, 3.34, 40.13

 

CMYK 0 / 12 / 41 / 15

HEX #D9C081

RGB 217 192 129

HSL 42.95, 0.54%, 0.68%

LAB 78.48, 0.18, 34.98

 

CMYK 0 / 23 / 41 / 15

HEX #D9A881

RGB 217 168 129

HSL 26.59, 0.54%, 0.68%

LAB 72.46, 12.93, 27.06

 

CMYK 0 / 34 / 41 / 15

HEX #D99081

RGB 217 144 129

HSL 10.23, 0.54%, 0.68%

LAB 66.74, 25.88, 19.32

 

CMYK 0 / 41 / 41 / 15

HEX #D98181

RGB 217 129 129

HSL 0, 0.54%, 0.68%

LAB 63.37, 33.9, 14.67

 

CMYK 0 / 12 / 41 / 15

HEX #D9C081

RGB 217 192 129

HSL 42.95, 0.54%, 0.68%

LAB 78.48, 0.18, 34.98

 

CMYK 0 / 0 / 41 / 15

HEX #D9D881

RGB 217 216 129

HSL 59.32, 0.54%, 0.68%

LAB 84.71, -12.14, 42.94

 

CMYK 11 / 0 / 41 / 15

HEX #C2D981

RGB 194 217 129

HSL 75.68, 0.54%, 0.68%

LAB 83.27, -21.54, 40.76

 

CMYK 21 / 0 / 41 / 15

HEX #ABD981

RGB 171 217 129

HSL 91.36, 0.54%, 0.68%

LAB 81.77, -30.07, 38.53

 

CMYK 32 / 0 / 41 / 15

HEX #93D981

RGB 147 217 129

HSL 107.73, 0.54%, 0.68%

LAB 80.41, -38.37, 36.52

 

CMYK 0 / 12 / 41 / 15

HEX #D9C081

RGB 217 192 129

HSL 42.95, 0.54%, 0.68%

LAB 78.48, 0.18, 34.98

 

CMYK 0 / 14 / 50 / 10

HEX #E6C674

RGB 230 198 116

HSL 43.16, 0.7%, 0.68%

LAB 81, 1.01, 45.01

 

CMYK 0 / 16 / 58 / 5

HEX #F3CB66

RGB 243 203 102

HSL 42.98, 0.85%, 0.68%

LAB 83.3, 2.61, 54.78

 

CMYK 0 / 12 / 41 / 15

HEX #D9C081

RGB 217 192 129

HSL 42.95, 0.54%, 0.68%

LAB 78.48, 0.18, 34.98

 

CMYK 0 / 9 / 30 / 20

HEX #CCBA8E

RGB 204 186 142

HSL 42.58, 0.38%, 0.68%

LAB 76.01, -0.26, 24.67

 

CMYK 0 / 5 / 19 / 25

HEX #BFB59B

RGB 191 181 155

HSL 43.33, 0.22%, 0.68%

LAB 73.86, -0.77, 14.53

 

CMYK 0 / 1 / 5 / 31

HEX #B1AFA8

RGB 177 175 168

HSL 46.67, 0.05%, 0.68%

LAB 71.44, -0.57, 3.83

 

CMYK 10 / 7 / 0 / 29

HEX #A4A9B6

RGB 164 169 182

HSL 223.33, 0.11%, 0.68%

LAB 69.22, 0.84, -7.28

 

CMYK 0 / 34 / 41 / 15

HEX #D99081

RGB 217 144 129

HSL 10.23, 0.54%, 0.68%

LAB 66.74, 25.88, 19.32

 

CMYK 0 / 23 / 41 / 15

HEX #D9A781

RGB 217 167 129

HSL 25.91, 0.54%, 0.68%

LAB 72.21, 13.47, 26.73

 

CMYK 0 / 12 / 41 / 15

HEX #D9BF81

RGB 217 191 129

HSL 42.27, 0.54%, 0.68%

LAB 78.23, 0.7, 34.65

 

CMYK 0 / 1 / 41 / 15

HEX #D9D681

RGB 217 214 129

HSL 57.95, 0.54%, 0.68%

LAB 84.19, -11.13, 42.28

 

CMYK 10 / 0 / 41 / 15

HEX #C4D981

RGB 196 217 129

HSL 74.32, 0.54%, 0.68%

LAB 83.41, -20.78, 40.97

 

CMYK 0 / 19 / 67 / 22

HEX #C6A041

RGB 198 160 65

HSL 42.86, 0.54%, 0.52%

LAB 67.67, 3.81, 53.12

 

CMYK 0 / 15 / 53 / 19

HEX #CFB061

RGB 207 176 97

HSL 43.09, 0.53%, 0.6%

LAB 73.01, 1.41, 44.23

 

CMYK 0 / 12 / 41 / 15

HEX #D9C081

RGB 217 192 129

HSL 42.95, 0.54%, 0.68%

LAB 78.48, 0.18, 34.98

 

CMYK 0 / 8 / 29 / 11

HEX #E2D0A1

RGB 226 208 161

HSL 43.38, 0.53%, 0.76%

LAB 83.89, -0.8, 25.65

 

CMYK 0 / 5 / 19 / 7

HEX #ECE0C0

RGB 236 224 192

HSL 43.64, 0.54%, 0.84%

LAB 89.37, -1.01, 17.15

 

CMYK 0 / 11 / 40 / 15

HEX #DAC182

RGB 218 193 130

HSL 42.95, 0.54%, 0.68%

LAB 78.84, 0.16, 34.95

 

CMYK 36 / 0 / 41 / 15

HEX #8AD981

RGB 138 217 129

HSL 113.86, 0.54%, 0.68%

LAB 79.96, -41.27, 35.85

 

CMYK 29 / 41 / 0 / 15

HEX #9B81D9

RGB 155 129 217

HSL 257.73, 0.54%, 0.68%

LAB 59.6, 28.71, -41.61

 

CMYK 0 / 11 / 40 / 15

HEX #DAC182

RGB 218 193 130

HSL 42.95, 0.54%, 0.68%

LAB 78.84, 0.16, 34.95

 

CMYK 41 / 0 / 12 / 15

HEX #81D9BF

RGB 129 217 191

HSL 162.27, 0.54%, 0.68%

LAB 80.77, -32.47, 4.52

 

CMYK 12 / 41 / 0 / 15

HEX #BF81D9

RGB 191 129 217

HSL 282.27, 0.54%, 0.68%

LAB 63.17, 39.18, -35.77

 

CMYK 0 / 11 / 40 / 15

HEX #DAC182

RGB 218 193 130

HSL 42.95, 0.54%, 0.68%

LAB 78.84, 0.16, 34.95

 

CMYK 36 / 0 / 41 / 15

HEX #8AD981

RGB 138 217 129

HSL 113.86, 0.54%, 0.68%

LAB 79.96, -41.27, 35.85

 

CMYK 41 / 29 / 0 / 15

HEX #819BD9

RGB 129 155 217

HSL 222.27, 0.54%, 0.68%

LAB 64.26, 6.54, -34.47

 

CMYK 4 / 41 / 0 / 15

HEX #D081D9

RGB 208 129 217

HSL 293.86, 0.54%, 0.68%

LAB 65.06, 44.27, -32.68

 

CMYK 0 / 11 / 40 / 15

HEX #DAC182

RGB 218 193 130

HSL 42.95, 0.54%, 0.68%

LAB 78.84, 0.16, 34.95

 

CMYK 41 / 0 / 33 / 15

HEX #81D992

RGB 129 217 146

HSL 131.59, 0.54%, 0.68%

LAB 79.82, -41.31, 26.9

 

CMYK 41 / 29 / 0 / 15

HEX #819BD9

RGB 129 155 217

HSL 222.27, 0.54%, 0.68%

LAB 64.26, 6.54, -34.47

 

CMYK 0 / 41 / 8 / 15

HEX #D981C7

RGB 217 129 199

HSL 312.27, 0.54%, 0.68%

LAB 65.42, 43.82, -21.98

 

Description

Color code: HEX #DAC182 | qconv.com Color code: HEX #DAC182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 193 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 193 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 40% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - 24b5e590d5939ba4c62a...
Link: http://www.wellheart.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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